Historical Scenes with Kings

A series of prints depicting dramatic historical encounters involving kings and queens, featuring rich costumes and regal settings.

The Parthian general of the field, Vagises, points to the inside of his hand. He tells Marcus Licinius Crassus that hair will grow on his hand even faster than Crassus will reach Seleucia. Marcus Licinius Crassus laughed at by Parthian envoys, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Jacobus Buys, Amsterdam, 1800, paper, etching, h 217 mm × w 133 mm

Solomon and the Queen of Seba, Reinier Vinkeles (I), 1766 print The Queen of Seba arrives at the court of King Solomon. The Queen of Seba tests the wisdom of Solomon by submitting all kinds of riddles to him. Amsterdam paper etching / engraving homage to Solomon: the queen of Sheba gives Solomon gold, precious stones and spices. the queen of Sheba before Solomon, testing him with questions

Countess Ada is sent by Graaf Willem I van Texel to England, 1204. Gravin Ada sent by her uncle Willem I from Texel to England, 1204. Design for a print.

The Parthian general of the field, Vagises, points to the inside of his hand. He tells Marcus Licinius Crassus that hair will grow on his hand even faster than Crassus will reach Seleucia. Marcus Licinius Crassus laughed at by Parthian envoys, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Jacobus Buys, Amsterdam, 1800, paper, etching, h 217 mm × w 133 mm

Judgment of Solomon, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 2 1605-6 Willem van Swanenburg Netherlandish This print is from a set of 13 plates depicting "pictures of justice", with scenes from the Bible, history, and legend. The prints are executed by Willem Swaneburg after designs by Joachim Wtewael. The prints were first published by Christoffel van Sichem in 1606.. Judgment of Solomon, from Thronus Justitiae, tredecim pulcherrimus tabulis..., plate 2 650787

Dutch Virgin sitting on a lion, Jan Luyken, 1680 print The Dutch virgin is sitting on her lap with a cat on the back of a lion. De Leeuw keeps the Horse Shield of Holland among his claws. The Dutch Virgin Weert with her right hand the Personified War. At her feet lies the coat of arms of Zeeland, a lance with freedom hat leans against her shoulder. In the background a thrown prince, flanked by a soldier and a bishop. Amsterdam paper etching symbols of particular nations, states, districts, etc.. coat of arms (as symbol of the state, etc.) (+ city; municipal). symbols, allegories of war; 'Guerra' (Ripa). Freedom, Liberty; 'Libertí' (Ripa) (+ symbolical representation of concept)

Allegorical representation with references to poetry and theater, Bernard Picart (workshop of), After Bernard Picart, 1719 print Title page with allegorical performance with Thalia (with a trumpet) and the personification of the city of Amsterdam (with a Bijenkorf). They point to the background where people in costumes dance exuberantly. In the foreground Joan Pluimer, the director of the Amsterdam Schouwburg, who is threatened by Harlekijn. In the margin the title in Dutch. Amsterdam paper etching / engraving symbolic representations, allegories and emblems ~ the theatre. symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa)

Polykarpus for the judge. .

Paul before Felix. 1752. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Joseph is familiar with his brothers.

Deugd Van Scipio; Edelmoedigheid Van Scipio.Allucius by Scipio Africanus is reunited with his fiancé. From gratitude he grabs the hand of the Roman general.

And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled, William Hogarth, 1697-1764, British, 1752, Etching, Sheet: 15 1/8 x 20in. (38.4 x 50.8cm)

Paul brought for Felix by Tertullus, William Hogarth, 1752 print Text in English in the lower margin. paper engraving / etching Paul accused before Felix by Tertullus

Rance of Paul and Silas, Anonymous, After Nicolas Poussin, 1650 - 1710 print print maker: Francepublisher: ParisFrance paper engraving Paul and Silas at Philippi

. Thetis brings her son Achilles his new armor, who produced Vulcanus at her request for him. Now he can avenge the death of his friend's patrocus. A caption in French in the margin.

Title page for: 'Contemporary history of Portugal, Part 3', 1768. Title page with a man who writes a letter under the watchful eye of Catholic clergymen. In the foreground five putti with weapons.

Zerubbabel before King Darius, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 111 mm × w 159 mm

Weigel, Christoph, Nuremberg, Luyken, Caspar, Visits of the prisoners, verso - stamped, print, prints, height 251 mm, width 199 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Gunhilda accused of adultery 1760 Simon Francis Ravenet, the elder. Gunhilda accused of adultery. Simon Francis Ravenet, the elder (French, 1706-1774). 1760. Engraving. John Boydell (British, Dorrington, Shropshire 1720-1804 London). Prints

Scipio returns the fair maiden, offered to him as a reward for conquering New Carthage, to her prospective groom and her mother The ransom, offered by the bride's parents, Scipio returns as a wedding gift Depiction above one of the doors of the Council Chamber of the Court of Justice of Holland, Zeeland and West Friesland in the Binnenhof at The Hague, Nobility of Scipio Tafereelen, in the Council Chamber of the Court of Justice of Holland, Zeeland and West Friesland , print maker: Pieter Tanjé, (mentioned on object), after: Gerard de Lairesse, (mentioned on object), intermediary draughtsman: Nicolaas Verkolje, (mentioned on object), Amsterdam, 1737, paper, etching, engraving, h 421 mm × w 248 mm

Robert Blyth, 1750-1784, Rustick Dance, 1780. Etching.

Amsterdam, Picart, Bernard, Title page for: D. Junius Juvenalis. Satyra X, or tenth poem of rebuke, 1711, The poet Juvenalis kneels before Melpomene, verso lower right - stamped, the muse of tragedy. On the right in the background Venus and Amor, Death, Envy and a veiled woman. From heaven a woman tips the contents of a cornucopia onto the poet. Bystanders look on. In the margin the title in Dutch., print, title page, prints, height 133 mm, width 88 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1711 - 1711, paper, papier, etching, etchings, engraving, engraving (printing process)

EED Van de Horatii, Charles Achille d'Hardiviller, After Jacques-Louis David, 1820 print paper the three Horatii take the oath in front of their father

A man has fallen asleep sitting down and has laid his head to rest on a standing book. He is surrounded by several figures watching him. In the foreground, a man kneels with a swaddled child in his arms, Sleeping man surrounded by figures, Jacob Folkema, print maker: anonymous, 1702 - 1817, paper, etching, h 154 mm × w 103 mm

St. Lawrence, Pieter Claesz. Soutman, 1616 - 1657

Alexander the Great with the Van Darius family, 1666 - 1707 print Judge part of a print with the visit of Alexander the Great and Hephaestion to the imprisoned family of the Persian king Darius III after the Battle of Issos. Darius's mother is mistakenly kneeling for Hephaestion, but Alexander forgives her and gestures her up. Three lines of French under the forest. print maker: Parisprint maker: Parisafter painting by: Parispublisher: ParisFrance paper engraving Darius' family kneels before Alexander, who requests Sisigambis, Darius' mother, to rise

Mezzetin and Harlequin Use the Picture Frame to Catch Pantaloon and Pierrot. Dated: c. 1729. Dimensions: overall: 13.5 x 18.6 cm (5 5/16 x 7 5/16 in.). Medium: pen and black ink and gray wash on laid paper; scored for transfer. Museum: National Gallery of Art, Washington DC. Author: Johann Jacob Schübler.

Bartolomeo Altomonte created a drawing using lead and gray laved technique depicting the biblical healing of a blind person.

Baäna and Rechab offer David's head of Isboset. .

Study for an illustration in Tacitus Tibère, ou Les Six Premiers Livres des Annales , Book V, Vol 3, 2nd Study 1758-1773 France. Pen and black ink, over graphite, on gray laid paper, incised for transfer and perimeter mounted on ivory laid paper . Hubert François Gravelot

Alexander the Great with the Van Darius family, 1666 - 1707 print Judge part of a print with the visit of Alexander the Great and Hephaestion to the imprisoned family of the Persian king Darius III after the Battle of Issos. Darius's mother is mistakenly kneeling for Hephaestion, but Alexander forgives her and gestures her up. Three lines of French under the forest. print maker: Parisprint maker: Parisafter painting by: Parispublisher: ParisFrance paper engraving Darius' family kneels before Alexander, who requests Sisigambis, Darius' mother, to rise

Eleonora of England dances with unlotted breasts at a party. Reinoud van Gelre was married to Eleonora, the sister of King Edward III of England. They had no good marriage and Reinoud spread the rumor that Eleonora was leper. Eleonora appeared at a feast of Reinoud on the Barbarossa castle and acquired her breasts in the presence of all guests. With this she knew the words of her husband to cue. The performance shows the dancing Eleonora in a departure that is filled with male guests.

A drawing by an anonymous artist depicting the construction of a temple, executed with feather, laved techniques, deck white highlights, and blue accents, showing architectural elements and building process.

. Solomon recommends a soldier to kill the living child, the real mother of the child reacts shocked and tries to stop the soldier. There are two figure studies in black chalk from a later period on the verso.

The Morning Toilet (La Petite Toilette), from Le Monument du Costume 1745-97 Pietro Antonio Martini Italian. The Morning Toilet (La Petite Toilette), from Le Monument du Costume 364286

Antoine-Jean Duclos after Hubert François Gravelot, French (1742-1795), Quoi donc, les vrais Chretiens auraient tant de vertu!, etching and engraving

Orange only visits the rebellious Ghent, approx. 1579; Scenes from the life of Prince Willem I, 1568-1584. Orange only visits the rebellious Ghent, approx. 1579. At the city gate in conversation with furious soldiers. Twenty-fourth vocals.

Iphis. Nicolas de Launay (France, 1739-1792). France, 1779. Prints; engravings. Etching and engraving

The Head of Cyrus brought to Queen Tomyris ca. 1713-20 Gaspard Duchange. The Head of Cyrus brought to Queen Tomyris. Gaspard Duchange (French, Paris 1662-1757 Paris). ca. 1713-20. Engraving; first state of two. Prints

Amsterdam, Picart, Bernard, Achilles refuses the gifts of Agamemnon, verso lower left - stamped, Phoenix, Ajax and Odysseus visit Achilles and offer him gifts on behalf of King Agamemnon, to win him back. He refuses them. In the margin a caption in French., print, engraving, book illustration, prints, engravings, height 188 mm, width 126 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1710 - 1710, first quarter 18th century, paper, papier, etching, engraving (printing process), intermediary draughtsman

. The Personalization Procedure (LIS), a man with a wolves head, a Hellemond as belly and screws like paws sits on a throne. He devours a house that is offered by a prosecutor (litigiosus). In addition to the throne, the personnifications are neglected by houses (Negligentia Domus) and time preschool (Negligentia Temporis). Neglecting the soul (Neglentia Animae) lays the soul of the prosecutor (Anima Litigiosus) over a rack. The print has three captions (two in Latin and one in Dutch) and is part of an eight-language series about the abuses in process.

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Amsterdam, Luyken, Caspar, The Death of the Firstborn of the Pharaoh, verso - manuscript in brown ink, print, prints, verso - stamped, 60, height 113 mm, width 146 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Venetian wedding, Hendrick Goltzius, After Dirck Barendsz., 1584 print A group of beautifully dressed people are talking, eating and drinking together in a room overlooking an open water. On the left in a window a few musicians. In the foreground a dog. Under the performance four times two lines of Latin text. paper engraving wedding feast, wedding meal Venice

Italian landscape with mourning women, Matthijs Pool, after Gerard de Lairesse, 1696 - 1727 print Five women in classic robes mourn with a tomb. One of them points to the left. Soldiers fighting in the background. Amsterdam paper etching / engraving mourning the dead. battle, fighting in general. landscapes - HH - ideal landscapes

Sabijnse Virgin Roof, Ludwig Gottlieb Portman, After Jacobus Buys, 1793 print Roman soldiers grasp the unmarried Sabine virgins and try to take them to Rome. On the right on an elevation is Romulus, who gives his soldiers the sign to take away the virgins. Utrecht paper etching rape of the Sabine women: they are carried off by Romulus and his men during a feast

Antipater shows Caesar his wounds, print maker: Jan Luyken, publisher: Pieter Mortier (I), Amsterdam, 1704, paper, etching, letterpress printing, h 113 mm × w 164 mm

Rome Triumphant, with allegorical female figure of Rome in helmet seated on a throne receiving homage from barbarian kings. Behind the queen are Roman soldiers, signifers and lictor, and a temple with six columns. Rome triomphante. Copperplate engraving by János Blaschke from Professor Joseph Rudolf Zappes Gemalde aus der romischen Geschichte, Pictures of Roman History, Joseph Schalbacher, Vienna, 1800. German edition of Abbe Claude Francois Xavier Millots Abrege de lHistoire Romaine.

Salome receives the head of John the Baptist, print maker: Jan Luyken, publisher: Pieter Mortier (I), print maker: Haarlem, publisher: Amsterdam, 1703, paper, etching, h 110 mm × w 154 mm

Jean-Baptiste Blaise Simonet, O Mon Dieu Tutélaire!, c. 1805, engraving on paper.

Wszyscy Święci w MNK John, Friedrich (1769 1843), signed by Fugger and engraved by John, Füger, Heinrich (1751 1818)

Storming the mayor's room in the town hall of Amsterdam, 1747, 1786 print Incredible people break the mayor's room in the town hall of Amsterdam Open, November 9, 1747. Northern Netherlands paper etching / engraving plundering ~ riot City Hall of Amsterdam (1655-1808)

Pygmalion from Tire poisoned; Adventures of Telemachus. When Pygmalion, King of Tire, leaves that his wife Astarbe named a lover called Joazar, he wants to poison this man. The king eventually becomes the victims of his plan and lies in the show poisoned on the ground. Bearing behind that Astarbe who gives her lover's ring from Pygmalion, hoping that he will be the next king. Illustration manufactured at book 8 from "Adventures of Telemachus", written by François de Fénélon.

The corpse of the Patrocus in Achilles tent. .

Margaretha van Austria receives thank you from the Polish king, Jacques Callot, 1612 print Margaret of Austria sits on a throne and receives a roll of parchment from a man who kneels in front of her. Florence paper etching letter, envelope Poland

King Tigranes forces his servants to stand barefoot and in underclothing, with arms crossed, before his throne, when he grants audience to foreign envoys. Envoy of Appius Claudius Caecus at the court of Tigranes, print maker: Ludwig Gottlieb Portman, (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), Amsterdam, 1799, paper, etching, h 210 mm × w 136 mm

Onthoofding van Anna Boleyn; Titelpagina voor: Lambert van den Bos, Het vorstelyck treurtoonneel, of Op en Onder-gangh Der grooten, 1652.A woman, possibly Anna Boleyn, sits with a cloth on the head for a drain with sword that is about to behead her. In addition to them, a beheading man, possibly the brother or one of the other so-called Queen's lovers. On the right is a crowned man, possibly Hendrik VIII, on a throne. Left and in the foreground spectators include a monk with a crucifix.

Didone. 1782. Cecchi, Giambattista, active 18th century. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Joab killed by Benaja, Jan Luyken, 1704 print Amsterdam paper etching Joab killed by Benaiah

Francis Legat, 1755-1809, British, "King Lear", Act V, Scene III, 1792. Engraving on thick, moderately textured, cream, wove paper.

The death of Epaminondas according to Benjamin West Valentine Green (1739-1813). The death of Epaminondas, according to Benjamin West (1728-1820). Engraving (black way). 1774.

Rotterdam, Groenewoud, J., Snoek, Jeremias, Allegory of the Alliance with France, 1795, verso - stamped, Allegory of the Alliance concluded between the Batavian Republic and France, 1795. In the center Liberty sitting on a throne, behind her Commerce, on the left Equality and on the right Religion (a preacher). On the stairs on the left two children as Commerce and Mechanics, on the right two children as the Brotherhood. In the clouds the Alliance with the French and Dutch coats of arms. In the seven-line caption the explanation of the representation., print, prent, prints, Frederik Muller Historieplaten, height 285 mm, width 189 mm, print maker, printmaker, 1795 - 1795, paper, papier, etching, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, Dutch, publisher

Blinding of Elymas. John Constable (English, 1776-1837); or after Raffaello Sanzio, called Raphael (Italian, 1483-1520). Date: 1805-1810. Dimensions: 516 × 659 mm (ma×.). Brush and black and gray wash, over graphite, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Chilperico I (539-584), Rey de los francos de Neustria, hijo de Clotario I. Asesinado en el año 584, heredó el reino su hijo Clotario II a los cuatro meses de edad. Grabado de 1866.

The murder of Willem de Zwijger; That Ermordung Wilhelm's von Oranien. The murder of Prince Willem van Oranje. The shot prince has leased on the stairs. Louise de Coligny and family members flows. Printed on the back with text in German.

Plate 12: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" 1638 Pieter Nolpe Henry IV as Hercules repairing the broken globe by forging a band around it. Minerva and Mars assist him at left while Marie de Medici stands to the right. The female personification of France at far left and the Olympian gods looking down from above. One of a series of sixteen plates showing the festivals and ceremonies in honor of Marie de Medici's visit to Amsterdam from August 31 to September 5, 1638. Illustration to Caspar Barlaeus, "Medicea Hospes", Amsterdam, 1638.. Plate 12: Allegory on the Discord in France, from Caspar Barlaeus, "Medicea Hospes" 698696

Pomaxaethres, a Parthian soldier, kills Crassus who is trying to flee on horseback. Octavius stabs a stablehand and at the same time is himself attacked from behind by the enemy, Death of Marcus Licinius Crassus, print maker: Ludwig Gottlieb Portman, intermediary draughtsman: Jacobus Buys, Amsterdam, 1800, paper, etching, h 217 mm × w 133 mm

Allegories ter ere van het college Romano, Claude Mellan, After Pietro da Cortona, 1624 - 1636 print print maker: RomeItaly paper engraving / counterproof Piety, 'Pietas', 'Timor Dei' ~ the Three Theological Virtues. statues, sculptures in garden Roman college

The Martyrdom of St. Thomas Becket, Archbishop of Canterbury. Artist: Jean-Baptiste Marie Pierre (French, Paris 1714-1789 Paris). Dimensions: 13 7/8 x 7 1/8 in. (35.2 x 18.1 cm) (arched top). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Jacques-Louis David depicting Horatius killing his sister Camilla, executed in black chalk with feather and brush, gray wash, dated 1781.

London, Vivares, S., Hamilton, William, Bartolozzi, Francesco, Caractacus delivered to Ostorius, verso - handwritten in brown ink, Caractacus, king of the Silures, is delivered to the Roman general Ostorius by Cartimandua, queen of the Brigantes. Text in English and French in bottom margin., print, prints, verso - stamped, No 2595, height 340 mm, width 411 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1788-02-14 - 1788-02-14, paper, etching, etchings, stipple engraving, colour printing, English, 1751 - 1801-12-02, after, after painting by, Publication (Event), Publication, publisher

Quincampoix or the Great Wind and Kool Seller, 1720, 1720 drawing Quincampoix or the big wind and cabbage seller. Johan Law sitting on his throne, on the right, Bombario is the alarm bell, on the left a messenger with a horn. In the foreground, handing out shares to the public, on the right hand out frog masks and blows a wind head shares across the stage. Design drawing for an unpacked print in a series about the rise and fall of Quincampoix (John Law). There is an explanation with the drawing. Belongs to the group of drawings added to the Series of Foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper speculative boom

Chodowiecki, Daniel Nikolaus, Geyser, Christian Gottlieb, Representation from the history of Henry VIII, With caption in German and French. Numbered at top right: 1., print, prent, prints, prenten, height 108 mm, width 65 mm, 1742-08-20 - 1803-03-24, print maker, prentmaker, 1796 - 1796, paper, papier, etching, etchings, German, 1726-10-16 - 1801-02-07, intermediary draughtsman

General gives reports of warmen grace, Gerard de Lairesse, 1670 print Two reports received grace from a Roman general. They kiss his hand in which he holds a scepter. This print illustrates the first part of the basic principle of Roman politics included by Vergilius: "Parcere Subiectis, Sed Debellare Superbos" (Vergilius, Aeneis 6.853). According to this principle, the subjects would be saved, but those who persisted were stubbornly destroyed. Pendant of a print over the second part of this rule. Amsterdam paper etching the defeated before the victor. Forgivingness (+ symbolical representation of concept)

Print made by Richard Purcell, active 1746-1766, Irish, Return of the Prodigal Son, undated. Mezzotint on moderately thick, moderately textured, cream laid paper.

Sancho Pursued by the Kitchen Boys of the Duke 18th century Pierre Alexandre Aveline French. Sancho Pursued by the Kitchen Boys of the Duke 394075

Jacobus I of Scotland is horribly murdered by traitors, 1437, Jan Luyken, 1698 print Amsterdam paper etching attempt, political murder

François Verdier drawing of Minerva with the muses, in black chalk with gray wash and white heightening, complemented on all sides.

The Flagellation, 1788. Martin Johann Schmidt (Austrian, 1718-1801). Brush and gray ink and gray wash with black chalk;

Louis XVI has the National Assembly, September 14, 1791 Jacques-Louis David and Lejeune. "Louis XVI at the National Assembly, September 14, 1791".

Duke Willem II van Gelre is subject to Karel V, 1543; Hertog Willem, Keijzer Karel V. is on foot, and is his duchy gelder and county of suths to him. Willem II, Duke van Gelre, submits to Emperor Charles V and is off to Him Gelder and Zutphen, 1543. The Duke kneels for the emperor.

Overdreven angst van Perseus.Perseus is in the city of Dium in the bath. If he gets to hear that the enemy is on the way to the city he becomes unnecessarily afraid. He gives himself won without a fight and recommends Hippias and Asclepiodotus to evacuate all settlements in Macedonia.

Relief with a Roman emperor who makes a sacrifice to Silvanus, François Perrier, 1645 print Relief with a Roman emperor who brings Silvanus to an image of the God and makes a sacrifice. On the left a man with a spear next to the emperor. On the right two men next to the image. Text in Latin in STUDMARGE. Print is part of an album. paper etching piece of sculpture, reproduction of a piece of sculpture. ruler, sovereign. sacrifice ~ Roman religion. Silvanus Arch of Constantine

Amsterdam, Luyken, Caspar, Abraham meets king Melchisedek, verso - manuscript in brown ink, print, prints, verso - stamped, 19, height 113 mm, width 151 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Burgers of Dordrecht force Cornelis de Witt to withdraw the Eternal Edict, 1672. Draughtsman: Jacobus Buys. Dating: 1789. Place: Northern Netherlands. Measurements: h 150 mm × w 89 mm. Museum: Rijksmuseum, Amsterdam.

Vormsel (left part), Jean Pesne, After Nicolas Poussin, 1633 - 1700 print France paper etching confirmation ~ the second of the seven sacraments

Illustratie voor Le petit chien uit Contes et nouvelles van Fontaine.Illustration for le petit chien from contes et nouvelles from Fontaine. A black man with a turban appeals a lady. Between them, an older man who opened or closes his pants. On the back leaf text in letterpress.

The death of Sophonisbe. Draughtsman: Laurens Scherm. Dating: 1689 - 1701. Measurements: h 238 mm × w 325 mm. Museum: Rijksmuseum, Amsterdam.

Unidentified Subject (three figures on a stageset?). Artist: Unknown

Southern Netherlands, Galle, Cornelis (I), Rubens, Peter Paul, Prokne shows Tereus the head of his son Itys, verso - stamped, Prokne and her sister Philomena show King Tereus the head of his dead son Itys to prove to him that he has just eaten the flesh of his own son. Tereus is furious, overturns the table and draws his sword., print, prints, height 400 mm, width 520 mm, South Netherlands, 1576 - 1650-03-29, print maker, printmaker, 1630 - 1650, paper, papier, engraving, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, Publication (Event), Publication, publisher

Allegorical performance on the Alliance between the Netherlands and France, 1795; Restored release in the Netherlands and alliance with France. Allegorical performance on the Alliance between the Netherlands and France, 1795. In the middle, the Dutch Virgin and French Republic (as a young man) are connected by freedom in real life, with the sign of eternity: a ring formed by a hose in its own Tail bites. For the wedding couple there are a rooster and a lion and behind them is a lady with the freedom hat on a lance. Left in the foreground is Mercury and below him are a few sea oven. On the right a number of murderous (victory) soldiers and a temple in the background.

Publius Valerius Publicola laat een huis bouwen.After Publius Valerius Publicola after the death of Brutus is still in power, he lets he build a house on the Velia hill. However, the people are revolting on which he decides to move his house to the foot of the mountain.

Black chalk and gray brush drawing by Abraham van Diepenbeeck showing a king speaking to people in front of a fire victim inside a temple, brown and gray lavated shading with white highlights and minor paper folds.

Pen and brush drawing by Heinrich Friedrich Füger showing the Vestal Tuccia proving her innocence, over a black chalk sketch with white cover paint, 1798.

Allegorical title plate with offering the keys, 1751, 1753 print Allegorical title plate with offering the keys of the city to the stadholder. In the foreground the Stadsmandag van Vlissingen with Mars, on the right history, in the air fame. Part of the illustrations of the inauguration of William IV as heir to Vlissingen on 5 June 1751. print maker: Northern Netherlandspublisher: Amsterdam paper etching / engraving surrender of keys Flushing

Charles Emmanuel Patas after Jean Honoré Fragonard, On ne s'avise jamais de tout On ne s'avise jamais de tout

Antwerpen, Jode, Gerard de, Menton, Frans, Collaert, Hans (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Loth, Geschiedenis van Lot, Incestus, Lot urges the crowd to calm down, Antwerp, At the door of his house Lot tries to urge the men from Sodom to calm down. The men ask him to let his guests out so that they can rape them. One of the angels pulls Lot inside. Below the representation is a reference in Latin to the Bible text in Gen. 19. Print is part of an album., print, album page, prints, height 206 mm, width 254 mm, South Netherlands (before 1775), 1540 - 1581, print maker, 1579 - 1579, fourth quarter 16th century, paper, engraving, engraving (printing process), Work conception, 1550 - 1615-03-24, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Dubourg, Louis Fabritius, Folkema, Jacob, Roman soldier kneeling before a woman, verso - stamped, A Roman soldier kneels with a gift in his hand before a woman. The woman standing next to it watches this scene and holds her hand to her chest. Figures in the background are also watching., print, prent, prints, prenten, height 115 mm, width 70 mm, Dutch, 1692 - 1767, print maker, printmaker, 1703 - 1767, paper, papier, etching, etsen, brush, Borstel, Work conception, 1693 - 1775-09-16

Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter). Dated: published 1759. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Benoît-Louis Prévost after Jean-Baptiste Oudry.

The city mawn from Haarlem kneeling for Frederik Hendrik. Allegory with Stadholder Frederik Hendrik as a Brenger of peace and prosperity in Haarlem. Haarlem city mawn with horn of abundance kneeling for Frederik Hendrik. In the background the Sint Bavo of Haarlem.

Bacchus and Dunklandes; BACO; Los Borrachos. Bacchus sitting in the middle of a group of drinking men, crown one of the man with a wreath of wine sheets.

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