Historical Scenes with Nobility

Engravings depicting dramatic historical interactions among nobles, soldiers, and women, showcasing themes of chivalry, emotional expressions, and elaborate attire.

Photo production of a fresco in the Santa Maria Novella in Florence by Domenico Ghirlandaio, representing the birth of Johannes de Boper, c. 1875 - c. 1900 photograph Santa Maria Novella cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). series of scenes from the life of John the Baptist Santa Maria Novella

Lady taken away by two soldiers, while other lady goes on her knees for Edelman, Jacques Le Roy, after Sigmund Freudenberger, 1781 - 1782 print Bern paper etching Pleading. nobility and patriciate; chivalry, knighthood

Etching by Jacob Wilhelm Mechau from 1745-1808 depicting the Adoration of the Shepherds, showing figures, gestures, animals, and landscape elements.

Young woman with servants on her toilet, Augustin Mongin, After Caspar Netscher, after Gerard ter Borch (II), 1881 print paper etching making toilet - AA - (for) women

Anna Boleyn faints, Coenraad Hamburger, After Cornelis Kruseman, 1832 - in or Before 1840 print Anna Boleyn is in a chair. To the right of her is King Henry VIII. A number of soldiers behind the king. Numbered at the top right: pl. no. 8. Rotterdam paper fainting, swooning

Photo production of a fresco in the Santa Maria Novella in Florence by Domenico Ghirlandaio, representing the birth of Johannes de Boper, c. 1875 - c. 1900 photograph Santa Maria Novella cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts). series of scenes from the life of John the Baptist Santa Maria Novella

Etching by Peter Paul Rubens depicting five women with an angel, showing figures, gestures, and drapery in a mythological or allegorical composition, created in the 17th-18th century.

Germanicus speaks with Burgers, Raphael Morghen, After Jean Grandjean, 1779 print Germanicus speaks with a group of citizens. Behind Germanicus are soldiers with spears. print maker: Italyafter design by: Romepublisher: Amsterdam paper etching the soldier; the soldier's life. (story of) Germanicus

Confessing woman, noël le mire, after Charles Joseph Dominique Eisen, 1762 print print maker: Francepublisher: Paris paper etching / engraving confessional ~ part of the confession. interior of church

Alchemist, Jacques -Philippe le Bas, After David Teniers (II), 1717 - 1783 print paper etching alchemist at work. armorial bearing, heraldry

Etching by Louis Surugue around 1723 depicting the false princess of Micomicon pleading with Don Quixote to restore her to the throne, showing figures and composition.

Etching by Claes Cornelisz. Moeyaert from 1615-1655 illustrating a biblical scene from the history of Lot, showing figures, architecture, and landscape.

Interior with three elegant gentlemen in discussion, Jean Baptiste Blaise Simonet, After Jean Michel Moreau, 1811 - 1813 print after design by: Francepublisher: Paris paper. engraving / etching comedy

Copper engraving by Jean Louis Roullet from 1665-1699 showing an allegorical scene featuring Hercules, highlighting classical mythology and heroic representation.

Etching by Giovanni Maria Viani depicting Alexander and Thais during a scene of fire, created between 1660 and 1700, illustrating historical or mythological narrative.

Man with his pug and his Hospita, Daniel Nikolaus Chodowiecki, 1791 print Berlin paper etching adult man. old woman. dog (PUG). fowl (cock, hen, chicken, etc.) (+ male animal)

Etching by Pierre Charles Baquoy depicting Erasistratus diagnosing Antiochus' illness, created around 1816, showing two figures and interior setting.

Copper engraving depicting Saint Cecilia from Rome, showing the saint with attributes associated with music and devotion, created in 1673.

Assassination of Jean-Paul Marat by Charlotte Corday on July 13, 1793. French Revolution (Title Title)

Figures are preparing for a masked ball, Jean Baptiste Madou, 1833 print Paris paper. interior of the house. lacing up a corset. dressing and undressing. masquerade, masked ball

Fireplaces of the actors at the Opera

Rousseau, Jean Jacques.

Two figures kneeling for a man on his deathbed, Anonymous, 1800 - 1850 print Netherlands paper etching / engraving deathbed

Fabius Maximus before the Senate at Carthage Guerrier devant un tribunale Warrior before a tribunal. Tiepolo, Giovanni Battista, 1696-1770. 1761 - 1765. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fabius Maximus Verrucosus, Q. (Quintus), -203 B.C

Copper engraving by Jan van der Straet illustrating inventions and discoveries, produced circa 1591.

Painter in his studio, 1846 - 1900 A painter sits behind his donkey with a brush and a painter's stick. Next to him a book on a bank. Two boys prepare paint at a table under a staircase. At the bottom a four -line verse in Latin. This print is part of an album. Haarlem paper etching A painter sits behind his donkey with a brush and a painter's stick. Next to him a book on a bank. Two boys prepare paint at a table under a staircase. At the bottom a four -line verse in Latin. This print is part of an album. Haarlem paper etching

Copper engraving by Jan Pietersz. Saenredam from 1591-1593 depicting Rebekka and Abraham's servant, showing a detailed biblical scene and 16th-century European artistic style.

Heilige Euphemia, Johann Sadeler (I), After Maerten de Vos, 1583 - 1587 print The Holy Euphemia, sitting, turned slightly to the right, the head to the left. She reads a book. A rocket in her left hand. In the background she is topped with boiling oil. The tenth print of a seventeen -part series with female saints. Germany paper engraving female saints (EUFEMIA)

Food man in the midst of Group Men, Ary Scheffer, 1829 - 1839 print A man with his hands fascinated on his back is held by the man behind him. In front of him is a man with one foot on a chair. He points accusingly towards the fascinated man, with his other hand he points to a clock. On the right three men sit at the table and two men stand by a door, which enters an armed soldier. Paris paper. prisoner; in fetters

Hugo de Groot is announced his judgment, 1775 - 1800 drawing pencil brush

Friedrich Wilhelm III with his family after the death of his father, Daniel Nikolaus Chodowiecki, 1799 print On the right, figures are etched in a landscape, these form a personification of strength and well -being. Berlin paper etching royal bastards. family, descendance. landscapes. trunked animals: elephant. water-birds: pelican

Three men around a woman on her sickbed, Reinier Vinkeles (I), 1798 - 1811 print Amsterdam paper etching / engraving visiting the sick; sick person together with others. conversation, dialogue; conversation piece

Copper engraving and etching by Jean Joseph Balechou around 1744 depicting childhood, showing figures, gestures, clothing, and daily activities in a detailed composition.

Bode kneels for a rider that gives him a message; Brutus. .

Sophonisba drinks poison, Bartolomeo Pinelli, 1819 print Sophonisba sitting with the poison cup in hand. For her a servant of her second husband Massinissa, who brought the poison cup. Rome paper etching death of Sophonisbe: she receives from a servant a cup of poison sent to her by Masinissa

Copper engraving and etching by Nicolas Beauvais around 1723 depicting the Sancho Governor table being served, showing figures, gestures, table setting, and composition.

Two women dress a young woman, Jean Baptiste Madou, 1834 print Brussels paper making toilet. screen, folding screen. dressing someone else

Michał Sędziwój performing alchemical experience in the presence of Sigismund III; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

An etching from 1743-1797 by an unknown engraver depicting several people engaged in playing games, showing gestures, postures, interactions, and indoor setting.

Etching and copper engraving by Pierre François Tardieu showing life without grief, rejuvenation, and the interior of a village bath, produced between 1731 and 1791, illustrating 18th-century domestic and social scenes.

Militair emphasizes the subordination of the Rijknecht by giving orders in the presence of a girl, Emil Ebers, 1839 print paper etching Subordination. stall, stable

Etching by Bartolomeo Pinelli dated 1818 showing historical views of Rome, including streets, buildings, figures, and monuments in a city landscape.

Germanicus ontrolt one paper, Louis Michel HELLBO HAVE HEAR JeanAY, 1781 - 1809 print Rome paper etching / engraving (story of) Germanicus Netherlands

Parisian evenings / big ball at the castle of flowers.

This copper engraving and etching by François Bourlier, created between 1650 and 1682, depicts an allegorical representation of a mountain current, focusing on landscape elements, figures, and composition.

Still life with game and two dogs, David Emile Joseph de Noter (Attributed to), 1840 - 1875 print paper etching foodstuffs; still life of foodstuffs. dog. spoils of the hunt, game, venison

Company for an inn, Anonymous, Gottfried Engelmann, after Jacques Albert Sénave, 1816 - 1839 print Paris paper farmers. inn, coffee-house, public house, etc.. drinks, stimulants, drugs

Etching by François Godefroy depicting a charlatan presenting remedies, created between 1763 and 1819, showing 18th-19th century social interaction and street performance.

Lithography by Angélique Moitte depicting smokers, produced between 1828 and 1876, showing figures, smoke, gestures, interior, and attire.

Interior with people who view sheets from The Caricaturist's Scrap Book; Title page for: Henry Heath, The Caricaturist's Scrap Book, 1840..

Interior with nobleman who looks angry at a lady, Jean François Ribault, after Jean Michel Moreau, 1813 print Paris paper. etching / engraving theatre, theatrical performance. aggressive relationships, enmity, animosity

Ruiter arrives at Herberg, Ernst Ludwig Riepenhausen, 1775 - 1840 print paper etching riding a horse, ass, or mule; rider, horseman. hotel, hostelry, inn

Kitchen interior with dressed monkeys, Pierre Joseph Tavernier, after Alexandre -Gabriel Decamps, 1797 - 1845 print paper etching kitchen-interior. monkeys, apes

Young man for a nobleman with Degen, Jacques Le Roy, after Sigmund Freudenberger, 1781 - 1782 print Bern paper etching nobility and patriciate; chivalry, knighthood. hacking and thrusting weapons: rapier

Quarrel in a departure. A woman stands with clenched fists in a leaving while a man is being brought into the background. On the ground is an enclosed seat.

King Charles II of England says goodbye to the States General, 1660, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print King Charles II of England shakes his hand and says goodbye to the members of the States General, 1 June 1660. Episode during his tour through and departure from the Netherlands. Amsterdam paper etching festivities (+ speech, address ~ festive activities)

King Charles III The simple fall from his throne, with behind him Rollo de Noorman, Jules Pink, After Castelli, 1840 - 1859 print According to tradition, Rollo had the Norman kneeling a subordinate for the king so that he could become a leenman. The man, however, refused to kneel, took the king's foot and lifted it so far that the king fell back. Paris paper etching / engraving historical persons. king

Maciek Borkowicz, voivode, sentenced to g; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Traveler and his page enter the inn, Charles Billoin, After Jean Baptiste Madou, 1823 - 1869 print paper. etching hotel, hostelry, inn. being welcomed ~ travelling

"It is good that he caoxes and flatters her in front of her husband." from the Little Miseries of Human Life 1843 J. J. Grandville. "It is good that he caoxes and flatters her in front of her husband." from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Auguste Barbant (French, born Paris 1838). Prints

Boleyn, Anne .

Healing of Tobit, Jacques de Gheyn (II) (Attributed to workshop or), After Karel van Mander (I), 1580 - 1596 print Tobias and the Archangel Rafaël return to Niniveh in the background. Upon returning home, Tobias puts the bile of the fish on the eyes of his blind father Tobit. Then Tobit can see again. Anna and the angel watch. In the lower margin a four -line Latin text. Amsterdam paper engraving the healing of Tobit: Tobias puts the gall of the fish on his father's eyes

Two children train a small dog, Martin Sylvestre Baptiste, 1833 print This print is part of a cover with six prints. print maker: Parisafter own design by: Parisprinter: Parispublisher: Parispublisher: Londonpublisher: New York (city) paper dog. children's games and plays. parents with their children

Copper engraving and etching by Pieter Tanjé, 1758, depicting a scene with Arlequin, a magician, and a barber, showing their costumes, gestures, and interaction in a theatrical composition.

Maciek Borkowicz, voivode, sentenced to g; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Man and his job, The carpenter and the Zimerman, Peter Johann Nepomuk Geiger -, Drawer, Kunz, Lithograph

This engraving and etching by Pierre François Basan, created between 1723 and 1797, depicts an old man and woman weighing gold and holding a rosary, highlighting allegorical meaning, posture, and attire.

St. Louis rendant la justice (St. Louis RenderingJustice). Engraver: Charles-Amédée Colin, French, 1808-1873 After: Georges Rouget, French, 1784-1869

Telemachus confronts the apostate acante. Telemachus, standing in a tent and seen from his back, holds a ring in his left hand. To the left of him is acante. There are five figures for them, presumably kings. The whole is chattered by a decorative frame with olive branches and at the bottom of a bow. Numbered at the top right: No. II.

Disagreement, Dirk Jurriaan Sluyter, After Charles Rochussen, 1826 - 1886 print Around a table full of documents with seal are angry noblemen in sixteenth -century clothing with Lansen and Hellebaarden. It may be Spanish and Dutch noblemen. One of them holds a monk at the shoulder who is kneeling next to the table. Above the table a lamp with smoking candles. Amsterdam paper. etching quarrel, argument

A rake's progress, plate 5 , Rake's progress, Marriage, Churches, Hogarth, William, 1697-1764. Rake's progress. William Hogarth (1697-1764). Prints

Awakening of Spring, Georg Goldberg, After Emil Keyser, 1881 print München paper etching spring, 'Ver'; 'Primavera' (Ripa). mother and child(ren), woman and child(ren) (family group). cut flowers; nosegay, bunch of flowers

Landscape with Belgian emigrants, Daniel Nikolaus Chodowiecki, 1789 print Berlin paper etching landscapes. emigration. 'en route', traveller under way

Man and his job, The locksmith, Jakob Matthias Schmuzer Schmuzer -, Drawer, Matthias Rudolph Toma -, printer, publisher

History of Don Quixote According to Fran�ois Boucher, Sancho is pursued by the Marmitons du Duc (nineteenth issue of a suite of 31 pieces) Pierre Tanj� (1706-1761). History of Don Quixote According to Fran�ois Boucher, Sancho is pursued by the Marmitons du Duke (nineteenth issue of a suite of 31 pieces). Burin, 1746. Museum of Fine Arts of the City of Paris, Small Palace.

Brennus; Unknown, Orgelbrand, Samuel (Warsaw; Publisher, printing house; fl. 1836-1919); 1853 (1853-00-00-1853-00-00);

Le souper , Eating & drinking, Alphonse Legros (1837-1911)

Come on Jean Giblou come back Z with your veritable father Z and Mother these b .... the / had to make you king they would do you only in question there is no press (IT)

Chrovers shal the ride glas van dapticis in, castness andudly audishop (i), after Philippe Dig to the Orleans since 1718 print Top right numbered p. 87. print maker: Francepublisher: Paris paper etching Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe. open hearth, fire-place

Greek Vase-Painting (Design for a Wall Decoration). Artist: Anton von Werner (German, Frankfurt 1843-1915 Berlin). Dimensions: Sheet: 22 7/8 × 17 7/16 in. (58.1 × 44.3 cm). Date: 1868. Museum: Metropolitan Museum of Art, New York, USA.

Left: A woman accompanied by five children, visiting picture gallery; ornamented border partly shown. Right: children in pony cart, moving toward the right, ornamented border, partly shown. Date: 1835-1840. Pen and ink, brush and sepia and gray wash on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Lithograph by Hippolyte Bellangé, circa 1835, depicting Mame Dufour, a young woman, with emphasis on clothing and gesture.

Husband with his wife, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print A man stands by the open box, in which his deceased wife lies. He does not bear the maid on her to bury her in her wedding dress, because he thinks that is waste. If he remarries, the dress can be used again. Before the death of his wife, he had promised her to never remarry again. Amsterdam paper etching coffin. maid ~ house personnel. index finger forwards, pointing, indicating

Concert de Famille, Wilhelm Krauskopf, German, founded 1847, Friedrich Uhde, German, 1848 - 1911, Etching in dark brown ink on white satin, In a 17th century domestic interior setting, four people seated around a table listen to four make music, among whom are two children., Germany, 1881, Print, Print

David Spied Bathsheba, Sisto Badalocchio, After Rafael, 1607 print The naked Batseba is bathed. King David spied her from his palace. A crowd of soldiers runs on the street. Numbered below: 45. paper etching David, from the roof (or balcony) of his palace, sees Bathsheba bathing

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Goldsmiths art; Fine Arts. A well-to-do family is under a gallery. On the left a man comes with a vase or jar through a door. A driven shield is hanging on a pillar. On the right a workshop of a goldsmith. A fountain in the distance. Under the show four lines text in Latin. The print is part of an album.

Woman finds a foundling with a letter, Jules David (1808-1892), 1836 print print maker: Parisprinter: Parispublisher: Parispublisher: London paper finding an exposed child. letter, envelope

Edward III at Isabella and Mortimer, Franciscus Sansom, After Jacobus Buys, 1792 print Mortimer and Queen Isabella force Edward III to sign the verdict, but Edward turns away. Behind them a writing utensil on a table. print maker: Rotterdamafter drawing by: Amsterdampublisher: Amsterdam paper engraving theatre, theatrical performance. tragedy

Interior with three men around a table, Félix Augustin Milius, after Gerard ter Borch (II), 1881 print paper etching / drypoint interior of the house. open hearth, fire-place. sitting figure. handwriting, writing as activity. letter, envelope

Thomas Major etched a scene in 1745-1746 depicting people smoking pipes indoors, showing social interaction and posture.

Etching by Jean Pesne between 1643 and 1700, depicting Christ and the Samaritan woman at the fountain in a biblical scene.

A lithograph by Moritz von Schwind from 1824 titled 'Laying No.4', depicting a figure reacting with frustration, showing expressive gesture and hunting scene elements.

Equality, Jacques Louis Copia, After Pierre Prud'Hon, 1789 - 1799 print Paris paper etching / engraving Equality, Equity, Faiorss, Righteousness; 'Equality', 'Equity', 'Giuditio Giusto', 'Drit and just order', 'Equality' (Ripa). 'Natura' (allegorical figures or scenes; or as diana of ephesus, with many breasts); 'Nature' (Ripa)

Two women with fruits and flowers. Two women collect fruits and flowers. On the head of a hen is a bird. There is a harp behind the other lady.

Arrest of Robespierre, François Louis Couché, After Pierre Gabriel Berthault, 1792 - 1849 print paper etching historical persons. arrest (of criminal)

The king kept at the Tuileries after the return of Varennes Henry Scheffer (1798-1862). Scene of the French Revolution: the king kept at the Tuileries after the return of Varennes. Engraving. Paris, museum of romantic life.

. Incident Upon the arrival of Willem van Oranje in Utrecht, 28 August 1577. The carriage in which Willem van Oranje is hit with his wife by a salute shot.

Interior with drinking company, Félix Augustin Milius, after Van Ostade, 1853 - 1894 print Paris paper etching / drypoint interior of the house. drinking

La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 published in 1795 Jean-Louis Delignon French. La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369366

Etching and copper engraving by Cornelis Visscher showing an ice skater in motion, produced between 1638 and 1662, illustrating winter sports and recreational activity in 17th-century Europe.

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