Historical Sleigh Procession Illustrations

Drawings capturing historical sleigh processions with detailed depictions of riders, horses, and whimsical elements, conveying a festive atmosphere.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Sixth Plate (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Sixth Plate (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

A pencil drawing by Rudolf Bacher illustrating a sled ride with unusual figures and imaginative elements, combining realism with fantasy.

The twelfth sledge in the procession. A cradle with four musicians, drawn by a horse, followed by two riders with torches. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

Geit sucks her young, Reinier Vinkeles (I), After Adriaen van de Velde, 1762 print Amsterdam paper etching goat

. The fourth sledge in the procession. A slide in which the personification of freedom, with Willem van Oranje and a knight, drawn by a horse and followed by nobles on horseback. Part of a series of twelve sled of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the LEIDIS off (October 3, 1574) and the establishment of the University of Leiden (8 February 1575) .

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and paesi. The lost rider who asks for his way. Fourth issue of a series of 8 rooms. (A. de Vesme 168; Dutuit 142) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: seventy-eighth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: Hundredth Plate (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Maskerade of the Leiden students, 1870 (plate 3), 1870 Historically costumed parade of the students of the Leidse Hogeschool held on 7 June 1870 on the occasion of the 295th anniversary of the Hogeschool. The parade depicts the entry of the count of Leicester in Leiden in 1586. Third plate with the groups numbered 28-36. Part of the series of 18 -stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Leiden Historically costumed parade of the students of the Leidse Hogeschool held on 7 June 1870 on the occasion of the 295th anniversary of the Hogeschool. The parade depicts the entry of the count of Leicester in Leiden in 1586. Third plate with the groups numbered 28-36. Part of the series of 18 -stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper Leiden

Sketches , from Viennas OctoBertage, Recognoscirung, Vienna on October th, Bivouac on the Matzleinsdorfer Friedhofe, Franz Kollarz Kolář -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

Voice from the inside, What is the fault of the standing , Exclusion of bad jokes , illustrated, Blatt satires for the revolution , Joseph Albrecht, Lithographer, Josef Klemm -, publisher

Modo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), pl. 1 from the series Latauromaquia. Artist: Francisco Goya, Spanish, 1746-1828

Six performances of children, hunters and other figures, Alexandre-Gabriel Decamps, 1829 print print maker: Parisprinter: Parispublisher: Parispublisher: London paper child. hunter

. The tenth sled in the procession. A slide with Asclepius (Aesculapius), drawn by a horse. Part of a series of twelve plates (etching pressure before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden (October 3, 1574) and the establishment from the University of Leiden (8 February 1575).

Harnessed Artillery. Carle Vernet (French, 1758-1836); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 234 × 421 mm (image); 331 × 513 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Directory period car, caricatures against new rich. What I'm - what I am - what I should be ". Car period directory, caricatures against the new rich, anonymous engraving.

Sketch sheet with various studies, including equestrian sport. Sketch sheet with various studies, including equestrian sports, a miliaire procession and an amorous couple in the garden.

Kaarsen Games, Carl Gustaf Hjalmar Mörner, 1820 print The candle game on the last day of the carnival, with the arrival of a carriage. Part of a print work with a series of twenty prints about the celebration of Carnival in Rome. paper etching Carnival, Shrovetide (non-liturgical celebration). four-wheeled vehicle drawn by two animals. candle. torch Rome

Cheval conduits a l'ècorcheur, 1823, Jean Louis André Théodore Géricault, French, 1791 - 1824, 4 1/2 x 8 in. (11.43 x 20.32 cm) (image), Lithograph, France, 19th century

Fourteenth Slede, Abraham Delfos, 1776 drawing The fourteenth sled in the parade. A sledge with four musicians, pulled by a horse, followed by two riders with toortsen. Part of the series of fifteen drawings for the plates of the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575). Northern Netherlands paper commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

The Coal Waggon sic. 1821 Théodore Gericault French. The Coal Waggon sic.. Théodore Gericault (French, Rouen 1791-1824 Paris). 1821. Lithograph. Rodwell & Martin (British, active 1819-35). Prints

Der Graf von Habsburg. Josef Albert (German, 1825 - 1886)

Hay is loaded on a cart, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. ink. graphite (mineral) brush

The third slide in the procession. A sled in which a knight and arm heraut, drawn by a horse and followed by two runners with torches. Part of a series of twelve plates (before the number and other paper) of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (3 October 1574) and the establishment of The University of Leiden (8 February 1575).

The house of Madame Tellier; the excursion. First published in 1881. Date: 1881

Feuilles d'Anes du Midi (Sheet of Donkeys from the South). Dated: 1873. Dimensions: plate: 12.5 x 17.7 cm (4 15/16 x 6 15/16 in.) sheet: 21.3 x 29.2 cm (8 3/8 x 11 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Taming a horse. Draughtsman: Jean Bernard. Dating: 1775 - 1833. Measurements: h 185 mm × w 303 mm. Museum: Rijksmuseum, Amsterdam.

The fourth sledge in the procession. A slide in which the personification of freedom, with Willem van Oranje and a knight, drawn by a horse and followed by nobles on horseback. Part of the series of fifteen drawings for the plates of the sledevaart on 24 January 1776 organized by the Leiden Genootschap Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (October 3, 1574) and the establishment of the University of Leiden (8 February 1575).

A riding house , Horseback riding, Horses, Educational facilities. Thomas Rowlandson (1756-1827). Prints and Drawings

Seven horses in a landscape with ruins, Christian Rugendas, After Georg Philipp Ruendas, 1718 - 1781 print Augsburg paper etching horse. landscape with ruins

Amor, Tod und Jenseit, pl.12, Op.IV. Klinger, Max (1857-1920), graphic artist

Francisco de Goya (1746-1828), the celebrated Picador, Fernando del Toro, provokes the Oil Tyr with his lance, 1815-1816

Woodcut by Hans Burgkmair the Elder depicting the Schalks fool's carriage led by Conrat von der Rosen in Emperor Maximilian I's triumphal procession, showing figures, gestures, and 16th-century German ceremonial iconography.

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Passe-temps" (pl.63). Lithography, 19th century. Paris, Carnavalet museum. 78051-13 Passe-time album, aristocracy, tie, rider, tank, horse, drawing, man, illustration, lithography, character, jump, soldier, 19th XIX 19th 19th 19th 19th century, animal, couple

October from Album of Rustic Subjects 1859 Charles Jacque. October from Album of Rustic Subjects. Album de Sujet Rustiques, gravés pour L'Illustration. Charles Jacque (French, Paris 1813-1894 Paris). 1859. Wood engraving. Prints

Knights pulling the Drzymałas wagon. Nowodworski, Henryk (1875-1930), draughtsman, cartoonist

Illustration of the 1889, Fête des Vignerons (Winegrowers Festival); is a traditional celebration held five times a century in Vevey, Switzerland. It has been organized by the Brotherhood of Winegrowers of Vevey since 1797. The committee is free to choose the time intervals between parties, the maximum being five times per century. Until now, the interval between two parties has varied between 14 and 28 years. The next edition will take place in 2019, 20 years after the previous one (1999); . The show pays tribute to the world of wine, several performances take place on the Market Square along the shores of Lake Geneva.

A Horse Bound to a Post with a Reclining Dog. Dated: 1651. Dimensions: plate: 15 × 19.6 cm (5 7/8 × 7 11/16 in.) sheet: 15.2 × 19.6 cm (6 × 7 11/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: DIRCK STOOP.

The village trough. (Title registered (letter))

'Barbarous Entertainment', a blind guitarist on the horns of a bull 1800-1804 (published 1828-67) Goya (Francisco de Goya y Lucientes) Spanish Shortly after publishing the Caprichos in 1799, Goya made this independent print. It returns to the subject of the blind guitarist the artist had explored earlier an etching from around 1778 (see 22.63.29). The title Barbarous entertainment is taken from an inscription written by Goya on an impression of the print at the British Museum. It suggests his ambivalence toward the practice of bullfighting in Spain. The print might have been inspired by the comic bullfighter Ramón de la Rosa, whose antics were reported in a Madrid newspaper in 1797.. 'Barbarous Entertainment', a blind guitarist on the horns of a bull 333804

Amazon, according to the sculpture of August K. E. Kiss, drew Moritz Lämmel. Schröter, E. (N.N.), KISS, August Karl Eduard (1802 1865), Lämmel Laemmel, Moritz (1822 ..)

Reproduction of a painting: Juliusz Kossak (1824-1899), three colour post cards; post card. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), photo studio, Zorza (Kraków ; zakład fotograficzny), photo studio, unknown, publisher

Image reproduction: Wojciech Kossak (1856-1942), near Berezyna (fragment of the panorama "Berezyna"); around 1897 (1896-00-00-1921-00-00);

Cavalier 19th century John-Lewis Brown. Cavalier. John-Lewis Brown (French, Bordeaux 1829-1890 Paris). 19th century. Aquatint. Prints

Jacques Callot, The Bohemians Marching The Vanguard, probably 18th century The Bohemians Marching: The Vanguard

Uniform van de huzaren van Prins Rohan. Een Patroelle Hussaar van de Prins van Rouhan (title on object). Draughtsman: S.G. Casten. Dating: 1795 - 1796. Place: Amsterdam. Measurements: h 197 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Les Boueux, 1823, Jean Louis André Théodore Géricault, French, 1791 - 1824, 7 3/4 x 9 1/2 in. (19.69 x 24.13 cm) (image), Lithograph, France, 19th century

Four in Hand, from the Sports and Art Subjects series (N197) issued by Wm. S. Kimball & Co. ca. 1889 Issued by William S. Kimball & Company Trade cards from the "Sports and Art Subjects" series (N197), issued ca. 1889 by Wm. S. Kimball & Co. to promote Straight Cut Cigarettes.. Four in Hand, from the Sports and Art Subjects series (N197) issued by Wm. S. Kimball & Co.. ca. 1889. Commercial color lithograph. Issued by William S. Kimball & Company

Maskerade of the Leiden students, 1865 (plate 10), 1865 Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Tenth plate with the groups numbered 116-130. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee Historically costumed parade of the students of the Leidse Hogeschool held on 6 June 1865 on the occasion of the 290th anniversary of the Hogeschool. The parade depicts the entry of the Dutch within Zierikzee on August 12, 1304. Tenth plate with the groups numbered 116-130. Part of the series of 16 stuck magazines. print maker: Netherlandsprinter: Netherlandspublisher: Leiden paper To lead. Zierikzee

Netherlands, Woensel, Pieter van, Wagon with two drivers, 1796, verso - stamped, Cartoon of a wagon with two drivers and which is harnessed on one side with a horse and on the other side with a donkey. Opposite p.160: 'Of the present government of Holland'., print, picture, book illustration, cartoon, prints, pictures, Frederik Muller History plates, height 91 mm, width 115 mm, Dutch, 1747-01-10 - 1808-04-21, print maker, printmaker, 1795 - 1796, paper, papier, etching, etchings

Théodore Géricault's 'The Plâtrier Horse' (1822) is a lithograph depicting a horse used for plaster work, highlighting equine anatomy, posture, and work-related harness details.

Old Z: "Tygodnik Ilustrowany" 1876, No. 28 (July 8), p. 22; Kossak, Juliusz (1824-1899), Kluczewski, Micha (fl. 1869-1890), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1876 (1869-00-00-1894-00-00);

Revanche Adolphe Léon Willette (French, 1857-1926). Revanche, 1895. Lithograph on China paper, Image: 15 7/8 x 14 1/2 in. (40.3 x 36.8 cm). European Art 1895

A cockney & his wife going to Wycombe , Carriages & coaches, Horses, Starvation, Birds of prey. James Gillray (1756-1815). Prints and Drawings

BUHOT, Félix (n.1847-07-09-D.1898-04-26), L'Anesse Marie-Jeanne (Bourcard 56) (main title), 1872. Pure Eau-Forte. Petit Palais, Museum of Fine Arts of the City of Paris.

Funeral procession of Anna Paulowna (page 9), 1865. Draughtsman: anonymous. Dating: 1865. Place: Netherlands. Measurements: h 140 mm × w 365 mm. Museum: Rijksmuseum, Amsterdam.

La charrue (The plough), 1874, United Kingdom, by Alphonse Legros. Gift of Mrs Harold Wright, 1965.

Ko at the cart II; Bart Omiejczyk, Edmund Ludwik (1885-1950); 1947 (1947-00-00-1947-00-00);

The fence on the Scheveningen road in The Hague; pass a rider with dog, Willem van Konijnenburg, 1878 - 1943 drawing paper. pencil brush landscapes Scheveningseweg. The Hague

Farm Horses. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Gottfried Engelmann (French, 1788-1839). Date: 1823. Dimensions: 192 × 267 mm (image); 272 × 360 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Manly courage of the celebrated Pajuelera in the ring at Saragossa, plate 22 from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint, drypoint and burin on ivory laid paper . Francisco José de Goya y Lucientes

Equipage in front of the Wielkopolski palace in Krakow. Michałowski, Piotr (1800-1855), painter

The Rural Watering Place. Nicolaes Pietersz Berchem (after) (Holland, Haarlem, 1620-1683). Holland, 1655. Prints; engravings. Etching

Symbolic representation of the five oddities, 1835 print Allegorical representation of the five oddities. Five carts pulled through horses, below inscription. Netherlands paper

Deviat' listov: Katan'e na Maslianitse. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Drawing book of drawings: hay cart (page 25) Camille-Jean-Baptiste Corot (1796-1875). Drawing Book of Drawings: Hay Cart (page 25). Pencil.

RUITERGEVECHT, Christian Rugendas, after Georg Philipp Rugendas, 1718 - 1781 print Augsburg paper etching riding a horse, ass, or mule; rider, horseman. battle

Maskerade by students from the Leidse Hogeschool, 1840 (plate 8), 1840 Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. Eighth plate in a series of nineteen unnumbered plates, with the groups numbered 52-54 . Leiden paper Historically costumed parade of the students of the Hogeschool van Leiden on February 8, 1840. The parade depicts the entry of Hertog Jan van Beieren in Leiden on August 18, 1420. Eighth plate in a series of nineteen unnumbered plates, with the groups numbered 52-54 . Leiden paper

Nobleness. Fragment of a ceiling painting (possibly a dome decoration) with the personification of the noble with a crown in her hand on a cloud. She is surrounded by angels of which two wear a large crown.

La vache et sa gardienne (2nd state). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Women, Cows

Woodcut by Hans Burgkmair depicting the dare of the natural fools named Gylme, Pock, Gülschich, Hans Wynnter, and Guggeryllis during the triumphal procession of Kaiser Maximilian I, 1526 (1796 edition).

The ferryman has just docked. A group of people and animals are leaving the ferry. On the right, a rider leads an additional horse to the jetty. First Livraison, Two representations with animals and people at a ferry and an escaped bull Le Bac Le taureau , print maker: Victor Adam, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), publisher: Aumont & Cie, (mentioned on object), print maker: Paris, printer: Paris, publisher: Paris, publisher: London, 1828 - 1839, paper, h 362 mm - w 273 mm

Alphonse Legros, The Plow (La charrue) The Plow (La charrue)

The Builders Made 1904 United States. Etching in black on cream wove paper . Donald Shaw MacLaughlan

Figure studies (second leaf), 1833, Christiaan Andriessen, 1833 print Leaf with figures: Leaning a standing man on the left in a doorway, on the right a man and woman at a market stall on the street. Part of a series of six magazines with figure studies of Dutch traditional costumes, street figures and tuiks, 1833. print maker: Netherlandspublisher: Amsterdam paper folk costume, regional costume. street-trader

The Picnic Excursion (Appleton's Journal, Vol. I). Artist: Winslow Homer (American, Boston, Massachusetts 1836-1910 Prouts Neck, Maine). Dimensions: image: 6 1/2 x 9 1/8 in. (16.5 x 23.2 cm)sheet: 7 11/16 x 11 in. (19.5 x 28 cm). Date: August 14, 1869. Museum: Metropolitan Museum of Art, New York, USA.

Crew and travelers on the boat, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, h 130 mm × w 360 mm

Overbeek, Leendert, Northern Netherlands, Fin whale stranded near Wijk aan Zee, 1791, verso - stamped, A common fin whale stranded between Wijk aan Zee and Zandvoort on 18 November 1791. Spectators are walking and sitting around the animal, in the background some carriages on the beach., print, prent, prints, Frederik Muller Historieplaten, height 267 mm, width 342 mm, Noord-Nederlands, 1752-04-15 - 1815-03-24, print maker, printmaker, 1792 - 1792, paper, etching, etchings, Work conception, after own design by

Farm Horses. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Gottfried Engelmann (French, 1788-1839). Date: 1823. Dimensions: 192 × 267 mm (image); 270 × 359 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hans Burgkmair, known as the old (1473-1531). The triumph of the Emperor Maximilien I: eighty-sixteenth board (Dornik-Eger 36, Bartsch 81). Xylography, 1512-1519. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, Germanic emperor, glory, glorious memory, glorifying, glorific, history, illustration, historical book, memory, narration, drawing, triumph, 16th 16th 16th 16th 16th 16th century, engraving

Crowd and caros on a square. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 125 mm × w 240 mm. Museum: Rijksmuseum, Amsterdam.

The Plastermaker's Horse. Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: sheet: 16 9/16 x 22 7/16 in. (42 x 57 cm)plate: 10 1/16 x 12 5/16 in. (25.6 x 31.2 cm). Series/Portfolio: Etudes de Chevaux. Date: 1822. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Albrecht Altdorfer from around 1512-1515 showing the Wagenburg in the triumphal procession of Emperor Maximilian I, executed with dark brown ink, brush, watercolor, cover color, and gold highlights on parchment.

Mountain landscape with river Route de Bagnieres de Bigorre a Grippe , print maker: Paulus Lauters, (mentioned on object), intermediary draughtsman: Emile Serda, (mentioned on object), publisher: Antoine Dewasme-Plétinckx, (mentioned on object), Brussels, 1816 - 1851, paper, h 272 mm × w 361 mm

Munich, Wolf & Sohn, dr. C., Braun and Fr. Schneider, K., Geldern, Moolen, Hermann van der, Germany, Knilling, Leutemann, H., Munchener platen, Het vermakelijk Apenspel, verso - stamped, Sheet with 9 representations of monkeys behaving like people, including monkeys at the table and monkeys in circus acts. Numbered center bottom: No. 103. Numbered top right: 103., print, folk print, prints, folk prints, height 440 mm, width 352 mm, German, maker, manufacturer, 1865 - 1965, paper, wood engraving, letterpress printing, Dutch, 1828 - 1892, seller, Publication (Event), Publication, publisher, printer

Figures in seventeenth-century clothing. Figures in seventeenth-century clothing. On the left a rider. Leaf 35 from a sketchbook with 91 sheets.

Plate 10: two horsemen descending a mountain at left, another horseman to right in background, from 'Diversi capricci' ca. 1644-47 Stefano della Bella Italian. Plate 10: two horsemen descending a mountain at left, another horseman to right in background, from 'Diversi capricci' 376509

The eleventh sled in the procession. A slide with music personification, drawn by a horse, followed by two Roman soldiers. Part of the series of fifteen drawings for the plates of the sledevaart on 24 January 1776 organized by the Leiden Genootschap Veniam Pro Laude on the occasion of the second centenary of the Leiden relieved (October 3, 1574) and the establishment of the University of Leiden (8 February 1575).

Bemanning in reizigers op boot; Domestic workers on board; Following the three nons. precedent; Travel to Italy, Sicily and Malta - 1778.TEKENING UIT HET ALBUM 'TRAVEL IN ITALY, SICILY AND MALTA', 1778.

Waterman, Ticket Porter, Fellowship Porter, Coachstand and New Milk from the Cow. Waterman, Ticket Porter and Fellowship Porter 79, waterman talking with a couple who have called a Hackney coach at a coachstand 80 and mother and children getting fresh milk at a dairy farm in Islington 81. Woodcut engraving after an illustration by Isaac Taylor from City Scenes, or a Peep into London, by Ann Taylor and Jane Taylor, published by Harvey and Darton, Gracechurch Street, London, 1828. English sisters Ann and Jane Taylor were prolific Romantic poets and writers of childrens books in the early 19th century.

Kohlnbauern, Illustration from Vienna and the Viennese, in pictures from life, edited by Adalbert Stifter, Pest

Egyptian triumphal cars still image. 1929. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Fans , Egypt, Ramses II, King of Egypt, Horses , Egypt, Archers , To 499, Chariots , Egypt , To 499, Animal trappings

Pieter Nolpe (Dutch, 1613-1614 - 1652-1653), Entry of Marie de Medici into Amsterdam plate 6 of 6, 1639, etching

Scenes of Daily Life, Roads and Paths: Road to Saint-Cloud (Scènes de la vie quotidienne, Route et Chemins: Route de Saint-Cloud), 1816. Carle Vernet (French, 1758-1836), Bance. Lithograph gravure en couleurs a l'aquantinte par Debucourt; sheet: 9 x 14 cm (3 9/16 x 5 1/2 in.); image: 8.4 x 11.6 cm (3 5/16 x 4 9/16 in.).

. The ninth sled in the procession. A slide with the personification of justice, drawn by a horse. Part of a series of twelve sled of the sledevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude on the occasion of the second centenary of the LEIDIS off (October 3, 1574) and the establishment of the University of Leiden (8 February 1575) .

Woodcut by Albrecht Altdorfer showing the Burgundian Pfeifer in the triumphal procession of Emperor Maximilian I, depicting figures, instruments, banners, and procession elements.

Woman with a laurel wreath driving a Greek four-horse chariot. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages" (1796).

Parade at the marriage of Princess Sophie, 1842 (plate 4), 1842 - 1843 Procession on the occasion of Princess Sophie with Karel Alexander, Grand Duke of Saxony-Weimar-Eisenach, held at the arrival of the couple in Weimar on October 27, 1842. Fourth plate with the groups numbered 27-35. Part of the series of six separate plates of the parade. print maker: Germanyafter drawing by: Weimarpublisher: Weimar paper etching Weimar Procession on the occasion of Princess Sophie with Karel Alexander, Grand Duke of Saxony-Weimar-Eisenach, held at the arrival of the couple in Weimar on October 27, 1842. Fourth plate with the groups numbered 27-35. Part of the series of six separate plates of the parade. print maker: Germanyafter drawing by: Weimarpublisher: Weimar paper etching Weimar

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