Historical Tapestries

Tapestries depicting mythological and historical narratives, showcasing vibrant colors and intricate detailed scenes from classical stories and royal heraldry.

The Lady and the Unicorn (La Dame a la licorne 'L'Ouie') by Anonymous master / Musee national du Moyen Age (Musee de Cluny) / Late 15th cen. / Flanders / Wool, silk, handwoven / Music, Dance,Mythology, Allegory and Literature / Medieval art

Four Episodes in the Story of Hercules ca. 1515-35 South Netherlandish. Four Episodes in the Story of Hercules. South Netherlandish. ca. 1515-35. Wool warp; wool and silk wefts. Textiles-Tapestries

Tapestry (armorial hanging) late 17th century Manufacture Nationale des Gobelins French. Tapestry (armorial hanging) 227763

Perseus Rescues Andromeda ca. 1515-25 South Netherlandish. Perseus Rescues Andromeda 468693

BOTIJO DE CUELLO ANCHO Y UN ASA - SIGLO XX - CERAMICA POPULAR. Location: ALFARERIA. MOTA DEL CUERVO. CUENCA. SPAIN.

The defeated King Porus appears before Alexander, who gives him his rule, Anonymous, c. 1625 - c. 1650 Wall carpet with Alexander who returns the Koningskroon to Porus, from a series with the history of Alexander the Great. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with Alexander who returns the Koningskroon to Porus, from a series with the history of Alexander the Great. Southern Netherlands Ketting: Wool. Entry: Wool. Entry: Silk tapestry

Tapestry depicting the Catholic Monarchs with their five children (Isabella, John, Joanna, Mary and Catherine). It is located in the 'Camara Regia'. Early Modern Era. Tapestry. SPAIN. CASTILE AND LEON. Segovia. Alcazar (castle).

Woman receives winged figures. unknown c. 1500-1525 Tapestry Dimensions: H 11'7" x W 11' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. Woman gestures towards male & female winged figures in sky as kneeling attendant hands her laurel wreath as other figures observe; behind her is altar with figure of Mercury (BRD) garland with flowers & grapes Flemish Provincial No French & Co. stock sheet in archive, no stock number Göbel, Wandteppiche I:1 (1923), 552

Vertumnus and Pomona. Tapestry belonging to the the set "History of Vertumnus and Pomona", based on cartoons attributed to the Flemish artist Pieter Coecke van Aelst (1502-1550). Flanders, mid-16th century. Wool, silk and gold thread. Calouste Gulbenkian Museum. Lisbon, Portugal.

FRONTAL DE LA PASION .S.XIV PROCEDENTE DE FLORENCIA.. MUSEO HISTÒRICO DE LA SEU. MANRESA. Author: GERI DI LAPO.

The Lady and the Unicorn (La Dame a la licorne 'L'Ouie') by Anonymous master / Musee national du Moyen Age (Musee de Cluny) / Late 15th cen. / Flanders / Wool, silk, handwoven / Music, Dance,Mythology, Allegory and Literature / Medieval art

Tapestry, The capture of Pauli in the temple, after Pieter Coecke van Aelst, Brussels around 1540, National Museum, Munich, Upper Bavaria, Bavaria, Germany, Europe

Illuminated page from the Historia Naturalis. Dated 18th Century

Chastity with two putti, fragment from the triumph of the chastity over love; The triumphs of Petrarca. Fragment of a tapestry with the triumph of the chastity about love. The personnication of the chastity keeps a column in the left hand and is flanked by two putti. The carpet was originally part of a series with the triumphs of Petrarca.

Plaque, probably from a Reliquary Shrine, c. 1200-1250. Mosan, Valley of the Meuse, Gothic period, early 13th century. Gilded copper; champlevé enamel; overall: 3.4 x 5.9 cm (1 5/16 x 2 5/16 in.).

The Combat of Manricardo and Zerbino from a set illustrating Ariosto's Orlando Furioso. Culture: French, Paris. Dimensions: H. 119 x W. 153 inches (302.3 x 388.6 cm). Manufactory: Manufactory of Raphaël de La Planche (Faubourg Saint-Germain-des-Près, rue de la Chaise, active 1629-1661). Date: 1630-50.From a set illustrating Ariosto's Orlando Furioso. The fight between Zerbino, a Christian knight, and Manricardo, King of Tartary, is about to be stopped by the latter's lady love, Doralice. On the right, Fiordiligi holds Orlando's horse, Brigliadoro. Museum: Metropolitan Museum of Art, New York, USA.

Ascoli Cope early 20th century (original dated 13th century) Italian. Ascoli Cope 462871

Alfonso X, called 'The Wise' (1221-1284). Cantigas de Santa Maria (Virgin Mary Songs). 13th c. MS T.I. 1. Codex Rico. Cantiga 151. Fol. 206R. The Virgin releases a devout cleric but lustful. Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). San Lorenzo de El Escorial. Royal Library of the Monastery of El Escorial.

AZULEJO DE SAN CRISTOBAL EN LA BASILICA DE LA VIRGEN DEL PRADO - SIGLO XVI. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN.

Two Putti Trying To Stop a Monkey Abducting a Child from a set of the Giochi di Putti. Artist: Cartoon by Tommaso Vincidor (Tommaso di Andrea) (Italian, Bologna ca. 1517-ca. 1536 Breda ()). Culture: Italian, Rome. Designer: Design attributed to Giovanni da Udine (Giovanni dei Ricamatori) (Italian, Udine 1487-1564 Rome); Adapted from a design by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: L. 102 x W. 104 in. (259 x 264 cm). Manufactory: Woven in the Barberini Manufactory. Date: ca. 1635.This tapestry is one of eight that reproduce, in part, a set of twenty ordered in 1520 by Pope Leo X for the Hall of the Consistory in the Vatican. The design was conceived as an allegorical celebration of the golden age under the Medicis and under Leo X in particular. The theme and format of the set may have been conceived by Raphael (both of the putti in this tapestry derive from lost paintings by him), but the designs were executed by his pupils. Several of the

The Triumph of Christ ("The Mazarin Tapestry"). Dated: c. 1500. Dimensions: overall: 341 x 439.4 cm (134 1/4 x 173 in.). Medium: tapestry: undyed wool warp; dyed wool, silk, and silver-gilt- and silver-wrapped silk weft. Museum: National Gallery of Art, Washington DC. Author: Netherlandish 16th Century.

Virtues intercede for Man. unknown c. 1510-1520 Tapestry Dimensions: H 13'5" x W 21' Tapestry Materials/Techniques: wool & silk Culture: Southern Netherlands Ownership History: William Randolph Hearst coll. French & Co. purchased from Leon Medina 8/1951 SS 81374. French & Co. purchased from Antiquities Inc. 3/31/1953; sold to Musées Royaux d'Art et d'Histoire, Brussels, 1964 SS 57510. Belgium, Brabant, Brussels, Musées royaux d'art et d'histoire, accno. 9923. 2 processional rows of figures (upper & lower), Christ enthroned, flanked by 2 female figures (Charity & Humility ) (R, upper corner) in preparation for "Paradise Lawsuit" in which case of sinful Man is brought before throne of God (BRD) garland of flowers 1 tapestry panel in set of 4. The weaving center may be Brussels. French & Co. stock sheet in archive, 81374 French & Co. stock sheet in archive, 57510-b French & Co. stock sheet missing from archive, 19718-b Brussels (Musées Royaux), Tapisseries (1976), 100-117, no. 27 Delmarce

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine9. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Museum of Navarra, Pamplona, Navarra,Spain.

Design for a Ceiling with Grotesque Decoration before 1779 Francesco Bartoli Italian. Design for a Ceiling with Grotesque Decoration 676827

The Crucifixion. Unknown Artist; German, 15th century. Date: 1470-1480. Dimensions: 322 x 250 mm. Metalcut from two plates in black hand colored on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Loss of Faith, Jan Toorop, 1894 drawing prepared paper. deck paint. pencil Allegorical representation ~ Religion; 'Religion' 'religion of SS. Maurice e Lazarus '' Religion True Christian "(Ripa)

Tapestry in the Hall of columns in the Royal Palace, Madrid, Spain. (Editorial Use Only)

Ferdinand Laufberger created decorative studies using pencil, cover color, and watercolor, focusing on ornamental forms and motifs

Cruz Procesional, 1380, Nº Inv. 577. Museo Arqueológico Nacional.

Wars of the Roses - Edward IV, Henry VI, St George with Allegory, 1862-64. Watercolour - Stained Glass Design. Sir Edward Burne-Jones. Stained glass design of three historical figures flanked by art on the left and science on the right, scenes of the life of St George below.

Honor from the series "The Honors". Culture: Flemish, probably Brussels. Designer: Design attributed to Bernard van Orley (Netherlandish, Brussels ca. 1492-1541/42 Brussels) and workshop, with collaborators. Dimensions: confirmed: 15 ft. 2 1/16 in. × 26 ft. 2 9/16 in. (462.5 × 799 cm). Date: designed before 1520, woven between 1525 and 1532.The enthroned and bearded personification of Honor receives the victor's laurel crown from Virtue and Victory. Majesty and Respect sit like handmaidens at Honor's feet, and the most lauded rulers of history, each identified by name, flank his throne; below are ten virtuous women, plucked from mythology, the Bible and more recent apocryphal histories. The central scribe peruses the list of Honor's celebrants, whilst in the foreground an unruly mob of historical and literary protagonists beseige Honor's pavilion.This tapestry was part of a seven-piece set presenting an allegorical guide to the qualities which a successful ruler should espouse. The set

Cowardice of Sancho during the hunt. Coypel, Charles-Antoine (French, 1694-1752) (author of design) painter Perrot, Pierre-Josse (French, act.1724-1735) (designed after, alentour) painter Cozette, Pierre-François (French, b.1714-d.1801) (workshop) weaver 1753-1756 Tapestry Dimensions: H 132" x W 204" Tapestry Materials/Techniques: wool & silk Culture: French Weaving Center: Paris Ownership History: Garde-meuble (1758-). Château de Marly (ca.1789). Empress Eugénie coll., Farnsborough House, London; sold at Christie's (London), 7/7/1927, lot 76; purchased by Henry Symons, New York. French & Co. United States, Virginia, Richmond, Virginia Museum of Fine Arts, accno. 64-48-1/6. Inscriptions: Woven inscription in cartouche in center field: POLTRONERIE / DE SANCHO A LA / CHASSE Don Quixote points sword at boar, while hunters & dogs take down boar; on R, Sancho clings to trunk of tree in fear; scene enclosed by picture-frame cartouche (ALENTOUR) patterned background with floral garlands & pea

GSELL-Laurent workshop. Album n ° 4; stained glass project for Védrin-les-Namur; Two-spans window: appearance of the Sacred Heart to Marie Alacoque. Ink, wash, watercolor. Paris, Carnavalet museum. Album number 4, appearance of the coronation, crown, ecusson, emblem, ink, windows two travees, wash, lion, stained glass project, nun, vedrin-les-namur, watercolor

Panel with mosaic, central nave, Basilica of Santa Maria Maggiore, Rome. Italy, 5th century.

Luis Borrassà / 'Saint Andrew refusing to worship the Idol'. 1400 - 1405. Tempera on poplar panel. Museum: Museo del Prado, Madrid, España.

Six Putti Dancing Around a Globe and a Palm from a set of the Giochi di Putti ca. 1635 Design attributed to Giovanni da Udine (Giovanni dei Ricamatori) Italian This tapestry was once part of an eight-piece set representing Giochi di Putti, or Cherubs Games. Pope Leo X commissioned the series as an allegorical celebration of the golden age under the Medici, and it was to be displayed in the Vaticans Hall of the Consistory. Probably conceived by Raphael, the tapestries designs were executed by his pupils, including Giovanni da Udine. Tommaso Vincidor painted their cartoons (the full-size models copied by the weavers) in Brussels.Unfortunately, Leos Brussels-woven, sixteenth-century tapestry set does not survive, but multiple copies were made, including these seventeenth-century tapestries attributed to Flemish weavers working in Rome in the newly established tapestry workshop funded by the Barberini family. Here, the weavers used hatching to skillfully depict the volume and rosy hues

Negotiations between two armies outside a castle. Gouache painting by an Indian artist, ca. 1800.

Embroidered Fragments, 16th century. Spain, 16th century. Appliqué embroidery, couched gold on velvet; overall: 111.8 x 82.6 cm (44 x 32 1/2 in.).

Paradise, Purgatory and Inferno (Hell), 16th century tapestry, manufacture of Brussels, from a work by Hieronymus Bosch.

PONTE, Giovanni dal (1376-1437). The Seven Liberal Arts. ca. 1435. Panel for the front side of a chest. In the middle: the Astronomy, armilar sphere and Ptolemy. Right side: the Geometry and Euclides; the Arithmetic and Pythagoras; the Music and Tubalcain. Left side: the Rhetoric and Cicero; the Dialectics and Aristotles. Renaissance art. Quattrocento. Oil on wood. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Venus and Adonis ( ) with the Duck Hunt Made 1590-1610 Flanders. Based on the 10th book of Ovidís Metamorphoses, this scene may depict the goddess Venus and the hunter Adonis at the moment in which she warns him about the dangers of hunting. Ignoring her warning, Adonis is later killed by a boar. In the background, men in contemporary dress conduct a hunt, a popular pastime of the privileged elite. The border of the tapestry displays an array of allegorical, biblical, and mythological scenes and figures. Overall the composition gives the impression of receding space, which is characteristic of late-16th- and early-17th-century Flemish production.. Wool and silk, slit and double interlocking tapestry weave . Jacques Geubels, I (Manufacturer)

Embroideries with Allegorical Scenes ca. 1450 German. Embroideries with Allegorical Scenes 477237

Piobbico (Italia, Marche - provincia di Pesaro-Urbino), Castello Brancaleoni, appartamento nobile, Camera Romana. Ciclo di affreschi attribuito a Damiani da Gubbio e stucchi di Federico Brandani. Scena mitologiaca dell'antica Roma, Muscio Scevola, XVI secolo

Asia, India, Numerous themes - here a series of dynamic portraits at Bhageat haveli - are expressed on the walls of Shekhawati's celebrated painted mansions.

The Liberation of Oriane from a set of Amadis of Gaul. Culture: Dutch, Delft. Designer: Designed by Karel van Mander I (Netherlandish, Meulebeke 1548-1606 Amsterdam). Dimensions: Overall (confirmed): H. 139 x W. 159 1/4 in. (353.1 x 404.5 cm). Maker: Weaving workshop directed by Frans Spiering (Flemish, 1551-ca. 1630). Date: ca. 1590-95.This tapestry depicts scenes from Amadis of Gaul, a chivalric romance that enjoyed great popularity in European court circles in the late sixteenth century. Amadis, a knight from Gaul, has fallen in love with Oriane, daughter of the King of England, but she and the "Damsel of Denmark" have been kidnapped by the king's enemy, Arcalaus. Here we see Oriane's rescue. Toward the center of the scene Amadis encounters the army of Arcalaus and defeats each of his soldiers before finally confronting and killing Arcalaus. In the foreground, Amadis and Oriane are re-united.Woven from a design by Karel van Mander I, the tapestry is a rare example of late sixteenth-

Spring. Mattens, Andreas (Netherlandish (before 1600) - Flanders, act.1535-1550) (workshop, attr.) weaver c. 1550 Tapestry Dimensions: H 14'3" x W 7'2" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: Brussels Ownership History: French & Co. purchased from E. S. Bayer, invoiced 4/11/1927; sold to Jns. N. John North Willys 3/17/1930. Shepherd, shepherdess & young man (center, foreground) spy on 2 lovers off in distance (L, far middle ground), boy in tree picking cherries (center, top), man with bird traps (L, middle ground), shepherd with flock of sheep (R, far middle ground), stag (L foreground), landscape & cityscape (background) (BRD) foliage, fruit & perched birds against central rod with stylized motif; (UPR & LWR BRD) weasel or squirrel crawling in center Stock sheet 33088 notes: replica in Gardner Museum, Boston. French & Co. stock sheet in archive, 15018 also lists: 33088 Boston (Gardner), Textiles (1986), 56, 57, no. 10 Related Works: Compositionally & st

Tapestry in a royal palace, Great Hall, Hampton Court Palace, London, Surrey, England

Art Gallery Interior View, Florence, Italy FLORENCE, ITALY, JANUARY - 2018 - Interior view of famous gallery at florence city, Italy Copyright: xZoonar.com/DanielxFerreira-LeitesxCiccarinox 12317406

Abundance of The Days of theWeek. Artist: Elihu Vedder, American, 1836-1923

Hautelisse tapet, "Vasco da Gamas återkomst" Tapestry, "The return of Vasco da Gama". Date/Period: 1525. Tapestry. Height: 3,910 mm (12.82 ft); Width: 5,490 mm (18.01 ft). Author: UNKNOWN.

Tapestry, The influence of Mercury on the work of the people, Brussels around 1550/60, National Museum, Mu Nchen, Upper Bavaria, Bavaria, Germany, Europe

Triptych with Scenes from the Life of St. George. Aragon (school of ) (Spain, circa 1400-1425). Spain, circa 1425-1450. Paintings. Tempera, gold leaf and silver leaf on panel

Retible footpiece with Maria with a child between Hieronymus and Nicolaas from Myra. Messened pedestal for retably.

Large cupboard, Chinese lacquer, 18th century French, engraving from Dictionary of Furniture and Decoration, 1878, by Henry Havard, published by Maison Quantin, Paris

Vitrail project for Ouchy Le Chateau: worship of shepherds Gsell-Laurent workshop. Vitrail project for Ouchy The Castle: worship of shepherds. Pencil and gouache on layer paper.

King Francis I of France, 16th century, (1849). Creator: Edward May.

Goldsmith's art, Italy, 15th-16th century. Urn reliquary of the Saint Innocents. Milanese manufacture. Detail.

PINTURAS DE SAN BAUDELIO DE CASILLAS DE BERLANGA - DETALLE DE LA DECORACION GEOMETRICA - SIGLO XII - ROMANICO ESPAÑOL. Author: ANONIMO ESPAÑOL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Altar frontal from Alós d'Isil. Date/Period: First quarter of 13th century. Painting. Tempera, stucco reliefs and remains of varnished metal plate on cloth-mounted wood. Height: 985 mm (38.77 in); Width: 1,480 mm (58.26 in). Author: UNKNOWN.

Had, Jean-Baptists (Dit L'ancien) (N.1745-10-15-15 - D1819. Orcarpulator (Titre Principal, LIEWE, Tapper. Pierit Palace, museum this Beaux-Arts the La La had a lot of the paris.

The Death of the Virgin. Hans Klocker; Austrian, active 1474-1502. Date: 1481-1495. Dimensions: 164.5 × 130.8 × 11.4 cm (64 3/4 × 51 1/2 × 4 1/2 in.). Pine with polychromy and gilding. Origin: Austria. Museum: The Chicago Art Institute, Chicago, USA.

Canopy project representing three saints Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Gloer project representing three saints. Pencil, watercolor on layer.

MTI1-CANTIGA STA MARIA Nº143-F199R-VIRGEN HACE LLOVER EN JEREZ POR RUEGO DE PECADORES-MINIATURA S XI. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

heraldry coat of arms Germany marriage coat of arms Kaspar von Kirch (+ 4.8.1580) and Ursula von Kirch n_e Schulthei_ (+ 29.10.1592) Deller memorial plaque side wing donated by Hans Jakob Deller 1604 municipal museum Lindau,

TAPIZ - ESCENA PALACIEGA. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Esther and Ahasuerus. unknown c. 1510-1520 Tapestry Dimensions: H 9'2" x W 6' Tapestry Materials/Techniques: unknown Culture: Southern Netherlands Weaving Center: unknown Ownership History: French & Co. purchased from Estate of Stefan Mendel 10/7/1965 also lists: 3/11/1966; sold to Mr. Paul Botte 5/31/1966. Esther, accompanied by 3 female attendants, kneeling before enthroned Ahasuerus, who is surrounded by courtiers (Esther 5:5-7:10) (BRD) floral motif within compartmentalized rectangles & squares French & Co. stock sheet in archive, J-139-x

The Elephant from a set of five Grotesques. Artist: Style of Jean Berain (French, Saint-Mihiel 1640-1711 Paris). Culture: French, Beauvais. Designer: Designed by Jean-Baptiste Monnoyer (French, Lille 1636-1699 London); Border designed by Guy Louis Vernansal the Elder (French, Fontainebleau 1648-1729 Paris). Dimensions: Overall (confirmed): 116 x 181 in. (294.6 x 459.7 cm). Factory director: Philippe Béhagle (French, 1641-1705) , or his son Philippe. Manufactory: Beauvais. Date: designed ca. 1688, woven ca. 1690-1711.Presenting musicians, acrobats, and exotic animals within a fanciful architectural setting, this tapestry is from a set known as the Berain Grotesques, in reference to the pervasive stylistic influence of Jean Berain (1640-1711), who may even have provided preliminary sketches. The Classical architecture, flora, fauna and figures against the blank ground was in emulation of the Roman wall-paintings excavated in the subterranean chambers of Nero's palace in Rome (erroneousl

Pan and Syrinx, Manufacture Royale des Gobelins (workshop of), c. 1680 - c. 1684 Wall carpet with pan that Syrinx continues (Ovidius, Metamorphosen, Book I), from a series of tapestries with performances derived from Ovidius' Metamorphosen. Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry Wall carpet with pan that Syrinx continues (Ovidius, Metamorphosen, Book I), from a series of tapestries with performances derived from Ovidius' Metamorphosen. Paris Ketting: Wool. Entry: Wool. Entry: Silk tapestry

'Altarpiece of the lives of the Virgin and Saint Francis' (detail: Saint Francis Visits the Sultan of Babylon), 1445-1460, Oil on panel, P02545. Author: NICOLAS FRANCES (1424-1468). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN FRANCISCO DE ASIS.

TAPIZ - SERIE PAÑOS DE ORO - CORONACION DE LA VIRGEN - 1502/4 - ORO PLATA SEDA Y LANA - 322x375. Author: PIERRE VAN AELST (1450-1533). Location: PALACIO REAL-TEJIDOS. MADRID. SPAIN. JOANNA OF CASTILE.

Sidewall, Machine printed on paper, Close and colorful design of children's toys and games. Included are horns, doll, jack-in-the-box, shuttle-cock, woolly animals, Drop match. The seeming ground is dark brown but the actual paper ground is used in the design., France, 1880-1900, Wallcoverings, Sidewall

detail from the surround of an 18th century, oriental style, Adam Fireplace, Music room, Kenwood House, Hampstead Heath, Hampstead, London, England

AZULEJO- ROBOAM- MONARCA HEBREO- PRIMER SOBERANO DE JUDA HIJO DE SALOMON. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN. SALOMON REY HIJO. ROBOAM S X AC.

Altarpiece of the Virgin, Saint Augustine and Saint Nicholas of Tolentino. Date/Period: Ca. 1461-1462. Painting. Oil, tempera and gold leaf on wood. Height: 2,055 mm (80.90 in); Width: 2,060 mm (81.10 in). Author: Antoine de Lonhy.

Frescoes, Basilica of Saint Catherine of Alexandria, Galatina, Lecce, Salento, Apulia, Italy

SALA DE LOS REYES - REYES DE LEON ALONSO VII URRACA IV ALONSO VIII Y SANCHO III. Location: ALCAZAR-INTERIOR. SEGOVIA. SPAIN.

Album n � 4; Stained glass project for Isle Adam: the tomb Gsell-Laurent workshop. Album n � 4; Stained glass project for Isle Adam: The tomb. Pencil, watercolor, enhanced gouache.

St. Catherine confounding scholars before Emperor Maxentius, Medium: silk, gold thread Technique: embroidery, Five small roundels embroidered in colored silks and gold. Three illustrate scenes from the legend of St. Catherine of Alexandria; two others scenes from the life of St. Martin., Belgium, 15th century, embroidery & stitching, Roundel, Roundel

Sidewall (France); machine printed on paper; 73 x 50.5 cm (28 3/4 x 19 7/8 in.)

Brittany, Fougeres, St Sulpice church, Francis I ducal coats of arms (on the way to Santiago de Compostella)

Brass Plate for Richard Amondesham and His Wife Katherine, Ealing Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Watercolor and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 15 × 10 7/8 inches (38.1 × 27.6 cm), architectural subject, historical subject, plate, praying, England, Europe, London, United Kingdom

Paris, Lemercier, Joseph-Rosé, Lavril, Kellerhoven, Franz, Miniatures tirées d'un ms. Grec du Xe Siècle, Reproduction of an illumination of three saints, recto - printed, print, engraving, page, reproduction, photographs, photographically illustrated books, Lavril del., Kellerhowen Lith, height 200 mm, width 152 mm, 1814 - 1872-09-23, print maker, printmaker, 1859 - 1864, paper, papier, chromolithografie, Work conception, after a design by, after a painting by, Frans, 1803-06-29 - 1887-01-01, printer, drukker

The Adoration of the Eucharist. Peter Paul Rubens; Flemish, 1577-1640. Date: 1621-1631. Dimensions: 12 1/2 × 12 1/2 in. (31.5 × 32 cm). Oil on panel. Origin: Flanders. Museum: The Chicago Art Institute, USA.

Embroidered Sampler ca. 1792 Patty Coggeshall American Martha Coggeshall (nicknamed Patty) was the third of five daughters born to William (1719-1796) and Margaret Munro (1744-1809) Coggeshall of Bristol. Both Patty and her sister Polly are thought to have attended a school run by Anne Bowman Usher (1723-1793), which was in existence from about 1774 to 1793. Highly respected, the school attracted day students from prosperous Bristol families, as well as children of the wealthiest Providence families, who were sent to board with the Ushers. Samplers made at Mrs. Usher's school can be identified by distinctive black background stitching, the figure of a musician playing a flute, and a long-tailed bird in flight.. Embroidered Sampler 14049

ESCENAS DE LA VIDA DE STA URSULA-184X67 CADA UNO-NºPRADO731-HACIA 1400/1410. Author: ANONIMO ESPAÑOL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Music Edward Burne-Jones (1833-1898 British) Roy Miles Gallery, 29 Bruton St., London W1 *ADDRESS MUST BE INCLUDED IN CREDIT!

The Ransom for Galcerán de Pinós put on Board Ship at Salou near Tarragona. Culture: Spanish, Catalonia. Dimensions: 11 ft. 3 in. x 8 ft. 5 in. (3.43 x 2.57 m). Date: late 16th or early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The lady and the unicorn tapestry, Cluny chapel, Paris, France PARIS, FRANCE, DECEMBER 16, 2023 : The lady and the unicorn, renaissance tapestry, Cluny chapel, Paris, France Copyright: xZoonar.com/Thexladyxandxthexunicornxtapestry,xClunyxchapel,xParis,xFrancex 22077089

Women of the House of Babemberg from 976 to 1246, detail of the Bamberg family tree triptych, 1489-1492, by Hans Part, 15th Century.

Part of a folding screen covered with polychromed gold leather with flower, fruit and leaf vines and mythological hunting performance, Jacob and Abraham the Crowned Son Hamer, 1630- 1650 Part of a folding screen covered with polychromed gold leather. A mythological hunting presentation is shown against a dark background and within a frame, formed by broad gilded band work and surrounded by flower, fruit and leaf vines: Atalantha and Melager. Gold leather ca. 1640. Note: also compare with BK-NM-12728-A, b. Amsterdam . Part of a folding screen covered with polychromed gold leather. A mythological hunting presentation is shown against a dark background and within a frame, formed by broad gilded band work and surrounded by flower, fruit and leaf vines: Atalantha and Melager. Gold leather ca. 1640. Note: also compare with BK-NM-12728-A, b. Amsterdam .

Autumn. Date/Period: Ca. 1917-1918. Painting. Oil on canvas adhered to panel. Height: 22.50 mm (0.88 in); Width: 32.13 mm (1.26 in). Author: Maurice Prendergast.

Gilded panel from a Marriage Chest, also known as a 'Casson'. Dated 15th Century

The Adoration of the Magi. Chromolithography by Franz Kellerhoven from a Burgundian tapestry dated around 1440. "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877. Author: Franz Kellerhoven (ca. 1814-1872) German lithographer.

Bilibin, Ivan Yakovlevich (1876-1942) State Russian Museum, St. Petersburg 1929 Watercolour on paper

MTI1-CANTIGA STA MARIA Nº148-F204V-CABALLERO ESCAPA DE ENEMIGOS GRACIAS A CAMISA DE LA VIRGEN-S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. ROLLUS.

A colored woodcut by Albrecht Dürer from 1502 depicting John before God and the elders, showing figures, gestures, and apocalyptic scene.

The Annunciation Artist: Sir Edward Burne-Jones, Religion, Christian, Virgin MaryPre-Raphaelite, Parabola Japan

England,London,Surrey,Hampton Court Palace,Henry VIII's Apartments,The Great Hall,Giant Tapestry depicting Palace Life

GSELL-Laurent workshop. Album n ° 1. Vitrail project for the Saint-Godard church in Rouen. Ink and watercolor on layer. Paris, Carnavalet museum. 37124-12 Layer, drawing, Saint-Godard church, ink, stained glass project, rouen, watercolor, assassination

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