Historical Triumph Engravings

A collection of intricate engravings showcasing historical scenes of triumph and victory, featuring figures in elaborate attire and detailed settings.

Amsterdam, Luyken, Jan, Annunciation to the Shepherds, recto - manuscript in brown ink, print, prints, verso - stamped, 3, height 117 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

. Emperor Aurelianus drives his triumphar, who is being pulled through deer. He triumphs over the chained Zenobia, queen of Palmyra. He carries her and Tetricus to Rome to show them to the people.

Drawing, Graphite on paper, France, before 1902, Drawing

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Sadeler, Johann (I), Den Grooten Figuer-Bibel, Jeugd van Christus, Van de Wysen uyt den Oosten, Ontmoeting en de reis van de drie koningen, bottom right - handwritten in brown ink, The three kings meet at a crossroads and follow the star of Bethlehem together. The black king points with his scepter on the star. Below the image a reference in Latin to the Bible text in Mat. 2. This print is part of an album., print, album leaf, prints, 2, bottom center - handwritten, 16, height 209 mm, width 253 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1572 - 1576, paper, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Errant pendant la nuit... n.d. Claude Gillot French. Errant pendant la nuit... 369530

De Amersfoortse Steenelkking, 1661, 1661 print Cartoon on the Amersfoort stone. On June 7, 1661, under the leadership of Jhr. Everard Meyster, a large boulder (the Amersfoortse Kei) was drawn from the Leusderheide to the Varkensmarkt in the center of Amersfoort. The boulder is lying on a sled by Mannen with ropes. On the Kei there is a nar with a trumpet with the coat of arms of Meyster, a wreath of Krakelingen and musical instruments. For the Kei, Hercules, Bacchus and Ceres walk with a cupido, on the back of the sled is a soldier under an honorary, here also a woman with snake hair (Medusa) And a Sater. The stage is watched by a group of considerable men and wife, on the left children climb into trees, right in the distance Amersfoort. With caption of 4 spot verses in Latin and Dutch. Northern Netherlands paper etching unusual means of transport Amersfoort

Nymphs of Diana on archery, Pierre Scalberge, After Domenichino, 1637 print France paper etching Diana hunting with her nymphs

Amsterdam, Luyken, Jan, Annunciation to the Shepherds, recto - manuscript in brown ink, print, prints, verso - stamped, 3, height 117 mm, width 153 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1712 - 1712, paper, papier, etching

The Road To Calvary Artist's working dates 1485-1491 Germany. This print imagines the chaotic march to the site of the Crucifixion. Surrounded by a crowd of tormenters, Jesus stares out at the viewer, collapsed under the weight of the instrument of his death, the cross. Martin Schongauer, the most influential engraver prior to Albrecht D¸rer (whose work can be seen nearby), brought unprecedented detail and tonal variety to the medium. At the time of its making, this was also one of the largest engravings ever produced. Its widespread impact is attested by numerous copies and imitations in later decades.. Engraving in black on ivory laid paper . Martin Schongauer

The Massacre of the Innocents ca. 1520-27 Ugo da Carpi Italian. The Massacre of the Innocents. Ugo da Carpi (Italian, Carpi ca. 1480-1532 Bologna). ca. 1520-27. Chiaroscuro woodcut from three blocks in brown. Prints

Scene from the Old Testament sacrifice Tempesta, Antonio (1555 1630)

Giulio Sanuto, Bacchanale Bacchanale

Ubekendt (-), Britannica's Revival or the rousing of the British Lyon, About 1756

Design drawing for the print greed is trying to catch up for Fortuna, 1720; The great scene of foolishness. Design drawing for the print with the greed tries to catch up Fortuna. Presentation of all kinds of urge among people from childhood to old age. In the background a procession of wind dealers deposits on foot and in coaches in pursuit of a rock of a rock in the abyss. At the top of a portrait of John Law at an empty banderole. With some inscriptions in the performance. For the print 56 in the series The great scene of foolishness with cartrents at the wind trade or action trade of 1720. Design for a print.

Conversion of Paulus, Enea Vico, after Frans Floris (I), c. 1569 print On the way to Damascus, Saulus falls shocked by his horse when God appears to him between the clouds. His soldiers are panicking around him. In the background a landscape with ruins. print maker: ItalyVenicepublisher: VeniceFlorence paper engraving story of the conversion of Paul (Acts 9:1-18)

Sinon voor Priam gebracht., Pieter Matthias Godin, 1782 print King Priamus is sitting under a few trees, his scepter in the right hand. Two generals next to him. On the right Sinon is led to the Konigor by four shepherds. In the background the Trojan horse for the city of Troy. In the margin a French caption. Rome paper etching Sinon, a Greek pretending to be a deserter, is brought in

Blind Leiden the blind, Anonymous, After Pieter Bruegel (I), 1601 - 1652 print Three blind men walk one after the other and let themselves be guided by the one for them. The front falls in a ditch. The third man keeps a dog on a line. Under the show a two -way verse in French and in Dutch. Amsterdam paper engraving the blind leading the blind (Matthew 15:14)

De geest van den verreesene Heeraklietus schryjend over de Rampe die er dagelyks spruyten uyt d' windverkoopers Acksie: Het tweede Deel. 1720. Ridder, Jan de, 1665-1735. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Bengalese made to the Dutch, Anonymous, After Wouter Schouten, 1676 print Craved, slave -made residents of Bengal, kneeling for a Dutch merchant with his entourage. The selling party is referred to in the text as 'that of the Jeliams'. This term is used for a certain type of Galeischip, described in the text as being used by 'Aakanse Roovers'. A fight is raging in the background. Amsterdam paper engraving / etching slave-trade. slaveholder ~ enslaved person. slavery; serfs and the enslaved. hand-to-hand fighting (~ battle) Bengal

A graphite and gray brush drawing by Jan Martszen de Jonge showing a battle between riders in a southern landscape, executed on bluish-gray paper with brownish spots.

Rachel hiding Labans deities. Castiglione, Giovanni Benedetto (1609-1664), graphic artist

Rome, Papal court, Aelst, Nicolaus van, Italy, Tempesta, Antonio, Old Testament battle scenes, Absolan Capilis suspensus occumbit, Absalom killed by Joab, verso - stamped, Joab kills Absalom who is hanging defenseless by his hair in a tree. He stabs him with a spear. Fleeing soldiers in the background. Title and caption in Latin in the lower margin., print, prints, height 204 mm, width 288 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1613 - 1613, paper, papier, etching, etchings, Publication (Event), Publicatie, Zuid-Nederlands, 1527 - 1613, publisher, uitgever van privilege

The fall of Jericho; Iosues ERCAM septies Ierrico Circumducit Moenia Cruunt; Oudtestament fighting scenes. The walls of the city of Jericho have been destroyed. An army storms the city and attacks the residents. Title and caption in Latin in the undermaster.

Apollo a Daphne, Jean Lepautre, 1628 - 1682 print paper etching Apollo pursuing the nymph Daphne (as yet not metamorphosed)

King and his entourage in a rowboat, Jan Luyken, Jan Claesz ten Hoorn, 1691

Marching Troops with Shields. Artist: After Giulio Romano (Italian, Rome 1499-1546 Mantua); Antonio Fantuzzi (Italian, active France, 1537-45). Dimensions: Mount: 13 1/8 in. × 18 1/8 in. (33.3 × 46 cm)Sheet (trimmed): 11 7/16 × 17 3/8 in. (29 × 44.1 cm). Date: 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Slag Bij Cascina, Venetian Agostino, After Michelangelo, 1524 print Scene from the Battle of Cascina between Florence and Pisa. Florentine soldiers have bathed naked in a river and hurried themselves again due to the suddenly approaching army of Pisa. At the bottom of the middle are the arms visible of a soldier who pulls himself on the bank. On the right in the background a tamboer and two soldiers. paper engraving / etching the soldier; the soldier's life. dressing oneself, getting dressed

Heemskerck, Maarten van, Romano, Giulio, Antwerp, Bos, Cornelis, Triumph of Bacchus, middle plate, verso - stamped, Procession in honor of the God Bacchus. In the procession satyrs and putti are partying exuberantly. Some are playing flutes and tambourines. The carriage with Bacchus is pulled by two men and a donkey. Middle part of a print consisting of three plates., print, prent, prints, height 318 mm, width 300 mm, Dutch, 1510 - 1566, print maker, printmaker, 1543 - 1543, paper, engraving, engraving (printing process), Work conception, Italian, 1499 - 1546-01-11, after a design by, Northern Netherlands, 1498 - 1574

Greed tries to catch up with Fortuna, 1720, Anonymous, 1720 print The greed tries to catch up with Fortuna. Presentation of all kinds of Hebzicht among people from childhood to old age. In the background, a procession of wind traders plays on foot and in carriages, in the pursuit of the fortune of a rock in the abyss. At the top a portrait of John Law with an empty banderole. Without the caption. Print 56 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper etching Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa)

Scene from the dacic wars. Scene from the dacerous wars to the bass relief on the column of Trajanus in Rome.

Achilles with a corpse of Hector behind his victor. The naked Achilles standing on his victor. The body of Hector is tied to the car and drags over the ground. In the background Hectors Woman Andromache and three buildings, possibly the Colosseum, the Torre delle Milzizie and the Pantheon in Rome.

Rome, Aelst, Nicolaus van, Tempesta, Antonio, Battle scenes (series 3), An attack on a walled city, verso - stamped, An army attacks a walled city. In the foreground on the right a soldier on horseback, seen from behind., print, prent, prints, prenten, height 240 mm, width 329 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1601 - 1601, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, South Netherlands, 1527 - 1613, publisher

Christ Delivered to the Jews, no. 4 of 11 from La PetitePassion. Artist: Jacques Callot, French, 1592-1635

Standing bear killed by hunters; Yacht scenes. A standing bear is pushed into spears by five hunters. In the background a cave with three bears. Under the show a four-line verse in Latin. This print is part of an album.

CEPHALUS en de Bosgoden Beween de Doood van Procris, Giorgio Ghisi, after Giulio Romano, 1530 - 1582 print Cephalus is in a landscape with the body of the dead procris in his arms. He accidentally touched her during the hunt. In the Nymphs and Saters landscape watching. In the background Apollo on his solar wagon. print maker: Italyafter design by: Italypublisher: Rome paper engraving mourning of Procris

Robert Blyth, 1750-1784, Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968), 1780. Etching.

Tamboer on a farmer's fair, Frans Greenwood, 1733 print A tamboer hits his drum. Children dance and play around him. On the left an inn with farmers. A village square in the background. Rotterdam paper etching drum (musical instrument) - CC - out of doors. drumming-up the public. dancing games (children's games). pleasure fair and circus. pavement, terrace in front of inn or restaurant. farmers

Amsterdam, Luyken, Caspar, Gideon verslag de Midianieten, verso - manuscript in brown ink, print, prent, prints, verso - stamped, 85, height 111 mm, width 146 mm, Noord-Nederlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Landscape with rider fight, Jan van Huchtenburg (Copy After), After Adam Frans van der Meulen, 1673 - 1709 print print maker: unknownpublisher: Amsterdam paper etching / engraving landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

Master of the Die, The Victory of Scipio over Syphax The Victory of Scipio over Syphax

Witt, Johan De.

Punchinello Retrieving Dead Fowls from a Well late 18th-early 19th century Giovanni Domenico Tiepolo Italian. Punchinello Retrieving Dead Fowls from a Well 459940

This woodcut by Lucas Cranach the Elder portrays the martyrdom of St. Paul. The image depicts the saint being beheaded, a traditional representation of his death. The composition captures the solemnity of the scene, highlighting the saint's sacrifice. The work is part of a series illustrating the deaths of Christian saints.

Fighting of Napoleo army in Spain; Malbeste, Georges (1754-1843); 1822 (1822-00-00-1822-00-00);Gocel, Ludwik (1889-1966), Gocel, Ludwik (1889-1966)-collection, Spain, Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, battles, gift (provenance), children , Napoleonic era (1799-1815), Portraits, horse portraits, historical scenes, war on the Iberian Peninsula (1807-1814)

The Cockpit. Dated: 1759. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: William Hogarth.

The new man in gray (TF)

Farmers with weapons hunt rich from their home, Boëtius Adamsz. Bolswert, After David Vinckboons, 1610 print Farmers in fight with rich. The rich people are driven out of their house by the farmers with threshing flles and other weaponry. Under the show is a mocking verse that now says it is the turn of the rich. paper engraving fight between farmers and soldiers. contrast between rich and poor

Triumph from scipio, anonymous, after master of the dice, in or after c. 1530 - in or after c. 1560 print Triumph procession of Scipio Africanus in Rome after his victory over the Carthagen army. Behind the victors on horseback, the chained conquered people walk. On the left a triumphal arch. Italy paper engraving triumph of Scipio. triumphal arch

Abraham's Arrival at Sichem. Cornelis Visscher (Dutch, c. 1629-1658); after Jacopo Bassano (Italian, 1510-1592). Date: 1648-1658. Dimensions: . Engraving on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Cornelis Visscher.

De geest van der Verreesene heerakliet schryjend over de lagh-stof van Demokriet. 1720. Ridder, Jan de, 1665-1735. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

François Verdier drawing of Hercules slaying the Stymphalian birds with Minervas aid, in black chalk with gray wash and white heightening, supplemented on edges.

Apen hunting; Hunting scenes; In Quibus Omnen Genus Venationis, Aucupij, Piscatusque. Horsemen and hunters feet with arrow and bow on monkeys in the trees. In the foreground an monkey mother with two boy. With 2 lines of caption in Latin. No 22 from series of 43 yachts.

Allart van Everdingen, The Bear Assaulted by the Peasants, probably c 1645 1656 The Bear Assaulted by the Peasants

A drawing by Bernardo Castello illustrating a battle between Christians and Saracens from Tassos Gersalemme Liberata IX, executed in chalk and feather with reddish accents, folded twice.

Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968), Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching

Title print of Book 2 of the Ystroom (1671) by Antonides van der Goes, Romeyn de Hooghe, 1671 print Title print of Book 2 of the Ystroom (1671) by Antonides van der Goes. Allegorical representation with the river god of the IJ (the Ystroom god) on a throne. He is crowned by the goddess of sea shipping. She is flanked by peace and war. Behind the company is a wall with a face on Amsterdam. Above that Mercurius and the personification of the enlightened size of the size that hold a globe with the new world. In the foreground a number of other personifications, including from different peoples. Netherlands paper etching river personified, 'Fiumi' (Ripa). gods of the waters: Neptune and his environment. (story of) Mercury (Hermes). coronation of a ruler IJ

Master BM, The Rest on the Flight into Egypt, c 1480 1490 The Rest on the Flight into Egypt

Etching by Michel Corneille the Younger around 1642-1691 depicting Abraham and Lot leaving for the land of Canaan, showing human figures, landscape, and biblical narrative.

Trojan horse; The Trojan War. The Trojan horse is driven inside by an opening in the city wall and stabbed by a man with a lance in the side lever. On the right in the foreground King priam is with his consequence, at the city wall are residents of Troy. Below the show is a line of text in Latin, numbered at the right: 7. The print is part of a series of prints about the Trojan War.

Bonaventura Emler drawing depicting Emperor Rudolf on the body of Ottokar, executed with black pen in 1848.

Andromeda chained on the rock, Jacob Matham, after Hendrick Goltzius, 1601 - 1652 print Andromeda is chained to a rock, as a sacrifice to a sea monster that is on the right in the water. In addition, Perseus flies, ready to kill the monster. The parents of Andromeda and bystanders are mourning and wise. Amsterdam paper engraving Perseus and Andromeda

Christ Driving the Money Changers from the Temple. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1635. Dimensions: 136 x 168 mm (image/plate); 139 x 174 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Photo production of a drawing by Giulio Romano, study for the distribution of the country, Charles Thurston Thompson, after Giulio Romano, After Rafaël, c. 1852 - in or before 1857 photograph Windsor Castle paper albumen print the division of Canaan

Artist: Gerrit Claesz Bleker, Dutch, 1610-1656, Paul and Barnabus inLystra, Etching, platemark: 30.3 × 45.2 cm (11 15/16 × 17 13/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

The Entombment. Mantegna, Andrea (Italy, Isola di Cartura, 1431-1506). Italy, before 1478. Prints; engravings. Engraving

Slaves at the harbor chef; Havent scenes. The chef stirs in a boiler. A slave comes to get food for him. There are some slaves to eat on the bottom left. On the right are three older gentlemen.

François Hutin, The Seconda Macchina for the Chinea of 1743 The Royal Hunt, 1743 The Seconda Macchina for the Chinea of 1743: The Royal Hunt

The Crossing of the Red Sea 1583 Orazio Farinati Italian. The Crossing of the Red Sea. Orazio Farinati (Italian, Verona, ca. 1559-1616). 1583. Etching. Gaspare dall'Oglio (Italian, active Brescia and Venice, 1583-1601). Prints

Holy Family passes a monument during flight to Egypt, Giovanni Domenico Tiepolo, 1750 - 1753 print paper etching flight into Egypt and miracles during the journey

Drawing by François Verdier depicting the funeral of a martyr, executed in black chalk with gray wash and white highlights on blue paper.

Etching by Sisto Badalocchio depicting the biblical story of David killing Goliath, showing David in action, Goliath fallen, and surrounding figures, created in 1607.

Graphite and brown wash drawing by Abraham van Diepenbeeck showing Elias before King Ahab, who is performing a sacrifice to Baal, with black chalk accents and kneeling figure.

Intake of Den Briel, 1572, 1696 - 1700 print The water geuzen of Lumey found fire and rams the city gate of Den Briel, April 1, 1572. Lumey is in the foreground, seen on the back. Northern Netherlands paper etching capture of city (after the siege) Brielle

Chariot chargé de soldats blessés (A Wagon Full of WoundedSoldiers). Artist: Théodore Géricault, French, 1791-1824

Battle Scene. Tempesta, Antonio, 1555-1630. 1601 - 1650. Merian, Matthaeus, 1593-1650. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Concerto Coalitionale, James Sayer, 1748-1823, British, 1785, Etching, Sheet: 11 7/8 x 16in. (30.2 x 40.6cm)

after Maerten van Heemskerck, David with Goliath's Head before Saul, c.1556, engraving

Establishment of the Koperen Snake, Jan Luyken, 1703 print Print Maker: Haarlem Publisher: Amsterdam paper etching the brazen serpent (Numbers 21:4-9)

Amsterdam, Luyken, Caspar, Moses strikes water from the rock, verso - manuscript in brown ink, print, prints, verso - stamped, 64, height 111 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, papier, etching

Monogrammist MP, Mythological and allegorical representations, Cupid shooting a deer, Atalanta and Hippomenes, Pygmalion, verso - stamped, Three representations of stories from the Metamorphoses on a sheet. Above: Cupid shooting a deer. Possibly Actaeon. Middle: Atalanta and Hippomenus are having a running race. Atalanta picks up the golden apples that Hippomenus drops, causing her to lose the race. Below: Pygmalion, king of Cyprus, falls in love with the statue of Venus that he has made. The statue comes to life., print, prent, prints, prenten, height 218 mm, width 96 mm, print maker, prentmaker, 1680 - 1800, paper, engraving, engraving (printing process)

The Martyrdom of Saint Peter. Michele Lucchese (Italy, 1529-1614)Michelangelo Buonarroti (1475-1564). Italy, 1547-1564. Prints; engravings. Etching and engraving

Civilis troops cross the Maas, 69-70, Antonio Tempesta, After Otto van Veen, 1612 print The troops of civilis cross the Maas. Print number 11 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. Without text on the back. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general Maas

Karikatural Company, Daniël Mreedwaard (I), After Jacob Smies, 1795 - 1851 print A partying company as a caricature on the exclamation of the Batavian Republic. In the foreground, a man has a pamphlet in his hand on which the text: Bataafsche Rescr ... on the right a puppet show. In the foreground, a soldier counts coins on his hand. On the left an allegorical figure with a palm branch and a horn of abundance. Amsterdam paper etching political caricatures and satires

Polo sketch , Polo, Horses. George Bellows (1882-1925). Prints and Drawings

An etching and copper engraving from the early 17th century by Jacques Bellange, depicting 'The Adjoining of the Kings' with royal figures in formal poses and ornate architectural setting.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), battle near a bridge between the Lambertazzi party and that of the Geremei. Tenth issue of the suite (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Amsterdam, Luyken, Caspar, Simson defeats the Philistines with a donkey's jaw, verso - manuscript in brown ink, print, prints, verso - stamped, 89, height 111 mm, width 147 mm, Northern Netherlands, 1672-12-18 - 1708-10-04, print maker, printmaker, 1712 - 1712, paper, etching, etchings

Allegorical representation, draughtsman: Johann Heinrich Keller (II), 1749, paper, pen, brush, h 263 mm × w 202 mm

City Council of Utrecht offers Lodewijk XIV the keys of the city, 1672, Romeyn de Hooghe, 1672 - 1674 print On July 5, 1672, the city council of Utrecht will hand over the keys of the city to Louis XIV, king of France. The king standing in front of an army tent among his officers. Presentation of a fictional event. Northern Netherlands paper etching / engraving surrender of keys Utrecht

Decapitation of Mr De Bouteville and the Count of Chapelle. Decapitation of the Bouteville and the Count of Chapelle, two infamous dellists, on 21 June 1627 in Paris. Design for a print.

The Glorification of Virgil, for the "Chinea" Festival. Dated: 1744. Dimensions: plate: 39 x 45 cm (15 3/8 x 17 11/16 in.) sheet: 43.8 x 56.7 cm (17 1/4 x 22 5/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Joseph Le Lorrain.

Artist: Alphonse Legros, French, 1837-1911, Le Triomphe de la Mort: Apres le Combat (The Triumph of Death: After theBattle), Etching, platemark: 20.3 × 35.5 cm (8 × 14 in.), Made in France, French, 19thcentury, Works on Paper -Prints

De Keyser, Nicaise, Netherlands, Backer, Hilmar Johannes, The battle of the Golden Spurs, Guldensporenslag, 1302, The Battle of the Golden Spurs, which took place on the Groeninghe Battlefield near Kortrijk on July 11, 1302 between the armies of the County of Flanders and France., print, picture, historical print, prints, engravings, Frederik Muller Historieplaten, height 120 mm, width 166 mm, Dutch, 1804-09-17 - 1845-05-01, print maker, printmaker, 1814 - 1845, second quarter 19th century, paper, lithography (technique), 1813-08-26 - 1887-07-16

Title Print of Book 4 of the Ystroom (1671) of Antonides van der Goes. Title Print of Book 4 of the Ystroom (1671) of Antonides van der Goes. The river god from the IJ (yflow god) is in the middle of the performance and looks around. The Zuiderzeegodin leans on its shoulder. Several allegorical figures, such as a water center, triton and the personification of the Zaan.

Anger. Léon Davent (France, active 1540-1556). France, circa 1542-1547. Prints; etchings. Etching with engraving

The Trojans bring the wooden horse into thecity. Engraver: Giulio di Antonio Bonasone, Italian, ca. 1510-after 1576 After: Francesco Primaticcio, Italian, 1504-1570

Speculum Romanae Magnificentiae: Trajan Between City of Victory and Rome ca. 1500-34 Anonymous, Italian, 16th century Italian This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one

Trajan Crowned byVictory. Engraver: Unknown After: Marcantonio Raimondi, Italian, ca. 1480-ca. 1534

Arms of Karl Philip von Greiffenklau, Prince-Bishop of Wurzburg. Dated: published 1753. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

Brown ink and wash drawing with graphite by Adam Frans van der Meulen depicting a cavalry battle scene, showing horsemen in combat with visible fold marks and edge repairs.

Francisco de Goya (1746-1828), battle from a horse-drawn carriage pulled by two Aesler, 1815-1816

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