Humorous Everyday Life

Playful etchings illustrating quirky scenes of social life and human interactions, featuring whimsical characters and domestic themes.

Chinese gardener, sitting in a landscape, François Boucher, after Jean Antoine Watteau, c. 1731 print Paris paper etching Chinese. gardening. sitting on the ground

Chinese gardener, sitting in a landscape, François Boucher, after Jean Antoine Watteau, c. 1731 print Paris paper etching Chinese. gardening. sitting on the ground

Gastronomy ... / 3 (registered title (letter)) | Grotesque mirror (set of all)

Ex-Libris Léon Gambetta , Roosters, Hands, Alphonse Legros (1837-1911)

Couple walking at a mill with various performances all around, Adrien de Witte (attributed to), 1876 print paper etching / drypoint couple of lovers. windmill in landscape. milkmaid. horse-racing. (story of) Cupid, Amor (Eros)

Lithograph by Heinrich Aldegrever depicting a mans act from the back view, created between the 16th and 19th centuries, showing human figure in naturalistic composition.

Young woman and old man with death, 1758 - 1787 print paper etching dance of Death; Death together with one or more human beings

Portrait of Claude Joseph Vernet, Louis Jacques Cathelin, after Louis Michel van Loo, 1770 print Paris paper engraving historical persons. portrait, self-portrait of painter. palette

Saint Jerome beside a pollard willow. Bisson Frères (French, active 1840 - 1864)

Cartouche surrounded by vines, a squirrel and a panther, Charles Nicolas Cochin (II), After Jacques de la Joue (II), c. 1710 - c. 1772 Cartouche surrounded by vines, a squirrel and a leopard. Part of a series of twelve numbered ornament prints. paper. rope etching / engraving ornament derived from plant forms. ornament derived from animal forms

Cartouche surrounded by various leaf branches, Gabriel Huquier, after Jacques de la Joue (II), c. 1710 - c. 1772 Cartouche surrounded by different leaf branches. Part of a series of twelve numbered ornament prints. paper. rope etching / engraving ornament derived from plant forms

Print, Sultane Noire (The Black Sultana), plate 28 from the series Caravanne du Sultan à la Mecque (The Sultan's Caravan to Mecca); Joseph Marie Vien the Elder (French, 1716 - 1809); France; black ink on cream laid paper; Platemark: 20.4 x 13.5 cm (8 1/16 x 5 5/16 in.)

A Beggar. Mariano José María Bernardo Fortuny y Carbó; Spanish, 1838-1874. Date: 1858-1874. Dimensions: 252 x 176 mm. Etching on paper. Origin: Spain. Museum: The Chicago Art Institute, USA. Author: MARIANO FORTUNY Y MARSAL.

Escape to Egypt; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

Fighting Children, François de Meersman, 1840 - 1905 print paper. etching / engraving fighting. rickshaw (+ three persons ~ traffic and transport)

Woodcutters' Meal. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1887. Dimensions: 292 × 217 mm (image); 370 × 300 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woman with a child in a sled, 1820 - 1872 Page 16 Recto from a sketchbook with 39 sheets. paper. chalk landscapes (+ landscape with figures, staffage). sleigh, sledge (non-sport)

Woman making butter. Dressler, Adolf (1833-1881), draughtsman, cartoonist

Education of Jupiter with the Goat Amalthea, William Unger, After Jacques Jordaens, 1847 - 1889 print Germany paper. etching infancy, upbringing of Jupiter

Hagar and Ismael in the desert; Czechowicz, Szymon (1689-1775); before 1730 (1720-00-00-1730-00-00);

La Jument du ComperePierre. Artist: Gustave-Marie Greux, French, 1838-1919

Two riders on a mountain road, Vicomte Arthur-Jean le Bailly d'eghuem, 1875 print paper. etching / drypoint riding a horse, ass, or mule; rider, horseman. rocks

Adam en Eva, anonymous, after Bartholomeus Spranger, after Hendrick Goltzius, 1585 - 1596 print Adam and Eva stand for the tree of knowledge in paradise. Eva just takes on the apple of the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the lower margin a two -line Latin text. Copy in mirror image to engraving by Hendrick Goltzius from 1585. Reconstructed from three fragments. Part of the rope with which the prints in the Nova Zembla collection are bound together is still visible in this print. Northern Netherlands paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Two performances with sitting figures, Jacques van Gingelen, 1842 print Leaf with two prints. Above two men seated with hats. Sit on the water among two women. paper. etching sitting figure. head-gear

Reproduction of a painting: Henryk Siemiradzki (1843-1902), Geniusz łączący Piękno z Prawdą Genius fusing Beauty with Truth - central part of the curtain design for the Juliusz Słowacki Theatre in Kraków, 1894, oil on canvas ; sheet from the series Albu???????????????????. Trenke & Fusnot (Petersburg ; drukarnia ; fl. XIX/XX sec.), printing house, unknown, photographer, Jabłoński, T. i Spółka (Kraków ; zakład reprodukcyjny ; 1890-1926), reproduction atelier, Kraj (Petersburg ; czasopismo ; 1882-1909), publisher

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), Les Cochers-des Morts et des Vivans (registered title (letter)). Balzac house.

Bacha de Caramanie, plate seven from Caravanne du Sultan à la Mecque 1748 France. Etching on ivory laid paper . Joseph Marie Vien, I

Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: vagabond and monk/ landscape with cows (insert after 160), 1937. Auguste Brouet (French, 1872-1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.).

The Knife-Grinder. Charles Émile Jacque; French, 1813-1894. Date: 1850. Dimensions: 112 × 87 mm (image); 123 × 94 mm (chine); 125 × 95 mm (plate); 320 × 245 mm (sheet). Etching on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le Sculpteur (The Sculptor), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate from a series of 23 prints featuring monkeys acting as humans in various figural scenes. In an artist's studio setting, a figure of a monkey in gentleman's costume using a hammer and chisel to sculpt a portrait bust of a female monkey. At right, another monkey assists. Sculptor's tools, vase, pitcher, and bowl in foreground., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

Plate 7, Le Lavement Donné (The Enema Given), Singeries ou différentes actions de la vie humaine représentées par des singes (Monkey Antics or Different Actions of Human Life Represented by Monkeys), Christophe Huet, French, 1700-1759, Jean-Baptiste-Antoine Guelard, French, 1719-ca. 1755, Charpentier, Paris, France, Etching on paper, Plate 7 of a series of 23 prints featuring monkeys acting as humans in various figural scenes. In outdoor setting, a group of three monkey figures dressed in human costume. The monkey at left reclines with its rear end exposed. He holds his hand at his head and has a shocked expression. The other two monkeys at right prepare to give him an enema. A kneeling monkey in the background holds the reclining monkey's tail and points. A seated monkey in the foreground holds a large syringe to the rear end of the reclining monkey., Paris, France, ca. 1743, albums (bound) & books, Bound print, Bound print

"Und ließ mit schelmischen wohlbehagen, Wohl über die Berge sich schaufeln und tragen". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

The Meeting in the Woods 1871 France. Transfer lithograph on cream China paper laid down on white wove paper . Jean Baptiste Camille Corot

Between D them chairs the c ... on the ground ... (1797) (IT)

Sky; Aer; Four elements. Presentation of the element. Air in the shape of a naked man with wings on the head, seated on clouds. In the background a number of falconers with their dogs busy hunting. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Folding sheet with at the back a standing woman with a bird on her hand and the upper and lower body of a skating man, Folding sheet with figure studies, draughtsman: Ludolf Bakhuysen, 1695 - 1705, paper, pen, brush, h 201 mm × w 140 mm

Allegory on the victory of love on death; The pure mealyklove is stronger than death. In a landscape, Amor explains how death diving back.

En Plein Soleil. James McNeill Whistler; American, 1834-1903. Date: 1858. Dimensions: 101 x 135 mm (plate); 279 x 333 mm (sheet). Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Man with hat and string instrument in a landscape, Jan van de Kerkhove, 1841 print paper etching head-gear. adult man. string instruments (plucked)

Personification of freedom. Freedom standing with a spear in one hand and a hat in the other hand. To her feet a conquered lion and broken chains. A bundle arrows on a shield. At the top of the motto: unwind and freedom.

Trophy, Gabriel Huquier, French, 1695-1772, René Charpentier, French, 1680 - 1723, Etching on paper, Europe, France, Europe, 18th century, Print, Print

Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca.) Ca. 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra): 'He gets something out of it' (Algun partido saca.) 381335 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 40 from 'The Disasters of War' (Los Desastres de La Guerra):'He gets something out of It (Algun partido saca), 1810 (published 1863), Etching, drypoint and burin , Plate: 6 7/8 8 7/16 in. (17.4 21.5 cm) Sheet: 9 13/16 13 1/2 in. (25 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(40))

Lady Riding Cow, Other Figures, andElephant. Artist: Auguste Lepère, French, 1849-1918

Francisco de Goya y Lucientes, Barbarians!, 1810-1820, etching and aquatint.

Standing cook with pan and sitting cook with knife, Théodule Augustin Ribot, 1862 print Kok shows a pan with burnt puree to sitting other cook. Paris paper etching / drypoint cook

You are not there yet. (IT)

Devil and dancing figures, Wilhelmus Petrus van Geldorp, 1842 - 1900 print The devil dances between an older man and a girl. He has a torch in his one and a bladder ball in the other hand. Men play musical instruments in the background. Rotterdam paper devil(s) and demons. group dancing. torch

Beggar with flute, A. Smit, After Pieter Barbers (i), 1764 - 1792 print A beggar, dressed in rags, plays on a flute. Under the print four verses in Dutch. Amsterdam paper etching / engraving beggar. transverse flute - CC - out of doors

The Flute Player ('The Uilenspiegeltje'), Anonymous, Rembrandt van Rijn, 1711 - 1800 print paper etching flute, aulos, tibia - CC - out of doors

Le Pourceau monstrueux. Bisson Frères (French, active 1840 - 1864)

There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines". Odilon Redon; French, 1840-1916. Date: 1883. Dimensions: 291 × 223 mm (image/chine); 533 × 344 mm (sheet). Lithograph in black on light gray China paper, laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Joseph-Marie Vien (1716-1809). "The Sultan's caravan in Mecca, Bacha de Caramanie (seventh issue of the suite)". Engraving (etching). 1748. Museum of Fine Arts in the city of Paris, Petit Palais. 74642-1 Caravan, oriental suit, etching, Mecca, Sultan, turban, traditional clothing, engraving

"Etching and aquatint by Francisco José de Goya from 1810, first edition 1863, showing a scene from 'The Disasters of War', with figures experiencing conflict, destruction, and suffering."

Three sketches of coachmen, horses and carriages, Eugène Louis Lami, 1830 print printer: Parispublisher: Parispublisher: Parispublisher: London paper diligence, omnibus, horse-tram. horse

Vision , Knights, Supernatural beings, Weber, Carl Maria von, 1786-1826. Oberon. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 125 × 103 mm (plate); 250 × 175 mm (sheet). Etching and aquatint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Greenwich pensioner , Leisure. James McNeill Whistler (1834-1903). Lithographs

For the Sexes: The Gates of Paradise, Plate 3, 'I found him beneath a Tree', Print made by William Blake, 1757-1827, British, 1826, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 13 3/4 inches (34.9 cm), Sheet: 13 3/8 x 9 3/8 inches (34 x 23.8 cm), and Plate: 3 1/8 x 2 1/2 inches (7.9 x 6.4 cm), children, leaf, literary theme, mother, religious and mythological subject, text, trees, women

Charity, plate 27 from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810. Dimensions: 130 x 193 mm (image); 160 x 234 mm (plate); 240 x 340 mm (sheet). Etching, lavis, drypoint, burnishing and burin on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

An Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon 1512-97 Prospero Fontana Italian. An Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon 338734

Landscape with soldier on horseback with a woman with fruit basket, Polynice Auguste Viette, 1852 print At the top right the letter D in mirror image. paper. etching riding a horse, ass, or mule; rider, horseman. the soldier; the soldier's life. adult woman. fruit harvest

Vignette with Gourds and a Ewer on a Pedestal, D. P. Pariset, French, 1740 - ca. 1783, Engraving on paper, Vignette with Gourds and a Ewer on a Pedestal., France, ca. 1769, Print, Print

Etching by Moritz von Schwind, Vignette No. 40 from the 'Album for Smokers and Drinkers', created 1833-1844, depicting social or recreational activity.

Two naked boys leave a ship, Frédéric Bouchot, in or after 1827 - in or before 1860 print One of the naked boys, with his clothes under the arm, is already on board the ship. The other boy climbs up. The first boy makes a long nose to the police officer who stands on the side. This batch his fist to him. Paris paper ships (in general). escape, escape attempts. fugitives 'en route'. policeman, constable

The battle of the pictures , Paintings. William Hogarth (1697-1764). Prints

An etching and aquatint by Francisco Goya from 1810, first published in 1863, titled 'What Is a Cup Of' showing the hardships and daily struggles during wartime.

Ossenspan, Wilhelm Maria Hubertus Leibl, 1875 - 1877 print paper etching ox

It's no use crying out, plate 58 from The Disasters of War Made 1812-1815 Spain. Etching, burnished aquatint and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

Shows the Danube in Hungary in 1837, including goldsmiths, drawn by Auguste Raffet as a lithograph on rolled china paper in 1838, depicting river, buildings, and figures engaged in work.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Portrait of the sisters Anna and Celeste Coltellini, Dominique Vivant Denon (Baron), 1757 - 1825 print paper etching historical persons. portrait of opera-singer

Inspiration, first plate 1892 France. Lithograph in black on white China paper laid down on ivory wove paper . Henri Fantin-Latour

Taste 1720-70 François Boucher French. Taste 412614

Job, Lodewijk Schelfhout, 1926 print Job, with folded hands and closed eyes, sitting at a fence. paper drypoint the book of Job. (public) prayer

Charity, plate 27 from The Disasters of War Made 1810 Spain. Etching, lavis, drypoint, burnishing and burin on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

The Athlete. Artist: Umberto Boccioni (Italian, Reggio 1882-1916 Sorte). Dimensions: Plate: 15 × 23 5/16 in. (38.1 × 59.2 cm)Sheet: 41 × 50 in. (104.1 × 127 cm). Date: 1907. Museum: Metropolitan Museum of Art, New York, USA.

Mercury with a woman at a piastal. .

Advance Ragusa, Great Filou! / Naughty dolphin you're going to silence your mouth, or I'll go back ... (IT)

Napoleon on horseback. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Meissonier, Jean-Louis-Ernest (1815-1891), painter

La Dernière Maja. Dated: 1880. Dimensions: plate: 29.6 x 23.8 cm (11 5/8 x 9 3/8 in.) sheet: 45 x 32.1 cm (17 11/16 x 12 5/8 in.). Medium: drypoint with etching and aquatint on light blue laid paper. Museum: National Gallery of Art, Washington DC. Author: Félicien Rops.

Bust of a farmer with pipe, Marie Lambertine Coclers, 1776 - 1815 print Amsterdam (possibly) paper pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Complain to time about it. On the ground sitting jamming old woman.

Le Petit cheval. Bisson Frères (French, active 1840 - 1864)

Two performances for Langbeins Schwaenke, Daniel Nikolaus Chodowiecki, 1792 print Berlin paper etching Literature. death's head, skull (symbol of Death). flying mammals: bat. cave, grotto. Alarm, Fright; 'Spavento', 'Terrore' (Ripa). sleeping in bed. ass, donkey

Le ballet. Boucher, François, 1703-1770. Imp. Delâtre. Prints. 1800 - 1899. Jerome Robbins Dance Division. Opérateur chinois (Choreographic work : Deshayes)

Young Cowherds. Charles Émile Jacque; French, 1813-1894. Date: 1859-1869. Dimensions: 146 × 102 mm (image); 153 × 110 mm (chine); 175 × 127 mm (plate); 431 × 311 mm (sheet). Etching, drypoint and engraving on light gray China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Interior with a woman who washes the ear of a child, Albert Dillens, 1874 print paper etching interior ~ representation of a building. mother and baby or young child. washing one's face and head

(Known air) in an obscure tower ...

There Were Struggles and Vain Victories, plate 6 of 8 from Les Origines Made 1883 France. Lithograph in black on light gray China paper, laid down on white wove paper . Odilon Redon

Herderin, Johan Michaël Schmidt Crans, 1840 - 1907 drawing paper. ink. pencil pen herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Persecution of Orestes 1804 Germany. Lithograph on ivory wove paper . Johann Gottfried Schadow

Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead.' (Muertos recogidos.) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead.' (Muertos recogidos.) 381378 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 63 from 'The Disasters of War' (Los Desastres de la Guerra): 'Harvest of the dead'' (Muertos recogidos.), 181112 (published 1863), Etching and burnished aquatint, Plate: 5 7/8 8 1/16 in. (15 20.5 cm) Sheet: 9 15/16 13 9/16 in. (25.3 34.5 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(63))

Two Magicians with Two Boys, from Scherzi 1735-1740 Italy. Etching printed in black on paper . Giambattista Tiepolo

Lithography by Ernst Barlach titled 'The Desperate,' depicting a figure in a tense or anguished pose.

The Spirited Moor Gazul is the First to Spear Bulls According to Rules, plate five from The Art of Bullfighting Made 1814-1816 Spain. Etching, burnished aquatint and drypoint on ivory laid paper . Francisco José de Goya y Lucientes

Artist: Louis Monzies, French, 1849-after 1889, After: Charles-Dominique-Joseph Eisen, French, 1720-1778, Le Cas deConscience, Etching, image: 13.2 × 8.1 cm (5 3/16 × 3 3/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Sagittarius, Elchanon Verveer, 1836 - 1900 print A Soltaat is on a wall. He strings his bow and directs his arrow down. The Hague paper. archer's weapons: bow and arrow

Etching and aquatint 'Interior with Sculptures' by Edvard Munch, 1902, on copper plate in brown-black, depicting indoor sculptures, architectural elements, and composition.

Netherlands, Vinkeles, Reinier (I), Cossack frees the chained Dutch Lion, 1813, verso - stamped, A Cossack frees the Dutch Lion from its yoke and the chain with which he was chained to a column with a French lily, 1813. Allegory of the liberation of the Netherlands in 1813., print, prints, Frederik Muller Historieplaten, height 255 mm, width 138 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1813 - 1814, paper, papier, etching, engraving, engraving (printing process)

Reinaert de Vos promised de Leeuw Gifts, Johannes Christiaan Bendorp, after Allaert van Everdingen, 1826 print Netherlands paper etching fable of Reynard the Fox

Temptation, plate four from A Life 1884 Germany. Aquatint and etching, with roulette on ivory China paper, laid down on cream laid paper . Max Klinger

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