Humorous Historical Illustrations

A series of satirical artworks reflecting societal norms and interactions, featuring caricatures of men, marriages, and theatrical scenes in monochromatic tones.

The hold-up, second state , Robberies. George Bellows (1882-1925). Prints and Drawings

The hold-up, second state , Robberies. George Bellows (1882-1925). Prints and Drawings

Caricature of a man at the bust of his wife, Honoré Daumier, 1844 The man grumbles that every morning he has to dust the marble bust of his wife. Paris paper caricatures (human types). sculpture. portrait of a writer. satire on marriage. (household) utensils and implements (with NAME)

Brotherly Love Parobcy Humorous Drawings by Franciszek Kostrzewski. Cleastle from Tygodnik Ilustrowany 1869 (2) 285 Unknown, Kostrzewski, Franciszek (1826 1911)

Sir, so far there are only five people here..., from 'Theater sketches,' published in Le Charivari, April 3, 1864 April 3, 1864 Honoré Daumier. Sir, so far there are only five people here..., from 'Theater sketches,' published in Le Charivari, April 3, 1864. 'Theater sketches' (Croquis pris au théatre). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). April 3, 1864. Lithograph on newsprint; second state of two (Delteil). Aaron Martinet (French, 1762-1841). Prints

Au Thétre en été: Ouvreuse, je quitte ça. Il fait si chaud!. Cham (Count Amédée-Charles-Henry de Noé) (France, Paris, 1819-1879). France, 1872. Prints; lithographs. Lithograph

Judic in the Loge, 1894. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Seule manière de faire poser un enfant avec fruit.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1847. Prints; lithographs. Lithograph

Suivez bien mon raisonnement, Eudoxietout doit tendre à un but humanitaire, en conséquence chaque ligne que nous écrivons doit procéder de l’analyse pour arriver à la synthèsesans quoi le socialisme n’est plus que de l’égoïsmeengendrant le matérialisme etvous offrirai-je encore une tasse de thé?(Follow my reasoning, Eudoxieeverything must tend toward a humanitarian goal, consequently, every line we write must proceed from analysis to arrive at synthesiswithout that, socialism is no more than egoismengendering materialism and may I offer you another cup of tea?), from the series Les bas-bleus (The Bluestockings). Artist: Honoré Daumier, French, 1808-1879 Publisher: Aubert et Cie, Paris, founded 1829

Thomas Waterman Wood, Fresh Eggs, 1882 Fresh Eggs

Hamburg Tavern (Hamburger Kneipe, 1901. Käthe Kollwitz (German, 1867-1945). Etching; sheet: 26.7 x 35.5 cm (10 1/2 x 14 in.); platemark: 24.7 x 19.2 cm (9 3/4 x 7 9/16 in.).

Mephisto introduces himself to Gretel and Marthe Meph: Il est bien hardi à moi de m'introduire aussi brusquement chez ces dames (...) Faust (series title) Faust, tragédie de M. de Goethe (series title), print maker: Eugène Delacroix, (mentioned on object), printer: Charles Etienne Pierre Motte, printer: Goyer & Hermet, (mentioned on object), Paris, 1828, paper, h 485 mm × w 316 mm

Caricature. Scholtz, Julius (1825-1893), draughtsman, cartoonist

published in le Charivari (no. du 14 janivier 1838): Caricaturana, plate 72: Recipe to Cure Colic, January 14, 1838. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 35.9 x 25.1 cm (14 1/8 x 9 7/8 in.); image: 23.2 x 23.1 cm (9 1/8 x 9 1/8 in.).

Playing Card; red and black ink, paper

Beggars Receiving Alms at the Door of a House. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1647-1648. Dimensions: 165 x 128 mm (image/sheet). Etching and drypoint on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Pierrots' school (L'ecole des Pierrots), masks and faces (Masques et Visages) No 6: Sleep of Innocence, illustration by Gavarni from L'Illustration, Journal Universel, No 467, Volume XIX, February 5-12, 1852.

The Model Session (La Séance de modèle), c. 1895. Alexandre Lunois (French, 1863-1916). Lithograph;

1893 Art Work - At the Theatre-Libre: Antoine in L'Inquietude Henri de Toulouse-Lautrec.

March Martius (title on object) The twelve months of the year, 'Les XII Mois de l'Année' (series title), Village view in a snowstorm in which men and women throw snowballs. Front right a sled with tub and fishing net. The print is part of a series of twelve prints with the twelve months of the year, March and its 'labor', throwing snowballs, sleigh, sledge (non-sport), Cornelis Dusart (mentioned on object), 1679 - 1704, paper, engraving, h 216 mm × w 154 mm

A man bending down in the street to pick up a scrap of a discarded poster that is being blown around by the wind. Lithograph by T. Dighton.

The Unknown Woman (L'inconnue). Dated: 1900. Dimensions: plate: 13.8 x 10.8 cm (5 7/16 x 4 1/4 in.) sheet: 45.1 x 31.5 cm (17 3/4 x 12 3/8 in.). Medium: etching and aquatint in black on Van Gelder Zonen wove paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

They Carried Her Off! (Que se la llevaron!) Francisco de Goya y Lucientes (Spanish, 1746-1828). They Carried Her Off! (Que se la llevaron!), 1797-1798. Etching and aquatint on laid paper, Plate: 8 9/16 x 6 in. (21.7 x 15.2 cm). The Caprices (Los Caprichos) is a set of eighty etchings created between 1797 and 1798. On view are thirteen examples of the Brooklyn Museums rare “trial proof” set, which is composed of early impressions of a print made by the artist prior to the published edition. In the first part of the series, Goya critiques the characters, institutions, and values of early modern Spanish society; the second focuses on bizarre and macabre imagery. The most famous image, The Sleep of Reason Produces Monsters (El sueño de la razon produce monstruos), conveys a purposeful ambiguity regarding the conflict between Spanish religiosity and Enlightenment thought: sueño may refer both to the sleep or absence of reason, and to the dream of reason (reason unchecked) that produces mo

Et pour ma borgeoise aujourdhui… vingt Dieu!… faut pas qua bouge!.. ou sinon… - Tu tsauves.. Artist: Paul Gavarni, French, 1804-1866

Pygmalion. Honoré Daumier (France, Marseilles, 1808-1879). France, 1842. Prints; lithographs. Lithograph

There Is Plenty to Suck (Mucho hay que chupar) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 7 15/16 in. (30.2 x 20.2 cm). European Art 1797-1798

Carnot malade! (Carnot IsSick!). Artist: Henri de Toulouse-Lautrec, French, 1864-1901

Plate 58 from 'Los Caprichos': Swallow it, dog (Tragala perro.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 × 5 15/16 in. (21.5 × 15.1 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Oui, Madame Chaboulard ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

The Clemenceau case (you) | The letter to Madame Henry, Planche 7. (you)

Six degrés au-dessous de zéro... Dated: 1847. Medium: lithograph on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Josepha and Baroness Hulot, in the cousin Josepha and Baroness Hulot, in the Cousin Bette ". Drawing by Tony Johannot for the Houstical Edition. Bois. 1848-1855. Paris, Balzac House.

Quest-ce que tas mon vieux Auguste?…. Artist: Paul Gavarni, French, 1804-1866

Jai un mal a la tete de chien!…. Artist: Paul Gavarni, French, 1804-1866

To Count Hoodelte; Al Conde Palatino; Los Caprichos. The count of marshes, a quack, puts his hand in the mouth of a man. Two other men hang over and give over. Thirty-three print from the Los Caprichos series.

The MP T.P. Mackay as number one on the presentation for the Court of Audit, Johan Braakensiek, 1896 Amsterdam paper teacher and pupil. festivities on St. Nicholas (Eve) (December 5). political caricatures and satires

L'Oeil du maitre. Dated: 1842. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

DALI Salvador(1904-1989) The filiation Capricho-57 1977 Based on Capricho Francisco Goya's etchings etching 39x31

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chevalier, French, 1804 - 1866). Not love me any more! ...but, Pamela, that would be a luxury beyond your means, 1852. From Les Partageuses, album 1; Masques et Visages. Lithograph.

Artist: Paul Gavarni, French, 1804-1866, Mon adore, dis-moi ton petitnom…, Lithograph, image: 20.1 × 15.6 cm (7 15/16 × 6 1/8 in.), French, 19thcentury, Works on Paper -Prints

Francisco de Goya (1746-1528). "The whims, Plate 8". Museum of Fine Arts of the City of Paris, Petit Palais. 26987-19 Woman, whims, board 8

Tantalus. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Plus souvent que je te conduirai...au bal.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1845. Prints; lithographs. Lithograph

Honoré Daumier, A Clichy, 19th century A Clichy

(En Choeur). Le Soleil Est Si Beau! ... Honoré Daumier (French, 1808-1879). , February 14, 1843. Lithograph on newsprint, Sheet: 14 7/16 x 9 9/16 in. (36.7 x 24.3 cm). European Art February 14, 1843

Vois le cours de la bourse. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Tiens, ma femme, v'la mon portrait... Dated: 1846. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Departure at night. The wig maker, brontin and boirrude scared of an owl that flies out of a desk. In the foreground a saw, a hammer, nails, a glass and a bottle of wine.

Late in the evening according to the drawing of Józef Eismond. Cleastle from Tygodnik Ilustrowany 1884 (1) 44 Eismond, Józef (1862 1937), Boczkowski, Pawe (Fl. Ca 1875 1905)

The fairies of the Caldon-Low.. Dalziel, Thomas Bolton Gilchrist Septimus (1826-1906). Illustrations. 1868. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Love, Girls , England , 1800-1899, Mothers & children

Nil Nisi Bonum 1870-1891 England. Pen and brown ink, with touches of white gouache, over traces of graphite, on ivory wove paper, laid down on ivory wove card . Charles Samuel Keene

Paris, Bertauts, Victor Jacques, Delacroix, Eugène, Muletiers de Tetuan, Three Moroccan muleteers rest, recto - stamped, print, prints, height 314 mm, width 448 mm, 1798 - 1863-08-13, print maker, printmaker, 1833 - 1833, paper, papier, penlithografie, toonlithografie, Frans, 1810-05-07 - 1881, printer, drukker

Tu m'embêtes, mon épouse!...v'là une heure.... Honoré Daumier (France, Marseilles, 1808-1879). France, 1843. Prints; lithographs. Lithograph

More gas. / 261

Abraham Francen, Apothecary, Rembrandt van Rijn, c. 1657 print Japanese paper (handmade paper) etching / drypoint

Honoré Daumier, Le Nouveau Paris, 1862 Le Nouveau Paris

GOYA Y LUCIENTES, Francisco de (1746-1828). It is time. 1797-1799. Plate 80 of 'Los Caprichos', etching, burnished aquatint, drypoint and burin. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Honoré Daumier, Monsieur Colimard si vous continuez , 19th century Monsieur Colimard si vous continuez ...

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Follies that women say in soy clothes." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101782-1 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

The Waltz. Dated: 1891. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Anders Zorn.

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Si quebro el cantaro (If you broke the pitcher). Number 25. Aquatint. 1799. Reproduction by M. Segui i Riera.

Man looks at a painting or print with a magnifying glass. In a salon or art trade, a man studies a print or painting on the wall with a magnifying glass. Two other men with him about his shoulders. In the background a fourth figure.

Portrait of Theroigne prey locked in Salpetriere. Anne-Josèphe Théroigne de Méricourt, born Anne-Josèphe Terwagne de Marcourt (1762-1817) She was one of the pioneers in the gender struggle in the French Revolution, head of the Third Army Corps of the suburbs, dressed as an Amazon, as a symbol of warrior femininity. France. Old 19th century engraved illustration from Histoire de la Revolution Francaise 1876 by Jules Michelet (1798-1874)

KIT, A MEMORY; BY JAMES PAYN

Le coton tombe, l'homme reste... Dated: 1840. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Ma petite maison, maman la menage. Mon frere Zidor a joue mes chevaux, mes chales, mes bagues…. Artist: Paul Gavarni, French, 1804-1866

Illustration from Edgar Allan Poe book by Gustave Dore, Woodcut, 1884, 1832-1883, Private Collection

Paris, Duchesne, Veuve, Schenau, Johann Eleazar, Scenes from childhood, Title print with a street vendor of prints, verso - stamped, print, title print, prints, height 135 mm, width 79 mm, German, 1737-11-07 - 1806-08-23, print maker, printmaker, 1765 - 1765, paper, papier, etching, Work conception, after own design by, Publication (Event), Publication, French, publisher

Honoré Daumier (French, 1808-1879), Expliquez-moi donc, monsieur Badoulard, 1851, lithograph

Which one of them is the more overcome. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, aquatint and drypoint

Interior with a man sitting on a divan with his legs crossed. In the doorway is a man looking back at him. Numbered bottom center: V. Man sitting on divan, print maker: Willem Steelink (I), (mentioned on object), Charles Rochussen, (mentioned on object), Amsterdam, 1836 - 1913, paper, etching, engraving, h 159 mm × w 119 mm

My Beautiful Lady (top); Of My Lady in Death (bottom), frontispiece to The Germ, No. 1. William Holman Hunt; English, 1827-1910. Date: 1850. Dimensions: 203 × 120 mm (plate); 436 × 298 mm (sheet). Etching on chine paper, laid down on ivory wove paper (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Spotparts on the Snice Return, Willm Steelink (II), After Gustave Dorrange, In or Berere 1887 print A young man as a personification of peace is sleeping under a tree. An insect with the name Boulanger crawled down from the tree. On the right, a man in Berenvel, possibly Otto von Bismarck, with a stone on which an unofficial press is written, is ready to crush the peace. Netherlands paper symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). insects. beasts of prey, predatory animals: bear

INQUISICION-EL EMPLAZADO- REO CONDENADO A LA HOGUERA.

Rijn, Rembrandt van, Begging family receiving alms at the door of a house, A blind hurdy-gurdy player with family receiving alms, verso lower right, print, prints, Rembrandt f. 1648, lower right, height 165 mm, width 128 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by" Rijn, width 128 mm ... design by

Depicts a kitchen interior at Arenal, drawn with feather on 20 May 1890, showing furniture, utensils, and architectural features.

Honoré Daumier, Artistes en train d'examiner , 19th century Artistes en train d'examiner ...

Cartoon with two men who wear a woman to a grave, Henricus, Henricus, 1906 print In a cemetery, two men wear a young woman with flowers in her hair and in her hands to a grave. The Hague paper political caricatures and satires. churchyard, cemetery. carrying a person

Dr Johnson and James Boswell recovering from a hangover after a night on the town. Artist: Thomas Rowlandson

Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 3/8 x 6 in. (21.2 x 15.2 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 21 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Honoré Daumier, Entre deux plongeons, 1847 Entre deux plongeons

Jaap you need even more money (diary, November 10), Christiaan Andriessen, 1805 - 1808 drawing paper. watercolor (paint). pencil brush tow-boat, towing-barge (+ interior ~ vehicle, ship, etc.)

published in Le Charivari (no du 14 septembre 1847): The Bathers, plate 15: It is her again, a pretty fashion, Madame Coquardeau!, 1847. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 27 x 35.6 cm (10 5/8 x 14 in.); image: 20.2 x 24.2 cm (7 15/16 x 9 1/2 in.).

LHeritier Presomptif, from La Comedie Humaine. Artist: Honoré Daumier, French, 1808-1879

Vue prise à la Buvette d'un bain.... Honoré Daumier (1808-1879). Lithographs

Par-ci, par-lá: Young man, you have capital, but no experience. That doesn't matter, you interest me. Paul Gavarni (French, 1804-1866). Lithograph;

Three men at the table smoke and drink, Leendert Brasser, After Hendrick Martensz. Sorgh, 1772 print Three cheerful men smoke and drink at a table. One of them lifts the glass. Rotterdam paper etching drinks, stimulants, drugs (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). drinking

The Letter Woman, Print made by Philip Dawe, ca.1745-ca.1809, British, after Henry Robert Morland, 1730-1797, British, ca. 1769, Mezzotint and etching on moderately thick, slightly textured, cream wove paper, Sheet: 14 3/4 x 10 1/8 inches (37.4 x 25.7 cm) and Image: 12 13/16 x 9 15/16 inches (32.5 x 25.2 cm), bell, bonnet (hat), boy, cape (outerwear), chiaroscuro, child, coat, costume, dark, genre subject, headscarf, lantern (lighting device), letter (correspondence), light, mailroom, pattern (design element), post office, postmaster, shadow, woman

Not timen They hastt't food bread; . Keep no. 9 From: Salsston in Craya Theses of war!” Hem, 1899 Goya, Francisco de (1746 1828)

Beggar Women 1889-1899 France. Color etching, drypoint, and aquatint on ivory laid paper . Camille Pissarro

Three Little Girls in a Room Arguing and Spitting 1835-1903 Lorenz Frølich Danish. Three Little Girls in a Room Arguing and Spitting. Lorenz Frølich (Danish, Copenhagen 1820-1908 Hellerup). 1835-1903. Pen and black ink over traces of a graphite underdrawing, touches of white gouache.. Drawings

'Watching the Boiling Kettle', c1907. Artist: Unknown.

Romain s'apprêtant à transpercer sa...sœur.... Honoré Daumier (1808-1879). Lithographs

Illustration of 'Various Subjects'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1779. Prints; etchings. Etching

Edouard de Beaumont, Il a le cauchemar Il a le cauchemar...

The Basket Maker, Frank Brangwyn, 1916-1917,

KIT, A MEMORY; BY JAMES PAYN

Copper bearing, Jan Gillisz. van Vliet, 1635 print Two buyers in a workshop; One of them insists on a tub, the other cuts a copper plate. Leiden paper etching coppersmith, brassworker. industries ~ metal

A young woman flying in the air with a butterfly on her head, surrounded by three crouching figures by her feet. Etching by F. Goya, 1796/1798.

THE MAYOR OF CASTERBRIDGE, DRAWN BY ROBERT BARNES, WRITTEN BY THOMAS HARDY, 1886; "Did you do it, or didn't you" Where was it"

He would live in the kennel till his children's return.. Woodward, Alice Bolingbroke (English artist, active by 1885, died 1911). Illustrations. 1912. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Barrie, J. M. (James Matthew), 1860-1937. Peter Pan, Top hats, Sleeping, Children , Clothing & dress , England , 1910-1919

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