Idealized Landscapes

Prints depicting pastoral and idealized landscapes, featuring rural scenes with farmers, cattle, and serene nature settings, evoking tranquility and nostalgia.

No. 86. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Sheep shearers in a landscape: the month of June and the Summer season, Pieter Nolpe, After Pieter Symonsz Potter, 1623 - 1653 print In a hilly landscape the sheep are within a fence. A man shaves a sheep, another man catches the sheep. On the left a stable and a overgrown building. At the bottom of the margin a two -way verse in Dutch and a two -way verse in French. Print from a series of different months, which also depict an element or season. Amsterdam paper etching / engraving landscape symbolizing June. summer landscape; landscape symbolizing summer (the four seasons of the year). shearing (sheep). landscapes in the temperate zone

Landscape with Paris and Oenone, Richard Earlom, After Claude Lorrain, 1775 print London paper etching cattle. landscape with ruins - II - ideal landscapes. river - HH - ideal landscapes. Paris and Oenone, the nymph

Sir Richard Colt Hoare, 1758-1838, British, View at Isola di Sora, 1790. Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper.

Landscape with rider and walker on a road at Hillegom, Anonymous, After Esaias van de Velde, 1615 - 1652 print Copy in mirror image to a print of Esaias van de Velde Amsterdam paper etching prospect of village, silhouette of village Hillegom

. Led Ets numbered 5.

Cephalus en Procris, Willem van Nieulandt (2), after Paul Brit, 1594 - 1635 print In a landscape is the procris killed by Cephalus, surrounded by hunting dogs. Cephalus stands next to her with the spear in hand. On the right on the road, a crooked shepherd runs with his sheep. Perhaps this is the old shepherd, who had mediated between Cephalus and ProCris, after which the couple reconciled. Print from a series of Italian landscapes. Antwerp paper etching / engraving Cephalus inadvertently kills Procris

No. 86. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Arcadian landscape with six women at a tomb; Italian and German landscapes. Arcadian landscape with six women and a dog at a tomb. Two figures for a statue are kneeling in the background. The print is part of a 40-part series of prints with performances of Italian and German landscapes.

Village face in Driebergen, 1754. View of a road in the village of Driebergen. On the left two women hang the laundry to dry, further figures are at a covered wagon.

Landscape with Tobias and the Engel, Nicolas Perelle, 1613 - 1666 print publisher: ParisFrance paper etching Tobias and the angel Raphael travelling, accompanied by Tobias' dog. landscape with ruins

Vue de l'Hudson à West-Point avec le bateau inventé par Fulton.. Saint-Mémin, Charles Balthazar Julien Fevret de (1770-1852). Prints. 1818. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Hudson River (N.Y. and N.J.), West Point (N.Y.), Clermont (Steamboat), Steamboats , New York (State) , West Point (N.Y.)

Landscape with kneeling figure in a donkey, Nicolas Perelle, 1613 - 1695 print publisher: ParisFrance paper etching landscape with ruins. kneeling figure

Two Travelers and a Peddler. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Herman van Swanevelt.

The Two Horsemen. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Waterloo, Antonie, work, Resting family, (1000 - 2000), etching, graphic, 14 cm x 17.5 cm

Joseph Mallord William Turner, The Woman and the Tambourine, June 11, 1807, Etching and mezzotint printed in brown inks.

Two men at Bosrand, Nicolas Perelle, 1613 - 1695 print paper etching / engraving pit, hole. artist at work, in his workshop - BB - out of doors

Liber Veritatis, 1777. Richard Earlom (British, 1743-1822). Etching and mezzotint;

Landscape with Waterbron, Willem Swidde, After Dirck Dalens (II), c. 1676 - After 1688 print A shepherd and shepherdin feed their herd along a water source with a statue on a hilltop. On the left a monastery. Amsterdam paper etching landscapes - HH - ideal landscapes. ornamental fountain. abbey, monastery, convent ~ Roman Catholic church

Etched by Joseph Mallord William Turner, 1775-1851, British, Bridge and Cows, 1807. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

Herman van Swanevelt, Venus Abducting Adonis Venus Abducting Adonis

The peasant and his daughter on the small wooden bridge (Hollstein 114) Anthonie Waterloo (1609-1690). The peasant and his daughter on the small wooden bridge (Hollstein 114). Floor, mid-17th century.

A Galloro. Reinhart, Johann Christian (1761-1847), graphic artist

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Diverses paisages, Various landscapes, Two riders crossing a river, verso - stamped, A landscape with a bridge over a river. Two men are crossing the river on horseback. In the foreground on the left a walking man and a woman on horseback., print, prints, height 116 mm, width 258 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Africa, fantastic landscape; Browne, John (1752-1787), Farington, Joseph (1747-1821), Bril, Paul (1554-1626), Boydell, John (1719-1804); 1775 (1775-00-00-1775-00-00);Africa, Dembiński, Stefan (1887-1972), Dembiński, Stefan (1887-1972)-collection, gift (provenance), hippos, lions, exotic landscapes, fantastic landscapes, pyramids, elephants, camels

Environs of Venice -21. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with two men on a bridge, Hermanus Fock, 1781 - 1822 print Amsterdam paper etching landscape with bridge, viaduct or aqueduct - II - ideal landscapes

The two aisles (Hollstein 67) Anthonie Waterloo (1609-1690). The two aisles (Hollstein 67). Floor, mid-17th century.

Paysage avec un chapiteau corinthien, sur le devant, par terre. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with two figures on sandy road, print maker: Dirk Vis Blokhuyzen, (mentioned on object), Joseph Hartogensis, (mentioned on object), Rotterdam, 1856, paper, etching, h 58 mm × w 91 mm

Washington.. Parkyns, George Isham (ca. 1750-ca. 1820). Prints. 1795. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington (D.C.)

Going to Market. Artist: After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Date: 1652.Two men under tree in the foreground on right, looking at road with cart and peasants carrying baskets and sacks; village in the background on left; river, cottages and trees on right. Museum: Metropolitan Museum of Art, New York, USA.

Forest face with figures in the foreground. Draughtsman: anonymous. Dating: 1650 - 1700. Measurements: h 313 mm × w 402 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with an armed robbery, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print On a road in an Italian landscape, a woman is attacked by a man with a sword. Two men rush her to aid, two other men run away. In the background a road with two riders on it. Antwerp paper etching traveller(s) attacked by robber(s). landscapes in the temperate zone

Liber Veritatis: No. 36, Pastoral Scene with Villagers and a Herd of Oxen and Goats, 1777. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

Avanzo del Teatro a Albano. Reinhart, Johann Christian (1761-1847), graphic artist

Forest landscape with monument for Salomon Gesner, Anonymous, 1740 - 1800 drawing Forest landscape with a monument for Salomon Gesner (1730-1788); On the right in the foreground a man with a winch. paper. watercolor (paint) brush landscape with monument. forest, wood. grave-building, monumental tomb. historical persons

Liber Veritatis: No. 47, A River Scene with the Finding of Moses, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

Landscape with waterfall and fishermen and other figures, Giuliano Giampiccoli, After Marco Ricci, 1739 - 1740 print Venice paper etching waterfall

The Laboring Italian Women 1765 After Joseph Vernet. The Laboring Italian Women. After Joseph Vernet (French, Avignon 1714-1789 Paris). 1765. Engraving; third state of three. Jacques Aliamet (French, Abbeville 1726-1788 Paris). Prints

Louis Marvy, 1815-1850, French, Linlithgow Palace, 1852. As published, plain.

Landscape with Runaway Horses. Dated: 1638. Dimensions: plate: 17.6 x 24.9 cm (6 15/16 x 9 13/16 in.) sheet: 29.1 x 43.5 cm (11 7/16 x 17 1/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Ercole Bazicaluva.

Plate 2 for "Treatise on Etching" 1866 Maxime-François-Antoine Lalanne French Like many aspiring artists in nineteenth-century France, Maxime Lalanne moved to Paris, where he was able to work in the studio of an established history painter, and to exhibit at the public Salon. After meeting Alfred Cadart, he abandoned these goals in favor of etching. Lalanne became an active member of the Société des Aquafortistes and frequently contributed urban views to the group's albums. He was best known, however, for his Treatise on Etching, published in 1866. The text featured detailed instruction on each stage of production, from preparation of tools to printing techniques, in addition to more theoretical commentary on the ideal uses and distinct qualities of etching. Interspersed throughout the text, Lalanne's own prints tangibly illustrated the outcomes of various processes. Because artists often taught themselves or learned from friends how to etch, the Treatise was immensely popular througho

A River Landscape with the Baptism of the Eunuch Hendrick Hondius I Netherlandish ca. 1605-25 In this large drawing by Hendrick Hondius, a sundrenched river landscape, rich with detail, serves as the setting for the baptism of the eunuch, an episode related in the New Testament book Acts of the Apostles (8:26-40). In this biblical passage, the apostle Philip, guided by an angel of the Lord, encounters a eunuch from the court of Queen Candace of Ethiopia in the midst of reading the book of Isaiah. Philip joins the man in his chariot and tells him about the gospel of Christ, inspiring the eunuch to ask to be baptized when they pass by water. The baptism of the eunuch was a relatively popular subject in the Northern Netherlands in the seventeenth century, particularly among landscape specialists. David Vinckboons, for example, produced at least two paintings in which the episode is embedded within a lush view of land and water. His 1605 version, sold in Cologne in 2017 (Lempertz, May 20,

Jakob is struggling with the angel, 1613 Boot -rich landscape. In the middle, Jakob struggles with the angel at the river Jabbok. In the background are caravan (Gen. 32:23). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Boot -rich landscape. In the middle, Jakob struggles with the angel at the river Jabbok. In the background are caravan (Gen. 32:23). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Ruins of the Temple of Jupiter at Agrigente. Friedrich von Gärtner; German, 1792-1847. Date: 1819. Dimensions: 467 × 630 mm (image); 569 × 772 mm (sheet). Tint lithograph on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul 1771 Anonymous, French, 18th century French. Carts on a Path through the Woods after a painting in the collection of the Duc de Choiseul 415978

Francois Vivares, 1709-1780, French, The Rural Lovers, 1760. Engraving.

No. 176. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Artist: Wenceslaus Hollar, Bohemian, 1607-1677, After: Jan Peeters, Flemish, 1624-1680, Op de Maese[Riverview, ca.1651, Etching, platemark: 15.8 × 22.4 cm (6 1/4 × 8 13/16in.), Made in Bohemia, Czech Republic, Bohemian, 17thcentury, Works on Paper -Prints

No. 180. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Flight Into Egypt, On A Plate by Segers, Rembrandt van Rijn, c. 1653 print Japanese paper (handmade paper) etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Architectural Bassin, Abraham Genoels, 1650 - 1690 print A basin in an architectural garden. The print is part of a series with six garden landscapes. Paris (possibly) paper etching French or architectonic garden; formal garden. garden pond. water-birds: swan

William Woollett, 1735-1785, British, Shooting, Plate II, 1770. Engraving with etching, fifth state.

Ancient Greek coins. Nova Chalcographiae aplicatio. Sierakowski, Józef (1765-1831), graphic artist

No. 110. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Residents of Hedikhuizen on the flight, 1799, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1799 - 1800 print Fleeing inhabitants of Hedikhuizen, flood by high water in the Maas, February 1799. Part of a group of six records of dike breaches and floods in the southern part of Gelderland in February 1799. print maker: Netherlandsprint maker: Netherlandsafter drawing by: Hedikhuizen paper etching / engraving dike-break. storm on land Hedikhuizen. Mesh

Face on 's-graveland; The village 's Graaveland in Gooiland. 1739..

Bathing women or nymphs in a landscape with ruins, anonymous, 1650 - 1750 print paper etching / engraving washing and bathing - AA - in the open air. landscape with ruins. nymphs (in general); 'Ninfe in commune' (Ripa)

View of the Winding Wall in the Villa Borghese. Albert Christoph Dies; Austrian, born Germany, 1755-1822. Date: 1792. Dimensions: 249 × 357 mm (image); 380 × 276 mm (plate); 376 × 501 mm (sheet). Etching on ivory laid paper. Origin: Austria. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Bernard Lens, 1659-1725, British, Dutch Farm House, undated. Mezzotint on medium, slightly textured, cream laid paper.

Portrait of J. F. Martin (1745-1800) on his deathbed, Taco Scheltema (I) (possibly), 1800, draughtsman: Taco Scheltema (I), (possibly), 1800, paper, h 283 mm × w 197 mm, h 121 mm × w 101 mm

Landscape with tower and shepherds, Jean Baptiste Denis Lempereur, after Nicolaes Pietersz Berchem, 1755 print Numbered in the bottom right: 2. France paper etching / engraving mule. city-view in general; 'veduta'. herd, flock

Dutch Farm House, Print made by Bernard Lens, 1659-1725, British, after Paul Bril, 1554-1626, Flemish, undated, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 6 1/4 × 7 11/16 inches (15.9 × 19.5 cm) and Image: 5 7/8 × 7 5/8 inches (14.9 × 19.4 cm)

A drawing by Johannes de Bosch showing a park landscape with stone gymnastics, executed in black-gray and gray pen, gray wash, and graphite pencil.

Der Morgen. Morning.. Wijnants, Jan, 1631 or 1632-1684. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Cows, Trees, Bodies of water

Print made by Sir Frank Short, 1857-1945, British, A Pastoral, 1896. Etching with mezzotint printed in brown ink on medium, slightly textured, cream wove paper.

Waterloo, Antonie, work, Two men and two dogs on the road, (1000 - 2000), etching, graphic, 15.2 cm x 20.7 cm

View Near Orleans, c. 1695-97. Isaac de Moucheron (Dutch, 1667-1744). Pen and brown ink, grey, brown, pink-brown, and pale grey mixed with white washes, with traces of graphite underdrawing on laid paper; brown ink framing line; sheet: 22.8 x 29.4 cm (9 x 11 9/16 in.). The Dutch artist Isaac de Moucherons view of a rural hillside is inscribed in Dutch “Buyten Orleans” (outside Orleans), indicating that he made the drawing while passing through France on a journey from the Netherlands to Italy. De Moucheron likely captured this scene with graphite and ink while on-site and then finished it later with gray, brown, and pink washes. Many Dutch artists took Italian sojourns to sketch the landscape, antique sculpture, and architecture.

Print made by Bernard Lens, 1659-1725, British, Landscape with Castle, undated. Mezzotint on medium, slightly textured, cream laid paper.

Venice, Wagner, Joseph, Bartolozzi, Francesco, Landscape with figures and pack animals, verso - stamped, Landscape with a figure resting under a tree and a figure on a donkey., print, prints, height 87 mm, width 122 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1739 - 1780, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, German, 1706 - 1780, publisher

Business in a river landscape, Anthonij van der Haer, after Jan Grangier (I), c. 1745 - 1785 print River view with many figures, on the right a path, many boats on the water. Northern Netherlands paper etching rowing-boat, canoe, etc.. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

The entrance of the wood (Hollstein 19) Roll, Johannes. The entrance of the wood (Hollstein 19). Floor, 17th century.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, ca. 1780, Etching

Coastal face with ruin and Jonas and the whale, Richard Earlom, After Claude Lorrain, 1777 print London paper etching swimming mammals: whale. landscape with ruins - II - ideal landscapes. coast - HH - ideal landscapes. after a three-day sojourn in the belly of the monster Jonah is cast on dry land; Jonah may be shown nude and bald-headed

The corner of a park terrace is at right, whose will rises from a ditch. A road wings around its foot. A man stands on it looking at or speaking with a woman upon the terrace. He holds his hand in his left hand. Graphite, brush and brown watercolor on paper. Date: 1830-1840. Museum: Cooper Hewitt, Smithsonian Design Museum.

Anonymous / 'Landscape'. XVII century. Grey-brown wash, White lead, Pencil on brown paper. Museum: Museo del Prado, Madrid, España.

Landscape with Haywagen, Johannes Janson, 1783 print Landscape with in the foreground a hay wagon with two farmers and a peasant with rake. Left in the background a farm, cows and a farmer. Eighth print from a series of thirteen with months. Leiden paper etching landscape symbolizing July. hay-wagon (+ labourers ~ crafts, industries, agriculture)

Landscape with four men. Print from a series of twenty-two Venetian landscapes to Titian, du perac et al.

Waterloo, Antonie, work, Hermitage, (1000 - 2000), etching, graphics, 10.3 cm x 11.8 cm

Delff, Willem Jacobsz, Michael Walther, (1000 - 2003), copper engraving, graphics, plate width 15.2 cm, plate height 19.3 cm

Landscape with jammed car, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print Antwerp paper engraving low hill country. accident with animal-drawn vehicle. moonlight

Amphitheater on the Springenberg in Kleve. Draughtsman: Gerbrand van den Eeckhout. Draughtsman: Anthonie van Borssom (rejected attribution). Draughtsman: Hendrik Feltman (attributed to). Dating: after 1660 - 1663. Measurements: h 203 mm × w 306 mm. Museum: Rijksmuseum, Amsterdam.

Artist: Claude Gellée, called Claude Lorrain, French, active Rome, 1604-1682, The departure for the fields (Le depart pour leschamps), Etching, sheet: 13 × 18.2 cm (5 1/8 × 7 3/16in.), French, 17thcentury, Works on Paper -Prints

Landscape with figures in a drawing tray: September; September; The twelve months; Duodecim Anni Mensium. A landscape with figures with cargo in a draw pad drawn by a rider on a towpath, representing the month of September. A castle in the middle. At the bottom of the astrological symbol of the constellation scale. Print from a series of twelve.

Travellers on the waterfront in Drenthe (title on object) Landscapes (a-f) (series title), print maker: Carel Lodewijk Hansen, (mentioned on object), Netherlands, c. 1780 - 1840, paper, etching, h 140 mm × w 224 mm

Classical Landscape. Artist: George Lambert (British, 1699/1700-1765 London). Dimensions: sheet: 7 11/16 x 11 7/16 in. (19.5 x 29.1 cm). Date: 1720-65. Museum: Metropolitan Museum of Art, New York, USA.

Face along a river with a tea dome on the right, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. watercolor (paint). ink pen / brush

Joseph Mallord William Turner, Junction of Severn and Wye, June 1811, Etching and mezzotint printed in brown inks.

Ameide on the River Lek. Dimensions: overall: 37.3 x 50.4 cm (14 11/16 x 19 13/16 in.). Medium: gray wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolaas Wicart.

Avanzo del Teatro a Albano. Reinhart, Johann Christian (1761-1847), graphic artist

Sketch of a Park Scene with East Cowes Castle in the Distance, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, between 1826 and 1830, Graphite on medium, slightly textured, cream wove paper, Sheet: 8 × 9 5/8 inches (20.3 × 24.4 cm)

. Etching on paper . Jean Jacques de Boissieu

Rocky landscape with figures and ruins, 1791 - 1798 print Print is part of an album. paper etching / engraving landscape with ruins (+ city(-scape) with figures, staffage). rock-formations

Abraham Aubri, Cobolentz and Hermenstein, engraving.

Landscape by Adam Perelle showing a palace and staffage figures, executed in brown ink with gray and brown washes.

Four Men on a Stone Bridge 1630-1690 Holland. Etching on paper . Anthonie Waterloo

The Cowherd. Claude Lorrain; French, 1600-1682. Date: 1636. Dimensions: 126 × 195 mm (image); 131 × 201 mm (sheet, cut within platemark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Hunters Resting by a River. Dimensions: Overall (approximate): 28.2 x 46.4 cm (11 1/8 x 18 1/4 in.) support: 33.5 x 52.1 cm (13 3/16 x 20 1/2 in.). Medium: sanguine chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Adriaen Frans Boudewyns.

Waterloo, Antonie, work, Alpheios and Arethusa, (1000 - 2000), etching, graphic, 29 cm x 23.6 cm

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