Idyllic Landscape Studies

Pencil and chalk drawings representing peaceful landscapes, often incorporating trees, bodies of water, and distant structures, reflecting a sense of calm and nature.

John Sell Cotman, A Dry Dock, first half 19th century A Dry Dock

Near Padmore, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 5/8 × 6 7/8 inches (11.7 × 17.5 cm)

River Landscape with Buildings Artist's working dates 1715-1760 France. Red chalk on tan laid paper . Adrien Manglard

John Robert Cozens, 1752-1797, British, Villa near Siena, undated. Graphite on thin, slightly textured, cream laid paper.

John Sell Cotman, 1782-1842, British, Ruin on a Lake, in the Manner of Richard Wilson, ca. 1820. Graphite on medium smooth cream wove paper.

John Sell Cotman, A Dry Dock, first half 19th century A Dry Dock

Figures in a Sailboat, With a Temple in the Distance, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 9 1/2 × 12 inches (24.1 × 30.5 cm)

John Robert Cozens, 1752-1797, British, Vernazza, undated. Graphite on thin, slightly textured, beige laid paper.

Bleigriffel drawing by Christian Wilhelm Ernst Dietrich depicting a peasant farm at the foot of a ruined hill, showing buildings, terrain, and figures around 1735/1740.

Study of a Dry Dock with Boat, Clarkson Stanfield, 1793-1867, British, 1863, Graphite on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm)

Lord Henry Seymour's from West Cowes, Capt. Thomas Hastings, 1778-1854, British, 1825, Graphite on medium, slightly textured, cream wove paper, Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)

Landscapes with and without buildings. Among other things a landscape with a factory. Four drawings in frames. Leaf 19 Recto from a sketchbook with 25 sheets.

Sir Robert Smirke the younger, 1781-1867, British, The Castle Inhabited by Petrarch, Vaucluse, 1802. Gray wash, black wash and graphite on medium, moderately textured, beige, laid paper.

A Hillside Landscape Sketch with Figures and Buildings, draughtsman: Annibale Carracci, c. 1585 - c. 1587,

Figures on the Square for the Bab Mansour Poort in Meknès. Page 94 From a sketchbook with 66 sheets.

Abklatsch of the chalk drawing on page 19, c. 1897 - c. 1899 Page 18 from a sketchbook with 17 sheets. paper

Capt. Thomas Hastings, 1778-1854, British, Sketch of a Road Descending to the Shore with Docked Ships, between 1826 and 1830. Graphite on medium, slightly textured, cream wove paper.

Italian Landscape, Elias van Nijmegen (Possible), 1677 - 1755 drawing Design for a painting. paper. pencil. chalk

Figures on a Sand Dune, Winslow Homer, American, 1836-1910, Charcoal on paper, Horizontal view shows crest of a sand dune, on which is a group of men, and above which project three masts of a schooner flying an inverted flag., USA, 1895-96, seascapes, Drawing, Drawing

Barcelona, Spain, Henry Swinburne, 1743-1803, British, 1775 to 1776, Graphite, with pen and brown ink on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 11 × 16 1/4 inches (27.9 × 41.3 cm) and Sheet: 4 1/4 × 5 7/8 inches (10.8 × 14.9 cm)

James Ward, 1769-1859, British, Ruins of Richbro' Castle, Isle of Thanet, undated. Gray wash and brown wash over graphite on medium, slightly textured, beige wove paper.

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Bridge over Pool at Llanrwst, undated. Black chalk and white chalk on medium, slightly textured, blue-gray wove paper.

Cityscape, Possible Delft, Leonaert Bramer (attributed to), after Egbert Lievensz. van der Poel, 1642 - 1653 drawing Drawing is part of an album. paper. chalk city-view in general; 'veduta' Delft

John Robert Cozens, 1752-1797, British, Near Chambéry, undated. Graphite on thin, slightly textured, cream laid paper.

Capt. Thomas Hastings, 1778-1854, British, From Elton Hill near Clevedon, 6 September 1845, 1845. Graphite on medium, slightly textured, cream laid paper.

De Baadster and Death, Rodolphe Bresdin, 1855 - 1857 drawing Design for a print. France tracing paper. ink pen public baths - AA - in the open air. Death as skeleton

Sir Robert Smirke the younger, 1781-1867, British, Road to Sarzana, 1802-1804. Graphite on medium, slightly textured, blued white, laid paper.

Sir George Howland Beaumont seventh Baronet, 1753-1827, British, Falls at Schaffhausen, 1782. Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper.

Abklatsch of the chalk drawing on page 4 Verso, 1875 - 1934 Page 5 Recto from sketchbook VII with 26 sheets. The Hague (possibly) paper

View of a city on the water, 1696 In the foreground two moored boats. Page 73 Recto from a sketchbook with 91 sheets. paper. ink. watercolor (paint) pen / brush city-view, and landscape with man-made constructions. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Maria Leycester, 1798-1870, Alderley, June 29th, 1820. Graphite, brown wash, and watercolor on moderately thick, slightly textured, cream wove paper.

Farm, Johannes Taventrate, 1840 - 1880 drawing paper. ink pen / brush farm or solitary house in landscape. farm (building)

Boat on a cart off the coast, Johan Antonie de Jonge, 1909 Figures by the sea. Furthermore, possibly a boat on a cart in the water. Page 31 Verso from a sketchbook with 31 sheets. South Holland (Possible) paper. chalk. pencil sea (seascape) (+ landscape with figures, staffage). rowing-boat, canoe, etc.. (farm) wagon, freight wagon, cart

Castle of Elmo &c., Henry Swinburne, 1743-1803, British, 1777 to 1778, Pen and brown ink, over graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 5/16 × 11 1/16 inches (41.4 × 28.1 cm) and Sheet: 3 5/8 × 7 7/8 inches (9.2 × 20 cm)

Sketch of a landscape with a mill ..

View of Tiel, 1833 Leaf 24 Recto from a sketchbook with 41 sheets. Thus paper. pencil city-view, and landscape with man-made constructions Thus

Germanna Ford, 1863 April 29, drawing, 1862-1865, by Alfred R Waud, 1828-1891, an american artist famous for his American Civil War sketches, America, US

Porto Maurizio seen from Oneglia, ca 1859,by Pasquale Domenico Cambiaso (1811-1894), Italy 19th Century. Pencil and watercolor.

Near Saint Lawrence, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, 1827, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 5/8 × 11 1/8 inches (19.4 × 28.3 cm)

Cartoon in Leiden Student Almanac, 1856, 1856 Student dreaming about the Maskerade of 12 June 1855. Cartoon in the student almanac of the University of Leiden of the year 1856. print maker: Netherlandsafter design by: Netherlandsprinter: The Haguepublisher: Leiden paper Leiden Student dreaming about the Maskerade of 12 June 1855. Cartoon in the student almanac of the University of Leiden of the year 1856. print maker: Netherlandsafter design by: Netherlandsprinter: The Haguepublisher: Leiden paper Leiden

In Calbourne, Isle of Wight, 12 August 1829, Capt. Thomas Hastings, 1778-1854, British, 1829, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 5/8 × 7 5/8 inches (16.8 × 19.4 cm), architectural subject

Thomas Daniell, 1749-1840, British, active in India, Landscape, undated. Graphite on medium, moderately textured, blued white, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper.

John Robert Cozens, 1752-1797, British, Near Schönberg, undated. Graphite on thin, slightly textured, cream laid paper.

Drawing, Artists Sketching in the White Mountains; Winslow Homer (American, 1836-1910); USA; graphite on off-white wove paper, blackened on verso for tracing; 14.8 x 21.1 cm (5 13/16 x 8 5/16 in.)

A black chalk drawing by Jan Josefsz. van Goyen showing a Dunting landscape with houses and two figures, with brownish spots and light discoloration, circa 1630.

Two walking women in a park, c. 1840 - c. 1860 Two women walk past a monumental vase. In the foreground two peacocks. Page 25 Recto from a sketchbook with 38 sheets. Low Countries paper. ink. pencil pen / brush park. walking. ornamental birds: peacock

Terrace garden, Robert Frederick Blum, American, 1857-1903, Graphite on wove paper, Recto: Sketch of a terrace garden; Verso: Sketch of a female figure., USA, 1882, landscapes, Drawing, Drawing

Study, possibly from a cityscape. Page 5 from a sketchbook with 19 sheets.

Joseph Mallord William Turner, 1775-1851, British, The Channel Sketchbook, ca. 1845. Watercolor on medium, slightly textured, white wove paper.

Henry Swinburne, 1743-1803, British, Carmona, 1775 to 1776. Pen and gray ink on medium, moderately textured, cream, wove paper, mounted on, moderately thick, slightly textured, cream, wove paper.

Edward Lear, 1812-1888, British, Philae, 1867. Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper.

Appuldurcombe, Lord Yarborough's, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 3 1/2 × 6 1/4 inches (8.9 × 15.9 cm)

Mężczyzna stojący przed namiotem; pejzaż górski. Adalbert (książę pruski ; 1811-1873), draughtsman, cartoonist

Landscape with an Aqueduct ca. 1827 Eugène Delacroix French. Landscape with an Aqueduct 355655

Capt. Thomas Hastings, 1778-1854, British, Beaulieu, Hampshire, 1827. Graphite on medium, slightly textured, cream wove paper.

Capt. Thomas Hastings, 1778-1854, British, Clevedon, 1845. Graphite on medium, slightly textured, cream wove paper.

Abklatsch of the chalk drawing on page 57. Page 58 Out of sketchbook XLIII with 61 pages.

Print made by Robert Wallis, 1794-1878, British, St. Maurice (vignette), 1830. Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper.

Alexander Monro, 1802-1844, Knaresborough, undated. Graphite on moderately thick, smooth, cream wove paper.

Gulliver Bound by the Lilliputians, Richard Wilson RA, 1714-1782, British, active in Italy (1750-56), undated, Graphite on medium, rough, blue laid paper mounted on moderately thick, moderately textured, cream laid paper, Mount: 6 7/8 x 9 5/8 inches (17.5 x 24.4 cm) and Sheet: 5 1/8 × 7 7/8 inches (13 × 20 cm), bridge (built work), literary theme, people, spears, trees, water

View of Rhenen, Aelbert Cuyp, 1630 - 1691 drawing paper. chalk brush Rhenen

Edges of the water Jean-Charles Cazin (1841-1901). Edges of the water. Charcoal and some white chalk rehauts on pink waterproof sighted paper. Museum of Fine Arts of the city of Paris, small palace.

The Tombs in the Valley of Hinnom James Tissot (French, 1836-1902). , 1886-1887 or 1889. Ink and graphite on paperboard, Image: 5 1/2 x 9 7/16 in. (14 x 24 cm). European Art 1886-1887 or 1889

John Robert Cozens, 1752-1797, British, Vernazza, undated. Graphite on thin, slightly textured, cream laid paper.

Drawing, Sketches from Mexico of Bowl, Rosette, and Figures; Frederic Edwin Church (American, 1826-1900); USA; graphite on light green paper; 10.2 × 17.6 cm (4 × 6 15/16 in.)

Flachlandschaft, pl.1; Liebermann, Max (1847-1935), Cassirer, Bruno und Paul (Berlin; Publisher; 1898-1901), Angrer, Ludwig (London, Berlin, Vienna; Publisher; Fl. 1849-1930); 1898 (edition); 1894 (p Yta) (1894-00-00-1894-00-00);The Netherlands, Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection , Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, modernism (style), landscapes, dunes

Sailing ships on a river at a building with five towers.Leaf 71 verso from a sketchbook with 98 sheets.

Cat looking at a burnt-down place. Piotrowski, Antoni (1853-1924), draughtsman, cartoonist

Part of Terracina, July 5, John Robert Cozens, 1752-1797, British, undated, Graphite and varnish on thin, slightly textured, beige laid paper, Sheet: 7 1/4 x 9 5/8 inches (18.4 x 24.4 cm), buildings, clouds, hills, landscape, trees, Europe, Italy, Terracina

Print made by Edward Goodall, 1795-1870, British, Lake of Como Number 1 (vignettes), 1830. Etching; open etching on medium, slightly textured, cream wove paper.

Nicer, a verso sketch about the subject of more expensive; Ruszczyc, Ferdynand (1870-1936); 1899 (1899-00-00-1899-00-00);Partage Plus, landscapes, purchase (provenance)

Le coteau , Hills, Alphonse Legros (1837-1911)

Study of a Stone Wall, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash, graphite, pen and brown ink on moderately thick, moderately textured, beige, wove paper, Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)

John Robert Cozens, 1752-1797, British, Baths of Dioclesian, undated. Graphite on thin, slightly textured, white laid paper.

Monkeys and trees on a river bank. ink on paper. Origin: Japan. Date: 1568-1615. Period: Momoyama period. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Sketch of atree. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Saxon Landhoeve in the 5th century; A Saxon Landhoeve in the fifth century. A Saxon Landhoeve in the 5th century. Three riders and three dogs leave a fenced village at night. Part of the Steel enruges group to the paintings of the historic gallery of the Company Arti et Amicitiae.

Edelfelt, Albert, work, Sketch book, drawing, 12.5 cm x 21.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Ancient Chapel or Monument, in the Town of Terracina, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Gray wash and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 9/16 × 7 3/16 inches (26.8 × 18.3 cm)

View of Rosoy, Anonymous, Christophe Tassin, 1634 print View of Rosoy-sur Serre. Print is part of an album. The Hague paper etching prospect of village, silhouette of village Rozoy-sur-Serre

Sacred Cave of Archidamus, William Pars, 1742-1782, British, undated, Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, beige wove paper, Sheet: 11 5/8 x 18 7/16 inches (29.5 x 46.8 cm), cave, cavern, figures, landscape, rocks (landforms), stalactites, steps, Asia, Levant

Barth Erwin (1880-1933), Ceon Pichelswerder in Berlin-Spandau (1926): Perspective view with a view of Schildhorn via the Havel to the memorial. Light break on the cardboard, 48.6 x 77.2 cm (including scan edges) Barth Erwin (1880-1933): Ehrenmal Pichelswerder, Berlin-Spandau

Vision in the clouds , Hallucinations & illusions, Cities & towns. The Massachusetts WPA Federal Art Project Photograph Collection

View of Kasteel Ooij, near Nijmegen, North Brabant, Josua de Grave, 1682, draughtsman: Josua de Grave, 26-Jun-1682, paper, pen, brush, h 159 mm × w 610 mm

Old crosses against the background of landscape, two sketches of the same composition. Ruszczyc, Ferdynand (1870-1936), draughtsman, cartoonist

Edward Lear, 1812-1888, British, Deir Kadige, 1867. Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358685

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: Fortress of Trostburg near the town of Kollman. Tyrol. 28th Oct.r 1840. Pen, brush and black ink over graphite.

Sir Robert Smirke the younger, 1781-1867, British, Malta, 1802-1804. Graphite on medium, moderately thick, beige, laid paper.

Rev. Edward Thomas Daniell, 1804-1842, British, Nablous Nablus, Jordan, 1841. Watercolor, gouache and graphite on moderately thick, moderately textured, beige, wove paper.

John Robert Cozens, 1752-1797, British, Between Saint-Thibaud-de-Couz and Chambery, undated. Graphite on thin, slightly textured, cream laid paper.

Study magazine, among other things with a washed up shipwreck for a coast. Also studies of a man on a running camel in a desert landscape and a man on a camel in an oriental walked street. Leaf 10 Recto from a sketchbook with 10 sheets.

Artist: John Trumbull, American, 1756-1843, Untitled, from folio: Sketches in France and Germany, one of 22 sheets from FolioB, Graphite, 11.1 × 17.8 cm (4 3/8 × 7in.), Made in United States, American, 18thcentury, Works on Paper - Drawings andWatercolors

History of Spain. First Carlist War (1833-1840). Attack on Castrejana Bridge in 1835, during the first siege of Bilbao. Illustration by Francisco Sainz. Engraving by Martínez. Panorama Español, Crónica Contemporánea. Volume III. Madrid, 1845. Author: Francisco Sainz (1823-1853). Spanish artist. Martinez. 19th century-Spanish engraver.

Exterior facade of the theater of Taormina at the level of the stage on the seacoast, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 215 mm × w 733 mm

and not; the sum totals are 51 and 60, respectively. Graphite on gray paper. Date: August 1865. Museum: Cooper Hewitt, Smithsonian Design Museum.

Landscape, Allaert van Everdingen, 1631 - 1675, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, pen, brush, h 48 mm × w 83 mm

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Landscape by ariver, Graphite, brown wash, Composition board, 29.4 × 36.5 cm (11 9/16 × 14 3/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Harb. Gozo, Edward Lear, 1812-1888, British, 1866, Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, cream wove paper, mounted on medium, slightly textured, brown wove paper, Mount: 6 1/4 x 8 inches (15.9 x 20.3 cm) and Sheet: 4 15/16 x 6 15/16 inches (12.5 x 17.6 cm), buildings, bushes, figures (representations), genre subject, grass, rocks (landforms), sky, trees, wall, Gozo, Malta

Landscape Fan Hong Chinese. Landscape 51610

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