Illustrated Greeting Cards

Decorative cards featuring illustrations, floral designs, and ornate frames for various occasions, including New Year and celebrations.

Wish letter with face to Delft, 1829 - 1880 print Wish letter with unwritten cartouche within a decorative framework with a face on Delft. print maker: Netherlandsafter painting by: Delftpublisher: Mainz paper city-view, and landscape with man-made constructions Delft

New Years Card greeting cards, New Year cards

Composition of five portraits of members of the provisional French government. Composition of five portraits of members of the provisional French Government: 'Government de la Défense national', also known as 'Government Provisio de 1870', formed on September 4, 1870 after the fall of Emperor Napoléon III. Louis-Jules Trochu, Adolphe Thiers, Léon Gambetta, Émile de Kératry and Jules Favre ("Provisorische Regierung Paris 1870")

Frame with putti around Menu, Charles Rochussen, 1864 print Menu of a dinner at Arti et Amicitiae in honor of the twenty -five year existence. Cauted in a frame with putti. Amsterdam paper Cupids: 'Amores', 'Amoretti', 'Putti'

Vos in Monnikspij (Reinaert) with Haas (Cuwaert) near Vossin (Hermeline) and Cubs in Vossenhol, Bernard Willem Wierink, c. 1910 print paper fable of Reynard the Fox

Design for an advertisement from Electric Drukkerij de Industrie in Utrecht, Reinier Willem Petrus de Vries (1874-1953), 1913 drawing Ornamented frame with at the top of the contact details of the printing company and the year '1913'. paper. paint (coating). pencil brush ornaments ~ art

Costume of a nobleman, 12th century. Depicted in tunic, hose and bootlets in an illuminated capital letter T for Temporibus within a decorative web of foliage and fantastic beasts. Taken from a miniature in a manuscript in the Bibliotheque royale de Bruxelles. Homme noble, Emporibus, XIIe siecle. Chromolithograph by Ferdinand Sere from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Sidewall, Savoyards; France; block-printed paper; Overall: 55 x 49 cm (21 5/8 x 19 5/16 in.)

Playing Card; red and black ink, paper

Wish letter with face to Delft, 1829 - 1880 print Wish letter with unwritten cartouche within a decorative framework with a face on Delft. print maker: Netherlandsafter painting by: Delftpublisher: Mainz paper city-view, and landscape with man-made constructions Delft

Andreas Flinch (1813-1872); Johan Thomas Lundbye (1818-1848); , Framing with Swan to Heiberg's newly hazardous, (1842)

Drawing, Design for the rest of a chair or a cushion, to be executed in tapestry; France; pen, ink, watercolor, and gouache on paper; 47.8 × 47.7 cm (18 13/16 × 18 3/4 in.)

Design for a calendar magazine for January 1930 from the Nederlandsch Kunstverbond Calendar, Willem Arondéus, 1929 drawing At the top a figure with a baby in the arms above the spell: 'The young year rests in winters'. On the left in a circular shape a man who bricks a wall with a trowel and behind him a veiled figure with an hourglass. paper. pencil. ink. pen / brush calendar, almanac. January; 'Gennaro' (Ripa)

Charity January 1, 1864 Freeman Gage Delamotte British. Charity 685328

Thododore claus. Cookorial

Italian ornament

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Cover design for: Technical magazine, 1914, Richard Nicolaüs Roland Holst, 1914 print A diamond -shaped frame with two cats at the bottom. In the frame a naked, kneeling man who shoots an arrow with an arc. paper archer's weapons: bow and arrow. kneeling figure. man (showing himself) undressed, quasi-nude. beasts of prey, predatory animals

Untitled Valentine (Antique Couple with Putti) 1845-1855 England. Collaged elements under cut and embossed (designed) ivory wove paper . Thomas Wood

Extinguished candles and lion (Nobel) flanked by eagle, Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Allegory on the elevation of William IV as Stadholder and on the liberal Gift in 1747, Jan Caspar Philips, 1747 print Allegory on the elevation of William IV to stadholder and on the liberal GRATING of the fiftieth medal requested in 1747 in the support of the country in war. At the top of an allegorical representation with freedom, left fireworks, the prince accepts the sword of Divine Governance. Amsterdam paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities)

Elizabeth Valentine, Sampler, 1935 1942 Sampler

I Have Angled for a Heart My Love (valentine). George Kershaw; English, 19th century. Date: 1835-1845. Dimensions: 228 × 187 mm (folded sheet). Lithograph with hand-coloring on embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Les Exercices de dévotion de M. Henri Roch. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1882. Prints; etchings. Etching

Design for a Grate 19th century Anonymous, British, 19th century British. Design for a Grate 363278

Leopard, Beer and Wolf (Firapeel, Bruun and Isegrim), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Design for a vignette for the Invalidenhuis in Leiden. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 315 mm × w 220 mm. Museum: Rijksmuseum, Amsterdam.

Ex Libris van Maurits Mendels, Richard Nicolaüs Roland Holst, 1924 print Three swallows at a corn sheaf. paper sheaf. song-birds: swallow

Paris, Hurtu, Jacques, Black ornaments, Rectangular pendentive with alphabet, The pendentive is surrounded by four small motifs decorated with white tendrils on a black ground., print, ornament print, prints, ornament prints, height 70 mm, width 64 mm, print maker, printmaker, 1619 - 1619, first quarter 17th century, paper, papier, engraving, engraving (printing process), etching, Work conception, after a design by, Publication (Event), Publication, publisher

Giacomelli, Hector, Dalloz, Paul, Reproduction of a print of birds in a snowfall, with the poem Janvier by François Coppée, by Hector Giacomelli, photomechanical print, page, reproduction, photos, photographically illustrated books, height 319 mm, width 221 mm, French, 1829-11-18 - 1887-04-12, photographer, 1871 - 1876, paper, collotype, photoprint, chromolithography, cliché maker, Work conception, 1822-04-01 - 1904-12-01

Design for a poster with names of companies in ornamental Rand, Carel Adolph Lion Cachet, 1874 - 1945 drawing. poster paper. pencil brush poster

The crown presented in the painting with a church in Warta, displayed at the exhibition "Polish Gothic Art" in Warsaw in 1935 (Cat. Exhibition No. 181); around 1935-ok. 1939 (1935-00-00-1939-00-00);

Sebald Beham (German, 1500-1550), Coat of Arms with a Lion, 1544, engraving

Publishing vignette of J.M. Bredée, Reinier Willem Petrus de Vries (1874-1953) (Possibly), 1905 photomechanical print A man with a stick and backpack walks up over a path along a rocky wall. paper printing block walking. walking-stick, staff

Woldmar Leiteritz. Herzlichen Neujahrsgruss.; Leiteritz, Woldemar (1878-1915); 1904 (1904-00-00-1904-00-00);

Klingholz Fritz (1861-1921), Farewell to Mr. Secret Councilor A. Assengier (June 27, 1899): Views and text. Ink, pencil on cardboard, 36.5 x 23.1 cm (including scan edges) Klingholz Fritz (1861-1921): Verabschiedung von Herrn Geheimbaurat A. Assengier

Memorial to Thomas Bonde from Fulham Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watecolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Greeting letter with sheep shaving, fishing, a dancing bear and a rarecy. Greeting letter with unwritten cartouche inside a decorative frame with representations of a sheep shearer, a fisherman, a dancing bear and a man with a rarecy. Numbered at the top right: No. 17.

Vos in Monnikspij (Reinaert) surrounded by chickens and rooster (Cantecleer), Bernard Willem Wierink, 1910 print paper fable of Reynard the Fox

Capital letter you; Riquet à la Houppe. II .. First sheet of the second chapter from the book "Riquet à la Houppe" (Riquet with the Crested). The capital letter as a picture frame of a show with the young girl and riquet. Under the image text and flower vines. On verso text.

Coat of arms of Bernhard Adelmann von Adelmannsfelden from his gravestone in Eichstatt Cathedral A, and coats of arms of the Votter and Langenmantel families from a painting by Hans Holbein. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by J.M. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

Edge with floral motifs and crown, Bernard Willem Wierink, c. 1935 - c. 1938 print One of twenty magazines, of which 16 are test prints for one and the same illustration of an (unknown) play. paper. pencil flowers ~ ornament. crown (symbol of sovereignty)

I Love Thee Dearly (Valentine) 1850-1859 United States. Collaged elements on cut and embossed (designed) ivory wove paper with the blue tissue paper insert .

Window with fragments of a church window from the church of Oudkerk in Friesland, Anonymous, 1641 Window with fragments and a Charitas figure with caption "Caritas 1598" and an inscription "here w ... Dienaer of Godlicken Woordts, in Oudkerck and Roodkerck Anno 1641". glass. lead (metal). Window with fragments and a Charitas figure with caption "Caritas 1598" and an inscription "here w ... Dienaer of Godlicken Woordts, in Oudkerck and Roodkerck Anno 1641". glass. lead (metal).

Decoration in the Beurssteeg, 1795, Noah van der Meer (II) (Possibly), 1795 print Decoration in the Beurssteeg, seen from Rokin, 1795. Founded by a meeting of deputies from the Batavian clubs, civil neighborhoods and national companies in Amsterdam. From the booklet with images of the decorations founded in the city at the celebration of the installation of the representatives and the Alliance closed between the French and the Batavian Republic, June 19, 1795. The print includes a loose sheet with an explanation. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Beurssteeg

Design for window in the post office in Utrecht, Richard Nicolaüs Roland Holst, 1923 drawing paper. chalk. pencil brush work of applied art (+ glass ~ arts) Utrecht. Post -post office

Office calendar with performances, Johannes Henderikus Morriën, 1864 print Under the calendar a relief with personifications of trade, art, science and industry. On the right the seasons depicted by animal heads. On the left the seasons again depicted by scenes in the open air. At the top left of the letter t are blowing putti bubbles. Also a coat of arms of Amsterdam with a lion. At the top right, a king sits on a throne in front of his subjects. Amsterdam paper calendar, almanac. the four seasons of the year ~ human activities. seasons of the year represented by landscapes. (children or putti) blowing bubbles, 'Homo Bulla' ~ scene symbolizing 'Vanitas'

Lesueur, Jacques-Philippe (n.1757-D.1830-12-04), composition for a header: law. (Faithful title), 1791. Carnavalet museum, History of Paris.

La Guerre, Retour En Enfer.. Unknown maker, French

Flat decoration: cartouche in frame of rolling with figures; IOB.19. Noui ego quod vin (...); Flat decorations and grave monuments / Father's Niewe Inventien (...). Cartouche in a frame of rollerwork in which women, men and children are sitting. In the middle of a man sitting on a horizontal lion. At the top of a woman with city clothes on the head. In the middle in white frame the text: IOB 19. Novi Ego Quod Vin / Dex Meus Vivit ... Quod / est Unicum Desiderium Meum. Belongs to series consisting of a title page, a text sheet and 14 blades with grotesken with rollerwork, saters, garlands, trophies, animals and fantasy stations.

Flora's fancy fete Brighton W.H. Mason 1839 flower language flowers in literature flower flowers language of flowers garland wreath A wreath for her brow from the garland of spring, A beautifully crafted artwork features an elegant arrangement of colorful flowers, encircling a central inscription that reads A Wreath for her Person from the Garden of Spring. The floral design showcases a variety of blossoms, including violets and other spring flowers, capturing the essence of nature's beauty. The delicate colors of the flowers create a harmonious and inviting atmosphere, reflecting a sense of celebration and admiration, while the script adds a personal and heartfelt touch. This composition evokes feelings of warmth and grace, celebrating the joys of spring and the affection we hold for others.

Project okay for the "eternal calendar in paintings"; Thoma, Hans (1839-1924); 1901 () (1901-00-00-1901-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, illustrations, calendars, roosters, covers, projects, German drawings, owls, zodiac signs

Bookplate of Kazimierz Stefański. Wawrzeniecki, Marian (1863-1943), graphic artist

Flowers are the Brightest Things (valentine) 1855-1860 England. Lithograph with hand-coloring on cut and embossed ivory wove paper (lace) . George Kershaw

I Will Ever Think of Thee (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 139 × 93 mm. Collaged elements on cut and embossed blue coated ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Nohl Maximilian (1830-1863), Villa Farnesina in Rome. Ceiling jewelry (01.1859): View. Tusche watercolor on the box, 29.7 x 22.7 cm (including scan edges) Nohl Maximilian (1830-1863): Villa Farnesina, Rom. Deckenschmuck

Design for two lancet windows. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 21 7/8 x 14 3/4 in. (55.6 x 37.5 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Calendar magazine July with Korenschoven, Theo van Hoytema, 1901 print There are birds near the sheaves. In the ornament edge beetles and dragonflies. At the top of the leaf a crack line. Print Maker: Hilversum Printer: Amsterdampublisher: Hilversum paper sheaf. insects: beetle. insects: dragon-fly. July ~ other concepts

Coloured illustration of playing cards depicting portraits of Provence published in Lyon by Thiele, Rosnet and Pauveret.

EL AMOR DE LAS TRES NARANJAS - ESCENA DE SU OBRA DE 1921. Author: SERGEI PROKOFIEV (1981-1953).

Drawing, Design for a comb; Italy

Daniel Lysons, 1762-1834, British, Memorial to Thomas Weldish from Bedfont Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

A color poster from around 1900 depicting a mosaic of Athene's head, showing facial details, mosaic pattern, and composition.

Mechanical Bank: Punch and Judy. Dated: c. 1941. Dimensions: overall: 41 x 30.6 cm (16 1/8 x 12 1/16 in.) Original IAD Object: 7 1/2" high; 6 1/2" wide; 2 1/2" deep. Medium: watercolor, gouache, pen and ink, and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Dorothea Bates.

Matchbox labels, from the Swedish industrial and trading museum. (Satanaz, Lucifer, Nephistophheles).

Rock in the sea in an ornamental frame, Reinier Willem Petrus de Vries (1874-1953) (Possible), 1899 photomechanical print Amsterdam paper printing block rock-formations. sea

Soap advertisement by Anonymous, colour lithograph, 1900, Russia, Moscow, State History Museum, 17x18

Regina Henderer, Jenny Lind Mirror, c 1939 Jenny Lind Mirror

Bookplate of Matilde Monsalvatje. Roca i Simó, Francesc (1874-1940), graphic artist

Sampler (England); Embroidered by Elizabeth Gouger; silk embroidery, wool foundation; Warp x Weft: 47 x 33 cm (18 1/2 x 13 in.); Bequest of Mrs. Henry E. Coe; 1941-69-139

Moreau-Néret, Adrien (n.1860-11-13-D.1944), decor project for the lobau gallery of the town hall: first phase where the night starting is lit by the last rays of the sun (main title ). Ink, watercolor and gouache enhancement on bistre paper stuck on cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Lazio Roma Rome Gesu4. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Decorated wooden casket, probably for bridal goods 13th century. Knights with heraldic shields climbing ladders to storm a castle defended by women. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by Proebes. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

The Title-page of Kate Greenaway's book Date: 1884

Caravaca. unknown, graphic artist

Two women on a balcony, Lucien Pissarro, 1911 print Page 21 from "Poems Tirés du Livre de Jade". A round show with two Asian women with a parrot on a balcony. Below that a poem by Thou Sin Yu. print maker: Englandprinter: Hammersmithpublisher: Hammersmith paper letterpress printing Asiatic races and peoples. illustration ~ printed matter, book

Ex voto. Man survived to the crashing of floor, by Unknown, 17th Century, tile polychrome majolica. Italy, Umbria, Deruta, Perugia, Madonna dei Bagni Church. Whole artwork. Frame arches on the left tree roots emblem with Madonna Mary Virgin with Baby: Child Jesus: Christ Child on the right man holding on to the cornice while floor surface crashes tiles.

Portions de vitraux du XIIIème. siècle, .... Willemin, N. X. (Nicolas Xavier), 1763-1833. Prints. 1839. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Art , France , History

CODICE LANDAU-EL DILUVIO - XV. Author: BELBELLO DA PAVIA (S XV). Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA. DIOS PADRE. PADRE ETERNO. DIOS.

Hyssop, Insect, and Cuckoo Flower; Joris Hoefnagel (Flemish , Hungarian, 1542 - 1600), and Georg Bocskay (Hungarian, died 1575); Vienna, Austria; 1561 - 1562; illumination added 1591 - 1596; Watercolors, gold and silver paint, and ink on parchment; Leaf: 16.6 x 12.4 cm (6 9,16 x 4 7,8 in.)

Advertising card from printer Édouard de Lay -de Muyttere in Bruges, 1842 - 1855 print. porcelain card Frame of acanthus leaves that took the shape of two fantasy figures around the text. Above the town hall of Bruges, under the Belfort. . anthropomorphic ornament. acanthus ~ ornament Belfort. Town hall

Maud 1905 Margaret Neilson Armstrong "Holiday Edition. IN ORIGINAL GIFT BOX. Unsigned binding design by Margaret Armstrong of a sundial surrounded by a flower arbor containing intertwined lilies and roses in gold on fine, diagonally ribbed white cloth. The titles and a repeat of the floral motif in gold on the spine. Top edge gilt. In original paper covered paste-board gift box with title label on one side. The paper covering the gift box has been stamped with a moiré pattern. The book includes unsigned endpapers, half title, title page, symbolic verse headers and 4 additional floral border designs for the text pages by Margaret Armstrong, as well as signed frontis. and 9 full page signed tinted drawings by Helen Maitland Armstrong. A romantic poem in the first person that follows the trials and tribulations of the narrator's love for Maud, whose love for him is denied by circumstance. This Armstrong production of Tennyson's Maud was released as a Holiday Gift Book during Christmas of

Trade label with the three kings and the weapon of the city of Haarlem, Isaac Vincentsz. van der Vinne, c. 1681 - 1740 print paper vignette. the story of the three Wise Men (kings or Magi) (Matthew 2:1-12). coat of arms (as symbol of the state, etc.) (+ city; municipal) Haarlem

Cover design for: Wendingen, Schelpen number, 1923, Richard Nicolaüs Roland Holst, 1923 print On the left a mermaid. On the right the birth of Venus. She stands naked on a shell that floats on foaming water. paper merman - AA - mermaid, siren. Venus, standing on a shell, sails with her veil over the water (alternatively she is riding on a dolphin): Venus Marina. woman (showing herself) undressed, quasi-nude

Etching plate for a Valentine in honor of Halley's Comet ca. 1835 View more. Etching plate for a Valentine in honor of Halley's Comet. ca. 1835. Copper, traces of ink. Ephemera

Band designs for: Thérèse Hoven, Women Lief and Leed Under the Tropics (1896) and Out of Free Movement (1894), Reinier Willem Petrus de Vries (1874-1953), in Or Before 1894 - In Or Before 1909 drawing. photomechanical print Design for 'Women Lief en Vreen under the tropics' with continuous symmetrical lines over the front and back. Design for 'Free Movement' with decorated initials with leaf ornaments. Also a design for the monthly magazine of Vereeniging for improving women's clothing and an ornament. cardboard. paper. ink. watercolor (paint). deck paint. pencil pen / brush / printing block ornament ~ combination of straight and curved lines. foliage, tendrils, branches ~ ornament

Courtois for King Nobel, Bernard Willem Wierink, 1866 - 1939 drawing Design for illustration (after fol. 4, not executed): Van den Vos Reinaerde; Courtois, a lean dog, for King Nobel. paper. cardboard. chalk. ink. pencil pen / brush fable of Reynard the Fox

Design for an ex libris by Judith Zweerts, Julie de Graag, 1917 drawing Design with a violin. paper. ink. deck paint. pencil pen / brush violin, fiddle

Drawing, Design for a clock; Manufactured by Lefebvre Manufactory, Tournai; Belgium; brush and yellow, red watercolor, black wash, on cream laid paper; 38 x 24.5 cm (14 15/16 x 9 5/8 in.)

Jerusalem, Plate 58, "In beauty the Daughters of Albion....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 210 mm (8.26 in); Width: 149 mm (5.86 in). Author: William Blake.

Zodiac within an illuminated initial D (reversed), 845. Vivian Bible or the First Bible of Charles the Bald, Bibliothèque Nationale de France, MS lat 1., fol. 8r. Zodiaque. Handcoloured lithograph by Villain after an illustration by Horace de Viel-Castel from his Collection des costumes, armes et meubles pour servir à l'histoire de la France (Collection of costumes, weapons and furniture to be used in the history of France), Treuttel & Wurtz, Bossange, 1827.

D. Y. and J. M. Cameron ,. Sir David Young Cameron (1865-1945). Prints

Be Mine (Valentine). Joseph Mansell; English, 19th century. Date: 1845-1850. Dimensions: 193 × 124 mm (folded sheet). Lithograph in gold ink and collaged elements on cut and embossed ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Vignette with Maso Symbols; unknown, Menzel, Adolph (1815-1905); 1882 (1882-00-00-1882-00-00);

Poster on the occasion of the forty -year anniversary of Queen Wilhelmina der Nederlanden, Carel Adolph Lion Cachet, 1938 print. poster In the middle a poem about the leadership of Queen Wilhelmina of the Netherlands. Around an edge of flowers. Print Maker: Netherlands Netherlandsprinter: Utrecht Publisher: Zeist paper letterpress printing queen. flowers

Table XXXI (with panoply, royal mantle and supporter patterns) for the Norbert Eugeniusz Malinowskis publication “Heraldry, i.e. the study of coats of arms containing a lecture on the theory of world heraldry collected from the best sources [!, the theo5. Weinhold J., Kochański i Marszycki (Warszawa ; zakład litograficzny ; fl. 183.), lithography atelier

Songs of Innocence and of Experience: The Chimney Sweeper ca. 1825 William Blake British. Songs of Innocence and of Experience: The Chimney Sweeper 347971

Renaissance-style wall hanging, circa 1900. Wooden pelmet, velvet drapes with silk embrodery, damask wall hanging. Planche 10. Croisee Style Renaissance. Galerie bois recouvert, bandeau velours, applications et broderies de soie. Pentes meme tissu que le bandeau et memes applications. Grand rideau de dessous cannetille. Tenture murale damas. Chromolithograph by Delamotte after an illustration by Ernest Foussier from his Nouveaux Modèles de Tentures, Decorations de Fenêtres, New Models of Wall Hangings, Window Decorations, E. Thezard Fils, Librairie Speciale dArchitecture, Dourdan, France, 1900. Foussier (1859-1917) was a French architect and interior decorator who worked in Paris.

Ink drawing on yellowish paper depicting Schneiderhandwerk (tailoring) with a circular composition, showing figures, work tools, and folded fabric, 1563.

Embroidered message on a wall hanging, Sweden.

of 2