Illustrations from Literary Works

Etchings illustrating scenes from literary texts, with narrative elements including figures, battles, and angelic interventions, often with detailed backgrounds.

Tamar makes food for Amnon, Philips Galle, After Maarten van Heemskerck, 1646 print Tamar cooks for her sick half -brother Amnon who is in bed. She kneels in front of a fireplace and stirs in a kettle. In the background, Amnon is surrounded by a group of men. A piskijker stands by the window and looks at a urinal with urine. Under the performance a reference in Latin to the Bible text. Print is part of an album. paper engraving Tamar preparing cakes for Amnon

Daniël reveals the deception of Bels Priesters, 1579 print King Cyrus and Daniël come to the temple in the morning and see footsteps in the axis that Daniel has sprinkled over the floor. They discover the secret entrance to the temple, so that the priests and their families have arrived to eat the food. Under the performance an explanatory text in Latin. Print is part of an album. paper engraving Daniel shows King Cyrus the footprints of the priests of Bel and their relatives. the priests of Bel and their relatives are arrested; they are put to death afterwards

Illustration at Canto XVIII of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Rinaldo stands in the forest for seven nymphs with musical instruments. A battle takes place in the background. Michaël de Archangel and other angels float above the warring armies. Italian verses by Tasso in two columns in Submarge. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. angels. other types of nymph(s)

Salutatio Angelica, Johann Evangelist Holzer, German, 1709 - 1740, Etching on paper, Germany, 1709-1740, Print, Print

Saul focuses his spear on David, Anonymous, After Maarten van Heemskerck, 1555 - 1633 print Saul is overwhelmed by an evil spirit of God from jealousy and focuses his spear on David, who plays his harp for him. A few courtiers and bodyguards watch. In the margin a single -line caption in Latin from 1 Sam. (incorrectly referred to as 1 kings on the print). print maker: Low Countriespublisher: Antwerppublisher: Antwerp paper engraving Saul casts his spear at David when the latter is playing his harp before the king (1 Samuel 18:11)

Departure of the Engel Rafaël, 1643 print The Engel Rafaël is familiar with Tobit, Anna, Tobias and Sara. They kneel on the floor. Tobit has returned home and is received on the left by his parents Tobit and Anna. Even further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. Under the performance a reference in Latin to the Bible text in Tobit. 12: 4. This print is part of an album. Amsterdam paper engraving the meeting of parents and son ~ Tobias' return. the healing of Tobit: Tobias puts the gall of the fish on his father's eyes. Sarah's arrival ~ Tobias' return. the angel Raphael disappears into the sky

Syracuse representatives come to compliment Dicearque, Melinte and Palamède, Abraham Bosse, after Claude Vignon, 1639 print paper etching / engraving congratulation, felicitation

Esther before Ahasveros, 1579 print Ester kneels for King Ahasveros. The king points his scepter to her as a sign of affection. Ester asks the king to come to the feast -made feast and Haman with Haman. On the right in the background the continuation of the story. The king can be read from the chronicles of the empire in the evening. It states that Mordecai has thwarted an attack on the king's life. The king asks Haman, who stands by the bed, how someone who has saved the life of the king must be honored. In the background you can see how Mordecai is driven around in the king's rug and on the king's horse, while Haman is driving around him. Under the show a reference in Latin to the Bible text in Est. 5-6. Print is part of an album. paper engraving Ahasuerus holds out his sceptre to Esther (Esther usually kneeling). Ahasuerus being sleepless, has the court records read to him. King Ahasuerus asks Haman how to honour a man he wishes to reward. Mordecai's triumph: Mordecai, mounted on t

. Needled leaves with two prints. Left: The female personification of France is accompanied by Venus. She has turned away from Mars that is mourning in the background. Amor is flying above them. In the foreground Putti symbolizing the consequences of loose love: envy, void, betrayal, faithlessness and death. A four-line caption in French in the margin. Right: Louis XIII, king of France, and his mistress Marie de Hautefort. They stand at a fireplace in the bedroom. In the margin a three-legged caption in French.

Tamar makes food for Amnon, Philips Galle, After Maarten van Heemskerck, 1646 print Tamar cooks for her sick half -brother Amnon who is in bed. She kneels in front of a fireplace and stirs in a kettle. In the background, Amnon is surrounded by a group of men. A piskijker stands by the window and looks at a urinal with urine. Under the performance a reference in Latin to the Bible text. Print is part of an album. paper engraving Tamar preparing cakes for Amnon

Ninus van Nineve as the first king from the vision of Daniël, Adriaen Collaert, after Maerten de Vos, 1646 print Ninus, founder of Nineve and notorious general, drives a flag in his hand with the image of a lion (Babylonia). The horse tramples King Oxyartes from Bactria. A cityscape in the background. In addition to Ninus, a lion with eagle wings appears from the sea, a reference to a vision of Daniël about the rise of four kingdoms in the world. Under the show a reference in Latin to the Bible text then. 7. This print is part of an album. paper engraving the lion with eagle's wings (griffin), standing on its hind legs ~ Daniel's visions. the world empires symbolized by four beasts (Daniel ch. 7). male persons from classical history (NINUS OF NINIVEH)

Spanish fury: atrocities by the soldiers, 1576, 1576 - c. 1579 print Spanish Furie in Antwerp, 4-7 November 1576. Gruesome murders and tortures by the Spanish soldiers on the inhabitants of Antwerp in streets and houses. With caption of 14 lines in German. Nummered at the bottom left: 116. The print is part of an album. Cologne paper etching massacre ~ war Antwerp

Apollo and Diana kill the children of Niobe, 1660 print Apollo and Diana shoot arrows from Heaven at the children of Niobe to punish her for her conceit. The sons are partly still on horseback. This print is part of an album. paper etching Apollo and Diana kill Niobe's children

Moses splits the water with his staff, Pietro Sante Bartoli, After Rafaël, 1645 - 1700 Moses crosses the Red Sea with the Israelites. Behind them the soldiers drown from the Pharaoh and their horses. Title and reference to the Bible text in Submarge. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeVaticaanstad paper etching / engraving Moses crosses the Red Sea with the Israelites. Behind them the soldiers drown from the Pharaoh and their horses. Title and reference to the Bible text in Submarge. Print is part of an album. print maker: Italyafter drawing by: Italyafter design by: Vaticaanstadpublisher: RomeVaticaanstad paper etching / engraving

Judgment of Solomon, Anonymous, 1500 - 1599 print King Solomon is sitting on his throne. For him the two women who both claim the same child. The first woman kneels pleading for Solomon. The dead child is next to her. A soldier with a sword holds the living child on a leg, while the second woman grasp his arm. Left in the foreground is a lion. Italy paper etching the judgement of Solomon (1 Kings 3:16-28)

Dina from Sichem passed and Jacob purifies his house of strange gods and decorations; Dina from Sichem gets / Dina enlevée à Sichzed strange gods and vertebrates by Jacob Degenede / Jacob ôte les Idoles du Environment of the Siëns.two Biblical Performances from Gen. 34 and 35. Numbered at the bottom right: 17.

Copper engraving by Willem van Swanenburg, 1606, depicting an allegorical representation of justice and a courtroom scene with figures in formal composition.

Illustration to the One Thousand and One Nights (two proofs of one sheet). Saunders, Józef (1773-1845), graphic artist

ACHAB shows repentance after the curse of Elia, Philips Galle, After Maarten van Heemskerck, 1646 print Elijah expresses a curse about Ahab and his whole family. ACHAB shows repentance and immediately tears his beautiful clothes. Ahab and Elijah are outside the walls of Ahabs Palace at the Nabot vineyard. On the right Achab departs in his fine. Under the show a verse in Latin. Print is part of an album. paper engraving Ahab repentant: he tears his clothes, puts sackcloth on and refuses food

Photo production of the fresco de triumph of the dead to Andrea di Cione, called Orcagna, in the Camposanto in Pisa, Italy, Giacomo Brogi (attributed to), 1860 - 1881 photograph This photo is part of an album. Pisa paper albumen print picture, painting Campaign

Workers busy with the processing of grain, François de Poilly (II), After Carlo Maratta, 1703 print Group of men and women who create, sieve and transports grain in bags and donkeys. Rome paper etching / engraving harvest. winnowing

18th century bubbles. (IT)

King Agrippa sees an owl above his throne / king Agrippa dies surrounded by courtings / overwhelming of the temple by the soldiers of Pompey / Pompeius takes the temple in Jerusalem, Jan Luyken, 1698 print Uncuted leaf with four performances. Amsterdam paper etching owls. King Herod Agrippa speaks to the people; he is smitten by an angel and dies. (story of) Gnaeus Pompeius Magnus, Pompey the Great. capture of city (after the siege) Jerusalem

Apotheosis of Henry IV, King of France, J. Duthé, After Peter Paul Rubens, 1800 - 1840 print Apotheosis of Henry IV, king of France, died May 14, 1610. The king is carried by Jupiter and Saturn to the heavens. On the right Maria de 'Medici on her throne, comforted by goddesses and courtiers. . etching / engraving apotheosis of a ruler

Izebel's body is eaten by the dogs, Philips Galle, After Maarten van Heemskerck, 1646 print After she has been thrown out of the window and died, Izebel's body is eaten by the dogs for the city gates. Jehu, the new king of Israel, looks at the scene with his soldiers. Under the show a reference to the Bible text in 1 Kon. 21 in Latin. Print is part of an album. paper engraving dogs eat Jezebel's body

Men around a table, Anonymous, After Daniel Nikolaus Chodowiecki, 1750 - 1849 print Germany paper etching meeting

David shows the head of Goliat to Saul; Van Saul, David, and Goliath; History of David and Saul; Den Grooten Figuer Bibel (...). David is standing with the head of Golia for Saul. Different soldiers look. Under the show a reference in Latin to the Bible text in 1 Sam. 17. This print is part of an album.

Four representations from classical history; Illustrations from classical history. Four representations from the classic history of one plate, numbered from XIII up to and including XVI and all has a caption. At the top right: Meeting of Dion and his wife. Bottom right: Royal gender in Syrrakuza. Top left: Semiramis silently stems the riot. Bottom left: Two sons of Zedekias killed before his eyes. Performances XIII and XIV at the top right labeled: against over Bladz. 295. Performances XV and XVI at the top right labeled: against over Bladz. 371.

Judgment of Solomon; History of Solomon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. King Solomon sits on his throne and velt his judgment. For the throne The two women who both claim the motherhood of the living child. The deceased child lies on the floor. Solomon gives the assignment to let the living baby share in two to determine who is the child's mother. A man pulls his sword and takes the child by the arm. Under the show a reference in Latin to the Bible text in 1. 3. This print is part of an album.

Head and hand of Nikanor shown to the people; History of the Maccabeans; Historia Iudae Machababei (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The chopped head and hand of Nikanor are shown to the people in Jerusalem. Nikanor wanted to eradicate Israel, but the Israelites overcome him and his army. Under the show a reference in Latin to the Bible text in 1 MAKK. 7:27. Print is part of an album.

Hizkia closes the sources outside of Jerusalem; History of Hizkia and Sanherib; Thesaurus Sacrarum historiarum Veteris Testamenti (...). King Hizkia shows the sources and irrigation channels outside of Jerusalem, so that Sanherib and his army will not have plenty of water at the Siege of Jerusalem. In the background, the walls of Jerusalem are reinforced and provided with towers. Under the show a reference in Latin to the Bible text in 2 Chron. 32.

Amsterdam, Fokke, Simon, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four scenes from Dutch history. From left to right: Entry of William III, Prince of Orange to England; Peace of Rijswijk; Speakers' riot in Amsterdam; Entry of William III, Prince of Orange into The Hague., print, prints, verso - stamped, 109, 120, 117, 112, height 113 mm, width 245 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etsen

Rachab allows the spies to escape the window; History of Joshua; Historia iosuae (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The Prostitute Rachab is in its doorway and sends the soldiers who are sent to find Joshua's spying in the wrong direction. On the right you can see how Rachab escapes the two spies with a rope from her window. Under the show a reference in Latin to the Bible text in JOZ. 2. Print is part of an album.

Spring, 1660 print In the front, goats are milked. On the right a hunter with on a leash dog and a dead hare. In the background a hilly landscape with birds. In the distance the expulsion of Adam and Eva from paradise. This print is part of an album. paper etching spring ~ human activities (the four seasons of the year) (+ with scenes showing human occupations ~ seasons and months). expulsion of Adam and Eve from paradise (Genesis 3:22-24). milking

Handelsetiket of a cloth trade, Jan Wandelaar, After Nicolaas Verkolje, 1702 - 1759 print The personification of the trade is in the middle of Klosjes yarn. Behind her justice and Minerva. On the left, Mercury, the god of the trade, is set aside a drapery to reveal a store. In the air, Faam flies on her trumpet a banner on which a monogram with initials from the trader. In the foreground is a river god with the coat of arms of the city of Amsterdam under his arm. North Netherlands paper etching / engraving textile industry and clothing industry. allegory of trade; 'Commertio della vita humana' (Ripa). (story of) Mercury (Hermes). Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. specific aspects, allegorical aspects of Minerva; Minerva as patroness. Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa). river-gods

Copper engraving and etching by Johann Sadeler the Elder created between 1570 and 1600 depicting the title page for Songs of Solomon, showing decorative elements, inscriptions, and human figures in 16th-century style.

Amsterdam, Luyken, Jan, Reformed in Hungary before a court of bishops and other Roman Catholics, 1670, Reformed ministers in Hungary sentenced to hard labor, 1674, Reformed Hungarian ministers are freed near Naples by Michiel de Ruyter, 1676, The French ambassador in Constantinople is deprived of the seat he had placed next to the seat of the grand vizier, 1677, verso - stamped, Uncut sheet with four prints., print, prints, height 223 mm, width 313 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etsen

Etching by Pieter Nolpe showing allegorical scenes from the life of Maria de Medici for a book illustration, created around 1638.

Etching by Pietro Testa depicting the Seven Wise Men of Greece, created between 1628 and 1650, showing classical philosophers in a group composition.

Foolishness of bathing, Daniel Nikolaus Chodowiecki, 1782 print paper etching taking a bath. screen, folding screen. bath-tub

Il Carnevale di Roma. 1801 - 1835. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bas -relief with the presentation of the hunt for a wild boar, 1636 - 1647 print Bas-relief with the presentation of the hunt for a large wild boar. On the right a man is about to kill it with his spear. On the left at a monument a saat that hugs someone. In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. boar-hunting. hunting, chase

Rest on the flight to Egypt, Sébastien Bourdon, 1626 - 1657 print paper etching rest on the flight into Egypt

David divides his army into three / death of Absalom / Return from David to Jerusalem / Joab is given the head of Seba, 1653 - 1654 print Four performances on an album magazine about David's life, numbered 37 to 40. At the top left, David divides his troops into three to fight Absalom. A third part came under the command of Joab, a third part under the command of his brother Abisai and a third part under the command of the Gatite ItTai. In addition, it is depicted how Absalom, when he drove his mule under a turpentine tree, got confused in the branches and was stabbed to death by Joab with three spears. David returns to Jerusalem. At the bottom right, Joab is at the city walls of Abel-Bet-Maächa. He receives the head of the traitor Seba from a wise woman of the city, after which the siege of the city was broken up. The magazine is part of an album. paper engraving story of David. David divides his troops over Joab, Abishai and Ittai. Joab stabs Absalom with three spears. David's retur

Circe changes Odysseus' companions in boar; Metamorphoses from Ovid. Circe changes some men from Odysseus in boar with her wand. In her other hand, she holds the drinking bowl with the magic drink that they have drunk. Her duties watch.

Amsterdam, Luyken, Jan, Return from the Babylonian captivity, New temple in Jerusalem, Esther before Ahasuerus, Triumph of Mordecai, verso - stamped, Uncut sheet with four representations., print, prints, height 159 mm, width 209 mm, Northern Netherlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings

Struggle between the wind trade and the upcoming poverty, 1720; Stryd tuszen the smoothing bubble lords, and the upcoming poverty; The great scene of foolishness. Cartoon with the battle between fasting evening and fast placed in the context of the 1720 wind trade. Battle between two people on chariots drawn by children. Left fasting, decorated with kitchen instruments, wildlife and poultry, drinking glasses and jugs. They and her supporters carry references to the action trade. Right fast, dressed with fish and writers, refers to the upcoming poverty. In the caption a verse in five columns, printed from a separate plate. Print in the bound first edition (304 B 11) from the great scene of foolishness with cartriders on the wind trade or action trade of 1720.

Careful basis for future education, Daniel Nikolaus Chodowiecki, 1773 print A minus and steward make use of the absence of the baron and his wife (they step into a carriage in the background). Next to the cradle, the steward embraces the minus while she feeds a child. Nummered in the bottom left: 1. paper etching (lovers) kissing each other. wet-nurse. cradle, crib

Jobs Prositive Restored, Jan Snellinck (I), 1585 print After all the misery that Job has happened, his possessions double. Job receives his friends and remaining relatives at the gate of his house. His children and his cattle are in the foreground. A party is given in the background in the background. Under the performance a reference in Latin to the Bible text in Job 42. Antwerp paper engraving Job's prosperity restored; the last part of his life (Job 42:10-17)

Fall of Jericho, Nicolas Chaperon, After Rafaël, 1649 print print maker: Franceafter painting by: Vaticaanstadpublisher: Paris paper etching the fall of Jericho (Joshua 6). Ark of the Covenant ~ Jewish religion

September: Christ tells the apostles the parable of the fig tree in the vineyard, 1585 In the middle of the constellation Libra. On the right in the foreground Christ and three men. He points to the left where an apple orchard can be seen. The apples are harvested. On the left a fig tree that does not bear fruit. A castle on the eight -strand. Under the performance four lines of Latin in two columns (Luc. 13). The print is part of an album. Antwerp paper engraving In the middle of the constellation Libra. On the right in the foreground Christ and three men. He points to the left where an apple orchard can be seen. The apples are harvested. On the left a fig tree that does not bear fruit. A castle on the eight -strand. Under the performance four lines of Latin in two columns (Luc. 13). The print is part of an album. Antwerp paper engraving

Story with representations of murder and death penalty (F. 770.), Abraham Dircksz. Santvoort, 1667 print Story in eight scenes with some performances of murder and death penalty. At the top right two men in a bedroom. Among them men with hunting dogs in a forest. At the bottom right two men at a gallows and two men at a stake. At the top left: F. 770. Bottom right: N. print maker: Netherlandspublisher: Amsterdam paper etching death penalty, execution. murder. fighting

The Sincere and the Goldeny Koopman, 1720, 1720 The sincere and the greedy merchant. On the left the sincere merchant with Mercury and Virtue for the throne of truth, on the right the greedy merchant (the wind trader) with deception and scable for the throne of wealth. On the balustrade Bible quotes. In the background a garden with a maze with the narrow and the wide road. In the caption De Legenda 1-14. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching / engraving The sincere and the greedy merchant. On the left the sincere merchant with Mercury and Virtue for the throne of truth, on the right the greedy merchant (the wind trader) with deception and scable for the throne of wealth. On the balustrade Bible quotes. In the background a garden with a maze with the narrow and the wide road. In the caption De Legenda 1-14. Print in the bound first edition (304 B 10) of the

Civilis negotiates with a Roman commander, 69-70, 1612 print Claudius Civilis negotiates with a Roman commander. Print number 15 in the series of prints about the Batavian rebellion: Batavorum Cum Romanis Bellum / à Corn. Tacito Lib. IV & V.: Hist. Olim Descriptum, Figuris Nunc Aeneis Expressum, Auctore Othone Vaenio Lugdunobatava = the Batavian or old Hollandtsche Warhe Teghen de Romeynen. Otto Vaenius, Antwerp 1612. At the bottom two verses of four lines in Dutch and in Latin. On the back of text in Latin. Italy paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME) Netherlands

Flight from Aeneas; Metamorphoses from Ovid. Aeneas and his family flee the burning troy. Aeneas bears his father Anchises on his back and holds his son Ascanius. His wife Creusa follows them.

Skinny kitchen; Le maigre cuisine / the lean kecken; Skinny kitchen and the fat kitchen. Kitchen interior with lean people eating at a table mussels. A man stirs into a boiler on the fire and a woman gives a woman to drink a child from a drinking horn. Above a fat man tries to escape the lean kitchen, while two skinny people try to get him in. Under the show a two-legged fresh in French and in Dutch.

Allegory on the benefits for the turks through the division among the Christian nations, ca. 1664; While the crys of firm shaves around the beard / so the turck full of mother's zen grinding sward. Allegory on the benefits for the Turks achieved through the division among the Christian nations, approx. 1664. Central representation in which the Dutchman is cut into a barber shop and shaved by the hairdresser and his assistant the Spaniard with a mirror, while the Turk is grinding his warworld on the background. Surrounded by twelve small allegorical scenes in which a relevant saying is depicted.

Jan Collaert the Younger engraved between 1593 and 1598 scenes from the life of Christ including figures, events, and landscape details.

Illustration at Canto VII of Tasso's 'Gerusalemme Liberata', Antonio Tempesta, 1565 - 1630 print Tancredi is on the left next to his horse and is in conversation with an older couple for a farm. Children playing right and cattle. A fierce battle takes place in the background for the city of Jerusalem. Italian verses by Tasso in two columns in Submarge. paper etching (scenes from) specific works of literature: Tasso, Gerusalemme Liberata. knight. militant proselytizing: religious war, crusade, etc.. battle Jerusalem

Quarrel between Falstaff and De Waardin in the presence of Henry and Bardolph, Daniel Nikolaus Chodowiecki, 1785 print paper etching Literature. quarrel, argument. Falstaff

Six scenes presenting the next stages of the jubilee year celebrations in the Vatican; Picart, Bernard (1673-1733); 1722 (1722-00-00-1722-00-00);

Arrest of the Robles in Groningen, 1576, 1576 - c. 1579 print Arrest of the Spanish Stadholder Caspar de Robles in Groningen, November 24, 1576. A monk Vasles from Zutphen is also imprisoned. With caption of 14 lines in German. Nummered in the bottom left: 119. The print is part of an album. Cologne paper etching imprisonment Groningen

Otniël en ehud, 1579 print The judges Otniël and Ehud. In the background, Otniël conquers the city of Debir. Under the representation of Otniël an explanatory text in Latin, stating that he was given Achsa as a woman for this victory. On the right in the background, Ehud Koning Eglon of Moab kills him by putting a sword into the belly. Under the presentation of Ehud also an explanatory text in Latin. Print is part of an album. paper engraving Othniel conquers Debir, and receives Caleb's daughter Achsah to wife. the left-handed Ehud stabs the fat Eglon with a dagger in the belly and kills him

The workshop of the surgeon guild, 1731. View in the workshop of the Surgery Mild in Amsterdam, 1731. Different patients are helped in all kinds of ways. Anatomical lesson in the background. Various allegorical representations on the walls.

Adelheid throws herself to her father's feet, Daniel Nikolaus Chodowiecki, 1783 print Numbered at the top right: 10. paper etching Literature. interior of the house. kneeling on both knees - AA - female human figure. carrying a person. head-gear: turban

The consequences of a spoiled youth, Pieter Serwouters, After David Vinckboons, 1608 - 1649 print Moralistic representation about the poor consequences of not strictly educating children. Children playing in the middle and all kinds of animals. On the left a young elegant pair of music at a fountain, on the right the bags of money are put on the table with a family. In the background a man falls off his horse because the reins are too spacious. In the caption the title and two four -line verses in Dutch. Amsterdam paper engraving parents with their children. procreation, birth and (early) youth. exhibition of wealth. Youth, Adolescence, 'Iuventus'; 'Adolescenza', 'Gioventí¹' (Ripa)

Amnon sends Tamar out of the house, Philips Galle, After Maarten van Heemskerck, 1646 print After Amnon has raped his half -sister Tamar, he feels a deep hatred for her and sends her away. Tamar does not beg him to send her away, but Amnon instructs his servants to put her out of the house and lock the door behind her. A servant cleans up the fallen table next to the bed. Under the performance a reference in Latin to the Bible text. Print is part of an album. paper engraving Amnon sends Tamar away; Tamar puts ashes on her head, rends her garment, lays her hand on her head and leaves crying

Fokke, Simon, Amsterdam, Illustrations of Dutch history, Four episodes from Dutch history, recto - manuscript in pencil, Uncut sheet with four scenes from Dutch history. From left to right: Conquest of the silver fleet by Piet Heyn; Siege and capture of Maastricht under the command of Frederik Hendrik, Prince of Orange; Ernst Casimir, Count of Nassau-Dietz dies at the Siege of Roermond; Den Bosch conquered by Frederik Hendrik, Prince of Orange., print, prints, verso - stamped, 65, 68, 67, 66, height 116 mm, width 248 mm, Northern Netherlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1722 - 1784, paper, papier, etching, etchings, Work conception, after own design by

Four representations from classical history; Illustrations from classical history. Four representations from the classic history of one plate, numbered from XXI to XXIV and all has a caption. Top left: Cambyses kills the Egyptian God Apis. Bottom left: Prexaspes jumps from a tower. At the top right: procession during the feast of Minerva in Athens. Bottom right: List of Zophyrus. Performances XXI and XXII at the top right labeled: against over Bladz. 75. Performances XXIII and XXIV at the top right labeled: against over Bladz. 159.

Filistines stick out the eyes at chained Simson; Simson is outstretched. The Philistines keep the chained simson in front and make it blind by sticking out his eyes, his hair has already been cut. The performance is among the performance in six languages.

De grôte vergader-plaats der winder-kopers van't jaar ae. 1720 The great gathering-place of the wind dealers in the year 1720. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Amsterdam, Visscher, Claes Jansz. (II), Vinckboons, David (I), Serwouters, Pieter, Unbound joy, Selden ouders vreucht, De effecten van een verwende jeugd, Moralistic performance about the bad consequences of not raising children strictly. In the middle playing children and all kinds of animals. On the left a young elegant couple making music at a fountain, on the right a family is putting the bags of money on the table. In the background a man falls from his horse because the reins are too loose. In the caption the title and two four-line verses in Dutch., print, prent, prints, prenten, Frederik Muller Historieplaten, height 278 mm, width 356 mm, Noord-Nederlands, 1586-10-28 - 1657-09-26, print maker, printmaker, 1608 - 1649, first quarter 17th century, eerste kwart 17e eeuw, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, engraving, graveren (drukprocedé), Work conception, 1576-08-13 - 1629, after a design by, Publication (Event), Publicatie, 1586 - 1652-06-19, publ

Mier Industry; Holewia, Józef (1848-1917), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Venus and the Dead Adonis, 1653 - 1654 print Landscape with ruins. Under a tree in the foreground, a grieving Venus holds the dead body of her beloved Adonis in her arms. Next to them Amor. Under the show the text from the metamorphoses of Ovidius, book 10, Versrules 544-548. At the top left the sign of the bull from the zodiac. The print is part of an album. paper etching Venus mourning Adonis. Taurus (zodiacal sign of April). landscape with ruins

Jupiter turns King Lycaon into a wolf, c. 1650 - 1703 print Lycaon (right) tried to cheat Jupiter (left, with eagle) by slaughtering his son Arcas and offering him as a supper, whereupon Jupiter turns him into a wolf. The king's palace is hit by lightning. In the lower margin a three -line explanation of the show in French. paper etching Lycaon changed into a wolf: Jupiter changes Lycaon into a wolf as punishment for offering the god, who is sitting at table, human flesh to eat; Lycaon's house is struck with lightning (Ovid, Metamorphoses I 237)

Episode 16: Saint Bernardino before Pope Martin V; Episode 17: An ecumenical council meets in Florence; Episode 18: Saint Bernardino objects to the "Trium" of citizens, episcopates, and senators, from "The Life of Saint Bernardino of Siena" 1610-39 Bernardino Capitelli Each scene of Saint Bernardino's life is numbered with a corresponding description in the lower margin.. Episode 16: Saint Bernardino before Pope Martin V; Episode 17: An ecumenical council meets in Florence; Episode 18: Saint Bernardino objects to the "Trium" of citizens, episcopates, and senators, from "The Life of Saint Bernardino of Siena". "The Life of Saint Bernardino of Siena". Bernardino Capitelli (Italian, Siena, 1590-1639). 1610-39. Etching. Prints

Verhaal met voorstellingen van moord en doodstraf (F. 107.).Story in eight scenes with some performances of murder and death penalty. Among other things from a man who falls from a horse, a few people at a gallows and a man who kills a woman in her bed. Top left: F. 107.

Achan for Joshua; The history of Joshua; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Achan is brought to Joshua, because he had stolen war bounce. Achan and his family are stoned in the background. Under the show a reference in Latin to the Bible text in JOZ. 7. This print is part of an album.

Allegory on the death of Michiel de Ruyter, 1676; The life and wryf of the ED: Manhaften Lord, Mr. Michaël de Ruyter Knight of the Ordre of St. Michiel, & c. Lt. Admiral General van Hollandt and West-Vrieslandt. Allegory on the death of Admiral Michiel de Ruyter, April 29, 1676. Mausoleum with the body of the deceased Zeehereld considered by the Dutch Virgin, the Amsterdam cityscape and a woman with his family crest. Behind this mercury, fortune, strength and other allegorical figures. On either side two columns with images of the victories of the Ruyter. At the bottom of a caption on the pedestal of a column in Latin. Takten on the right side of the print a text sheet with a description of the ruyter's life and a statement from the performance in 2 vomiting in Dutch.

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Palma Il Giovane, Jacopo (1544/1548 1628)

Twelve Dutch Games, ca. 1750, 1740 - 1760 print Leaf on which twelve cut prints with accompanying number, title and four -line verse are stuck. Each performance shows a specific game for children and adults, ca. 1750. N. 1. Singing with the Star; N. 2. Blind man; N. 3. Dance; N. 4. Kastie; N. 5. jump rope; N. 6. Kick = rock; N. 7. Klven; N. 8. Rocket lane = type of badminton; N. 9. cone game; N. 10. Map game; N. 11. 't Dambort; N. 12. Hand slice. Northern Netherlands paper etching sports, games and physical performances

De Inbeelding Heersseres van't Rookverkopers-gild, Maald Missisippi hier, 't geen Vrankryks schat verspild Fancy, the Ruler of the Guild of Smoke-Sellers, paints here Mississippi, which wastes France's treasures. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Judgment of Cambyses, 1606 In the foreground, King Cambyses lets the young man Otanus, son and successor of Judge Sisamnes, take a seat on the judiciary. The chair is covered with the stuffed skin of his father. In the background you can see what preceded: Cambyses lets the corrupt right Sisamnes skin. On the right in the foreground three archers. Under the performance two four -line verses in Latin. The print is part of an album. Amsterdam paper engraving In the foreground, King Cambyses lets the young man Otanus, son and successor of Judge Sisamnes, take a seat on the judiciary. The chair is covered with the stuffed skin of his father. In the background you can see what preceded: Cambyses lets the corrupt right Sisamnes skin. On the right in the foreground three archers. Under the performance two four -line verses in Latin. The print is part of an album. Amsterdam paper engraving

Jacobus II relies a free parliament, 1688; King Jakobus II Weygert First Dog leaves a VRY parliament afterwards; Englants stage, imagending the quick from Jacobus II, king of Great Brittanyen etc. with DESSELFS arrival in Yrlant and further events, I part. King Jacobus II is transferred by parliament members after an initial refusal to raise a free parliament. On the left the king standing at a table, on the wall large portraits of the Pope and Louis XIV (). Plate G in the 'Engeants stage' series over the glorious revolution and events from the previous years 1685-1689 (first part). With captions in Dutch and French.

Etching and copper engraving by Jean Charles Le Vasseur from 1767 depicting the Roman subject of the continence of Scipio.

Etching by Jean Le Pautre in 1667 depicting an interior with a bed niche, showing architectural details and ornamental design.

Job hears the bad news from messengers; History of Job; Historia Jobi (...); Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Job belongs from three messengers about the disaster that has happened to him. His wife stands in the doorway, who loves her handkerchief. In the landscape you can see how jobs cattle and camels are stolen, how his shepherds and cattle died by lightning and how the house in the city links, in which the children of Job held a party, collapsed in the storm. To heaven the tetragram, as a symbol of God the father and the sky dwellers who make their appearance. Under the show a reference in Latin to the Bible text in Job 1. Prent is part of an album.

Print (France)

Player Paul Scarron dances with Saters, Faunen and Maenaden / Aeneas saves his father from the burning troy. Two allegorical performances manufactured for a book edition of Paul Scarron theater pieces. Left: Saters, Faunen and Maenaden with tambourines dance along with the playwright Paul Scarron in a clearing in the forest. In the air, two putti holds a cloth together with Terpsichore. Right: Aeneas, flanked by his son and wife, saves his father from the burning troy.

Spring; Far; The four Seasons. Seasonal season. With a country house, under the supervision of an elegant lady, work is being done in the garden. On the right a vegetable garden and shaving sheep on the farm. Caption of 4 lines in Latin. Unnumbered.

Spouses must mutually fidelity relief assistance

Four episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with four performances from national history. From left to right: Bataven dominates by the Franks; Bishop of Utrecht; Willem I, count of Holland elevated in the nobility; Alliance between the Batavians and Romans. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life)

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1796 print With page reference above the performance. Berlin paper etching Literature. prison, jail. imprisonment. gate, entrance. church (exterior)

Samson slays the lion, Amsterdam, verso - stamped, Uncut sheet with four representations., print, prints, images, height 160 mm, width 215 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1698 - 1698, paper, papier, etching, etchings" paper, etchings

Jefta is chased away by his brothers, 1643 print For an army tent, Jefta, with a skewer in his hand, and his squire are chased away by his brothers. Jefta is excluded because he has a different mother than his brothers. Under the show a reference in Latin to the Bible text in Ri. 11: 1. This print is part of an album. Amsterdam paper engraving Jephthah, son of Gilead, is cast out by his brothers because he is the son of a harlot (Judges 11:1-3)

Gustave Doré (1832-1883), designer and Octave-Édouard-Jean Jahyer (born in 1826), engraver. "This is good philosophy to which the need will be to come back." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101786-23 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Simeon and Levi kill the Sichemites and take Dina home; Amarus voluptatis exitus; Imagines and Figurae bibliorum; Den Grooten Emblemata Sacra, consisting of more than four hundred by Belsche figures, as des old as des Nieuwen Testaments. On the left, Simeon and Levi take their sister Dina home, after they have revenge on Sichem who had found their sister (Gen. 34:25). The print is part of an album.

Cartoon on the Englishness of the Young Holland, 1780, Anonymous, 1780 print Cartoon in the English mind, wudeness and entertainment of young Holland, 1780. A young rich Dutchman sitting on a money box rejects the stall with the Dutch wars and lets itself drive to the English stall and the French stall with the Modes de Paris. See also the Pendant. The print includes a separately printed explanation (there is no here). Northern Netherlands paper etching / engraving political caricatures and satires. wig. fashion. Fourth Anglo-Dutch War

Specie di Astrologo che narra al popolo.... 1822. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Vier episodes uit de vaderlandse geschiedenis; Illustraties uit de vaderlandse geschiedenis.Needs of leaves with four performances from national history. From left to right: George I, king of England is welcomed in The Hague; Johan Willem Ripperda is unable to pay off his loans; Stop for the wind trade in the Rue Quinquempoix in Paris; Mirror fight on the IJ in honor of Catharina I, Empress of Russia.

Adnotationes et Meditationes in Evangelia... Author: Hieronymus Natalis (Netherlandish, active late 16th century). Dimensions: 13 3/4 × 9 15/16 × 3 3/16 in. (34.9 × 25.3 × 8.1 cm). Publisher: Nutius , Antwerp. Date: 1595. Museum: Metropolitan Museum of Art, New York, USA.

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