Inside Art Exhibition Spaces

Photographs depicting various art exhibition spaces filled with paintings, sculptures, and artifacts, highlighting cultural events and artistic displays.

Umbria Terni Terni Palazzo Manassei3. Hutzel, Max 1960-1990 Exterior views: facade of the Palazzo Manassei, the stairwell and loggia, along which are niched Roman statues and busts. Interior views: room with a coffered ceiling and marble busts inset in oval recesses along the walls; room displaying paintings, statues, archaeological artifacts in glass cases, and a lunette fresco by Pier Matteo da Amelia; room with ceiling fresco by Luca de la Haye. Most views are of individual paintings and altarpieces found within these rooms, with the exception of one wooden crucifixion. Owner: Pinacoteca Antiquities: Bas-reliefs of Roman emperors in profile from Hutzel's photo campaign of 1982 have been renumbered (views 42 to 78 are now H-142 to H-178). Though they most likely are part of the Museo preistorico, also in the Palazzo Manassei, they have been filed under Pinacoteca following the sequence of Hutzel's 1982 notes. (Negative count: 55) Object Notes: Hutzel made two photo campaigns of the P
Umbria Terni Terni Palazzo Manassei3. Hutzel, Max 1960-1990 Exterior views: facade of the Palazzo Manassei, the stairwell and loggia, along which are niched Roman statues and busts. Interior views: room with a coffered ceiling and marble busts inset in oval recesses along the walls; room displaying paintings, statues, archaeological artifacts in glass cases, and a lunette fresco by Pier Matteo da Amelia; room with ceiling fresco by Luca de la Haye. Most views are of individual paintings and altarpieces found within these rooms, with the exception of one wooden crucifixion. Owner: Pinacoteca Antiquities: Bas-reliefs of Roman emperors in profile from Hutzel's photo campaign of 1982 have been renumbered (views 42 to 78 are now H-142 to H-178). Though they most likely are part of the Museo preistorico, also in the Palazzo Manassei, they have been filed under Pinacoteca following the sequence of Hutzel's 1982 notes. (Negative count: 55) Object Notes: Hutzel made two photo campaigns of the P
68 assets in this story
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Corner of a hall with a tapestry, images, paintings and a passage; Exhibition Burgundian splendor. .
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Room with various objects including prints, costumes, a harness and lying information panels; Exhibition the patriotic feel. On the left in the corner clothing and equipment belonging to a masquerade, organized by the Utrecht student corps at the 49th anniversary of the Utrecht Academy in 1881. To the right of it Willem I, Prince of Orange, affected by Balthazar Gerard's treacherous from Jan Adam Kruseman. Right, above a school plate proposing Charles V remains from the government, below that a school plate representing Willem van Oranje in the Council of State, 31 December 1564, both from Johan Herman Isings.
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Room with various paintings, tapestries, two viewing to other halls and banks for visitors; Exhibition The Turkish Hofleven in the 18th century. The background, The Face of Ankara is Visible by an Anonymous Manufacturer.
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Lazio Latina Sezze Antiquarium Comunale1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Paintings In addition to a passage to another room where objects can be seen; Exhibition Italian paintings and crafts in the Stedelijk Museum Amsterdam. In 1934 the Rijksmuseum cooperated in the exhibition 'Italian art in Dutch possession'. The content of the Italian room was transferred to the Stedelijk Museum. The room was renovated during this vacancy.
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Room with tapestries, showcases with books and two harnesses; Exhibition Burgundian splendor. .
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Room with paintings and two plants; A century separate. .
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Hall IX Japanese art, including images, showcases with crockery and a six-leaf room screen in the background; Exhibition Oriental treasures: 4000 years Asian art. .
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Tuscany Grosseto Massa Marittima Museo Civico. Hutzel, Max 1960-1990 Post-medieval: Panel painting (1), painting Antiquities: Sculpture, urns, arrowheads, tools German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Umbria Terni Terni Palazzo Manassei3. Hutzel, Max 1960-1990 Exterior views: facade of the Palazzo Manassei, the stairwell and loggia, along which are niched Roman statues and busts. Interior views: room with a coffered ceiling and marble busts inset in oval recesses along the walls; room displaying paintings, statues, archaeological artifacts in glass cases, and a lunette fresco by Pier Matteo da Amelia; room with ceiling fresco by Luca de la Haye. Most views are of individual paintings and altarpieces found within these rooms, with the exception of one wooden crucifixion. Owner: Pinacoteca Antiquities: Bas-reliefs of Roman emperors in profile from Hutzel's photo campaign of 1982 have been renumbered (views 42 to 78 are now H-142 to H-178). Though they most likely are part of the Museo preistorico, also in the Palazzo Manassei, they have been filed under Pinacoteca following the sequence of Hutzel's 1982 notes. (Negative count: 55) Object Notes: Hutzel made two photo campaigns of the P
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Above a series of small portraits the portraits of Monarchs face; Living and working in the Netherlands ..
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Room with paintings of the Leiden School, including a portrait and a cityscape; Hall 235A. .
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Umbria Terni Terni Palazzo Carrara8. Hutzel, Max 1960-1990 Post-medieval: Architecture (17th century); Frescoes (17th century); coffered wooden ceiling Antiquities: Roman sarcophagi, cinerary urn, gravestones, lions, and an inscribed plaque from Terni's amphitheater. (All located on the ground floor of the Palazzo Carrara). Object Notes: Unable to locate any negatives for these prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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The eralry with frescoes and a view of the entrance to a cabinet; Exhibition Frescoes from Florence. In this hall, scenes from the life of John the Baptist are flanked by two virtues, a ninerous fresco deck of Andrea del Sarto. Totally left, the scene hangs the baptism of the crowd. Extreme right depends on the Sinopia of the Madonna with the Saints James and Zeno, a work by Lapo da Firenze.
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The anniversary exhibition 'Medieval Art of the Northern Netherlands' in 1958 in a room of the eastern courtyard .. An arrangement with an altarpiece and sculptures. In 1958 the 150th anniversary of the Rijksmuseum was celebrated with this exhibition. The exhibition concerned a chronological representation of divergent objects of late-medieval art from 1440 to 1533, from the entire Northern Netherlands. From 28 June to 28 September this extensive exhibition was to view in the halls of the eastern courtyard.
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Angle of a space with the painting the love letter and an image report about its restoration; Exhibition Restoration of the love letter from Johannes Vermeer. .
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Room M248 with arrangement of Italian art in 1952. Room M248 from the north-east direction with the right of the passage to Zaal M249. In the foreground is a long table on which an Italian figurines can be seen. Left against the wall showcases with ceramic. Art of the Italian Renaissance. Bronze sculptures, majolica and furniture. Highlights are a bronze candelaber by Verrocchio, the Majolica dish by Nicola Pellipario and the painted wooden statues of an annucciation by Francesco di Valdambrino. Modernization and redesign of approx. 60 halls, Profitulations of Prof. FA. Eschaauzier and Bart castle. It concerned the halls sculpture / arts and crafts (XVIII), study collection, exhibition Rijkspentencabinet and public restaurant with kitchen.
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Blancard, Hippolyte (1843 - D.1924), universal exhibition of 1889: staircase leading from the Gallery Rapp and Desaix to the gallery of paintings of the Palais des Beaux -Arts, 7th arrondissement, Paris (dummy title), 1889. . Carnavalet museum, history of Paris.
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Marches Pesaro Fossombrone Museo Civico A. Vernarecci7. Hutzel, Max 1960-1990 Medieval: Sculpture fragments; early Christian sarcofagi. Post-medieval: Architecture, begun in the 13th century and remodeled in the 15th century; Renaissance sculpture fragments; marble bust of Vernarecci; model of Federico da Montefeltro's Palazzo della Corte Alta Antiquities: Fragments of capitals and relief carvings (Roman and possibly earlier); portrait busts (Julio-Claudian and Hadrianic) Object Notes: Museum is part of the Corte Alta. General Notes: Counts are approximate since many views have multiple objects. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Bar
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Room with tapestries, images, a bank for visitors and a passage; Exhibition Burgundian splendor. .
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Children view paintings and tapestry in hall of the KOG; Youth exhibition Dutch art 1625-1650. On the right the painting Rembrandt as a shepherd with staff and flute, by Govert Flinck.
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Hall with ahead of the frontier twice an image of Hercules that Deianeira freeses from the Centaur Nessus; Adriaen de Vries (1556-1626), Imperial sculptor. .
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Room with paintings and images; Jubilee exhibition Northern Dutch art. .
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Umbria Perugia Bevagna S. Agostino3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Umbria Terni Amelia SS. Filippo e Giacomo1. Hutzel, Max 1960-1990 Medieval: Church dates from 1287, cloister 15th century. Post-medieval: Interior renovated 1767; views include architecture, architectural sculpture, altar, statues, organ, wall paintings, paintings on canvas, frescoes, panels, tombs, wood cabinets, marble holy water basin. All views of the exterior and several of the tombs are stored in the Medieval core colection. The Hutzel Collection coverage is of the interior, including painting, statues, and tombs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by p
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Room with paintings and a passage with a view of another room; Exhibition God and the Gods. In the rear room hang from left to right Selene and Endymion, a grisaille the iron era and Venus donates guns to Aeneas, works by Gerard Lairesse. In the foreground on the left, landscape with Jacob, Rachel and Lea or Elkana and two women hang through Nicolaes Berchem.
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Room with various works, partly in showcases and a passage; Exhibition Art, knowledge and commerce.Agray The Rear Wall Isaac Israel: The Coin in Amsterdam.
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Artist showing historic Rockport mural , Artists, Murals, Processes & techniques. The Massachusetts WPA Federal Art Project Photograph Collection
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Room with four stone statues and a passage to an obscured space; 5000 years of art from Egypt from the museums of Cairo, Alexandria and Leiden. .
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Room with paintings, an image and banks for visitors; Dawn Dawn Exhibition Dawn This There Are Exhibit Paintings From Hendrik Goltzius, From Right To Left Danae Receives Jupiter, Minerva, Hercules And Cacus, Mercury. On The Left is The Image of Hendrick de Keyser, John The Evangelist.
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Lazio Rieti Leonessa S. Francesco-Sacristy Museum. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Madrid, January 1959. In front of the portrait of the Infanta Margaret of Austria, by Velázquez, in the Prado Museum, Dalí and his last work, a kind of Dalinian replica, titled "Velázquez painting with the lights and his own glory to the Infanta Margaret.
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Wall with pleated cloths and paintings, in the middle is a small painting under a larger painting. .
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Vintage Photograph. Prado Museum (interior) in Madrid Shown are El Greco's Paintings.
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Room with tapestries and visitors; David and Bathseba: Ten Brussels tapestries from Musée de Cluny. .
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Umbria Terni Amelia SS. Filippo e Giacomo3. Hutzel, Max 1960-1990 Medieval: Church dates from 1287, cloister 15th century. Post-medieval: Interior renovated 1767; views include architecture, architectural sculpture, altar, statues, organ, wall paintings, paintings on canvas, frescoes, panels, tombs, wood cabinets, marble holy water basin. All views of the exterior and several of the tombs are stored in the Medieval core colection. The Hutzel Collection coverage is of the interior, including painting, statues, and tombs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by p
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Bliżej Kultury unknown
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Beautiful Venus of Gallipede, gallery of ancient statues. Museum, Naples, Italy. Underwood & Underwood (American, founded 1881, dissolved 1940s)
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Palermo - Museo Civico. Interno della sala delle Metope di Selinunte. (627-409 A. C.) , Galleries & museums, Antiquities, Sculpture. Nicholas Catsimpoolas Collection
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'A PAINTER AT WORK IN HIS STUDIO' FROM THE PICTURE BY SIR JOHN GILBERT, R.A.
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Space with images, tapestry and a passage; Interiors West, 1952 setup.
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John MacWhirter (1839 - 1911), Scottish artist, painter of landscapes, pictured at work in his studio in St. John's Wood. Date: 1902
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Hall with Dutch paintings at the World Exhibition in Vienna in 1873, Kramer, Wiener Photographen Association, 1873.
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Angle of a room with a bust for a carpet; Belle van Zuylen exhibition. The bust of Belle van Zuylen was manufactured by J. A. Houdon in Paris.
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Umbria Terni Amelia Palazzo Venturelli6. Hutzel, Max 1960-1990 Post-medieval: Palazzo built by Cardinal Venturelli in 15th century by Antonio da Sangallo on remains of a roman palace from 1st century B.C. Roman mosaic floor. Frescoes, stucco decorations. A few exterior views, several views of cellar that focus on mosaic floor and many views of Salon of the Venturelli Cardinals, including furniture, floors, ceiling, and frescoes. General Notes: No entry for Palazzo Venturelli in TCI; information from Hutzel's notes and attributions. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Ital
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Room with five sculptures; Swedens Golden Age. The neoclassical image of a Faun, right, is made by J.t. Sergel.
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Alexandra Exter at the futurist exhibition The Store, Moscow, 1916, Anonymous
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Anefo photo collection. Painting exhibition in Arti et amicitae from painters affiliated with Arti, interior. October 8, 1964
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Lazio Roma Monterotondo Palazzo del Municipio8. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Space with four fragments of frescoes; Exhibition Frescoes from Florence. The transfiguration of Taddeo Gaddi, in addition, the fragment of a shepherd of Giotto is hanging all the left. On the right Madonna with the Saints James and Zeno by Lapoda Firenze.
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Fresco room , Frescoes, Artists, Art education. The Massachusetts WPA Federal Art Project Photograph Collection
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Lazio Viterbo Bolsena Palazzo del Drago61. Hutzel, Max 1960-1990 Post-medieval: frescoes, tapestries, paintings on canvas. Extensive coverage of exterior, including views of portals and portal details, terrace, and collection of antiquities displayed on terrace. Detailed coverage of palazzo interior, including views of frescoes, statuary, paintings, and architectural details. Antiquities: cippi, inscriptions, portraits (Trajan), architectural fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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Room with paintings by the Neapolitan school; Exhibition art treasures from Vienna. .
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Elsevier photo collection. Overview exhibition in the Stedelijk Museum of Amsterdam by Jan Sluijters T.G.V. are 70th birthday. The jubilee and mayor d'ailly at his last painting, an interior. December 17, 1951. Amsterdam, Noord-Holland
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Paris (1st arr.), France La Salle des Sept-Cheminées, French painting, Louvre museum , (French - Paris ( Ier arr. ) , France La salle des sept-Cheminées , peinture française , musée du Louvre). Museum, interior view, painting, Habitat , Architecture , Art, France, Paris, Louvre museum: a corner of the 7 chimneys room
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Anefo photo collection. Setting up an anniversary exhibition in the Rijksmuseum T.G.V. The 150th anniversary of the Rijksmuseum. June 23, 1958
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PARIS The Louvre gallery of ancient sculptures hall of two Venuses unknown
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WeltausStellung in Wien 1873 / Exposition Universelle de Vienne. 255. Kunsthalle: Italien. - Gallery of Fine-Arts: Italy. Beaux-Arts: Italie "Universal exhibition in Vienna, 1873. Art Gallery: W Ochy; unknown, Wiener Photographen-hessociation; 1873 (1873-00-00-1873-00-00); in Warsaw; photographic / photographic printing / printing from glass negative / printing from the glass negative collodion; products from Wzkien / Paper / Paper / Paper Albumin, Products with W LOKEN / PAPER / CARTONE; Photographic print: height 8.4 cm , 7.6 cm wide (right), photo printing: height 8.4 cm, 7.5 cm wide (left), cardboard: height 8.7 cm, width 17.8 cm, passe-partout : height 25.5 cm, width 35.5 cm; di 112903 MNW; all rights reservations.Austria, Mrozowski, Józef (1864-1924) - collection, Germany, Vienna (Austria), World Exhibition (Vienna - 1873), Dar (provenance), exhibitions, galleries, painting, Italian painting, sculpture (artist), Italian sculpture , Italian art, world exhibitions
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Lazio Roma Albano Laziale Santa Maria della Rotonda7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
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The healer with a sinopy, a bank for visitors and a view of the entrance to a cabinet; Exhibition Frescoes from Florence. .
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Fresco class , Frescoes, Artists, Art education. The Massachusetts WPA Federal Art Project Photograph Collection
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Salut a la France, "De David a Toulouse Lautrec" Exhibit, French Public at the Orangerie. Photographs of Marshall Plan Programs, Exhibits, and Personnel
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Anefo photo collection. Kruisweg 1971 in the Moses and Aäronkerk on the occasion of Good Friday. Cross roads are covered by modern paintings. April 9, 1971. Amsterdam, Noord-Holland
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The painter Nicolaas bastert in his studio, Nieuwersluis.
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Madrid, February 1994. New edition of the ARCO International Contemporary Art Fair, one of the essential events in the world art market.
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Campania Caserta Capua Museo Campano36. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an
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Opening of the artist's office in the Grand Ducal Museum in Weimar, on 1.6.1906. State state plan Hamburg, collection of the history of photography
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Room with two busts for a panel; Thorbecke. On the left a bust of Johan Rudolf Thorbecke by Louis Royer.