Interior Scenes and Drawings

Close-up renderings of intimate interior spaces and personal moments, showcasing various artistic styles and techniques.

Lazio Rieti Borgo Velino S. Antonio1. Hutzel, Max 1960-1990 Medieval: 12th c. architecture, architectural sculpture, painting, remains from the 7th and 8th centuries. The frescoes from the apse area were removed and are now housed in the Museum of the Treasury of the Duomo di Rieti. Antiquities: Sculpture. Fragment of Roman sculpture, including a dedicatory inscription for the Nymphaeum of Diana Reduce. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Girl reading at Lichtlamp, 1868 - 1928 zinc drypoint

Louis Candide Boulanger (1806-1867). Bedroom of Charles and Léopoldine Vacquerie in Le Havre. Graphite and pastel pencil on paper. 1843. Paris, house of Victor Hugo. Bedroom, drawing, interior, interior view

INTERIOR-CAPILLA DE SANTA MARGARITA-PINTURAS GOTICAS-CICLO DE LA PASION DE JESUS-ANTES DE RESTAURAR. Location: CATEDRAL VIEJA. Lerida. SPAIN.

Lazio Rieti Borgo Velino S. Antonio1. Hutzel, Max 1960-1990 Medieval: 12th c. architecture, architectural sculpture, painting, remains from the 7th and 8th centuries. The frescoes from the apse area were removed and are now housed in the Museum of the Treasury of the Duomo di Rieti. Antiquities: Sculpture. Fragment of Roman sculpture, including a dedicatory inscription for the Nymphaeum of Diana Reduce. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sidewall, Leather, stamped, silvered, painted, Diapered field of varnished silver, foliage in green., Holland, ca. 1700, Wallcoverings, Sidewall

Buildings on the Water, George Hendrik Breitner, 1881 - 1883 Page 35 from a sketchbook with 42 sheets. North Brabant (Possibly) paper. pencil civic architecture; edifices; dwellings. architecture. bridge in city across river, canal, etc. North Brabant

Lazio Roma Rome S. Prassede7. Hutzel, Max 1960-1990 Medieval: Architecture (exterior and interior), architectural sculpture, sculptural fragments, tomb sculpture, frescoes, mosaics. Post-medieval: Architecture (interior), architectural sculpture, frescoes General Notes: No information sheet provided by Hutzel. See TCI, Roma e Dintorni, 360-2. Actual church built in 822 by Pasquale I. Renovated in 15th, 17th, 19th centuries. Mosaics and frescoes of 9th century, frescoes of the 17th century. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and

Madonna and Child. Dated: c. 1480. Medium: paste print. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Baptism in the Japanese Style, 1887. Félix Hilaire Buhot (French, 1847-1898). Etching, drypoint and aquatint; sheet: 27.9 x 17.8 cm (11 x 7 in.); platemark: 21.8 x 13.1 cm (8 9/16 x 5 3/16 in.).

Fragment 16th century Italian. Fragment 230212

Umbria Terni Narni S. Maria in Pensole. Hutzel, Max 1960-1990 Medieval: 1982--39 photos Architecture, architectural sculpture (including mosaic) (12th century) 1987--76 photos Architecture, architectural sculpture, wall painting (12th century). Post-medieval: 1982--5 photos Frescoes 1987--8 photos Architecture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sidewall, Leather, stamped, silvered, painted, With blue-gray field. Arabesque of flowers and fruit, with green foliage., Holland, ca. 1700, Wallcoverings, Sidewall

Bloche Roger (1865-1943). Rest. Metal, bronze. Before 1910. Museum of Fine Arts of the City of Paris, Petit Palais. 57578-1

Basilicata Matera Matera Chiesa del Peccato Originale9. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Dr. Jacob Christiaan Muller and Face, c. 1884 copper (metal) etching

Artist's own portrait; Norblin de la Gourdaine, Jean Pierre (1745-1830); 1778 (1778-00-00-1778-00-00);

Design for a Woven Fabric, Brush and gouche on oily tracing paper, Boughs connect six fantastical flower motifs, which are disposed in two horizontal rows. A flower bunch grows from a big shell, bottom left., France, 1825-1850, Drawing, Drawing

Blood and Fire (Body Of Lady With Roasted and Browned Flesh) by Jean Dubuffet, Oil on canvas, 1950, 1901-1985, Private Collection Neuilly

The Flagellation of Christ. Dated: probably 1480s. Dimensions: image: 5.8 x 4.2 cm (2 5/16 x 1 5/8 in.) sheet: 8 x 6.6 cm (3 1/8 x 2 5/8 in.). Medium: paste print. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Hooischuren on the Jaagpad, Pieter Dupont, 1895 Netherlands zinc etching

Photo production of the fresco The separation of dark and light by Michelangelo in the Sixtine Chapel, Anonymous, After Michelangelo, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Sixtine Chapel (Vatican)

Serenade; Makowski, Tadeusz (1882-1932); 1908 (1908-00-00-1908-00-00);

COMPOSICION. Author: ANTONIO GUIJARRO (1923-2011). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Travel album with photos of sights in Italy, Switzerland and the Dutch East Indies, various manufacturers, c. 1860 - c. 1900 scrapbook Photo album in a tire of blue linen that is provided with a coating. The album was again bound in 1968 and the album blades seem to have been cut off on the edges. The album contains 48 magazines with 23 recordings of sights in Italy and Switzerland, mainly city and street views of Genoa and Milan and mountain landscapes around Luzern and Lugano. They are recordings of well -known photo studios such as Noack, Brogi, Sommer and from publisher Photochrom Zurich. In addition, the album contains amateur photos of landscapes, villages and towns in Aceh and Sumatra in the Dutch East Indies, as well as studio portraits of the inhabitants. linen (material). cardboard. paper. photographic support albumen print / photochrom travelling; tourism Italy. Switzerland. Dutch East Indies, The

Worker on a field with a grain bag on the back. Also a study of a farmer's girl. Leaf 33 Verso from a sketchbook with 42 sheets.

Channel at Katwijk aan Zee, 1901 zinc drypoint

Woodblock for The Swallow, from A History of British Birds 1792-1797 England. Wood engraving block . Thomas Bewick

At the Concert 1896 France. Zinc lithographic plate with corners removed and beveled edges, laid down on mauve board and taped to mat . Henri de Toulouse-Lautrec

Farmer at Hooischuur, 1887 iron (metal) etching

Florence Leyland. Dated: c. 1873. Medium: drypoint copper plate. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Pink Bathroom. Jim Dine (American, born 1935); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 800 x 572 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

SEPT ETAGERES - 1997 - MIXTA/LIENZO - 200x200. Author: MIQUEL BARCELO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Bloemstilleven, 1848 - 1909 copper (metal) etching

Adolf Böhm's artwork depicts a dancer holding a tamburine, executed in watercolor and gold paint.

EL TIEMPO DE LA CAL - 1991 - TECNICA MIXTA/LIENZO - 180 X 100 CM. Author: FERNANDO VERDUGO (1942-). Location: CONGRESO DE LOS DIPUTADOS-PINTURA. MADRID. SPAIN.

Campania Caserta Casertavecchia S. Michele, Cathedral3. Hutzel, Max 1960-1990 Exterior and interior views of the 12th and 13th-century architecture and architectural sculpture. Exterior details of the portals, portal sculpture, bell tower, dome and cloister. Interior details of the pulpit (c. 1213), the tomb of Giacomo Martono (1360), the tomb of Francesco de la Rath (1359), various sculptural fragments, and the cosmati floor. Antiquities: Re-used Roman columns and capitals line the nave. Object Notes: A composite view of the interior is found in the Italy Oversize box in the Medieval core collection. General Notes: Hutzel probably made two photo campaigns of the site, and thus there is some overlap between the views in the Medieval core collection and the Hutzel collection. Some prints have been renumbered. Hutzel notes which account for 91 on the views date to a photo campaign from December 30, 1983. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy fr

Edvard Munch (1863-1944). Norwegian painter. Starry Night, 1930. Woodcut. Munch Museum. Oslo. Norway.

Album with ornament prints and biblical representations, Crispijn van de Passe (I), After Jacques Callot, After Paul Flind (De Jonge), After Adriaen Muntinck, After Maerten de Vos, After Hieronymus Wierix, 1551 - 1650 Album, in the format of a sketchbook, with 131 stuck performances on 66 album tops and 2 deck tops. The album contains ornament prints and biblical representations of various sixteenth and seventeenth-century Flemish, German and French print makers. Parchment band. band: parchment (animal material). paper etching / engraving ornaments ~ art. birds. Old Testament. New Testament

Sketch of an Armoured Male Figure (verso), 1600s. Anonymous. Graphite (figure); pen and black ink (cross hatching); random paint and ink stains; sheet: 30.1 x 12.5 cm (11 7/8 x 4 15/16 in.).

Burning hearts on the altar. Alais, John (ca 1778-fl. ca 1820), graphic artist

Descrizione del Sacro Monte della Vernia. Dated: 1612. Dimensions: book: 43.3 × 30 × 1.8 cm (17 1/16 × 11 13/16 × 11/16 in.). Medium: bound volume with one engraved frontispiece of Saint Francis by Domenico Falcini, and 22 engraved illustrations with five overslips on plates F, G, I, R (2). Museum: National Gallery of Art, Washington DC. Author: Jacopo Ligozzi (designer), Raffaello Schiaminossi, Domenico Falcini, Lino Moroni (author).

Landscape of Qin Palaces. Artist: Unidentified Artist; In the style of Zhao Boju (Chinese, 11th century). Culture: China. Dimensions: 11 5/8 x 95 1/2 in. (29.5 x 242.6 cm). Museum: Metropolitan Museum of Art, New York, USA.

Stencil 19th century Japan. Stencil 70172

Above the Earth. Mark Tobey; American, 1890-1976. Date: 1953. Dimensions: 100.3 × 75.6 cm (39 1/4 × 29 3/4 in.). Gouache on board. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Stencil 19th century Japan. Stencil 70692

Portrait of a Man. Jacob Byerly (American, 1807 - 1883)

Fragment, Medium: silk Technique: complementary weft 2/1 twill, Horizontal bands of blue, off-white and yellow. Flying birds within circles, with diamond pattern in background., possibly Sicily, 13th century, woven textiles, Fragment

Katagami, Spiderwebs; Japan; mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire)

Larionov, Mikhail Fyodorovich (1881-1964) © Museum of Modern Art, New York Painting 26,3x45,7 Abstract Art Rayonist Composition: Number 9

Quail and Millet, Tosa Mitsuoki, c. 1655 - c. 1681 Painting on silk with a show of a few quail, hibiscus, balloon bell and Tsuyukusa (ordinary commelina, commelina communis), the female with a cricket in the mouth. In wooden box. Japan silk. ink. dye Painting on silk with a show of a few quail, hibiscus, balloon bell and Tsuyukusa (ordinary commelina, commelina communis), the female with a cricket in the mouth. In wooden box. Japan silk. ink. dye

Altitudes. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and John A. Lund; published by Universal Limited Art Editions (American, founded 1955). Date: 1978. Dimensions: 566 x 756 mm. Color lithograph from two stones on reddish buff wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

"Ets un sol: sempre vas abocant el dia", Tomeu Pons, tecnica mixta, Blai Bonet. Saber mirar salva, Sala dexposicions de la Casa de Cultura de Santanyí, Mallorca, balearic islands, Spain.

Textile Fragment 9th-10th century. Textile Fragment 448122

Study of Standing Figure. Date/Period: Ca. 1670-1700. Drawing. Red chalk and black chalk on cream laid paper. Author: LUCA GIORDANO.

Lazio Roma Anguillara Sabazia S. Francesco0. Hutzel, Max 1960-1990 Post-medieval: Architecture (15th century) including ruins of cloister. Fresco cycle of Madonna and Child with two angels (13-14th century). Several views of church exterior, and extensive coverage of interior frescoes, both before their restoration in l960, and afterwards, in l983. General Notes: Hutzel sent us two sets of prints (57 in one, 72 in the other) made from the same set of negatives but assigned different numbers. These two have now been synthesized into one sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic

Three Sheets of Gauze, Crossed Obliquely; William Henry Fox Talbot (English, 1800 - 1877); about 1852 - 1857; Photographic engraving; 13.3 × 12.7 cm (5 1,4 × 5 in.)

Anonymous / 'The Assumption of the Virgin'. XVIII century. Grey-brown wash, White oil on brown paper. Museum: Museo del Prado, Madrid, España.

Francisco de Goya y Lucientes / 'Barbarians!'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Study. Page 17 From Sketchbook XLIV with 43 pages.

Desert landscape with water carriers, 1919 Page 34 from a sketchbook with 18 magazines. Egypt paper. watercolor (paint). chalk brush Africans. desert. container of ceramics: jar, jug, pot, vase. carrying something on the head or on the shoulders

Sidewall, ca. 1680; leather, stamped, silvered, painted

Abruzzo, L'Aquila, Celano, S. Giovanni Battista, Italy, 20th century, photo, photography, Europe

Photography of the lithographic portrait of Miko Aja Sapieha (1779-1843); 1840-1855 (1840-00-00-1855-00-00);Przewłocki, Janusz (1927-2007) - collection, Sapieha, Mikołaj (1779-1843) - iconography, graphics (artist), Polish graphics, lithography (artist), portraits, men's portraits, purchase (provenance)

Jerusalem, près de la porte de Jaffa, chap. Artist: Joseph-Philibert Girault de Prangey (French, 1804-1892). Dimensions: Image: 4 3/4 × 3 3/4 in. (12 × 9.5 cm). Date: 1842-44. Museum: Metropolitan Museum of Art, New York, USA.

Roman fresco depicting a landscape with the myth of Perseus and Andromeda. 10-1 BC. From Pompeii. National Archaeological Museum. Naples. Italy.

Fragment 16th century Spanish. Fragment 461413

Dado, Block-printed on handmade paper, Large horizontal rectangle containing motif of doves perched on a quiver of arrows. On either side are vertical rectangles the designs of which are identical: a trophy made up of a wreath, cord and tassel, and crossed tridents. Printed in grisaille on gray ground., France, ca. 1815, Wallcoverings, Dado

Wrijfprent.Rubbing.

Deraisme, Pierre -Georges (n.1859 - D.1932), leaf medallion (main title), 1911, rhodoïd. Petit Palais, Museum of Fine Arts of the City of Paris.

Mountain Sketches (Inside Back Cover of "Splendid Mountain Watercolours" Sketchbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 10 7/8 x 16 in. (27.6 x 40.6 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

George Romney, 1734-1802, British, Paradise Lost Sketchbook, ca. 1793. Graphite.

Sample (Japan); silk, gilded paper

DETALLE DE FIGURA DANZANTE EN LA ALBANEGA NORESTE DE LA NAVE CENTRAL EN EL GRAN SALON DEL CASTILLO DE QUSEIR AMRA - SIGLO VIII - PINTURA OMEYA. Location: CASTILLO. QUSEIR AMRA.

Preference No. 4. by Nemukhin, Vladimir Nikolayevich (*1925)/ Private Collection/ 1974/ Russia/ Oil on canvas/ Modern/ 92x100/ Abstract Art

Roche, Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), Saint Francis of Assisi (Main title), 1912. Eglomization-Steel and wood matrix. Petit Palais, Museum of Fine Arts of the City of Paris.

Drury Lane Made 1880-1881 United States. Cancelled copper plate . James McNeill Whistler

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Burning hearts on the altar; Alais, John (Ca 1778-Fl. Ca 1820); 1803-1810 (1803-00-00-1810-00-00);

Boatman in Rocky Cove. Artist: Unidentified Artist; Copy after () Xia Gui (Chinese, active ca. 1195-1230). Culture: China. Dimensions: 8 7/16 x 9 7/8 in. (21.4 x 25.1 cm). Museum: Metropolitan Museum of Art, New York, USA.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Figure of a woman - (unidentifiedillustration), Black and white chalks, Blue laid, 44.3 × 27.2 cm (17 7/16 × 10 11/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Bible illustrations, c. 1550 - c. 1699 wood (plant material)

Painting palette; Makowski, Tadeusz (1882-1932); before 1932 (1882-00-00-1932-00-00);Artists, contemporary painting, pallets

Nocturne: San Giorgio. Date: 1880. Origin: United States. Chalk and pastel on brown paper. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

View of Eindhoven. Date: November 1884-September 1885, Nuenen. Dimensions: 12.4 cm x 7.5 cm. Museum: Van Gogh Museum, Amsterdam.

'Sac', 1982, Etching, 107 x 75 cm. Author: ANTONI TAPIES (1923-2012). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Tile Wall Facing (Netherlands); tin-glazed earthenware, underglaze

COURANTE - 1996 - 200x200 - ACRILICO/LIENZO. Author: JOSE MANUEL BROTO. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Boats at Evening. Artist: Arthur B. Davies (American, Utica, New York 1862-1928 Florence). Dimensions: 5 3/4 x 8 7/8 in. (14.6 x 22.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

PINTURA - 1989 - ACUARELA PAPEL. Author: JOSE MARIA SICILIA.

Daguerreotype plate with no image. Unknown

TAPIES , ANTONI. PINTOR ESPAÑOL. 1932. " TERROS " , TECNICA MIXTA / LIENZO, AÑO 1984. COLECCION PARTICULAR. BARCELONA.

Petroglyphs at Newspaper Rock State Park, Utah

Attic black-figured cup. 5th c. BC. Depiction of a galley. Classical Greek art. Ceramics. FRANCE. ëLE-DE-FRANCE. Paris. National Library.

LA CASA TOMADA - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Hippolyte-Jules Lefèbvre (1863-1935). "Paul medal plaque from Schlumberger and Marguerite de Witt". Metal, bronze. Museum of Fine Arts of the City of Paris, Petit Palais. 57555-7 Bronze, metal, inventory number, numismatics, medal plate, reverse

Panel piece Made 1800-1850 China. Satin, with couched cord .

NARANJO - 1957 - 115X90 CM - PINTURA TERROSA/LIENZO. Author: ANZO IRANZO ALMONACID JOSE. Location: BANCO EXTERIOR. Valencia. SPAIN.

Portrait of a Man. Jacob Byerly (American, 1807 - 1883)

The bust of a young man. Norblin de la Gourdaine, Jean Pierre (1745-1830), graphic artist

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