Intimate Conversations and Settings

Illustrations and sketches feature women in domestic scenes, dramatic interactions, and fashion consultations from various historical contexts.

Recto - Front. Ballad of Fair Annie - Study /. Jephtha's Daughter - Sketch, 1854-56. Recto: Two women, one kissing the face of the other... Verso: Pencil sketch of two standing figures holding hands - one male, one female.. Artist: Gabriel Dante Rossetti

Dromio of Ephesus: Why, mistress, sure my master is horn-mad,” illustration for Act II, Scene i, Comedy of Errors. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Reading. Dated: c. 1765/1775. Dimensions: overall: 28.2 x 21 cm (11 1/8 x 8 1/4 in.). Medium: brown wash on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN-HONORE FRAGONARD.

CAPRICHO 55 - HASTA LA MUERTE - SIGLO XVIII - DIBUJO PARA SANGUINA. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN. OSUNA DUQUESA DE.

Recto - Front. Ballad of Fair Annie - Study /. Jephtha's Daughter - Sketch, 1854-56. Recto: Two women, one kissing the face of the other... Verso: Pencil sketch of two standing figures holding hands - one male, one female.. Artist: Gabriel Dante Rossetti

Miss Prattle Consulting Doctor Double Fee about her Pantheon Head Dress. Artist: Anonymous, British, 18th century. Dimensions: plate: 13 15/16 x 10 in. (35.4 x 25.4 cm)sheet: 16 5/16 x 11 in. (41.4 x 28 cm). Published in: London. Publisher: Carington Bowles I (British, 1724-1793). Date: 1772. Museum: Metropolitan Museum of Art, New York, USA.

Two women in an interior - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Paul Alexandre Alfred Leroy drew a detailed black Conté chalk study of a dancing Arabian figure with two companions for the painting 'Le Divertissement Arabe' around 1886.

Print made by Robert Laurie, 1755-1836, British, The Wane of the Honeymoon, 1789. Mezzotint on moderately thick, slightly textured, cream laid paper.

Conversation piece watercolours, works on paper

The Silk Gown (La Robe de Soie). Dated: 1887. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Mademoiselle! vla ce que cest quun homme! - Connu!. Artist: Paul Gavarni, French, 1804-1866

Rijn, Rembrandt van, Deuchar, David, Beggar and beggar woman, coming from behind a hillock, Beggar man and woman behind a bank, verso - stamped, print, prints, height 97 mm, width 62 mm, English, 1743 - 1808, print maker, printmaker, 1753 - 1808, paper, papier, etching, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08

Pray for her /She Prays for Her; Board No. 31 from: Los Caprichos Caprices, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Albert Besnard, La femme: l'accouchement, plate 2, c. 1886, etching and drypoint on laid paper.

Young Woman Combing Her Hair, 1800s, before 1857. Achille Devéria (French, 1800-1857). Graphite and brown wash on off-white wove paper; sheet: 22.6 x 17.5 cm (8 7/8 x 6 7/8 in.).

Ma poule, on nest jamais si bien gratte que par soi-meme.. Artist: Paul Gavarni, French, 1804-1866

Honoré Daumier, Pygmalion, 1842 Pygmalion

Man and woman in an interior - unidentifiedillustration. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Le valet de coeur est un polisson qui occasionnera beaucoup de pas etdemarches…. Artist: Paul Gavarni, French, 1804-1866

Study of women in foot, skirt rolled up, we see in the background, the sailors.

Juan Antonio González, Chez l'impressario, 1879, etching on laid paper.

Francisco de Goya y Lucientes / 'Gallant Quizzing a Maja'. 1795 - 1796. Bistre, Wash on laid paper. Museum: Museo del Prado, Madrid, España.

Two figure studies of peasant woman sitting on hay bale, print maker: Albertus Brondgeest, , Netherlands, 1796 - 1849, paper, etching, h 113 mm × w 167 mm

Standing girl on the land, making a bouquet, Thomas Simon Cool, 1841 - 1870, paper, h 657 mm × w 385 mm

Sir Lawrence Alma Tadema, A Dance in Spring, c 1910 A Dance in Spring

Sitting man with beret and dagger, Willem Linnig (II), 1886 print paper etching / drypoint sitting on an elevation. head-gear

Séguin, F., La Salle du Château Rouge, rue Galande (dummy title), 1897. Pierre Noire. Carnavalet museum, history of Paris. Men and women softened around tables

THE ANCESTRAL PORTRAIT, DRAWN BY E.N. DOWNARD, 1871

1893 Art Work - At the Renaissance: Sarah Bernhardt in Phèdre - Henri de Toulouse-Lautrec.

LA VIRGEN ME PERDONE - 1895 - LAPIZ. Author: PABLO PICASSO (1881-1973). Location: PICASSO MUSEUM. Barcelona. SPAIN.

Ce qui nous nuit surtout. Artist: Paul Gavarni, French, 1804-1866

Interior with young woman leaning against a column, draughtsman: Henri Leys (baron), 1840, paper, h 133 mm × w 100 mm

Bartet et Mounet-Sully, dans Antigone , Actors, Actresses, Bartet, Julia, 1854-1941, Mounet-Sully, 1841-1916. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

The Broad Curtain Frederick Childe Hassam (American, 1859-1935).. Lithograph American Art

Interior with Young Woman in Walking Costume, 1895. Eugen Kirchner (German, 1865-1938). Etching and aquatint; sheet: 26.7 x 21.6 cm (10 1/2 x 8 1/2 in.); platemark: 13 x 9.4 cm (5 1/8 x 3 11/16 in.).

St. Andrzej; Regulski, Aleksander (1839-1884), Andriolli, Michał Elwiro (1836-1893); 1879-1900 (1879-00-00-1990-00-00);

George Du Maurier, Barrington bore it all with exemplary patience, 1878 1879 Barrington bore it all with exemplary patience

Roelofs, Albert, Woman sitting on a chair next to a cradle, verso - handwritten, The woman leans her arm on the edge of the cradle., print, engraving, prints, engravings, verso - stamped, 1219, 21, height 340 mm, width 256 mm, Dutch, 1877-09-05 - 1920-12-31, print maker, printmaker, 1887 - 1920, paper, papier, etching, etchings, aquatint

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, 1762, Etching

Lady Tranmore and Mary Lyster. Sterner, Albert, 1863-1946. 1904. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Elles , Prostitutes. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

George Bellows, Elsie, Emma and Marjorie, second stone, 1921 Elsie, Emma and Marjorie, second stone

Iffland, August Wilhelm .

The Sisley Family. (Pablo Picasso; 1881 - 1973; 1919; Pencil auf Papier)

(QUELLE TENUE!). Artist: Paul Gavarni, French, 1804-1866

Two Women. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 397 × 272 mm (image/plate); 553 × 362 mm (sheet). Aquatint and drypoint from a zinc plate on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Amorous Turk, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and black ink and wash on slightly textured, laid paper, mounted on thick, moderately textured, beige, wove paper, Sheet: 11 1/2 x 12 1/8 inches (29.2 x 30.8 cm), feather, genre subject, guitar, hat, man, pipe (smoking equipment), smoking, turban, woman

Henri de Toulouse Lautrec, Les grands concerts de l'opera, 1895 Les grands concerts de l'opera

To Bullier's. Dated: c. 1876. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

The Fitting Mary Cassatt (American, 1844-1926). The Fitting, 1890-1891. Drypoint and aquatint etching on off-white, moderately thick, moderately textured laid paper, Sheet: 17 1/4 x 12 in. (43.8 x 30.5 cm). An exhibition of more than seven hundred ukiyo-e prints in Paris in 1890 inspired the expatriate Impressionist Mary Cassatt to experiment with color printing, resulting in her most formally daring and technically ambitious works. In the manner of Japanese print series, she conceived of a set of ten images, including this and In the Omnibus, depicting the daily activities of a typical middle-class woman. While Cassatt emulated the Japanese styleevident in the flattened forms, unmodulated planes of color, and strong decorative outlinesher technique was a highly inventive combination of printing processes that garnered critical admiration in Europe and America. American Art 1890-1891

Abraham Francen. Dated: c. 1657. Dimensions: plate: 19.8 x 20.5 cm (7 13/16 x 8 1/16 in.) sheet: 20.4 x 15.5 cm (8 1/16 x 6 1/8 in.). Medium: etching, drypoint and burin on japan paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Ferdinand Huyck in the chamber, aunt in the bedside and head of Susanna among the curtains. Design for a painting.

Scene from "My Aunt Margaret's Mirror" (Keepsake Story by Sir Walter Scott) ca. 1828 John William Wright British. Scene from "My Aunt Margaret's Mirror" (Keepsake Story by Sir Walter Scott). John William Wright (British, London 1802-1848 London). ca. 1828. Watercolor. Drawings

Jean-Antoine Watteau (1684-1721). "Study of two figures of women, back from back". Sanguine on paper, 18th century. Paris, Cognacq-Jay museum. 35017-3 Back, drape, elegant, study, woman, blood on paper, view

Abraham Francen, Apothecary, c. 1657. Rembrandt van Rijn (Dutch, 1606-1669). Etching, engraving and drypoint; sheet: 16.5 x 21 cm (6 1/2 x 8 1/4 in.); platemark: 15.8 x 20.4 cm (6 1/4 x 8 1/16 in.).

The Queen's English: An Iillustration in 'Punch', Aug. 11, 1877, Charles Samuel Keene, 1823-1891, British, ca. 1877, Pen in brown ink on medium, slightly textured, beige, wove paper, Sheet: 7 3/8 × 6 1/16 inches (18.7 × 15.4 cm), English languages and literatures, figure study, genre subject, illustration, interior, men, newspaper, reading

Engraving titled 'The Wedding Toilet of a Young Lady of the Boyars' from the painting by Constantin Makowsky (1839-1915) Russian artist. Dated 19th Century

Roelofs, Albert, Woman sitting on a chair next to a cradle, verso - handwritten, The woman leans her arm on the edge of the cradle., print, prints, verso - stamped, 1219, 21, height 333 mm, width 260 mm, Dutch, 1877-09-05 - 1920-12-31, print maker, printmaker, 1887 - 1920, paper, counterproof, counterpressure

Alphonse Leon Noël, L'Etude de Paysage, 1817-1884, lithograph on paper.

Jean Louis Forain, The Dancer's Dressing Room (second plate), 1894 The Dancer's Dressing Room (second plate)

Knotting the Tie (Le noeud de cravate). Dimensions: 30.7 cm x 21.8 cm, 14.9 cm x 9.9 cm, 14.7 cm x 9.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: JEAN LOUIS FORAIN.

LA MAMA -DIBUJO-. Author: JULIO ROMERO DE TORRES. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Two Studies of a Young Girl (possibly Louise-Reine Guffroy)(recto); A Study of a seated man with sketches of his hand, a girl, and a head (verso) Adélaïde-Marie-Anne Castellas-Moitte French ca. 1797 Adélaïde-Marie-Anne Castellas-Moitte trained with history painter Jean Jacques François Le Barbier (1738-1826), but after marrying the Neoclassical sculptor Jean Guillaume Moitte (1746-1810), devoted herself to running the household and to supporting various charitable and revolutionary causes.During the two-year period in 1796-98 when her husband was in Italy on a government mission to study and collect works of art from newly conquered territories, Adélaïde took on a number of young girls as boarders who were taught drawing, sewing and pianoforte. This sheet, originally a page in an account book, likely depicts Louise-Reine Guffroy, who came to live in the Moitte household at age five and was raised as a member of the family. In these sketches of everyday domestic life, Adélaïde displays

Study for The Wedding Feast of Sir Degrevaunt, Edward Burne-Jones, 1833-1898, British, undated, Pen, in brown ink and graphite on thick, moderately textured, cream wove paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 15 1/4 × 17 7/8 inches (38.7 × 45.4 cm) and Sheet: 11 11/16 × 14 inches (29.7 × 35.6 cm), bottles, celebration, chargers, crowd, dogs (animals), dresses, entertainment, epic, feast, food, hats, literary theme, Medieval, plates, Sir Degrevant (early 15th century), Middle English epic poem, sitting, standing, study (visual work), tables, talking, wedding, women

Street Scene from Vanity Fair, with Amelia, George Osborne and Dobbin (recto); Sketch of Young Woman (verso). Artist: () Jerry Barret (British, 1824-1906). Author: Related author William Makepeace Thackeray (British, Calcutta 1811-1863 London). Dimensions: sheet: 7 x 5 in. (17.8 x 12.7 cm). Date: 1800-1819. Museum: Metropolitan Museum of Art, New York, USA.

Petruchio banters Katharina (study for .1058) - Act II, Scene I, Taming of theShrew. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Woman Reading to two Children. Date/Period: 1819 - 1822. Print. Height: 145 mm (5.70 in); Width: 165 mm (6.49 in). Author: FRANCISCO DE GOYA Y LUCIENTES.

Saint Cecilia. Colour reproduction of mezzotint by W. Dickinson after Sir J. Reynolds.

Old coquette Falck, Jeremias (Ca 1610 1677), Strozzi, Bernardo (1581 1644)

Thomas Rowlandson, 1756-1827, British, The Maniac, 1787. Watercolor and graphite with pen and black ink on medium, moderately textured, cream laid paper.

Two Young Women in Conversation 1611-1700 Italy. Pen and iron gall ink on buff laid paper, laid down on cream laid paper . Guercino, School of

Cassandra Imploring Athena for Revenge Against Ajax. Artist: Jérôme Martin Langlois (French, Paris 1779-1838 Paris). Dimensions: 16 1/4 x 19 1/2 in. (41.3 x 49.5 cm). Date: 1795-1838. Museum: Metropolitan Museum of Art, New York, USA. Author: Jérôme Martin Langlois.

Ink drawing by Sigmund Walter Hampel showing a half-length portrait of a lady with a veil covering her face.

The Old Gentlemen, 1894. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), that's still that !! .. (title registered (letter)), 1902. Pierre Noire. Blue pencil. Purple pencil. Orange pencil. Yellow pencil. Pink pencil and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Singer and Lute Player 1818 United Kingdom. Graphite and red chalk with stumping on cream wove paper, tipped onto gray wove paper . Mary Trevor

My family, first stone , Artists, Family members, Families, Bellows, George, 1882-1925. George Bellows (1882-1925). Prints and Drawings

The sibyl Church, Frederick S. (Frederick Stuart), 1842-1924. still image. Reproductive prints. 1887. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Prophets, Mythology, Sibyls, Young women

Mary Cassatt at the Louvre: The Etruscan Gallery. Dated: 1879/1880. Dimensions: plate: 26.8 x 23.4 cm (10 9/16 x 9 3/16 in.) sheet: 43 x 30.4 cm (16 15/16 x 11 15/16 in.). Medium: soft-ground etching and drypoint on laid paper. Museum: National Gallery of Art, Washington DC. Author: EDGAR DEGAS.

Watercolor and pencil drawing by Karl Pippich showing a lady holding a ball, depicting figure, posture, clothing, and gesture.

Two attached men causing with two standing women; At the bottom left a little erased, three other girls Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Two attached men causing with two standing women; At the bottom left a little erased, three other girls. Feather, lavis, ink cloud.

The Dancer's Dressing Room (second plate). Dated: 1894. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), I did not have very good information about you, it seems that you are a brittle character - I will notify myself to make Madame observe that I still broken anything from then that I am at the service of Madame! (Dummy title). Black stone. Blue pencil and white gouache on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Robert Smirke, 1752-1845, British, Claudio and Isabella, 1823. Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper.

The lost son in the brothel. In one bedroom the lost son lies to sleep in the shot of a woman of light morals, who robs him of his money pouch. Another man is stunned with wine and music. He explains to rest on the bed.

Beben Ramel. "Watercolor by Fritz von Dardel Nordic

A Lady Copying at a Drawing Table. Date/Period: Ca. 1765. Portrait. Red and black chalk and stump on medium, cream, moderately textured wove paper. Height: 194 mm (7.63 in); Width: 152 mm (5.98 in). Author: Paul Sandby.

The Azalea Plant (Julia Hall McCune), c. 1900. Clarence H. White (American, 1871-1925). Platinum print with pencil; image: 19.5 x 15 cm (7 11/16 x 5 7/8 in.); paper: 38.9 x 29.3 cm (15 5/16 x 11 9/16 in.); matted: 45.7 x 35.6 cm (18 x 14 in.).

Conversation Robert Henri (American, 1865-1929). Conversation, ca. 1905. Pen, ink and graphite on paper, Sheet: 8 7/8 x 8 7/16 in. (22.5 x 21.4 cm). American Art ca. 1905

Max Kurzweil, Der Polster (The Cushion), 1903 Der Polster (The Cushion)

Photo production of a painting by an unknown young pair at a well, anonymous, c. 1870 - c. 1890 photograph Loose album magazine with a photo of a performance of a young pair at the well. Decorated with colored tendrils and leaves. Belonging to photo album with photos surrounded by pen drawings. paper. watercolor (paint) albumen print / brush well. courting. foliage, tendrils, branches ~ ornament

Humorous drawing; unknown, Mucharski, Stefan (1859-1928); 1880-1895 (1880-00-00-1895-00-00);

Schröder-Devrient, Wilhelmine.

Study of mid-bodies, around 1875. Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Study of mid-body women, around 1875. Feather, Chinese and Blue ink, around 1875.

Depicts 'Le Roman Sentimental' by Manuel Robbe around 1900 using color printing, showing figures and narrative elements in a sentimental scene.

A woman wearing a large hat and holding a fan in her left hand. With her right index finger she is making a speaking gesture., Woman with Fan, print maker: Hermanus Fock, intermediary draughtsman: Abraham Bloemaert, print maker: Amsterdam, intermediary draughtsman: Netherlands, 1781 - 1822, paper, etching, h 107 mm × w 89 mm

Penelope.Presentation with a woman hanging in a chair, looking at a tissue where a number of animals are depicted, including an elephant.

The Proposal (recto); Unfinished drawing of a horse and rider (verso) after 1820 Attributed to Richard Parkes Bonington British. The Proposal (recto); Unfinished drawing of a horse and rider (verso) 340847

Female Riddle', 1819-1823 Artist: Francisco Goya. Plate 1 of 'Proverbs', published in 1864 by the Spanish Royal Academy of Fine Arts in Madrid. 'Proverbs' is an album of twenty-two prints which is the last major series of prints by Francisco Goya.

Mary Cassatt, In the Omnibus, American, 1844 - 1926, c. 1891, soft-ground etching, drypoint, and aquatint in blue, brown, tan, light orange, yellow-green, red, and black

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