Intimate Domestic Scenes

A collection of lithographies and etchings depicting intimate moments in domestic spaces, featuring figures engaged in quiet activities, with a focus on mood and simplicity.

Vuillard, Edouard (n.1868-11-11-D.1940-06-21), interior or nap or convalescence, lithography published in the original print-First delivery (January-March 1893) (Main title), 1893. Lithography in two colors. Petit Palais, Museum of Fine Arts of the City of Paris.

Man sat on the edge of his bed. Design for a print.

Pierre François Basan, Jan Six, 1733-1797, etching on paper.

Vuillard, Edouard (n.1868-11-11-D.1940-06-21), interior or nap or convalescence, lithography published in the original print-First delivery (January-March 1893) (Main title), 1893. Lithography in two colors. Petit Palais, Museum of Fine Arts of the City of Paris.

Iza Sleeping (Le Sommeil d'Iza). Dated: 1885. Dimensions: plate: 16.8 x 11.5 cm (6 5/8 x 4 1/2 in.) sheet: 26 x 20.2 cm (10 1/4 x 7 15/16 in.). Medium: etching and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

The Fruit Merchant and the Child 1844 France. Etching and drypoint on cream China paper laid down on ivory wove paper . Charles Émile Jacque

Trial proof of The Siesta (La sieste) or The Convalescence (La convalescence) from the album L'Estampe originale (Album I). Dimensions: 44 cm x 28 cm, 29 cm x 21 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

James McNeill Whistler, La Vieille aux Loques, 1858 La Vieille aux Loques

Seated Arab, 1873. Mariano Fortuny (Spanish, 1838-1874). Etching and aquatint;

Woman looks at a cloth on a donkey; Title page for: Henri Béraldi, Les engravers du XIXE Siècle, 1890. A portfolio with drawings or prints and a cloth with a cityscape. There are materials from a print maker on the floor. Completely above a silhouette of a few buildings.

La Vieille aux Loques (The Old Woman with Rags) 1858 United States. Etching and drypoint with foul biting in black ink on light gray China paper . James McNeill Whistler

Spinster at work, Ferdinand Oldewelt, 1872 - 1935 print print maker: Netherlandsprinter: Brussels paper. etching / drypoint spinning (manufacture of yarn). spinning-wheel

Mariano José Maria Bernardo Fortuny y Carbó, Portrait of the Painter Eduardo Zamacoïs y Zabala (1842/3-1871), from life, c. 1868/69, etching on china-type paper.

The little Spanish Bohemian so-called Preciosia Harmensz van Rijn Rembrandt (1606-1669). The small Spanish Bohemian, called Preciosia (B 120 - Single State), around 1642.

The kitchen , Kitchens. James McNeill Whistler (1834-1903). Lithographs

L'Eclipse. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Author: Auguste Vacquerie (French, 1819-1855). Dimensions: Sheet: 13 1/4 × 9 1/16 in. (33.7 × 23 cm)Plate: 7 3/4 × 5 1/16 in. (19.7 × 12.9 cm). Date: 1869. Museum: Metropolitan Museum of Art, New York, USA.

1893 Art Work - The Visitor; from the third album of L'Estampe originale Albert Besnard.

Albert Besnard, The End (La Fin de Tout), 1883 The End (La Fin de Tout)

Israëls, Jozef, work, Child in a wheelchair, technique text: etching, graphics

Blind organ-grinder. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist

Family by the window, Jan Chalon, 1748 - 1795 print A living room interior. A man is reading at the light of a window. Opposite him a woman with a bird on a stick. A child next to her. Northern Netherlands paper etching / drypoint living-room, parlour, sitting-room. family life at home. birds (+ domestic animals). reading

Monsieur Coquelet...partage son frugale déjeuner.... Honoré Daumier (1808-1879). Lithographs

The Rag Gatherers 2, 1858, by James McNeill Whistler (1834-1903). Etching

' IT WAS REPEATED OFTEN, IN THE SHADOWY SOLITUDE; AND BROKEN MURMURS OF THE STRAIN STILL TREMBLED ON THE KEYS, WHEN THE SWEET VOICE WAS HUSHED IN TEARS.'

Woman in front of a door. A woman stands in front of a door and turns the key. On the right a staircase down. On the left is a sweeper against the wall. A hat and a jacket hanging on the wall.

The Visitor, from the third album of L'Estampe originale Made 1893 France. Lithograph on tan wove paper . Albert Besnard

Jean-Louis Forain, Recess of the Hearing, French, 1852-1931, 1914, lithograph

The Old Rag Woman, No. 10 from Twelves Etchings from Nature (The French Set), 1858. James McNeill Whistler (American, 1834-1903). Etching;

The Studio. Edouard Jean Vuillard; French, 1868-1940. Date: 1895. Dimensions: 245 × 300 mm (image); 329 × 499 mm (sheet). Lithograph on tan wove China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Inconvénient... des domestiques qui ont servi chez M. Duprez. Dated: 1850. Dimensions: sheet: 35.9 x 25.3 cm (14 1/8 x 9 15/16 in.). Medium: lithograph in black on newsprint. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Brandes and Le Bargy in "Cabotins" (Brandès et Les Bargy dans "Cabotins"). Dated: 1894. Medium: lithograph in olive green on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Reading old woman. In a dark room, an old woman reads, with squeezing glasses on the nose, in a thick book (the Bible).

The Spinner 1853 Designed by Jean-François Millet French. The Spinner 371540

Pero sucks the chained Cimon in prison, Bernard Picart, After Rembrandt van Rijn, 1683 - 1733 print Pero gives her father Cimon de Borst in his prison collar (Caritas Romana). The story is an example from the classical literature of the love of children for their parents. Amsterdam paper etching But Suckling Cimon ('Roman Caritas')

Interior with family, Polynice Auguste Viette, 1852 print paper. etching dog. interior of the house. family life

Pilgrim, print maker: Arnoud Schaepkens

Seated man with hat and long cloak. .

Saint Matthew. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Edmond Hedouin after Alexandre Bida.

Bird Shop - Seven Dials 1888 United States. Etching in black ink on cream Japanese paper . James McNeill Whistler

Count Leicester flees in a house, Henricus Wilhelmus Couwenberg, After Lodewijk Anthony Vintcent, 1841 print Fleeing a rioting Muite flight Count Leicester in an inn. In front of the house there is a woman staring for herself and does not seem to notice him. Amsterdam paper steel engraving hiding, hiding oneself Alkmaar

Interior of Charcoal Shop, Florence. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1905. Dimensions: 159 x 122 mm (image/plate); 161 x 123 mm (sheet). Etching in black on cream laid paper with additions in graphite. Origin: United States. Museum: The Chicago Art Institute, USA.

Benvenuto Cellini, Act III The Casting of Perseus Made 1888 France. Lithograph in black on ivory China paper laid down on white wove paper . Henri Fantin-Latour

Lourdes, Imploring before the Grotto (fourth plate). Dated: 1912/1913. Medium: etching on blue laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

The rag gatherers , Rooms & spaces, Doors & doorways. James McNeill Whistler (1834-1903). Lithographs

Ma crevette cinquante sous, ma petite dame…. Artist: Paul Gavarni, French, 1804-1866

. In a departure of a prison, a cipier sticks a key in the door lock for him, while he points his gaze on the spectator. The cipier has a jug in his left hand and a bread under his arm, next door is a lanter.

La Vielle aux Loques James McNeill Whistler American 1858 After visiting the Rhineland during a summer-fall tour in 1858, Whistler created this image of an elderly woman sorting rags (loques). He here develops a formula to which he would often returnusing an open entrance to frame a receding interior that contains figures and objects. Like "La Mère Gérard" and "La Rétameuse," the artist focuses on an old working woman, dignified but without sentiment. Created late in 1858 this is one of the most complex prints in "Douze eaux-fortes daprès nature" (Twelve Etchings from Nature), the artist's first published set. This impression belonged to Thomas Winans, a Baltimore friend who financed the artist's move to Paris in 1855; Winans kept the print in an album that descendants gave to the Museum.

Samson accuses his father -in -law, Anonymous, Rembrandt van Rijn, After Georg Friedrich Schmidt, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Wife leaning over a underneath, Cornelis Ploos van Amstel, after Rembrandt van Rijn, 1765 print Amsterdam paper etching divided door, upper part opened. adult woman

The beggars , Passageways. James McNeill Whistler (1834-1903). Lithographs

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Two women in an interior - unidentifiedillustration, Graphite, pen and black and white ink washes, Chinese white on wove paper, 16 × 12 cm (6 5/16 × 4 3/4in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Drawing men, Nicolaas van der Waay, 1865 - 1936 print paper. etching / drypoint drawing-lesson Happy merits

Bega, Cornelis, work, Kapaka (La mère au cabaret), line etching, graphics, plate width 15.5 cm, plate height 12 cm

Henri de Toulouse-Lautrec (French, 1864-1901), Madame Abdala, 1893, lithograph in black on velin paper

Rijn, Rembrandt van, The pharmacist Abraham Francen, verso lower left - stamped, print, prints, height 158 mm, width 205 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1655 - 1659, third quarter 17th century, Eastern paper, pencil, etching, etchings, plate tone, drypoint, dry needle, burin

Rembrandt van Rijn, The Spanish Gypsy Preciosa, c 1642 The Spanish Gypsy Preciosa

Three conversing figures; Composition with three figures. Two women sit on a wooden bench. One of them looks at a standing man, who gestures with his hands.

Leonhard Beck painted Saint Irmina in the Sipp series for Emperor Maximilian I between 1516 and 1518, on a wooden stick.

Woman with a tea set in the corridor of a home, Willem Linnig (II), 1852 - 1890 print paper etching / drypoint interior of the house. tea- and coffee-service

Engraving depicts Dutch colonists in New Amsterdam.

Abraham Francen, Apothecary, Rembrandt van Rijn, c. 1657 print paper etching / drypoint

The Churner ca. 1886 William Merritt Chase American. The Churner 366284

Hieronymus in a dark student room; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

Interior with a woman and child sat in front of a closed window, Henri de Braekeleer, 1850 - 1888 print paper etching / drypoint mother and baby or young child. interior ~ representation of a building. closed window

Woman at the Gate - 1889; Camille Pissarro; French; 1830-1903 (Etching; aquatint; and drypoint in black on green-blue laid paper).

Adriaen van Ostade, Painter in His Studio, probably 1667 Painter in His Studio

Sick man gets to drink, Petrus Marius Molijn, 1829 - 1849 print A woman keeps a bowl of drinking against the lips of a sick man lying in bed. Netherlands paper etching sick-bed. nursing, tending the sick

James McNeill Whistler, The Beggars, 1879 1880 The Beggars

Illustration by August Xaver Karl von Pettenkofen showing a scene from Gil Blas of a cash register being examined, executed in ink, feather, and brush with laved technique.

Court Recess. Jean Louis Forain (French, 1852-1931). Lithograph;

Words of Comfort (from "The Portfolio"). Artist: Sir Hubert von Herkomer (British, Waal, Bavaria 1849-1914 Budleigh Salterton, Devon). Dimensions: image: 9 5/8 x 6 7/8 in. (24.5 x 17.5 cm)plate: 11 x 7 15/16 in. (27.9 x 20.2 cm)sheet: 14 5/16 x 10 3/8 in. (36.3 x 26.3 cm). Publisher: E. Delarue (French, active 1870-1930). Date: March 1879. Museum: Metropolitan Museum of Art, New York, USA.

The Mourron dealer. () | The cries of Paris. (Title of the whole)

Paris, Basan, Henry Louis, Rhine, Rembrandt van, Pierre François, The Spanish gypsy Preciosa, The Spanish heidinnetje, The Spanish gypsy 'Preciosa', verso - stamped, print, prints, height 130 mm, width 114 mm, French, 1723-10-23 - 1797-01-12, print maker, printmaker, 1733 - 1797, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, Publication (Event), Publication, publisher

Scrub. Illustration for `volatile sketches from popular life 'by a.f.j. Heron. Design for a print.

Albert Besnard, French (1849-1934), The Sick Mother (La mère malade), 1889, etching

La marcheuse ou la garde malade. Honoré Daumier (1808-1879). Lithographs

Accepted, Sir John Everett Millais, 1829-1896, British, 1853, Pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper, Sheet: 9 7/8 × 6 7/8 inches (25.1 × 17.5 cm), courtship, genre subject, motherhood, woman

Three men and a dog in the Schepenzaal in the town hall of Oudenaarde, Guillaume Joseph Vertommen (attributed to), after Alexandre Louis Lion, 1825 - 1863 print paper. etching interior of the house. dog. open door Oudenaarde

Siesta (La sieste) or Convalescence (La convalescence). Dimensions: 58.8 cm x 41.6 cm, 29 cm x 22 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD VUILLARD.

Man met hond bij een poort.On the left is a man with a basket to read his arm a billboard. Next to him a dog. Above the gate a window and a lantern.

Albert Besnard, The Childhood of Pierre Clémenceau (L'Enfance de Pierre Clémenceau), 1885 The Childhood of Pierre Clémenceau (L'Enfance de Pierre Clémenceau)

At the Dressing Table. Mary Cassatt; American, 1844-1926. Date: 1880. Dimensions: 321 x 209 mm (image); 349 x 228 mm (plate); 431 x 308 mm (sheet). Soft ground and aquatint on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Rijn, Rembrandt van, The Spanish gypsy Preciosa, The Spanish heidinnetje, The Spanish gypsy 'Preciosa', verso - stamped, print, prints, height 130 mm, width 114 mm, print maker, printmaker, 1800 - 1899, paper, lithography (technique), Work conception, Northern Dutch, 1606-07-15 - 1669-10-08

Dancer Tying Her Slipper. Dated: c. 1891. Dimensions: sheet: 34.6 x 30 cm (13 5/8 x 11 13/16 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Undula at night from the portfolio: Xięga of idolatry SCHULZ, Bruno (1892 1942)

Romeo and Juliet: Confiding in the Night, 1888. Henri Fantin-Latour (French, 1836-1904). Lithograph;

The pharmacist Abraham Francken. .

Woman in front of a door. A woman stands in front of a door and turns the key. On the right a staircase down. On the left is a sweeper against the wall. A hat and a jacket hanging on the wall.

Francisco de Goya (Spanish, 1746-1828). Si quebró el Cantaro. (Yes he broke the pot.), 1796-1797. From Los Caprichos, no. 25. Etching, aquatint, and drypoint on cream laid paper. Plate: 206 mm x 150 mm (8.11 in. x 5.91 in.).

The Music Room. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 11/16 x 8 3/8 in. (14.4 x 21.3 cm)Sheet: 9 15/16 x 13 3/16 in. (25.2 x 33.5 cm). Date: 1859. Museum: Metropolitan Museum of Art, New York, USA.

Hilaire-Germain-Edgar Degas, Au Louvre: Musée des Antiques, 1876, etching, aquatint and drypoint on laid paper.

Paganini, Niccolò.

Illustration from Edgar Allan Poe book by Gustave Dore, Woodcut, 1884, 1832-1883, Private Collection

De Liefdebrief, Jan Veth, After Johannes Vermeer, 1893 print paper. pencil etching letter, envelope. lute, and special forms of lute, e.g.: theorbo. maid ~ house personnel

Mikha A Tarasiewicz's exlibris (more); Rychter, Tadeusz (1870-1943); 1903 (1903-00-00-1903-00-00);

Alphonse Legros, Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier) Peasant Woman of Boulogne (Paysanne des environs de Boulogne dite La femme au panier)

The Wool Carder (La cardeuse). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN-FRANÇOIS MILLET.

View a portrait, Willem Steelink (II), 1866 - 1886 print A gentleman smokes a long pipe while looking at a portrait on the wall. In the foreground on the left a standing clock. In the background on the right a bookcase. At the bottom left in the margin a painter and his model. paper etching pipe ~ tobacco. interior of the house

Aggripina with the Ashes of Germanicus. Alexander Runciman (Scotland, Edinburgh, 1736-1785). Scotland, circa 1775. Prints; etchings. Etching

'The Sun May Shine and We Be Cold'. Dante Gabriel Rossetti (1828-1882). Pen and brown ink. Signed and dated 1848. 13.9 x 15.8cm.

of 3