Intimate Domestic Scenes

Engravings and prints illustrating cozy, historical interiors with figures engaged in daily life and personal interactions.

Two art collectors at a donkey where a painter works, Léopold Flameng, After Jean Louis Ernest Meissonier, 1869 print Paris paper. etching painter at work, in his studio

Interior with burgers by a fireplace, 13th century, David van der Kellen (1827-1895), 1857 - 1864 print Interior with burgers sitting by a fireplace and at a table, 13th century Haarlem paper interior of the house Netherlands

Etching by Jan de Visscher titled 'The Hazardous Farmer,' produced between 1553 and 1712, depicting a European rural scene with a farmer.

A copper engraving by Johann Gotthard von Müller from 1782 depicting the biblical story of Lot and his daughters, showing figures, gestures, and landscape elements.

Man and wife in hug begging for a man with beard, Pieter Jan de Vlamynck, after Joseph -Denis Odevaere, 1805 - 1850 print paper etching couple of lovers

W wigilię św. Andrzeja Eve of St. Andrew’s ; from: `Tygodnik Ilustrowany` 1885, no. 153 (December 5th), p. 364 illustration for the poem `W wigilią św. Andrzeja` On the Eve of St. Andrew’s by Władysław Sabowski published in the same issue of the maga?????. Podkowiński, Władysław (1866-1895), draughtsman, cartoonist, Boczkowski, Paweł (fl. 1876-1901), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Mieris, Frans Van.

Drie Schikgodes, Unknown, After Pierre Jean Baptisists Isidore Choquers Choquers, 1784 - 1824 print Nummered at the top right 4. France paper engraving Fates, spare (Moir)

Two art collectors at a donkey where a painter works, Léopold Flameng, After Jean Louis Ernest Meissonier, 1869 print Paris paper. etching painter at work, in his studio

Etching and copper engraving by Louis Simon Lempereur from 1748-1807 depicting Flemish people engaged in leisure activities, showing figures, gestures, and 18th-century Flemish printmaking techniques.

The Rat Catcher, James Bretheherton, After Rembrandt van Rijn, 1760 - 1781 print paper etching / engraving rat exterminator

Friedrich Wilhelm III with his family after the death of his father, Daniel Nikolaus Chodowiecki, 1799 print Berlin paper etching royal bastards. family, descendance

Thaddeus and Joanna meet the Herres Lazarus, Reinier Vinkeles (I), 1795 print The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving the story of Lazarus (John 11:1-44)

Putto is a bell from which sonnets fall, Theodoor Hannon (Attributed to), 1861 - 1910 print paper etching bell ~ acoustic signalling. cupids: 'amores', 'amoretti', 'putti'. reading

Silk saleswoman, William Unger, After Frans van Mieris, 1861 - 1889 print Vienna paper. etching merchant, salesman - BB - women engaged in trade and commerce. lovers; courting, flirting

Image reproduction: Stanis Aw Wojciech Bergman (1862-1930), prodigal son; over the 19th and 20th centuries (1862-00-00-1887-00-00);

Werther sees from the doorway how Lotte cuts bread for the children, Johann Leonhard Raab, after Wilhelm von Kaulbach, c. 1864 print paper. etching mother and child(ren), woman and child(ren) (family group). giving food

Two men and widow in Interieur, Ludwig Albrecht Quentin, 1856 - 1889 print A young man with a top hat in his hand is leaning against the top of a fireplace. On the right are a embroent widow and a man with a top hat in his hand. In the lower margin a text with the thoughts of the three figures. Arnhem paper Thinking, Thought, Reflection; 'Pensiero' (Ripa)

Alcina is helped at her toilet, Salomon Gesner, 1778 print paper etching (story of) Evander. Alcina, evil sorceress. making toilet - AA - (for) women

Woman falls down while a shooter focuses his gun on her, Adolphe Mouilleron, 1830 - 1880 print Paris paper. murder - GG - female. firearms: rifle

Company of the meal, Reinier Vinkeles (I), 1797 - 1811 print There are some figures in front of the fireplace. Among them a young woman who is cited by an older man while her hand is held by a young man. Amsterdam paper etching / engraving open hearth, fire-place. picture, painting. (family) meal. unequal partners (+ variant)

Group in Renaissance Clothing Around a table Studying Letters, Léopold Flameng, 1853 print paper. etching / drypoint reading to somebody

Achilles is recognized by Odysseus, Pietro Antonio Martini, after David Teniers, 1772 print Achilles is discovered between the daughters of Lycomedes. The company is in front of an antique building. In front of a black servant with a box. Numbered at the top right: No. 15; bottom right: No. 78 De L'Oeuvre de Teniers. Paris paper etching / engraving Achilles discovered among the daughters of Lycomedes, i.e. Achilles on Scyros: when presents are brought Achilles snatches up the weapons and thus betrays his identity. Africans

Artist: J. C. Lemaire, French, active 18th century, After: Jean-Baptiste Pater, French, 1695-1736, LeGlouton, Etching, image: 8.5 × 13.2 cm (3 3/8 × 5 3/16in.), French, 19thcentury, Works on Paper -Prints

Karl of Kühne, Duke of Burgundy.

The old Flemish School. / 10 (title registered) | Sketch by Charlet. (Title of the whole)

Education of the children of Clovis, Willem Hendrik Stam, after Lourens Alma Tadema, 1841 - 1874 print Clothilde, the wife of Clovis, brings her three children the art of throwing axes to be able to reject their father. The Hague paper education. tools, aids, implements ~ crafts and industries: axe

Peter Het Huis Van Cornelius, William Unger, after BARENT FABRITIUS, 1847 - 1889 print print maker: Germanyprinter: Leipzig paper etching Peter in the house of Cornelius: the Holy Ghost descends upon Cornelius and his family, who are baptized by Peter

Schildersbent in an inn, Mathäus Küsel, 1680 print Inn with the Schildersbent, a brotherhood of artists in Rome (also called Bentvuegels or Bentvogels). The people drink and smoke tobacco. Two men play trumpet. On the right a dog. Under the performance four lines of text in Latin. The print is part of an album. Augsburg paper etching circle, club of artists. inn, coffee-house, public house, etc.. drinking. alcoholic drinks. pipe ~ tobacco. (professional) organization of artists

L'Adoration des Mages; Nargeot, Jean Adrien (1837-1900), Rubens, Peter Paul (1577-1640), Gilquin et Dupain; 1859 (1800-00-00-1900-00-00);

A harlot's progress, plate 2 , Prostitutes. William Hogarth (1697-1764). Prints

A rake's progress, plate 5 , Rake's progress, Marriage, Churches, Hogarth, William, 1697-1764. Rake's progress. Holt Collection

Wife of Potifar accuses Jozef, Anne Claude Philippe Caylus, After Rembrandt van Rijn, 1702 - c. 1753 print France paper etching Genesis: the story of Joseph. Potiphar's wife before her husband: she accuses Joseph of trying to violate her, using the cloak as evidence

LeGlouton. Artist: J. C. Lemaire, French, active 18th century After: Jean-Baptiste Pater, French, 1695-1736

Male and Woman in Moonlight on the Waterkant, Adolphe Mouilleron, 1836 - 1841 print Paris paper. moonlight. landscapes with waters, waterscapes, seascapes (in the temperate zone). adult man. adult woman

The Mother of the Gracchen shows her jewelry, Bartolomeo Pinelli, 1818 print When a woman from Campania, Mother of the Gracchen, asks her most precious jewelry, she shows her sons. Rome paper etching Cornelia produces her two young sons, Tiberius and Gaius S. Gracchus, to a Roman matron who had shown off her jewellery

Copper engraving and etching by Pierre François Basan, 1750-1797, depicting a dancing society (guinguette), showing figures, interaction, and musical activity in a social setting.

Etching and copper engraving by Marie Jeanne Renard Dubos from 1735-1771 depicting the stages of life: virile age and old age, including figure studies and age-related features.

"Une Famille malheureuse" by Pierre-Paul Prud'hon. Unknown, photographer about 1860-1880 A photograph of "Une Famille malheureuse" by Pierre-Paul Prud'hon with an excerpt from Caroline Bowles Southey's poem, "The Paupers Deathbed" below. (Verso, mount) lower left, pencil: "A24.13";

Nobody knows himself, Francisco de Goya, 1797 - 1799 print A masked man offers his hand to a masked woman. Sixth print from the Los Caprichos series. paper etching masquerade, masked ball

Two dogs; The two dogs. The brave died dog is thrown out of the front door. The beloved Wild died dog is grown by two women in the house.

Maria visits Elisabeth, Anonymous, After Andrea Del Sarto, 1822 - 1834 print Paris paper Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Ecce Homo. Wittmann Ch., Imprimérie, Paris (fl. ca 1891-1907), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Sztuka (Paryż ; czasopismo ; 1904-1905), publishing house, Bosch, Hieronymus (ca 1450-1516), painter

A series of engravings by various artists from 2books. Artist: Unknown After: Jean-Michel Moreau le jeune, French, 1741-1814

Jean Meno Haas (1786-1857); C.A. Lorentzen (1746-1828), illustration for the responsibilities. II Act, XVI scene, 1786 - 1857

Contes et nouvelles en vers: A Femme avare galant Escroc, from Les Contes de la Fontaine 1795 Jacques Aliamet French. Contes et nouvelles en vers: A Femme avare galant Escroc, from Les Contes de la Fontaine 369332

Sculpture workshop, 13th century, David van der Kellen (1827-1895), 1857 - 1864 print Workshop where different sculptors are at work, 13th century. Haarlem paper sculptor at work Netherlands

Etching and copper engraving by Pierre François Basan, 1723-1797, depicting a nymph playing, showing a mythological female figure in natural landscape with 18th-century European style.

Heroic traits of a CNE. of the Vendée. (IT)

Woman and Man who rises of the bed, Nicolas Maurin, 1830 - 1837 print In a bedroom a woman is half undressed with a dog next to her, while a man sits in the bed next to her. All figures look in the direction of a closed door. printer: Parispublisher: Parispublisher: Parispublisher: Londonpublisher: New York (city) paper getting up from bed. dog. partially clothed - AA - female human figure. couple of lovers. morning

Monkeys busy with the wind trade, ca. 1720; The large scene of foolishness (extra pieces); Monkey game. Interior with monkeys working on the wind trade. With two-line captions in French and Dutch. Is part of the series of 16 plates called the monkey book or monkey game, numbered bottom left: 8. Belongs to the group of prprans added to the scene of scene of foolishness with cartrents at the 1820 wind trade or action trading.

Salon with group card players at the table, Corneille Seghers, 1824 - 1869 print paper etching drawing-room, 'salon'. card games

Loving woman and death, Noah van der Meer (II), After Jacobus Buys, 1778 - 1785 print The loving woman Clarinde is sitting on her husband's deathbed with a handkerchief in her hand. She would like to die instead of her husband, but when death comes to the door and asks who calls him then she points to her husband. Amsterdam paper etching Death as skeleton. dying. index finger forwards, pointing, indicating

Education of the children of Clovis. Clothilde, Clovis's wife, brings her three children's art of throwing with attachments to avenge their father.

The Balcony, Print made by James Charles Armytage, 1802-1897, British, after William Etty, 1787-1849, British, Printed by George Virtue, ca. 1820-1908, British, between 1835 and 1854, Etching and line engraving on thick, slightly textured, cream wove paper with cream chine collé, Sheet: 20 x 13 11/16 inches (50.8 x 34.7 cm), Plate: 14 1/2 x 10 7/8 inches (36.8 x 27.7 cm), Sheet: 14 1/16 x 10 5/16 inches (35.7 x 26.2 cm), and Image: 9 1/8 x 7 7/16 inches (23.1 x 18.9 cm), arch, balcony, costume, curls, flowers (motifs), food, fruit, fur, genre subject, gesture, gowns, lute, man, minstrel, Moorish, music, musical instrument, nobility, parapet, pearls, performer, platter, servant, singing, vines, women

Print, Interior Scene with Women and a Child; Designed by François Boucher (French, 1703-1770); Print Maker: Gabriel Huquier (French, 1695-1772); France; etching on laid paper

Dancing Beer on the street, Anonymous, Bartolomeo Pinelli, 1791 - 1885 print There is a man on the street who lets a chained bear dance. Next to the bear two dressed dogs, standing on the hind legs. Several bystanders watch, including a man with bagpipe and a monk. Italy paper etching bears (circus performance). earning money with bear. dogs (circus performance). bagpipe, musette - CC - out of doors Rome

Copper engraving and etching by Pierre Etienne Moitte, 1770-1780, depicting a still life titled 'Broken eggs', with eggs, tableware, and compositional detail.

Two performances from the smaller Cäsar, Daniel Nikolaus Chodowiecki, 1782 print Up to the top left: I and II. Page references at the top right the illustrations. paper etching dog. parting, leave-taking (of lovers). gripping someone by the hand or the wrist; clasped hands

Girl at Poort, Johannes Christiaan d'Arnaud Gerkens, Wijnand Nuijen, 1822 - 1845 print A girl with basket and dog stands by a wooden gate. Above the gate an ornamental edge. Dordrecht paper. girl (child between toddler and youth). monumental door, porch, 'aediculum'

Griezende Family in an interior, William Unger, After Adolf Eberle, 1869 - 1889 print Germany paper etching family group, especially parents with their child(ren). interior of the house. weeping

Belphegor. Etcher: Louis Monzies, French, 1849-after 1889 After: Jean-Honoré Fragonard, French, 1732-1806

Woman gives begging boy bread, Adolf Carel Nunnink, after Huib van Hove BZ, in or Before 1864 print A woman at a gate that gives access to a court gives a begging boy bread. The Hague paper. Begin

Maciek Borkowicz, the Poznań voivode, sentenced to starvation; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Marriage à-la-mode, pl. 3 , Nobility, Mistresses, Physicians, Misaubin, Jean, 1673-1734, Hogarth, William, 1697-1764. Marriage à la mode. Holt Collection

Housekeeping room. There are a man, woman, their maid and eight children in a sixteenth-century interior. The woman has the youngest child on the chest. There is a cradle in the middle of the room. The other children play.

Belphegor, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Jean-Baptiste Patas (French, Paris 1744-1802 Paris). Author: Jean de La Fontaine (French, Château-Thierry 1621-1695 Paris). Dimensions: Sheet: 12 1/16 × 9 15/16 in. (30.7 × 25.3 cm). Publisher: Pierre Didot l'ainé (French, 1761-1853). Series/Portfolio: Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795. Date: 1795. Museum: Metropolitan Museum of Art, New York, USA. Author: After Jean Honoré Fragonard. Jean-Baptiste Patas.

Everyone talked, Tieleman Cato Bruining, After Cornelis Troost, 1850 print A group of gentlemen is busy in a smoke salon. There is a globe on the table and there are heavenly cards. The clock above the fireplace is 9 o'clock. A maid offers a man who is sitting aside something to drink. Share one of the series 'Nelri' to Pastels by Cornelis Troost. paper. etching drawing-room, 'salon'. debate, discussion (~ meeting). star-globe

Cadet and Charlotte Kneelen for their father Charles, Reinier Vinkeles (I), 1774 print Cadet and Charlotte kneel for their father Charles van Cavalier and their mother Marianne lets her head rest on his chest. Amsterdam paper etching / engraving family, descendance. kneeling figure. landscapes

Sick woman is helped by medicine woman in Tropen, Johannes Alexander Rudolf Best, After H.P. Oosterhuis, 1807 - 1855 print Sick European woman is in bed and is surrounded by friends or family. A medicine woman kneels at the foot of the bed, who takes care of a foot of the patient. Palm trees are visible through the open door. Amsterdam paper etching healing of sick person

Lodewijk XI in De Bastille, Johannes de Mare, 1831 - 1889 print Louis XI in the Bastille in Paris, sitting at a table near candlelight, his hand on his chin. Three figures behind him. Imaging a scene from 'Notre-Dame de Paris' by Victor Hugo from 1931. paper. pencil steel engraving candle Bastille

H. Holbein. The photography is suitable for Adolphe Braun's mid-19th century as a tool to make fabric pattern templates that produced his Elsässer company first drawing. He photographed first plants and still life, but from 1857 is also successful with the sale of stereo pictures of popular travel destinations in Switzerland and Germany. The reproduction of works of art, which he devotes from 1866, but he considered his masterpiece. It is a concern to make appreciation of museums and private collections of a larger public accessible and also usable for educational purposes. Already in front of him, photographers such as Louis Blanquart-Evrard and Roger Fenton tried to play paintings and sculptures, but Braun, which specializes in the carbon printing process, manufactures unusually large-format, qualitatively outstanding and particularly durable images for this time. Under the leadership of his son Henri, excursions are being taken to the museums of Basel, Dresden, Florence, Milan, Rome

. Louis XI in the Bastille in Paris, sitting at a candlelight table, his hand to his chin. Three figures behind him. Depiction of a scene from 'Notre-Dame de Paris' by Victor Hugo from 1931.

Four performances from the history of the Bartholomesnacht, Daniel Nikolaus Chodowiecki, 1799 print Numbered at the top right, with caption in German. Berlin paper etching surprise attack (stratagem). bedroom. execution ~ military disciplinary punishment. head of a beheaded person. headless body of a beheaded person. hanging figure (by the arms, legs, etc.) Paris

La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 1793 Jean-Louis Delignon French. La Matrone d'Ephese, from Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795 369356

Company of Augsburg artists, 1593, Christian Friedrich Boëtius, after Jacob Beyer, 1773 print In the explanatory text under the print, the people are identified as: George Peham (Beham), Hans Kellerthal, Caspar Raucher, George Hebenstreit, Daniel Kellerthaler and Christoph Kellerthaler. Print to a drawing by Jacob Beyer from 1593, from the collection of Christian Ludwig von Hagedorn. Dresden paper inn, coffee-house, public house, etc.. circle, club of artists. portrait, self-portrait of artist Augsburg

Copper engraving and etching by Bernard Lépicié from 1718-1755 depicting a lunch scene with figures, table setting, food, and interactions.

DEATH OF THE YOUNG VANOW PUMBER OF THE POLYTECHNICAL SCHOOL AT THE BABYLONE CARRAINS, THURSDAY MORNING (TI)

Etcher: Louis Monzies, French, 1849-after 1889, After: François Boucher, French, 1703-1770, La CourtisaneAmoureuse, Etching, image: 13.1 × 8.3 cm (5 3/16 × 3 1/4in.), French, 19thcentury, Works on Paper -Prints

James Smetham, 1821-1889, British, Mr. Robert Levett, 1861. Etching and engraving.

Reinhart and his wife with their baby in front of a window, Reinier Vinkeles (I), 1792 - 1802 print With caption: the love that he showed on earth for children, we both begged our Willem: III.D.bladz.123. paper etching / engraving infant, baby. open window. picture, painting Nederlands-Guyana

Consultation ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Key maker to work accompanied by Amor, Célestin François Nanteuil, 1851 - 1865 print Paris paper. lock-smith. tools, aids, implements ~ crafts and industries: hammer. tools, aids, implements ~ crafts and industries: anvil. fire, oven, furnace ~ interior of industrial structure. (story of) Cupid, Amor (Eros)

Two performances from the stories of Wilhelm Gottlieb Becker, Daniel Nikolaus Chodowiecki, 1797 print With caption in German. Berlin paper etching quarrel, argument. travelling; tourism. night. knapsack, rucksack. hotel, hostelry, inn

Copper engraving and etching by Nicolas de Larmessin III produced between 1736 and 1743 titled The Barters, depicting commercial exchanges with detailed 18th-century European print technique.

Joseph Schmidt created etchings and aquatints between 1780 and 1810 depicting Hagar and an angel proclaiming the resurrection, showing biblical figures and narrative elements.

Plate five, from A Harlot's Progress 1732 England. Relieved from hard labor because of poor health, Moll lies dying of syphilis as two doctors compete to empty her purse and her landlady ransacks her trunk. Already shrouded for warmth, the harlot gives up the ghost as her attendant attempts to stop the uproar and her son, possibly syphilitic as well, itches at the lice in his hair.. Engraving in black on ivory laid paper . William Hogarth

The linen cupboard; Dutch masters. Interior with two women for an opened linen cupboard. In the doorway a child plays with a kolf stick and a ball. The print is part of a series of 25 prints to Dutch masters. Above the image: PL IX.

Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now.' (Ya no hay tiempo.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now.' (Ya no hay tiempo.) 381296 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now.' (Ya no hay tiempo.), 1810 (published 1863), Etching, lavis, drypoint, burin and burnisher, Plate: 6 1/2 9 1/4 in. (16.5 23.5 cm) Sheet: 9 15/16 13 7/16 in. (25.2 34.2 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(19))

Man shows a bird, Reinier Vinkeles (I), 1805 print A man shows a woman a bird while sitting on a couch together. For them is a man who is invisible to them. Amsterdam paper etching birds. sitting in someone's lap. Invisibility

Themistocles Discovers Himself to the Persian King 1790-1800 Edward Francis Burney British. Themistocles Discovers Himself to the Persian King 340970

Illustration design for "The Economy of Human Life" 1834 Frank Howard An elderly man sits in an armchair giving food to two children standing to either side of him. One of a group of twelve book illustration designs reproduced as an engraving in an 1834 edition of Robert Dodsley's "The Economy of Human Life," published in London John van Voorst. The image illustrates the text: "He assisteth the poor in their trouble; he rejoiceth in furthering the prosperity of all men.". Illustration design for "The Economy of Human Life". Frank Howard (British, London 1805-1866 Liverpool). 1834. Pen and brown ink, brush and wash. Drawings

Man points to a church tower during a conversation with a woman in the forest, Reinier Vinkeles (I), 1801 print Amsterdam paper etching / engraving index finger forwards, pointing, indicating. forest, wood

Copper engraving and etching by Justus Chevillet, 1750-1802, depicting a maternal warning, showing a mother with child figures and gestures of instruction.

Messenger, Gebroeders van Lier, after Gerard ter Borch (II), 1837 - 1843 print The man sits on a chair, his wife sits next to him on the floor. The messenger stands for them. Numbered at the top right: pl. Lxvi The Hague paper messenger. receiving bad news, bad message

Paul Gavarni, Satan, 1814-1866, lithograph on paper.

Huibert Willemszoon van de Eijcken, the heroic blacksmith of Naarden, 1572; Huibert Willemszoon van Eijker. Huibert Willemszoon van de Eijcken, the heroic blacksmith of Naarden, defends his home with sword and tripod to the Spaniards, December 1, 1572. Right his kneeling praying daughter.

Mieris, Frans Van.

A rake's progress, plate 1 , Rake's progress, Tailoring, Hogarth, William, 1697-1764. Rake's progress. Holt Collection

Honoré Daumier, l'homme et l'oeuvre : ouvrage orné d'un portrait à l'ea-forte, de deux héliogravures et de 47 illustrations. Author: Arsène Alexandre. Dimensions: 4 pages of leaves, 383 pages : 12 plates, 1 portrait, illustrations ; Height: 10 5/8 in. (27 cm). Subject of book: Honoré Daumier (French, Marseilles 1808-1879 Valmondois). Date: 1888."Bibliographie": 4th preliminary leaf ; "Catalogue sommaire des lithographies, etc., de H. Daumier": p. 366-372 ; "Catalogue des oeuvres de peinture et des dessins originaux": p. 373-379 ; Portraits de Daumier": p. 380 ; Engraved title-page. Museum: Metropolitan Museum of Art, New York, USA.

Man kneels for Gothic tomb, Gustave Buschmann, 1840 print paper. etching grave, tomb

of 3