Intimate Historical Moments

Engravings capturing significant social interactions and historic events, reflecting the cultural and emotional narratives of past eras.

The sick Lisette lies in bed Her husband kisses the chambermaid, who points to his wife, Lisette tricked by her husband Lisette , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 251 mm × w 154 mm

The Deserter, 29 July 1791, George Keating, 1762-1842, Irish, after George Morland, 1763-1804, British, 1791

The Two Patriotic Duchesses on Their Canvass April 3, 1784 Thomas Rowlandson British. The Two Patriotic Duchesses on Their Canvass 388758

Count of Albania and his wife on the arms of two accompanists for the Bal de l'Opera in Florence, 1777 drawing Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778. paper. chalk

Assassination of Jean-Paul Marat by Charlotte Corday on July 13, 1793. French Revolution (Title Title)

Plate 35 from 'Los Caprichos': She fleeces him (Le descañona.). Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Plate: 8 7/16 in. × 6 in. (21.4 × 15.2 cm)Sheet: 11 5/8 x 8 1/4 in. (29.5 x 20.9 cm). Series/Portfolio: Los Caprichos. Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Pastoral (title registered (letter))

David Monies (1812-1894); Fritz Westphal (1804-1844); , "Correfreg the portfolios", 1812 - 1894

Cest mon Debardeur! Cest mon Balochard! from Les Debardeurs. Artist: Paul Gavarni, French, 1804-1866

The sick Lisette lies in bed Her husband kisses the chambermaid, who points to his wife, Lisette tricked by her husband Lisette , print maker: Noach van der Meer (II), (mentioned on object), intermediary draughtsman: Jacobus Buys, (mentioned on object), publisher: Johannes Allart, (mentioned on object), Amsterdam, 1777, paper, etching, h 251 mm × w 154 mm

Illustration for 'Caroline of Lichtfield'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1786. Prints; etchings. Etching

Le Chiffre d'Amour n.d. After Jean Honoré Fragonard French. Le Chiffre d'Amour 369328

Peltro W. Tomkins, 1760-1840, British, As You Like It: Act II, Scene VII: The Seven Ages of Man (First Age), 1801. Engraving.

Courtship in Low Life. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Samuel Alken (British, London 1756-1815). Dimensions: Sheet: 8 7/8 in. × 7 in. (22.6 × 17.8 cm). Date: December 15, 1785. Museum: Metropolitan Museum of Art, New York, USA.

William Henry Worthington, ca. 1790-active 1839, British, The Countess of Arundel. Engraving on laid paper.

Two of a kind. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

The Flight from Hugo de Groot from Slot Loevestein. Hugo de Groot steps into a book box and says goodbye to his wife Maria van Reigersberg. Above the passage to the next room is the text: the quick from Huyg de Groot. This print is made for the repayment of the same name by Frederik Duim (1742).

Drawing by Pierre Alexandre Wille depicting three young French Republicans, executed with brown feder in 1794.

New Mack'rel, New Mackrel, Plate 5 from The Cries of London 1795 England. Stipple engraving in brown, with hand-colored additions, on cream wove paper . Francis Wheatley

Ah! monsieur... faut pas lui rire comme ça... Dated: 1848. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Josef I., Roman-German Kaiser.

Samuel Wale RA, 1721-1786, British, The Theatre-Goers, undated. Gray wash and graphite with pen and black ink on medium, slightly textured, blued white laid paper.

Un Bal champêtre de Paris. Honoré Daumier (France, Marseilles, 1808-1879). France, 1844. Prints; lithographs. Lithograph

De Kinderijd, Philippe Joseph Tassaert, 1768 print Interior with two children in a bird cage. A third child has a cat in his arms. The print is part of a series of four prints about the ages of humans. London paper engraving the ages of man. bird in a cage. the first years ~ the ages of man. cat

Le soufflet. Dated: 1774. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Noël Le Mire after Jean-Michel Moreau.

Sergeant! Let's keep our distances! Charlet, Nicolas Toussaint (1792 1845), Lithography Villain, Gihaut Frères

Le Diable hors Barrière ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver" February 1730 Gerard Vandergucht British. Gulliver Presented to the Queen of Babilary, Frontispiece to "The Travels of Mr. John Gulliver" 399164

L'Optique (The Optical Viewer). Dated: c. 1793. Dimensions: plate: 67.5 x 53.5 cm (26 9/16 x 21 1/16 in.) sheet: 70.3 x 57.4 cm (27 11/16 x 22 5/8 in.). Medium: etching and wash manner, printed in black. Museum: National Gallery of Art, Washington DC. Author: Frédéric Cazenave, after Louis-Léopold Boilly.

Prêt un peu ta voleuse, vieux, pour un léger galop!... ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Unidentified Periodical / Play Illustration, Isaac Taylor, 1730-1807, British, undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm), genre subject, man, trees, woman

Two women with a fortune teller. Draughtsman: Pieter Bartholomeusz. Barbiers. Dating: c. 1782 - c. 1837. Measurements: h 268 mm × w 187 mm. Museum: Rijksmuseum, Amsterdam.

Rome, Pinelli, Bartolomeo, New collection of costume prints from Rome and its environs, Costume prints with figures from Rome and its environs, Donne Tivolesi, Three women from Tivoli, In a landscape three women from Tivoli with two children. The print is part of an album., print, prent, albumblad, prints, prenten, height 203 mm, width 281 mm, Italian, 1781-11-20 - 1835-04-01, print maker, printmaker, 1819 - 1819, paper, papier, etching, etsen, intermediary draughtsman

Louis Marin Bonnet after Jean Baptiste Hüet, I, Le Déjeuné Le Déjeuné

François Boucher red chalk drawing of a shepherd carrying a flower basket.

Mascarade, - d'après une aquarelle appartenant à l'auteur ,. Paul Gavarni (1804-1866). Lithographs and Other Works

LEtrangere. Artist: Paul Gavarni, French, 1804-1866

Isaac Taylor, 1730-1807, British, Unidentified Periodical / Play Illustration, undated. Gray wash with pen and brown ink and pen and black ink on medium, slightly textured, cream laid paper.

Les Deux Ami (The Two Friends). Dated: 1778. Dimensions: plate: 26.2 x 19.9 cm (10 5/16 x 7 13/16 in.) sheet: 27.2 x 21 cm (10 11/16 x 8 1/4 in.). Medium: mezzotint and etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: John Raphael Smith.

Julie Gabillon , Actress Julie Gabillon in the costume, Salomon Hermann von Mosenthal on Knien title page of Der Floh , Karl Klic -, Caricaturist, Johann Tomassich, realization

You are not in step. (registered title)

Faubourg de Cologne. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1856. Prints; lithographs. Lithograph

La Partie de Wisch. Jean Dambrun (France, 1741-after 1808). France, 1783. Prints; engravings. Etching and engraving

Beauties. Dated: published 1792. Medium: hand-colored etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Rowlandson.

Mrs. Ford and Mrs Page (Shakespeare, Merry Wives of Windsor, Act 2, Scene 1). Artist: After Matthew William Peters (British, Freshwater, Isle of Wight 1742-1814 Brasted, Kent). Dimensions: Plate: 25 1/4 × 18 in. (64.2 × 45.7 cm)Sheet: 27 1/16 × 19 1/2 in. (68.7 × 49.5 cm). Engraver: Robert Thew (British, Patrington 1758-1802 Stevenage). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1793. Museum: Metropolitan Museum of Art, New York, USA. Author: After Matthew William Peters.

Crossing a dirty street A. Grant, del.. British Cartoon Prints Collection . Couples,England,1780-1790. , Etiquette,England,1780-1790. , City & town life,England,1780-1790. , Sanitation,England,1780-1790.

Mr. B. Pamela makes a proposal, Louis Truchy, After Joseph Highmore, 1745 print Mr. B and Pamela are in a departure where he takes her hand and makes her a proposal while she looks away. A woman can be seen through the window on the left. England paper etching / engraving male literary characters (Pamela). proposal, declaration of love. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes)

Print made by Luigi Schiavonetti, 1765-1810, Italian, The Primrose Seller, Two Bunches of Penny Primroses, Two Bunches a Penny.., 1793. Stipple engraving, printed in color.

Slap in the Face. Noel Le Mire (France, Rouen, 1724-1801). France, 1774. Prints; engravings. Etching and engraving

Plate 8 for 'Moral and Satiric Content'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1778. Prints; etchings. Etching, laid down

Boucher, François, Augsburg, Nilson, Johann Esaias, Die zufriedene Hirten-Kinder, Shepherds and a Young Woman with a Bird, verso - stamped, Number XXXXII printed at top left and 1st at top right, print, prints, height 193 mm, width 295 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, engraving, engraving (printing process), etching, Work conception, French, 1703-09-29 - 1770-05-30

DIBUJO PARA LAS HADAS - CUENTO DE PERRAULT. Author: CHARLES PERRAULT. Location: PRIVATE COLLECTION. MADRID. SPAIN.

THE MERMAIDEN'S WELL. PAINTED BY J. ABSOLON

Study for a second edition, never published, of Colle's La Partie de Chasse de Henri IV , Act II, Scene 3 1699-1766 France. Pen and black ink, over black chalk, on pale gray laid paper, perimeter mounted on ivory laid paper . Hubert François Gravelot

Stage in a theatre, older ladies, girl and young woman's toilette, engraving from La Mode Illustree, No 3, January 16, 1881.

Pykars or Peddlers; from Twenty four Plates Illustrative of Hindoo and European Manners in Bengal. Artist: Alexandre-Marie Colin (French, Paris 1798-1875 Paris); Jean Jacques Belnos (French, active 1933); after Mrs. Belnos. Dimensions: Sheet (Trimmed): 11 7/8 × 9 5/8 in. (30.1 × 24.4 cm). Date: 1832. Museum: Metropolitan Museum of Art, New York, USA.

Guillaume Philippe Benoist, 1725-ca. 1770, French, Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, 1762. Engraving.

Three women in front of a door Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Three women in front of a door. Feather, Chinese ink wash.

A pencil drawing by Wilhelm Rudolf Jordan from around 1845 depicting a scene of a love declaration, emphasizing figures and interaction.

Summer' by Kate Greenaway, published in 1886. An illustration from an almanac in Great Britain

DIBUJO PREPARATORIO PARA EL CAPRICHO 16 - DIOS LA PERDONE Y ERA SU MADRE - DAMA CON MANTILLA Y MENDIGA - 1792-1799. Author: FRANCISCO DE GOYA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Francisco de Goya y Lucientes / 'Dream 15. Sacrificing Interest'. 1796 - 1797. Pencil, Iron gall ink on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Modern Elegance, a Portrait May 22, 1795 James Gillray British. Modern Elegance, a Portrait. James Gillray (British, London 1756-1815 London). May 22, 1795. Hand-colored etching. Hannah Humphrey (London). Prints

MASCARADE, dapres une aquarelle appartenant a lauteur.. Artist: Paul Gavarni, French, 1804-1866

JOHN MILTON, blind in old age, dictates 'Paradise Lost' to his three daughters. Date: 1608-1674

James Gillray, 1757-1815, British, Progress of the Toilet - The Stays Plate I, 1810. Etching.

Thomas Rowlandson, 1756-1827, British, The Sailor's Return, undated. Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper.

Two women talking about politics, one of them smoking a pipe. Lithograph by A. Lorentz.

Title page or illustration of a play. Draughtsman: Bernard Picart. Dating: 1717. Measurements: h 138 mm × w 94 mm. Museum: Rijksmuseum, Amsterdam.

That's my booty! (IT)

Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore, Guillaume Philippe Benoist, 1725-ca. 1770, French, after Joseph Highmore, 1692-1780, British, 1762, Engraving, Plate: 11 3/4 x 14 13/16in. (29.8 x 37.6cm) and Sheet: 14 3/16 x 18 3/8in. (36 x 46.7cm), conversation, garden, genre subject, hedges, letters (correspondence), sunflowers, wall

Miss Desgots, from Santo Domingo, with his Negro Laurent, 1766 Louis Carrogis, said Carmontelle (1717-1806). "Miss Desgots of Santo Domingo, with his Negro Laurent, 1766". Blood, pencil, watercolor. 1766.

Au jardin d'acclimatation (deuxième planche).. 1852 - 1882. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Birds, Pheasants, Women , Clothing & dress , France

A Pawnbroker with His Client. Genre subject. Watercolor with pen and gray and black ink over graphite on moderately thick, moderately textured, beige, laid paper. Height: 224 mm (8.81 in); Width: 283 mm (11.14 in). Author: Thomas Rowlandson.

The linen draper. Illustrations, Prints. 1818. Science, Industry and Business Library: General Collection

New Mackrel, New Mackrel, Niccoló Schiavonetti, 1771-1813, Italian, after Francis Wheatley, 1747-1801, British, 1795, Stipple engraving, printed in color, Plate: 16 3/8 x 12 3/4in. (41.6 x 32.4cm), figure study, genre subject

Knives, Scissars, and Rotors to Grind. Giovanni Vendramini (Italian, 1769-1839); after Francis Wheatley (English, 1747-1801). Date: 1795. Dimensions: 360 x 283 mm (image); 411 x 315 mm (sheet, trimmed within platemark). Stipple engraving in brown on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

John Raphael Smith, 1752-1812, British, A Maid - Une Pucelle, 1791. Colored stipple engraving on moderately thick, moderately textured, cream, laid paper.

Doctor Syntax and his wife looking at a map of London. Two rustics planning a trip to the big city from a parlor. The Reverend Doctor Syntax and his spouse. Handcoloured copperplate engraving after an illustration by Isaac Robert Cruikshank from The Tour of Doctor Syntax through London, in the Pleasures and Miseries of the Metropolis, J. Johnson, London, 1820.

The DreamMerchant. Artist: Norman Alfred William Lindsay, Australian, 1879-1969

Lovers. Dated: 1793. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Daniel Nikolaus Chodowiecki.

William Nutter, 1754-1802, British, The Parent Restor'd or the Blessings of Peace, 1797. Stipple engraving.

(Parisian sketch or these small ladies) (registered title)

Eduard von Engerth drew Susanne at the cleaning table, including the bride, groom, and an adversary, using gray ink and chalk on paper mounted on canvas.

Two Studies, Each of Three (Historical ) Characters, Two Male and One Female: a pair, Robert Blyth, 1750-1784, after John Hamilton Mortimer, 1740-1779, British, 1780, Etching

London, Colnaghi & Co, Amsterdam, Maaskamp, Evert, Os, Georgius Jacobus Johannes van, Kuyper, Jacques, Portman, Ludwig Gottlieb, I will pay you nothing more for the shrimps; but have you also haddock, Je ne vous donnerai rien de plus pour les chevrettes; but with you the merlan, Fishmonger, verso - stamped, A fisherwoman in traditional costume carries a fish basket on her head and a basket on her arm. Opposite her is a woman who wants to buy fish from her., book illustration, costume print, prints, illustrations, lr: L. Portman sculpt.; l o J. Kuyper direx.; mo Amsterdam 1804 by E. Maaskamp, I will pay you nothing more for your shrimps...; I don't give you anything more..., height 234 mm, width 160 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1803 - 1807, first quarter 19th century, paper, papier, stippelets, etching, hand colouring, 1761-06-29 - 1808-06-01, supervision, Nederlands, 1782-11-20 - 1861-07-24, intermediary draughtsman, after a drawing by, Publication

Luigi Schiavonetti, 1765-1810, Italian, The Father's Admonition, 1801. Stipple.

Henry Dawe, 1790-1848, British, The Life of a Nobleman: Scene the Third - The Night House, undated. Brown wash over graphite on medium, morderately textured, cream wove paper.

The pursuits discover the cunning that Penelope emplojes, to escape their perse. (Odkrycie przez zalotników pdststępu penelopy z krosnami, z: the Odyssee of Homere ), w: oeurvre de Flaxmann Collection of His serious compositions by back, with analysis of the divine comedy of the Dante and notice on Flaxman. Various subjects. Paris 1847 . FERRERI, Vincenzo (Fl. 1845), Flaxman, John (1755 1826), Audot, bookseller editor, Paris rue du Paon 8, school of medicine

Print made by Anthony Cardon, 1772-1813, Flemish, Do You want any Matches, 1794. Stipple engraving, printed in color.

La Rose mal defendue (The Poorly Defended Rose). Dated: in or after 1791. Medium: hand-colored aquatint with etching and engraving (roulette and stipple). Museum: National Gallery of Art, Washington DC. Author: Bonnemain (family member) after Philibert-Louis Debucourt.

Opening a Vein 1784-86 Thomas Rowlandson. Opening a Vein. Thomas Rowlandson (British, London 1757-1827 London). 1784-86. Etching. Prints

James S King, The Vesper Hour, 1884 The Vesper Hour

Robert Burns and His Highland Mary 1846 Lithographed and published by Nathaniel Currier. Robert Burns and His Highland Mary. 1846. Hand-colored lithograph. Lithographed and published by Nathaniel Currier (American, Roxbury, Massachusetts 1813-1888 New York). Robert Burns (British, Alloway, Ayrshire, Scotland 1759-1796 Dumfries). Prints

Mrs. Showell, the Woman who shows General Guise's Collection of Pictures at Oxford February 26, 1807 Thomas Rowlandson. Mrs. Showell, the Woman who shows General Guise's Collection of Pictures at Oxford. February 26, 1807. Hand-colored etching. Prints

Love in the well. A woman and a man in love kiss at a waterhole, painting by Emíle Pierre Metzmacher (1815-1890) was a French painter, specializing in genre and portraiture. Old 19th century engraved illustration from La Ilustración Artística 1882

Morriën, Johannes Henderikus, Netherlands, Weissenbruch, Isaac, Interior with kneeling young woman in prayer, print, prints, height 104 mm, width 119 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving, Work conception, 1819-02-08 - 1878-04-29

Paris, Gihaut frères, Villain, Jean-François, Delacroix, Eugène, Hamlet, Que lisez vous, Monseigneur, Polonius asks Hamlet what he is reading, verso - stamped, Print is part of a cover with fourteen prints., print, prints, height 548 mm, width 356 mm, 1798 - 1863-08-13, print maker, printmaker, 1834 - 1864, paper, papier, lithografie (techniek), Frans, 1790, printer, drukker, Publication (Event), Publicatie, publisher

New Mack'rel. Dated: 1795. Medium: color stipple engraving. Museum: National Gallery of Art, Washington DC. Author: Niccolò Schiavonetti after Francis Wheatley.

Pea headscapes. (Title registered) | The cries of Paris first suite. (Title of all)

Alexander Hamilton. Etching by J. Kay, 1786.

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