Intricate Architectural Etchings

Detailed etchings featuring architectural interiors and ruins, showcasing the craftsmanship of historical structures and decorative elements.

Title and 1 print of a series of buildings, print maker: Jean Laurent Legeay, 1732 - 1786, paper, etching

Intérieur à L'Escalier en Limaçon (Interior with a Spiral Staircase) 19th century Rodolphe Bresdin French. Intérieur à L'Escalier en Limaçon (Interior with a Spiral Staircase). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 19th century. Etching. Prints

Bliżej Kultury Matejko, Jan (1838 1893)

Giovanni Battista Piranesi, The Lion Bas Reliefs, published 1761 The Lion Bas-Reliefs

Figures around an allegorical burial monument for Cloudsley Shovell, Nicolas Henri Tardieu, After Domenico Maria Fratta, After Marco Ricci, After Sebastiano Ricci, 1735 - 1741 print Paris paper etching / engraving grave, tomb. ornamental fountain. obelisk, needle

Title and 1 print of a series of buildings, print maker: Jean Laurent Legeay, 1732 - 1786, paper, etching

Wooden stick panel depicting the deduction of soldiers by the bearded man in Emperor Maximilian I's Weißkunig, created by Hans Burgkmair the Elder between 1514 and 1516, showing military figures and landscape elements.

The Sawhorse, plate 12 from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

The Flight into Egypt. Dated: 1768. Dimensions: plate: 19.6 x 16.4 cm (7 11/16 x 6 7/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Laurent Legeay.

Giovanni Battista Piranesi, Prisoners on a Projecting Platform, published 1749 1750 Prisoners on a Projecting Platform

Print, Carceri Series, Plate XII; Giovanni Battista Piranesi (Italian, 1720-1778); Italy; etching; 41.5 x 55.7 cm (plate mark)

Church with stone reliefs with lions, Giovanni Battista Piranesi, 1761 print Face in a monumental space, a dungeon, with two large stone reliefs with representations of Leeuwen in the foreground. Numbered in the top left: V. Rome paper etching / engraving prison, jail. piece of sculpture, reproduction of a piece of sculpture. prisoner; in fetters

Stable with cattle and hay wagon, Jean Louis Demarne (Attributed to), 1762 - 1829 print paper etching stall, stable. sheep. milking. hay-wagon

Giovanni Battista Piranesi (Italian, 1720-1778), Title Plate, published 1749-1750, etching, engraving, sulphur tint or open bite

The Sawhorse. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1749-50. Prints; engravings. Etching, engraving, sulphur tint or open bite, and scratching

Graftombe Aan de via Cassia, Giovanni Battista Piranesi, c. 1756 - c. 1757 print View of the remains of a tomb on the Via Cassia (called Tomb van Nero), five miles outside of Rome. Title and text in STUDMARGE. Numbered above: Tom. III. / XIV. Rome paper etching grave, tomb. landscape with ruins. ruin of a building ~ architecture Rome. Via Cassia

The Gate. Lyonel Feininger; American, 1871-1956. Date: 1911. Dimensions: 313 x 253 mm (comp.); 375 x 296 mm (sheet). Pen and black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Marco Ricci, Capriccio Ruins Capriccio: Ruins

The Well, plate 13 from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Carceri d'invenzione. Plate. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Prisons, Capricci

Die Irre, from the series: Hans Baluschek, 6 OriginalLithographien; Baluschek, Hans (1870-1935), Carl P. Chryselius'Scher Verlag (Berlin; Publisher; Fl. Ca 1915-1930); 1920; 1921 (1900-00-00-1950-00-00);

Stage design for the opera Don Carlos by G. Verdi by Ryndin, Vadim Fyodorovich (1902-1974) State Tretyakov Gallery, Moscow 1950s Pencil on Paper 18,5x28,5 Russia Theatrical scenic painting Opera, Ballet, Theatre Painting

The Staircase with Trophies, from Carceri d'invenzione (Imaginary Prisons) ca. 1749-50 Giovanni Battista Piranesi Italian. The Staircase with Trophies, from Carceri d'invenzione (Imaginary Prisons) 362676

Sir David Young Cameron, 1865-1945, British, The Palace, Stirling Castle, 1893. Etching.

Giovanni Battista Piranesi, The Drawbridge, published 1750 1758 The Drawbridge

Groot Wiel, Giovanni Battista Piranesi, 1761 print Large wooden wheel on a stone structure. Numbered in the top left: IX. Rome paper etching / engraving wheel (of vehicle). ruin of a building ~ architecture

La maison maudite' by Félix Hilaire Buhot (1847-1898), created between 1874 and 1879, is an etching, drypoint, and roulette artwork, noted in its state with a standard reference number

Frontispiece: Prima Parte di Architetture,e Prospettive. Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 15 13/16 x 10 1/16 in. (40.2 x 25.5 cm)Plate: 14 3/16 x 13 5/16 in. (36 x 33.8 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: Rome, ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.

Hans Burgkmair the Elder's woodcut from *Der Weisskunig* depicts the support of a prince by the emperor. Created between 1514 and 1516, it illustrates the political alliances and patronage during Emperor Maximilian I's reign.

Atelier de magisserie aux Gobelins. Dated: published 1901. Medium: wood engraving. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Jeanne d'Arc (Joan of Arc) (Furnishing Fabric) Made 1815-1825 Rouen. Cotton, plain weave; engraved roller printed . Fleury François Richard

Ruins with vase. Ruin with vase and other antique remains. Links two standing figures. Numbered in a later state: 21. Part of group of prints from one of the four series of vases, ruins, tombs and fountains with a total of around 25 sheets.

Florence. Jabłczyński, Feliks (1865-1928), graphic artist

Prisoners on a Projecting Platform. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

Etching by Louis Simon Lempereur depicting a garden scene symbolizing love, created between 1748 and 1807, showing figures, plants, and decorative elements.

View of the Remains of the Bath of Diocletian and Maximian..., 1756, Giovanni Battista Piranesi, Italian (Rome), Italian, 1720-1778, 4 3/8 x 10 3/4 in. (11.11 x 27.31 cm) (plate)6 5/8 x 13 1/4 in. (16.83 x 33.66 cm) (sheet), Etching, Italy, 18th century

Woodcut by Hans Burgkmair showing Emperor Maximilian I welcoming his daughter Margaretha and his grandchildren, the children of Philipp, created on pear wood between 1514 and 1516.

The Laundress. François Boucher; French, 1703-1770. Date: 1756. Dimensions: 315 × 225 mm (plate); 333 × 247 mm (sheet). Etching, with traces of engraving, in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Francois Boucher.

Palisades and palaces , Cities & towns, Rivers, Ships, Cliffs, Railroad trains, Railroad tracks. Joseph Pennell (1857-1926). Prints and Drawings

Jacques Callot (1592-1635). "The whims, the pastre and the ruins. Fifth number of the suite of 50 pieces engraved in Nancy" (Lieure 432, Meaume 777). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99605-12 Etching, engraving

Venetian Bridge, 1884. Frank Duveneck (American, 1848-1919). Etching;

Antique Monuments n.d. Louis François Petit Radel French. Antique Monuments 385752

1893 Art Work - At the Chat Noir - Louis Auguste Lepere.

Design for a corner of painting ceiling, architectural perspective. Artist: Anonymous, Italian, Piedmontese, 18th century. Dimensions: 13-3/4 x 9-7/16 in. (35 x 24 cm). Date: 1700-1780. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Battista Piranesi, Title Plate, published 1749 1750 Title Plate

Fontainebleau Forest: Quarryman's Lodge (La Forêt de Fontainebleau: Une loge de carrier), 1890. Auguste Louis Lepère (French, 1849-1918), A. Desmoulins, Published in Revue Illustrée, 1887-90. Wood engraving from bound volume of 34 ; image: 5.6 x 8.2 cm (2 3/16 x 3 1/4 in.).

Tower with country names, Carel Adolph Lion Cachet, 1917 print A tower in the scaffolding with the name of an area on each floor. From bottom to top: America, England, France, Russia, Italy, Japan and Africa. Above the tower the text: "The one that has been, that's now, and what will be, that has already been. paper letterpress printing the building of the Tower of Babel; Nimrod may be present, supervising or assisting the construction Northern and Central America. England. France. Russia. Italy. Japan. Africa

Prisoners on a Projecting Platform, plate 10 from Carceri dInvenzione (Imaginary Prisons). Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Representation of King Philipp and his faithful being received in Castile in the Weißkunig chronicle of Emperor Maximilian I by Leonhard Beck, carved on a wooden stick between 1514 and 1516.

La Dance de lOurs (The Dancing Bear). Etcher: Jean Claude Richard de Saint-Non, French, 1727-1791 After: Jean-Honoré Fragonard, French, 1732-1806

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), Boissy d'Anglas presiding over the National Convention, the 1st Prairial An III according to Delacroix (IFF: 384; Beraldi: 341) (Title principal), 1880. Etching, chisel and dry tip on vellum of filigranned arches. Petit Palais, Museum of Fine Arts of the City of Paris.

Wooden stick from 1514-1516 showing the White King inviting red, white, and black societies and planning revenge on the Blue King in Leonhard Becks 'Weißkunig' series of Emperor Maximilian I.

Drawing, Architectural Details in Classical and Pseudo-Classical Style; Designed by Romolo Achille Liverani (Italian, 1809 - 1872); Italy; graphite, pen and black ink, brush and bistre, gray watercolor on paper

A 1517 wooden print by Leonhard Beck depicting Saint Modualdus, from the series of saints connected to Emperor Maximilian I's family.

Carceri Series, Plate VIII, Giovanni Battista Piranesi, Italian, 1720-1778, Etching, Vertical rectangle. Piers separate large arcades, spanned by wooden bridges, and a broad staircase rises in the center middle distance. Four figures in the left center foreground. Upper right, Calcografia number 356., Italy, 1745, Print, Print

Drawing, Playing card; king of clubs; Alexander the Great; France; a: wood engraving, body colors; b: pencil, watercolor, white heightening; cardboard

Frieze in Classical Style, A Villa Upon a Hill, Romolo Achille Liverani, Italian, 1809 - 1872, Pen and black ink, brush and bistre, gray watercolor, graphite on paper, Vertical rectangle. At left, horizontally, a fragment of an entablature with a high frieze whose lower edge is formed like a step. At left, a festoon supported by two mermaids; at right, a trophy with the figure of a captive bound to it. At right, a villa upon the peak of a hill, with a peasant house below., Italy, ca. 1840, architecture, Drawing, Drawing

Bliżej Kultury Zabłocki, Feliks (1846 1874)

HER MAJESTY'S VISIT TO MENTONE

Rome, Piranesi, Giovanni Battista, Carceri d'invenzione, Dungeons, Dungeon with stone reliefs with lions, verso - stamped, View of a monumental space, a dungeon, with two large stone reliefs with representations of lions in the foreground. Numbered top left: V., print, prints, height 561 mm, width 412 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1761 - 1761, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by, Publication (Event), Publication, publisher

Robin's court ,. Sir David Young Cameron (1865-1945). Prints

Bernhard Zaech after Jonas Umbach, Goats before Ruins and a Pyramid, c 1650 Goats before Ruins and a Pyramid

. Etching on ivory laid paper

Drawing by Ferdinand Boberg. Dalarna, Säfsnäs sn., Gravendal Nordic

Flogging; The little passion. Christ, tied to a pillar, is beaten by three men with branch forests. This print is part of the 'De Kleine Passie' print series, consisting of 12 scenes from the suffering story.

Bracquemond, Félix (n.1833-05-22-D.1914-10-29), Boissy d'Anglas presiding over the National Convention, the 1st Prairial An III according to Delacroix (IFF: 384; Beraldi: 341) (Title principal), 1880. Etching, chisel and dry tip on vellum of filigranned arches. Petit Palais, Museum of Fine Arts of the City of Paris.

Speculum Romanae Magnificentiae, Antonio Lafreri, 1512-1577, French, 1546-1590, Line engraving on medium, slightly textured, cream laid paper

Depicts a Gil Blas scene by August Xaver Karl von Pettenkofen using bister and feather with lavement, showing figures, gestures, clothing, architecture, and landscape elements.

Parviainen, Oscar, work name: Tunisin 'Kuparitorni', etching, graphics, plate width 16 cm, plate height 23, 9 cm, leaf width 31.5 cm, leaf height 53.2 cm

Palisades and Palaces. Joseph Pennell; American, 1857-1926. Date: 1908. Dimensions: 278 x 214 mm (image); 335 x 237 mm (sheet). Etching ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Pen and pencil illustration by Hanuš Johann Peter Paul Schwaiger, one of 40 drawings on 32 boxes, depicting Bremen City Musicians, created in 1891.

Reproduction of the illustrations of Stanis Way Kaczora-Batowski (1866-1946), to the song "O Mitt Hospodarsk" Teodor Jeske-Choi (... went out of the face ...); Z: "W Drowiec" 1903; Wierzbicki B. and S-ka (Warsaw; Graphic Zaki; 1897-1944), W Drowiec (Warsaw; magazine; 1863-1906); 1903 (1866-00-00-1891-00-00);

Letter I and a number of objects from the nineteenth century, including a gear and a steam locomotive, Isaac Weissenbruch, after Johannes Henderikus Morriën, 1836 - 1912 print Netherlands paper fancy letters. steam locomotive

Drawing by Ferdinand Boberg. Västmanland, Lindes Blg., Lindes Landslg., Dalkarlsshyttan Nordic

Fireworks at the celebration of the Peace of Utrecht, 1713; Figure of the theater with Syn Ornaments and Convy-Vuurreck, founded by orders from her Ed. Large: the Lord States of Holland and West Vriesland (...) in 's Gravenhage, in the Vyver (...) / Figure du Theater Avec Ses Orgenens, et un Curieux Artifice de feu, Fait Construire Par Ordre de Leurs Hauts Puissants Messeigneurs Les Estats D'Hollande et West Frise Dans Le Vivier a la Haye (...). Stellage with fireworks set up commissioned by the states of Holland and West Friesland on the Hofvijver in The Hague at the celebration of the peace of Utrecht, 14 June 1713. Central is the Temple of Janus awarded by the Hollandse Virgo with freedom hat in the Dutch Garden. The temple is surrounded by sitting figures of faith, freedom, commerce, science and the arts. Men are working on the fireworks in different places. At the bottom of the title and legend 1-21 in Dutch and French. The names of the firework makers are now added to the caption

Vuë des restes de la celle du temple du Neptune (View of the remains of the cella of the temple of Neptune), from Différentes vuesde Pesto. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

Scene at the Mariahilfer line in Vienna, on October , right, on October , Johann Kratschmer, publisher

Keys, chains and ax for a gallows, Henri Charles Guérard, 1856 - 1897 print Paris paper etching illustration ~ printed matter, book. instruments of torture, execution or punishment: gallows

Monument, right of Dogan-lu Doganli valley. Prints, Illustrations. 1842. General Research Division. Turkey, Lydia (Kingdom) , Antiquities, Monuments & memorials , Turkey

Landscape with a bridge and a ruin; Landscapes and ruins; Amoenissimae Aliquot Regiunculae.landscape with a Stone Bridge and Ruin. Fourteenth Print from a Series or Eighteen.

John Horsburgh, 1791-1869, British, Calais (Vignette), 1836. Line engraving.

Elihu Vedder, Orvieto, c 1890 Orvieto

The Laundress 1756 France. Etching, with traces of engraving, in black in ivory laid paper . François Boucher

Kirkham Priory, York. John Sell Cotman (England, Norwich, 1782-1842). England, 1811. Prints; etchings. Etching

Tuscany Siena Poggibonsi S. Lucchese4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Michel Aubert's 1732 copper engraving depicts a promenade on the ramparts, showing figures walking, architectural details, and landscape background.

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Dimostrazioni dellEmissario del Lago Albano (Illustrations of the Emissarium of Lake Albano), VII, from Descrizione e Disegno dellEmissario del Lago Albano, Etching, platemark: 41.4 × 64.2 cm (16 5/16 × 25 1/4 in.), Made in Italy, Italian, 18th century, Works on Paper - Prints

Floods (Inondation). Dimensions: 43.6 cm x 60.3 cm, 19.8 cm x 24.7 cm, 8.7 cm x 9.1 cm. Museum: Van Gogh Museum, Amsterdam. Author: Charles S. Ricketts.

Street with figures, 1924 - 1925 Page 19 from a sketchbook with 87 magazines. India paper. watercolor (paint). pencil brush street (+ city(-scape) with figures, staffage)

Lazio Roma Carpineto Romano S. Leone5. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Wooden stick artwork by Hans Burgkmair the Elder, part of the "Weißkunig" series, depicting Moran's storming, created between 1514 and 1516.

Flags flying : Union Station, Washington , Railroad stations, Flagpoles, Flags. Joseph Pennell (1857-1926). Prints and Drawings

CONTY FIREWORKS AND IMMUMINATION TEMPEL, at the expense of the Heeren Students of the Utrecht Akademie in honor of Zyne / Doorl. Hoogheit Vervaerdigd; With the lighting fireworks on July 10, 1766.

Wooden stick panel showing Queen Leonora in Emperor Maximilian I's Weißkunig, created by Leonhard Beck between 1514 and 1516, depicting regal figure and decorative elements.

After Albrecht Dürer, Nativity, After 1504, engraving on paper.

Study for the Vignette of Lucretius's De la Nature des Choses , Vol II, Book VI 1758-1773 France. Pen and black ink, with graphite and traces of black chalk, on gray laid paper, incised for transfer and perimeter mounted on cream laid paper . Hubert François Gravelot

The Jean-Goujon Street Disaster: Fire of the Bazaar of Charity

Vault with guard. .

Happy water fountain te Rome; View of the Happy Water Castle (...); Gezichten op Rome; Views of Rome designed and engraved by Giambattista Piranesi Architect Ve (Nez) iano. Gezicht Op de Fontana of Happy Water (Mozesfontein) Te Rome. Op de Achtergrond de Santa Maria della Vittoria. Titel Op Banderol Midden Onder.

Church Interior, Venice, plate sixteen from the North Italian Set 1896 Scotland. Etching on ivory laid paper . David Young Cameron

Tuscany Siena Asciano Museo di Arte Sacra1. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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