Intricate Textile Designs

A collection of textile patterns featuring floral motifs, geometric shapes, and rich colors, showcasing historical design styles and materials.

Ten dogs in and for a doghouse, Dirk Jurriaan Sluyter, 1821 - 1886 copper (metal) engraving

Drawing; Probably a Design for a Textile

Sample of printed IInen Unknown, Wiener Werkstätte

Fragment of white with blue striped side lampas with pattern of stems with leaves in which pomegranates are caught and smaller flower branches, James Leman (Possible), c. 1700 - c. 1750 Fragment silk tissue with a pattern of wide blue lanes on which a thick wavy trunk with splits, causing a thin, wavy trunk. The thick trunk has large fruits (pineapple () And the thin trunk has a leaf rosette. The white lanes have a pattern of a track in which a pattern of windows and rosettes. The fragment consists of three sewing fragments. designer: France (possibly)England (possibly) silk lampas (textile material) / twill Fragment silk tissue with a pattern of wide blue lanes on which a thick wavy trunk with splits, causing a thin, wavy trunk. The thick trunk has large fruits (pineapple () And the thin trunk has a leaf rosette. The white lanes have a pattern of a track in which a pattern of windows and rosettes. The fragment consists of three sewing fragments. designer: France (possibly)England (pos

Bliej Kultury unknown

Ten dogs in and for a doghouse, Dirk Jurriaan Sluyter, 1821 - 1886 copper (metal) engraving

Fragment Made 1701-1800 Japan. Plain compound satin, silk and gilt paper; 3 strips to m.m. .

Painting with a representation of two herons standing in the water. In wooden box.

Template with blocks and lines, Anonymous, 1800 - 1909 Japanese template (Katagami) with a pattern vertical blocks with different stone structures and horizontal lines. A sheet of gold paper behind the template. Japan paper cutting ornament ~ geometric motifs

Untitled Valentine (Reclining Couple with Putti). Berlin and Jones; American, 19th century. Date: 1860-1869. Dimensions: 81 x 130 mm (folded sheet). Collaged elements on cut and embossed (designed) ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Berlin and Jones.

Fan Mount: Ballet Girls 1879 Edgar Degas French In 1879, when Degas created this work, he was organizing a gallery at the Salon des Indépendants devoted to the painted fans of Félix and Marie Bracquemond, Jean-Louis Forain, Morisot, Pissarro, and himself. Cassatt, who owned this fan, considered it "the most beautiful one that Degas painted." She sold it to Louisine Havemeyer in 1919.. Fan Mount: Ballet Girls 436142

A pencil study by Alois Delug showing a sleeve, with white heightening on gray paper, prepared for the painting 'The Refugees'.

Piece 18th century Japan. Piece. Japan. 18th century. Silk / Compound weave. Edo period (1615-1868). Textiles-Woven

Sidewall (France); block-printed on handmade paper; 73 x 23.5 cm (28 3/4 x 9 1/4 in.)

Salt Dip. Dated: c. 1936. Medium: watercolor, gouache, pen and ink, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: John Dana.

Klomp Johannes Franziskus (1865-1946), grave monuments, altars and church details (0-0): ornament sketch. Pencil on transparent, 15.5 x 25.2 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Grabdenkmäler, Altäre und Kirchendetails

Textile Fragment 8th century. Textile Fragment 454029

Plate one, from A Harlot's Progress Made 1732 England. Hogarth engraved these six copper plates (1964.254ñ59) with a burin, a sharp metal tool used to incise swelling lines directly into a flattened copper surface. He worked in reverse of the final printed images, which were produced by inking the plates and running them through a roller press with dampened sheets of paper on top. The small cross at the bottom of each plate was added when Hogarth issued the second state, released over a decade after the first, much copied edition. The prints on view nearby are early second state impressions, made before the addition of other changes and noticeable wear.. Copperplate . William Hogarth

Copper etching by François Perrier from 1645 depicting a Roman relief, including figures, architectural motifs, and ornamental carvings in classical style.

Fragment, Medium: silk Technique: 5-harness satin damask, Yellow damask with a large scale symmetrical design showing crown and foliage., Spain, 17th century, woven textiles, Fragment

Epitaph Tablet for Bak Eun (1479-1504), from a Set of 14 Korean. Epitaph Tablet for Bak Eun (1479-1504), from a Set of 14, 1509. Porcelain with underglaze, 9 3/8 × 6 1/8 × 1 3/8 in. (23.8 × 15.6 × 3.5 cm). Asian Art 1509

Six Egyptian sculptures, including a sculpture of Tawaret and Toth, Anonymous, c. 1890 - c. 1895 photograph photographic support gelatin silver print sculpture. representations ~ Egyptian goddesses, demi-goddesses, heroines, etc. (TAWARET). representations ~ Egyptian gods, demi-gods, heroes, etc. (TOTH)

Cart on a road with trees, Willem de Zwart, c. 1898 Etabes of zinc for the etching 'cart on a road with trees' ca. 1898. Netherlands zinc etching

Wall facing, tin-glazed earthenware, underglaze, Two vertical rectangles, twenty-three tiles high. A) Nine tiles wide at top; seven tiles wide at bottom. B) Ten and one-half tiles wide., Arabesque design of foliage. A) with centered figure of Justice under a canopy. B) with centered urn., Possibly Delft, Netherlands, Possibly Rotterdam, Holland, ca. 1725, tiles, Decorative Arts, Wall facing

Fragment, Medium: silk, metallics Technique: woven, 18th century, woven textiles, Fragment

Chintzes from Quilt. Dated: c. 1938. Dimensions: overall: 35 x 45.1 cm (13 3/4 x 17 3/4 in.) Original IAD Object: 78" wide; 94" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Catherine Fowler.

Two pieces of German embroidery from around 1720, from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype embroidery (ornamentation) Artificial museum

Tablet from the foundation deposit of Mentuhotep II ca. 2060-2010 B.C. Middle Kingdom This tablet comes from a foundation deposit placed at the southeast corner of the terrace of Mentuhotep II's mortuary temple. There were four such deposits, each containing food offerings laid out in pottery dishes and miniature jars with mud stoppers that once held wine or beer. Across the top of each deposit were laid four flat mud bricks. One of these was solid; embedded in each of the other three was tablet, inscribed with the king's names and made out of one of the other materials to be used for building the temple, namely wood, stone, or metal. This example is made of a copper alloy. Tablet from the foundation deposit of Mentuhotep II 544004

Drawing, Textile Design: Palestrina; Designed by Unknown; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 1.3 × 6.4 cm (1/2 × 2 1/2 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Fresco Fragment. Unknown

Kesa. Japan. Date: 1801-1825. Dimensions: 132.1 x 29.9 cm (52 x 11 3/4 in.). Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

The Laundry (La Lessive). Dated: 1888. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: Emile Bernard.

Dobbs & Company Manufacturers. Dobbs & Company, Soho Square, London, Print made by unknown artist, undated, Embossed print on medium, gray, slightly textured wove paper, Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)

John Varley, 1778-1842, British, From an Album of Sixty-one Topographical Sketches. Graphite.

Album with series faces in Java, Willem Jan Gordon, after Adrianus Johannes Bik, 1822 - 1845 Prentalbum with a series of six lithographs of faces in Java and the title print. Album with cover covered with marble paper in which lithographs bound. cardboard. marbled paper. leather. paper agate marbled paper / stone marbled paper city-view in general; 'veduta' Java

Sidewall, Leather, stamped, silvered, painted, With black field, flowers and diapered scrollwork., Flanders, ca. 1710, Wallcoverings, Sidewall

Print

Prison gate in The Hague for the restoration, 1907 copper (metal) etching

Drapery. Page 108 from a sketchbook with 158 pages.

Design for Ornamental Border with Foliage, Putti and a Lion's Head. 1535-1607 Alessandro Allori Italian. Design for Ornamental Border with Foliage, Putti and a Lion's Head. 341926

Le Geraristere, Spa ..

Kim Tschang-Yeul (born in 1929). Recurrence. Oil on canvas. 2004. Paris, Cernuschi museum. Contemporary art, caligraphy, repetition, oil on canvas

Relief block from a temple of Amenemhat I. Dimensions: H. 31 cm (12 3/16 in.); W. 171.5 cm (67 1/2 in.); D. 13.3 cm (5 1/4 in.). Dynasty: Dynasty 12. Reign: reign of Amenemhat I (coregency with Senwosret I). Date: ca. 1962-1952 B.C.. Museum: Metropolitan Museum of Art, New York, USA.

Textile Fragments, Unascertainable or Textile Fragments, Undetermined Paracas Necropolis. , 800 B.C.E.-600 C.E. Cotton, camelid fiber, a: 11 7/16 x 6 11/16 in. (29.0 x 17.0 cm). Arts of the Americas 800 B.C.E.-600 C.E.

Square with weapon and caption "Gijsbrecht Matheusz van der Liefde ... 1641". Large window with arm including two cartouches in which (Gijsbrecht (....) 1641). The diamond with year is new. Note: Belongs to a group of four windows (BK-LXI, LXII, LXIII and LXIV).

A photograph taken of the Abu Simbel Temple, in Nubia, Southern Egypt, near the border with Sudan. The complex is a UNESCO World Heritage Site. The temple dates to the 13th century BC, during the 19th dynasty reign of the Pharaoh Ramesses II. It is a monument to the king and commemorates his victory at the Battle of Kadesh. The complex was relocated in its entirety in 1968 under the supervision of a Polish archaeologist, Kazimierz Michalowski, on an artificial hill made from a domed structure, high above the Aswan High Dam reservoir.

Fragment white sides damask, with pattern of marigolds surrounded by showers with flowers and leaves, anonymous, c. 1720 Fragment white sides damask with a pattern of marigolds surrounded by showing flowers and leaves. silk damask Fragment white sides damask with a pattern of marigolds surrounded by showing flowers and leaves. silk damask

Niezarysowana strona; verso, kaskada na rzece w okolicach Covigliaio. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

Sidewall, Block-printed paper, Nearly two widths; wide band with axial vine set with fuchsias, alternating with narrow band of shaped medallions, enclosing roses, outlined by blue reserve. Printed in grisaille with blue., England, 1845-55, Wallcoverings, Sidewall

Panel (Spain); wood

Fragment of a curtain of printed cretonne with swans and lissen, Michiel Duco Crop, c. 1900 Fragment of a curtain of printed cretonne with swans and llissen. Helmond linen (material) printing Fragment of a curtain of printed cretonne with swans and llissen. Helmond linen (material) printing

Chintz fragment, Medium: cotton Technique: mordants for 2 reds and purple applied by pen and brush; madder dyed; blue applied over resist; yellow applied by brush; chitnz on plain weave, Portion of one end of a fabric showing blue heading and exotic flowers., India, 18th century, printed, dyed & painted textiles, Chintz fragment

Waka Poem late 16th-early 17th century Emperor Go-Yzei This vertical poetry slip (tanzaku), mounted as a hanging scroll, has elegant underpainting in gold and silver showing a motif of submerged cart wheels amid gentling rippling waves in stream. This decorative motif is said to have derived from the Heian practice of soaking the wheels of ox carts in water to prevent them from drying out and cracking. A popular theme during the Heian period onwards among works with a courtly connection, this design can also be found on bronze mirrors and the decorated papers used for deluxe sutra scrolls.Though unsigned, the calligraphy has been passed down through the centuries as being from the hand of Emperor Go-Yzei, a monarch known for his cultural accomplishments, including a skilled hand in calligraphy in various styles. The exuberant yet gracefulwriting, with each kanji or kana distinctly inscribed and closely juxtaposed—but not crowding or overlapping each other—was a hallmark of his

The Bridge, Santa Marta Made 1879-1880 United States. Cancelled copper plate . James McNeill Whistler

Architectonic foreshortening with naumachia, by Unknown, 62 - 79, 1st Century, painted stucco. Italy, Campania, Naples, National Archaeological Museum, from Pompeii, Isis Temple. Detail. Red rinceaux frame naumachia architectural decoration naval battle.

Veil, Medium: linen Technique: appliqué on net, bobbin lace, Veil of detached sprays of bobbin lace with needlepoint centers applied to machine-made net to form a semicircular veil., Belgium, early 19th century, lace, Veil

Sketchbook with 33 magazines means around the Ewijkshoeve, Willem Witsen, c. 1886 Sketchbook consisting of 33 magazines with women working on the land. A few studies on the cover, including a study of a potato rooister. Ewijkshoeve paper. boekband: cardboard. boekband: linen (material). chalk landscapes in the temperate zone. potatoes. reaping, picking, mowing ~ harvest. farmers - AA - female farmer, farmer's wife

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 359097

Sketches for Faith, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Faith is shown twice. The angel kneels beside her, at left, and is shown seated beside her, at right. Verso: A woman's face, top left; in profiile toward left, bottom right., USA, 1893-94, figures, Drawing, Drawing

Portret met orde van Gulden Vlies.Glass plate in wooden mount. Foot portrait of a royal figure with cloak and sword. He carries a small millstone collar and the chain of the order of the golden fleece.

PECES - SIGLO XX - OLEO SOBRE TABLA - 150x122. Author: JOSE VAZQUEZ CEREIJO. Location: PRIVATE COLLECTION. Coruña. SPAIN.

Renaissance ornament

Study for a Border Design. Dated: 1890/1897. Dimensions: sheet (irregular): 4.4 × 7.3 cm (1 3/4 × 2 7/8 in.) mount: 30.2 × 46.3 cm (11 7/8 × 18 1/4 in.). Medium: gouache and graphite on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Sprague Pearce.

George Beyer and Gene Luedke, Window Shade, c 1937 Window Shade

White embroidery project for a napkin Bojarska, Irena, studio of the Industrial Museum

Suffolk Latch. Dated: c. 1939. Dimensions: overall: 28 x 22.8 cm (11 x 9 in.). Medium: watercolor, graphite, and goauche on paperboard. Museum: National Gallery of Art, Washington DC. Author: Regina Henderer.

Deraisme, Pierre -Georges (n.1859 - D.1932), Dragon Broche (main title), 1899. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Lex Malacitana. Legal table that contains part of the law granted to the Municipium Flavium Malacitano (Malaga). 81-96 AD. Bronze. From Malaga, Andalusia, Spain. National Archaeological Museum. Madrid. Spain.

Prunus dated 1532 or 1592 Attributed to Zhou Zonglian Chinese. Prunus. Attributed to Zhou Zonglian (probably Ming dynasty (1368-1644)). China. dated 1532 or 1592. Hanging scroll; ink on silk. Ming dynasty (1368-1644). Paintings

Detail of tile tableau with top of easel and throne; Details of tile tableau with the studio of Jan van Eyck, depicted on the south facade. .

Drawing: A study for folded hands, Black crayon and white heightening on blue paper, Horizontal composition of folded hands. On the reverse is the continuation of the head -2749 and the bust, Italy, ca. 1760, figures, Drawing, Drawing

Sidewall (USA); machine-printed; 56 x 51 cm (22 1/16 x 20 1/16 in.)

Two Designs for the Decoration of Firearms ca. 1797-1805 Workshop of Nicolas Noël Boutet French. Two Designs for the Decoration of Firearms. French, Versailles. ca. 1797-1805. Pencil, ink, gray wash on paper. Versailles. Works on Paper-Drawings

Stencil early 19th century Japan. Stencil 69115

Panel Made 1735-1736 France. Silk, warp-float faced 7 1 satin weave of two-color complementary ground wefts with supplementary patterning and brocading wefts bound in twill interlacings and supplementary binding warps tying some self-patterning ground wefts in plain interlacing .

Figure of a woman - (unidentifiedillustration). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Laces, 20th century. Sample of needle laces and inserts for curtains, with patterns drawn from a work made by the artist Giulio Rosso, Michelangelo Jesurum Manufacture.

Portrait, Lucie van Dam van Isselt, 1914 drawing cardboard. oil paint (paint) brush anonymous historical person portrayed alone

Vue de la grande Mosquée Atter Ennabi, et du village de Deir Etiin.. Norden, Frederik Ludvig, 1708-1742. Illustrations, Prints. 1780. General Research Division. Egypt , Description and travel, Egypt , Antiquities, Boats , Egypt, Mosques , Egypt, Villages , Egypt, Game bird hunting , Egypt

What does this coffee mean Cholewy. Illustration to: Jan Baka, comments on the inevitable poem to all the common poem, Vilnius 1807; 1807 (1807-00-00-1807-00-00);

A sketch sheet by Rudolf Weyr made with red feather and foil, displaying line work and metallic reflections.

Returning Home after Harvest. Origin: China. Date: 14th-15th century. Ink and color on silk. Period: Yuan or Ming dynasty. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Drawing, Design for a Candelabra; Italy; pen and ink, brush and wash on paper

Napkin with the plus oultre pattern, anonymous, 1612 Linnamast napkin with the plus Oultre pattern. Midfield: Emperor Charles V with Kroon and with the Rijkszwaard for itself; Under the sword the Rijksappel; Above the emperor a spell band with inscription Carolus; Under the image the crowned columns of Hercules, standing in the water, and enclosed by a text band with inscription: Plus Oultre. Aside a double row of weapons of Dutch regions with the name of the region in Gothic tiny: Zutphen, St Empire, Zeelant, Namur. Above the latter two weapons the year 1612 and a large crowned shield with the weapon of Habsburg. Above that again a double row of provinces: Haynault, Hollade, Flandres, Artois, Luxebourg, Gueldre, Brabande, Limbourg. In the middle, in addition, the weapon of Austria covered by a crowned helmet with lambrequins and hanging with the chain of the Order of the Golden Fleece; Below that the flint, fires and flaming branches. Subsequently, about the full width of the report t

Butter Mold. Dated: 1940. Dimensions: overall: 44.5 x 36.2 cm (17 1/2 x 14 1/4 in.). Medium: watercolor and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Michael Riccitelli.

Two pieces 18th-century German embroidery from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype embroidery (ornamentation) Artificial museum

Frescos, Iglesia de Sant Miquel de Balansat, siglo XIV.Es Amunts.Eivissa.Ibiza.Balearic islands.Spain.

Peru, Pre-Inca civilization, Chimu civilization, Tschudi palace, close up of corridor wall with fish and birds motifs, Chan Chan archaeological site

Butterflies and Poem. Ōtagaki Rengetsu (Japan, 1791-1875). 1869. Paintings; scrolls. Hanging scroll, ink on paper

Panel; wood, painted

LADO SUR DEL INTRADOS DEL ARCO ORIENTAL DEL GRAN SALON DEL CASTILLO DE QUSEIR AMRA - MUJER TOCANDO EL LAUD - SIGLO VIII - DINASTIA OMEYA. Location: CASTILLO. QUSEIR AMRA.

Sparrow Hovering. Artist: Takeuchi Seiho (Japanese, 1864-1942). Culture: Japan. Dimensions: Overall: 40 3/4 x 13 1/2in. (103.5 x 34.3cm)Overall with mounting: 71 x 14 3/4 in. (180.3 x 37.5 cm)Overall with knobs: 71 x 17 1/8 in. (180.3 x 43.5 cm). Museum: Metropolitan Museum of Art, New York, USA.

Right plate from Environment V. Eldzier Cortor; American, 1916-2015. Date: 1969. Dimensions: 515 x 358 mm. Zinc plate. Origin: United States. Museum: The Chicago Art Institute, USA.

Four fan paintings mounted on a screen; "Frog on Lotus Leaf", "Scholar in a House", "Landscape", and "Boat and Rock". Origin: Japan. Period: Edo period. Ink and color on paper. Date: frog, ca.1814-15; scholar, ca. 1801-03; landscape, ca. 1825-30; boat, ca.1841. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Crabs and Tortoises, late 18th century, Sō Shizan, Japanese, 1733 - 1805, 10 1/8 × 21 in. (25.72 × 53.34 cm) (sheet)15 × 24 9/16 in. (38.1 × 62.39 cm) (mount), Ink on mica paper, Japan, 18th century

Box with "Peach Blossom Grotto". Culture: China. Dimensions: H. 3 in. (7.6 cm); W. 9 in. (22.9 cm); L. 13 1/2 in. (34.3 cm). Date: 17th century.Three Chinese characters incised on a rectangular piece of pearl shell at the upper left identify the scene on the lid of this box as the "peach blossom grotto" (tao yu dong). The phrase refers to a famous poem by Tao Qian (365-427) that describes the travels of a fisherman who enters such a grotto and stumbles upon a paradisiacal Shangri-La. As is invariably the case with such magical realms,he is never able to return once he leaves. Museum: Metropolitan Museum of Art, New York, USA.

RAMAS SECAS - 150X140 CM-OLEO/LIENZO-. Author: ALVAREZ GUACHE. Location: BANCO EXTERIOR. Avilés. ASTURIAS. SPAIN.

Drawing, from "Saint Germain - Volumes 1 & 2"; Made by Studio Saint-Germain; France; gouache on paper; 22.8 x 20 x 0.0 cm (9 x 7 7/8 x 0 in. )

of 3