Italian Art Documentation

Photographic documentation of Italian frescoes and architecture, capturing various periods and styles from Medieval to Renaissance art in Italy.

Lazio Roma Anzio Parco0. Hutzel, Max 1960-1990 Antiquities: Sculpture. The park contains many pieces of ancient sculpture: sarcophagi, capitals, statues, fountains. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Beroide S. Antonio Abate2. Hutzel, Max 1960-1990 Six prints, five views of exterior and one general view of interior. Remaining views are of frescoes by Benozzo Gozzoli. One view of unidentified castle. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Francesco2. Hutzel, Max 1960-1990 Post-medieval: Built in 1245, added to in 2nd half 13th century, radically restored 1636. Interior: frescoes restored 1980, 1st half 13th century and 14th century; paintings; Baroque organ/choir loft. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lombardy Milano Milan S. Ambrogio7. Hutzel, Max 1960-1990 Medieval: Founded 386-389 by S. Ambrogio, bishop at the time of emperor Teodosio. Remodelled 789, 859, 1098-1128, 1196. Decoration of basilica drastically altered over centuries, until 1858 when restored to original aspect. Restoration lasted until 1890. Exterior views of architecture and architectural sculpture, some of which contains re-used Roman fragments and architectural elements. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Guard Tents (Recto) (from Sketchbook) ca. 1854 James McNeill Whistler American. The Guard Tents (Recto) (from Sketchbook). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). American. ca. 1854. Black ink on brown wove paper

Lazio Roma Anzio Parco0. Hutzel, Max 1960-1990 Antiquities: Sculpture. The park contains many pieces of ancient sculpture: sarcophagi, capitals, statues, fountains. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Pitigliano S. Maria2. Hutzel, Max 1960-1990 Medieval: Architectural sculpture. Post-medieval: Late Renaissance architecture (1506) with an unusual trapezoidal plan; badly damaged fresco; paintings on canvas Object Notes: Two sets of prints German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Priverno S. Antonio Abate1. Hutzel, Max 1960-1990 Medieval: Architectual sculpture (14th century) sculpture. Post-medieval: Architecture; fresco cycles (13-15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Castel Sant'Elia S. Elia22. Hutzel, Max 1960-1990 Exterior photos of views, the facade, the portal and many architeectural details. Interior views of nave, with its carved pulpit with details and its ciborium/baldacchino with details. There are many photos of Byzantine, Romanesque and early Renaissance style paintings. Sculpturally, there are photos of capitals, architectural details and inscriptions. Object Notes: Hutzel photo campaign notes: September 9, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Aversa S. Francesco5. Hutzel, Max 1960-1990 Post-medieval: Built in 6th century, remodelled in 1645 and 1830. Lower part of the campanile belongs to the original construction. Interior has series of works in the Francesco de Mura school; "Adoration of the Shepherds" by Pietro da Cortona c. 1650; "Ecstasy of S. Francesco" by Ribera, 1649; "Madonna and Child" Byzantine 13th century. Attached is a medieval cloister with fragments of frescoes. Object Notes: TCI states that in 1980 plans were afoot to create a small museum in the monastery to house sculpture, paintings, and other works from the diocese. Not reflected in Hutzel's photo campaign. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as w

Lazio Latina Bassiano S. Nicola6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale1. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drapery Study, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on brown paper, Drapery extending over upper left arm of figure, facing frontally., USA, ca. 1895, figures, Drawing, Drawing

Lazio Roma Velletri Museo Civico di Velletri86. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Drawing, Drapery Study; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on brown paper; 16.9 × 11.5 cm (6 5/8 × 4 1/2 in.); 1914-38-167

Lazio Frosinone Ausonia Santuario di S. Maria del Piano49. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Ausonia Santuario di S. Maria del Piano44. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abklatsch of the chalk drawing on page 3 Recto, 1875 - 1934 Page 2 Verso from Sketchbook XX with 26 sheets. Amsterdam paper

Campania Napoli Nola Chiara6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Untitled. James Guitet; French, born 1925. Date: 1965. Dimensions: 646 × 360 mm. Etching on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Latina Bassiano Santuario del SS. Crocifisso5. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral3. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Woodcut by Hans Burgkmair depicting Emperor Maximilian I, known as the Weißkunig, directing water to assist allies while others remain cautious regarding a Turkish threat. Created 1514-1516 on wooden stick.

Piece Philippine 19th century

Panel. England. Date: 1825-1835. Dimensions: 95.3 × 28 cm (37 1/2 × 11 in.). Roller printed and block over print. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Blurred Reflections, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 534 × 388 mm (image); 680 × 514 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Nakhon Thom Angkor Wat, Cambodia. Photograph, 1981, from a negative by John Thomson, 1866.

Victor Hugo (1802-1885). "Victor Hugo", 1857. Paris, Maison by Victor Hugo. Brown Ink, Drawing, Writing, French Writer, Brown ink, French Writer, Registration, name, Name, Nscription, Pauphe, Signature, Writing, Village

Campania Caserta Ventaroli S. Maria in Foro Claudio08. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Gino Morandi, AbstractBlack Leaves, 1925-1970, charcoal on paper.

Umbria Perugia Beroide S. Antonio Abate3. Hutzel, Max 1960-1990 Six prints, five views of exterior and one general view of interior. Remaining views are of frescoes by Benozzo Gozzoli. One view of unidentified castle. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Leonessa S. Giuseppe da Leonessa. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (18th century), double-domed Baroque interior with frescoes, wall paintings, sculpture and a reliquary of Saint Joseph German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Sezze Antiquarium Comunale2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Primordial Vegetation, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 530 × 396 mm (image); 637 × 450 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Panel (Furnishing Fabric) Made 1765-1775 Middlesex. Cotton, plain weave; copperplate printed . Bromley Hall (Producer)

Riva, No. 2. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 210 x 307 mm. Cancelled copper plate. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Door with Lanterns John Frederick Peto (American, 1854-1907). Door with Lanterns, late 1880s. Oil on canvas, 49 13/16 x 29 7/8 in. (126.5 x 75.9 cm). American Art late 1880s

Abruzzo Civitaretenga S. Egidio3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (ruins), frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Cloth of silver 16th century Spanish or French. Cloth of silver. Spanish or French. 16th century. Silk, linen and metal thread. Textiles-Woven

Boy Reading: Ned Anshutz Thomas Pollock Anshutz (American, 1851-1912). Boy Reading: Ned Anshutz, ca. 1900. Oil on canvas, 38 1/16 x 27 1/16 in. (96.7 x 68.8 cm). Boy Reading: Ned Anshutz Thomas Pollock Anshutz (American, 1851-1912). Boy Reading: Ned Anshutz, ca. 1900. Oil on canvas, 38 1/16 x 27 1/16 in. (96.7 x 68.8 cm). Thomas Pollock Anshutz American Art American Art

A Dell, Helmingham Park, Suffolk 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Dell, Helmingham Park, Suffolk. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint; proof before published state. Prints

Umbria Perugia Pale Eremo di S. Maria Giacobbe9. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco wall decoration. This structure was partly sculpted out of the rocks on the hillside and its interior is completely covered with frescoes dating from the 14th and 15th centuries. Above the main altar is a representation of S. Maria Giacobbe, by Lattanzio di Nicolo (1507). Object Notes: 2 sets of prints: earlier set does not have any negatives. Most prints from the second set are duplicates of the first. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, cit

Image of a glass mosaic at the input/output of the N.S. station Tilburg in Tilburg.

John Lane, after John Singleton Copley Unknown. John Lane, after John Singleton Copley, ca. 1801-1810. Oil on canvas, 50 x 39 13/16 in. (127 x 101.1 cm). American Art ca. 1801-1810

Campania Caserta Capua S. Caterina. Hutzel, Max 1960-1990 The church, constructed in 1383, has a 17th century facade. To the left of the church is a cloister which dates to the Late Renaissance. Hutzel photos include both exterior and interior views. The interiors include frescoes, the cloister a crucifix and architectural details. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of a Man Opening a Package Corneille de Lyon (Dutch,1500/10-1575, active in France). Portrait of a Man Opening a Package, ca. 1550. Tempera painting, 9 1/4 x 7 1/4 in. (23.5 x 18.4 cm). European Art ca. 1550

Tuscany Grosseto Montemerano S. Giorgio4. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Lion. Oval presentation of a lion lying in a skull. To the show a Latin peripheral. Reconstructed from three fragments.

Lazio Latina Terracina General views. Hutzel, Max 1960-1990 General views of city and ruins. Antiquities: Views of ancient Roman ruins in the city associated with the Foro Emiliano and the Porta Romana. Object Notes: Hutzel photo campaign is undated. See also Marburger Index no. 532. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Nakhon Thom Angkor Wat, Cambodia ?. Photograph, 1981, from a negative by John Thomson, 1866.

Campania Caserta Caserta Palazzo Reale7. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of a Child Circle of François Clouet (French, ca. 1516-1572). Portrait of a Child, ca. 1570. Oil on panel, 7 3/4 x 5 5/8 in. (19.7 x 14.3 cm). European Art ca. 1570

Hokusai Manga, Vol. IX Katsushika Hokusai (Japanese, 1760-1849). Hokusai Manga, Vol. IX, 1817. Paper, 9 x 6 1/4 in. (22.9 x 15.9 cm). Asian Art 1817

Umbria Terni Narni Palazzo del Podesta1. Hutzel, Max 1960-1990 Medieval: Architectural sculpture, including detached and fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Pescara Penne S. Domenico38. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (13-17th century), sculpture. Also views of Piazza Luca da Penne German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Plate 44. Figure A. Unknown

Drunkard (Soularde). Dated: 1898. Medium: lithograph in black and beige. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Campania Caserta Carditello Plazzo Reale57. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Drawing, Old Windmill, Jamaica; Frederic Edwin Church (American, 1826-1900); Jamaica; graphite, brush and white gouache on green-brown heavy wove paper; Sheet: 44.2 x 26.8 cm (17 3/8 x 10 9/16 in.)

Bataille de Cavaliers (Battle of Cavalrymen) 19th century Rodolphe Bresdin French. Bataille de Cavaliers (Battle of Cavalrymen). Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). 19th century. Etching. Prints

Sketchbook John Singer Sargent (American, born Italy, 1856-1925). Sketchbook, 1871-1872. Graphite, charcoal, watercolor and white chalk on paper, Sketchbook: 9 3/16 x 11 7/8 x 1/2 in. (23.3 x 30.2 x 1.3 cm). Regarded as one of the leading portraitists and watercolorists of the Gilded Age, the expatriate John Singer Sargent was also a consummate draftsman. He drew prolifically and precociously from a young age, as evidenced by this sketchbook, which he used while traveling in Germany in 1871-72, at age fifteen. Sargent filled many of the pages with his exercises in copying classical statuary from the famous plaster cast collection of Dresdens Albertinum museum. The sketches show a variety of approaches, from broad, linear strokes to refined tonal modeling. American Art 1871-1872

Campania Benevento Sant'Agata de' Goti S. Menna4. Hutzel, Max 1960-1990 First campaign: architecture and architectural sculpture (11-12th centuries); inscription; tessellated pavement; sculpture; and frescos.. Second campaign: exterior and interior architectural views, including the central nave, aisles, and central and south sanctuaries; details of the: tesselated pavement and panels; capitals; and frescoes. Object Notes: There are 2 files of photographs, one from the first campaign conducted by Max Hutzel (28 photos) and one from the second campaign conducted by Roberto Sigismondi (Hutzel's former assistant), in 1990 (32 photos). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Ro

Petroglyphs at Newspaper Rock State Park, Utah

Everything One Wants to Be. Jean Dubuffet; French, 1901-1985. Date: 1953. Dimensions: 1,044 × 740 mm. Brush, pen, and splattered black inks with collage of cut ivory and cream slightly textured wove papers adhered to pale pink, moderately textured wove (Arches) paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sketchbook with 24 sheets. Sketchbook consisting of 24 sheets with figure studies and landscapes.

Stencil Japan 19th century

Leeuw, Jacques de Gheyn (II), 1580 - c. 1596 print Oval representation of a lion, lying by a skull. To the show a Latin edge. Reconstructed from five fragments. Northern Netherlands paper engraving beasts of prey, predatory animals: lion

Fragment of the weapon of Verrires (). Draughtsman: anonymous. Dating: c. 1100 - before 1500. Place: France. Measurements: h 215 mm × w 82 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with House (Paysage avec maison) Ker-Xavier Roussel (French, 1867-1944). Landscape with House (Paysage avec maison), 1897. Color lithograph on wove paper, Image: 11 1/2 x 16 7/16 in. (29.2 x 41.8 cm). European Art 1897

Kneeling Figure Wearing a Cope. Artist: Joseph Marie Vien (French, Montpellier 1716-1809 Paris). Dimensions: 16 7/16 x 10 5/16 in. (41.8 x 26.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Attic Black-Figure Amphora Fragment (comprised of 2 joined fragments). Unknown

Sea anemones. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 450 mm × w 540 mm. Museum: Rijksmuseum, Amsterdam.

Light, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 430 × 390 mm (image); 640 × 455 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Marches Macerata San Ginesio Collegiata3. Hutzel, Max 1960-1990 Object Notes: There may be a problem with this monument and the Oratorio di S. Biagio, which is the name of its crypt. The Oratorio has its own folder, but negatives do not appear to be in place. Second, a photo marked "S. Ginesio, S. Tommaso" is with the Collegiata prints, but its identification is unknown. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Żuraw w Gdańsku; verso: Wnętrze gotyckiej katedry. Jabłczyński, Feliks (1865-1928), graphic artist

Marches Macerata San Ginesio Oratorio di S. Biagio0. Hutzel, Max 1960-1990 Photos of the crypt of the Collegiata. Frescoes show the life of S. Biagio and S. Biagio Vescovo. There are also a Madonna & Child and musical angels. Object Notes: Hutzel photo campaign notes are undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Stencil of Butterflies , 19th century. Cut paper, 12 1/2 x 16 in. (framed). Asian Art 19th century

(from Sketchbook). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: 4 × 3 1/2 in. (10.2 × 8.9 cm). Date: 1854-55. Museum: Metropolitan Museum of Art, New York, USA.

Emilia-Romagna Ferrara Argenta S. Giorgio. Hutzel, Max 1960-1990 Medieval: Built during period of Ravenna's influence, dating back to the 6th century. Of special interest are the romanesque doors of 1122 depicting Labours of the Month, and the martyrdom of S. Giorgio. Also, 7th century marble altar. Remains of the decoration and mosaic are housed in the Pinacoteca. Object Notes: See Pinacoteca for mosaic fragments German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi S. Maria di Pietrarossa9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Madonna and Child Pietro di Giovanni d'Ambrogio (Italian, School of Siena, active 1428-1449). Madonna and Child, 1440s. Tempera and tooled gold on poplar panel, 38 1/2 x 20 7/8 x 1 5/8 in. (97.8 x 53 x 4.1 cm). This painting is the cut-down central panel of a triptych, or three-panel work, which would have included two wings” in addition to this main image, as well as a predella below. The depiction of the Madonna and Child conforms to a well-known early fifteenth-century Sienese format: the Child is partly draped, supported in an almost standing position by the Madonna, who holds one of his feet as he reaches out to grasp her. While the delicacy of the features is typical of the Sienese style, the artist also brings other qualities to the painting: the solidity of the Child’s body (a more Florentine characteristic), the intimacy of his touch on Mary’s cheek, and the linear elegance of the drapery. There is about the painting a quiet tenderness, the more moving for its aura of auster

James McNeill Whistler, Nocturne Dance House, 1889 Nocturne: Dance House

Landscape with draftsman on the water, seen on the back, 1895 zinc drypoint

Cat Seated under a Chair A.D. 1916; original ca. 1504-1458 B.C. Twentieth Century; original New Kingdom Hugh R. Hopgood. Cat Seated under a Chair. Hugh R. Hopgood. A.D. 1916; original ca. 1504-1458 B.C.. Tempera on Paper. Twentieth Century; original New Kingdom. Original from Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of May (TT 130), MMA Graphic Section, 1916. Dynasty 18

SIN TITULO - TECNICA MIXTA SOBRE PAPEL JAPONES - 50x50 cm. Author: JOSE MARIA SICILIA. Location: PRIVATE COLLECTION.

Campania Benevento Sant'Agata de' Goti Cathedral2. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (10th-12th centuries); frescos (14th century); stoup. Post-medieval: Baroque additions to exterior and complete remodel of interior, including extensive stucco work; elaborately carved wooden choir stalls (17th century); paintings on canvas; tessellated pavement; sculpture; inscription; crucifix Antiquities: Corinthian columns reused in portico and crypt German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Piece. Culture: French. Dimensions: 4 x 6 inches (10.2 x 15.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Old Woman, so-called Rembrandts Mother. Płoński, Michał (1778-1812), graphic artist

Chevalier d'Aube. Jean Dubuffet (1901-1985). Indian ink and collage on paper. Signed and dated 1956. 70.8 x 51cm

Ecstasy in the Sky by Jean Dubuffet, oil on masonite, 1952, 1901-1985, Private Collection

Fresco Fragment. Unknown

Fresco Fragment. Unknown

PINTURA - 1990. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Italian Shepherd Boy Washington Allston (American, 1799-1843). Italian Shepherd Boy, ca. 1821-1823. Oil on canvas, 46 7/8 x 33 9/16 in. (119 x 85.3 cm). American Art ca. 1821-1823

Panel 4th-5th century. Panel. 4th-5th century. Linen, wool; tapestry weave. Attributed to Egypt. Textiles

John Lane, after John Singleton Copley Unknown. John Lane, after John Singleton Copley, ca. 1801-1810. Oil on canvas, 50 x 39 13/16 in. (127 x 101.1 cm). American Art ca. 1801-1810

Lazio Frosinone Casamari Museo Archeologico. Hutzel, Max 1960-1990 Post-medieval: paintings on canvas, paintings on wood, wooden church furnishings Governing Body: Abbazia di Casamari General Notes: This record is for the pinacoteca which is part of the Museo Archeologico, housed within the Abbey of Casamari. Hutzel assigned it a separate numbering sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Jerzy Sebastian Lubomirski (1616-1667) - photography of Jeremiah Falck's copperplate from 1653 (mirror reflection); 1840-1860 (1840-00-00-1860-00-00);Falck Jeremiah, Reproduction, Lubomirski Jerzy, Przewłocki, Janusz (1927-2007) - collection, dagerotypes, graphics (artist), portraits, purchase (provenance)

Attic Black-Figure Neck Amphora Fragment. Attributed to the Swing Painter (Greek (Attic), active about 550 - 525 B.C.)

blancc sobre blanc, M. Jesus Mas. Mallorca.

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