Japanese Stencil Patterns

Intricate stencils from Japan featuring delicate floral and geometric designs, showcasing traditional craftsmanship and elegant patterns on paper.

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 24.5 x 17.6 cm (9 5/8 x 6 15/16 in.)

Fragment 15th-16th century Italian, Venice. Fragment 230647

Kata-gami: Bracken and Hemlock Twigs. Date/Period: 1838-68. Stencil. Mulberry paper, lacquer made from persimmon juice, human hair. Author: UNKNOWN.

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Stencils

Stencil 19th century Japan. Stencil 70674

Trap pattern leaf pattern, Anonymous, 1750 - 1900 Leaf with diagonal job pattern of stair pattern. Used as a cover. paper. block printing (relief printing process) ornament ~ geometric motifs

Stencil 19th century Japan. Stencil 69381

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Bat Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Amongst the vertical stripes lay three bats decorated in various nature motifs. Waves, bamboo, maple leaves, and multiple blossoms give life to the lucky silhouettes. In Japan, bats symbolize luck., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Drawing, Wallpaper Design; Austria; brush and gouache, graphite on white paper; 24.5 x 17.6 cm (9 5/8 x 6 15/16 in.)

Leaf with flowers and fruits, anonymous, 1700 - 1850 brocade paper Leaf with flowers and fruits with point stock. With label with inscription: 'F. Minguet ... Tutelis'. Used as a cover (two separate halves). paper. relief printing ornament derived from plant forms

Spring Morning in the Han Palace, Zhao Qianli alias Zhao Bojü (attributed to), c. 1600 - c. 1699 Landscape with architecture with collector stamps. In wooden box. China silk. ink. dye Landscape with architecture with collector stamps. In wooden box. China silk. ink. dye

Blade with a job pattern of motif with dots on lines, anonymous, 1750 - 1900 Leaf with vertical job pattern of a windowy motif with dots saved on lines. paper. block printing (relief printing process) fantasy ornament

Stencil 19th century Japan. Stencil 70134

Drawing, Textile Design: Harlem; Designed by Valentine Kovaćić (Austrian, b. 1895, active early 20th century); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 7.5 x 19.7 cm (2 15/16 x 7 3/4 in.) Mat: 32.5 x 46 cm (12 13/16 x 18 1/8 in.)

NIGREDO IV - 1991 - 170X127 CM - OLEO/LIENZO. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Fragments, Medium: silk Technique: plain weave with supplementary wefts., Incomplete design of birds and incomplete plant forms., Italy, 14th century, woven textiles, Fragments

Template with window pattern, anonymous, 1800 - 1909 Japanese template (Katagami) with a regular windscreen pattern with flower and star motifs such as flat filling. Japan paper cutting ornament derived from plant forms. ornament ~ geometric motifs

Fragment, 1700s or 1800s. India, Warangal or Gulbarga, 18th or 19th century. Brocade, "himru"; cotton and silk; overall: 83.8 x 45.7 cm (33 x 18 in.).

The final piece of the prospectus magazine for Vercieringskunst, Karel Petrus Cornelis de Bazel, 1896 print Proef pressure of the decoration, still without the address of the publisher. Japanese paper (handmade paper) ornament derived from plant forms

Rug. Manufacturer Attributed to: Bigelow-Hartford Carpet Company, American, 1914-1929

Pairs of Stars Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Vertical stripes contain pairs of stars forming a checkered pattern. Silk threads are added to support the stencil structure., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Fragment, Medium: silk Technique: cut and uncut supplementary warp pile (velvet) in a woven foundation, Panel of dark blue velvet on a blue ground, cut and uncut, in a small-scale symmetrical pattern of plants and foliage., Italy, 16th century, woven textiles, Fragment

Pink sheet with overall blue abstract pattern 19th century Anonymous. Pink sheet with overall blue abstract pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Stencil 19th century Japan. Stencil 69389

Quilted Bedspread. Dated: c. 1936. Dimensions: overall: 29.7 x 23 cm (11 11/16 x 9 1/16 in.). Medium: gouache and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Irene Schaefer.

Dresden, Stengel & Markert, Six strips of 18th century Brussels lace from the collection of the Kunstgewerbemuseum in Dresden, Germany, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 19., height 345 mm, width 242 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

Piece 18th century Japan. Piece 71957

Kammarmer in red and blue, anonymous, 1700 - 1850 marbled paper paper. paint (coating) combed marbled paper

Drawing, Textile Design: Annie; Designed by Juliana Ryšavy (Austrian, b. 1893, active early 20th century); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 6.4 × 20.6 cm (2 1/2 × 8 1/8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Design with decorative pattern, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. ink. pencil brush ornaments ~ art

Stencil 19th century Japan. Stencil 69399

Regular pattern of floral pattern in orange on Helgroen Fond, monogrammist MS (decorative paper), 1900 - 1920 decorated paper Regular pattern of floral pattern in orange on a bright green long distance with the bottom right 'A. Bleeker 25 Jan ', with handwritten monogram m.s .. Netherlands paper. paint (coating) ornament derived from plant forms

Fragment goudleer, anonymous, 1700 - 1800 A piece of relief pressed gold leather, consisting of two sheets. A palace façade has been installed in gold and colors on a bright blue stock, for which a high tree. There is a peacock in the tree and above the crown of the tree there are a hunter with dogs, deer and an ever at a fountain, in which two seahorses. In the background a semicircular architecture. See also: BK-NM-11078-B. Italy (possibly) leather. A piece of relief pressed gold leather, consisting of two sheets. A palace façade has been installed in gold and colors on a bright blue stock, for which a high tree. There is a peacock in the tree and above the crown of the tree there are a hunter with dogs, deer and an ever at a fountain, in which two seahorses. In the background a semicircular architecture. See also: BK-NM-11078-B. Italy (possibly) leather.

Arabesques (Arabesques), Jean Démosthène Dugourc, French, 1749-1825, Jean Démosthène Dugourc, French, 1749-1825, Jacques-François Chéreau, French, 1742 - 1794, Bound volume of engravings on paper, Bound volume of 6 ornamental grosteque etchings., Paris, France, 1782, ornament, Book, Book

Leaf with stripe pattern made of striping pattern in saved circle, anonymous, 1750 - 1950 paper. block printing (relief printing process) ornaments ~ art

Side work from Paraguay, Anonymous, 1913 photomechanical print London paper lace

Interlinear N 32 gr. Josef Albers (American, 1888-1976, born Germany); printed by Bohuslav Horák (American, born Czechoslovakia, 1881-1960); published by Tamarind Lithography Workshop (American, founded 1960). Date: 1962. Dimensions: 476 x 610 mm (image); 559 x 762 mm (sheet). Lithograph in gray from zinc, offset to stone, on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Arabesques : tombeau de soultan el-Goury : vantaux et bordures d'armoires, en bois sculpté : coloris arbitraire (XVIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Arabesques, Wood-carving, Islamic, Qnsûh al-Ghûrî, Sultan of Egypt and Syria, d. 1516 , Homes and haunts

Album with four drawing examples, c. 1800 - c. 1825 Album with four prints on four magazines. The unnumbered prints with figures are intended as a drawing example for the youth. Prints belong to the series' 2me. Cahier d'études'. Band: Paper. Schutblad: Paper. album magazine: Paper. Binding: Rope etching / engraving landscapes. trough. tent. well

(SIN IDENTIFICAR) - SIGLO XX. Author: GUSTAVO TORNER 1925/. Location: PRIVATE COLLECTION. BASIN. CUENCA. SPAIN.

Sheet with overall guilloche pattern late 18th-mid-19th century Anonymous. Sheet with overall guilloche pattern. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Template with pattern of sticks, anonymous, 1800 - 1909 Japanese template (Katagami) with a regular pattern that looks evenly stripped over the ground large and small sticks. Japan paper cutting ornament derived from objects

Drawing; brush and gouache on cream paper, mounted on cream paper; 22.6 x 20.7 cm (8 7/8 x 8 1/8 in.)

Flowers, Jean Mariette, 1660-1742, Engraving on paper, Flowers, cover of bound album, France, ca. 1750, albums (bound) & books, Album, Album

Textile, Medium: silk, gold paper on silk core Technique: plain compound twill, Panel of tan silk with figured design of bamboo branches in green, yellow, tan, blue silks, and gilt paper., Japan, late 19th century, woven textiles, Textile

Frisian with putti; Cahier de Frises. An Frisian with braid, acanthus leaves, putti with arrow and bow shooting on birds and in the middle a sphere with smoke and beams.

Drawing, Design for a Woven Fabric, Fragment; France; gouache on oily tracing paper, mounted; Left and top edges: 22 × 27.4 cm (8 11/16 × 10 13/16 in.) Right and bottom edges: 27.4 × 19.4 cm (10 13/16 × 7 5/8 in.)

Star Heart Series #4 1989 Marilee Whitehouse-Holm (b.1949/American) Paper on Foamboard Private Collection

Album, Album of Prints: First and Second Suite of Vases Designed by Duplessis Fils; Designed by Jean Claude Thomas Duplessis (French, 1761 - 1783)

Stencil 19th century Japan. Stencil 70688

Design with poppies for the edge of the tapestry face on Florence.design for a tapestry.

Template with bamboo, anonymous, 1800 - 1909 Japanese template (Katagami) with a pattern of bamboo branches. A sheet of gold paper behind the template. Japan paper cutting foliage, tendrils, branches ~ ornament. plants and herbs: bamboo

Pattern pattern, Stampi Remondiniani Pesp, 1861 - 1939 Leaf with a chess -like pattern of double squares. Italy paper. paint (coating) block printing (relief printing process) ornament ~ geometric motifs

Stencil late 19th-early 20th century Japan. Stencil 70574

Abstract Hexagons, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Multiple wisps of lines carved out form abstract hexagons. The three-pronged shape represents the pattern of a tortoiseshell, which represents longevity and good fortune. It was also popular on Samurai armor., Japan, early 18th - mid 19th century, textile designs, Katagami, Katagami

Fragment textiel, anonymous, 1684 - 1688 Textile fragment, embroidery with a lot of gold thread, Buddhist symbols on Sepia surface. Japan silk. sepia (ink) Textile fragment, embroidery with a lot of gold thread, Buddhist symbols on Sepia surface. Japan silk. sepia (ink)

Kennet design registered October 18, 1883 Designed by William Morris British Buy a print Custom framed to suit your space. Kennet. British, Merton Abbey, Surrey. design registered October 18, 1883. Silk. Textiles-Woven

Spiral marble in pink, blue and yellow, anonymous, 1700 - 1850 marbled paper Spiral marble in pink, blue and yellow. Half of a cover. paper. snail marbled paper

SYLVARUM- 1988- COLECCION CARLOS ARCE. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Book cover with zigzag stripe pattern 18th century Anonymous. Book cover with zigzag stripe pattern. Anonymous , Italian, 18th century. 18th century. Relief print (wood or metal). Prints

Portrait of Dr. Jacob Christiaan Muller and Profil, c. 1884 copper (metal) etching

Drawing, Brush and gouache on cream paper, mounted on cream paper, Left, delicate flowers on vines; center, five vertical zigzags; right, delicate vines with no flowers., France and USA, late 19th century, textile designs, Drawing

Canto XVII, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1964. Dimensions: 379 x 324 mm (image); 450 x 329 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Stencil Japan. Stencil 70021

Eighteen Views of Huzhou, c. 1588. Song Xu (Chinese, 1525-c. 1606). Album; ink and color on silk; overall: 26.4 x 28.4 cm (10 3/8 x 11 3/16 in.).

Coverlet (Detail). Dated: c. 1936. Dimensions: overall: 35.7 x 27.8 cm (14 1/16 x 10 15/16 in.) Original IAD Object: 85" wide; 70" long. Medium: watercolor and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Ruth M. Barnes.

Album, Album of Ceiling Designs; Designed by Jean Lemoyne (French, 1638 - 1715); Published by Gaspard Duchange

Pattern for a lampshade en pluche. Handcoloured copperplate engraving by D. Sluyter from Anna Barbara van Meertens Penelope, Or Maandwerk aan het Vrouwelijk Geslacht Toegewijd (Penelope, Monthly Magazine dedicated to the Female Sex), G.J.A. Beijerinck, Amsterdam, 1821. Van Meerten was an educator, writer and pioneer in womens rights in Holland.

Arabesques : plateau en bronze damasquiné. Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decorative arts, Islamic, Metal-work, Islamic, Trays

Panel (India); silk embroidery on cotton foundation

Blade with flower pattern, Anonymous, 1750 - 1900 Leaf with spreading pattern of triangular floral pattern. paper. block printing (relief printing process) ornament derived from plant forms

Plaster model for decoration of the Palais du Louvre, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Panel, 19th century, 23 x 61 in. (58.42 x 154.9 cm), Silk iakt, Uzbekistan, 19th century

Coupon black printed silk with silhouettes of people and plants. Coupon black printed silk with silhouettes of people and plants, desessin 'treasures'.

Stencil Japan 19th century

Flounce ca.1700 French. Flounce 222824

Drawing, Textile Design: Distel (Thistle); Designed by Mathilde Flögl (Austrian, b. Czech Republic, 1893 - 1950); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 10.2 × 12.5 cm (4 in. × 4 15/16 in.) Mat: 45.1 × 31.8 cm (17 3/4 × 12 1/2 in.)

Wall Facing (Holland); tin-glazed earthenware, underglaze

HOCKNEY , DAVID. PINTOR INGLES . 1937 - . LA SERIE DEL TIEMPO , AÑO 1973. " LLUVIA ". LITOGRAFIA EN 6 COLORES. GEMINI G. E. L . , LOS ANGELES. ATENCION: AUTOR CONTEMPORANEO SUJETO A COPYRIGHT ©. EL CLIENTE FINAL ES RESPONSABLE DE LA GESTION DE LOS DERECHOS DE AUTOR CON LAS SOCIEDADES EXISTENTES DE GESTION DE DERECHOS O DIRECTAMENTE CON LOS ORGANISMOS TITULARES DE LOS MISMOS.

Stencil with Pattern of Waves 19th century Japan. Stencil with Pattern of Waves 70033

Blues (Furnishing Fabric). Designed by Hans Krondahl (Swedish, born 1929); Produced by Boras Wafveri (Founded 1870); Sweden, Borås. Date: 1970. Dimensions: 304.2 × 150.8 cm (119 3/4 × 59 3/8 in.)Warp repeat: 57.5 cm (22 5/8 in.). Cotton, plain weave; screen printed. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Decorative design with a winch.

Length Toshio Matsubara 20th century

Pattern of lucky objects (toys, fans and kites), Anonymous, 1860 - 1930 decorated paper Japan Japanese paper (handmade paper). paint (coating) color woodcut ornament derived from objects

Pattern of lucky objects (toys, fans and kites), Anonymous, 1860 - 1930 decorated paper Pattern of lucky objects (toys, fans and kites). Right side strongly polluted and discolored, at the top right label on which written: 1028. Japan Japanese paper (handmade paper). paint (coating) color woodcut ornament derived from objects

Leaf with animals, c. 1800 brocade paper Sheet with animals; At the top left, top right donkey, bottom left shepherd with sheep, below shepherd, central hunters under a tree. Nuremberg paper. paint (coating) relief printing animals. cattle. hunter

Sketchbook with 33 sheets and 10 individual drawings, 1837 - 1881 Sketchbook consisting of 33 sheets and 10 separate numbered drawings with mainly figures, genre and historical scenes, costumes and landscapes. paper. pencil. chalk. watercolor (paint). ink. boekband: cardboard. boekband: linen (material) brush / pen anatomy (non-medical). historical costume. landscapes. interior of the house

Mount for Embers Glow. Theodore Roussel; French, worked in England, 1847-1926. Date: 1897-1899. Dimensions: 362 × 275 mm (image); 380 × 303 mm (plate); 413 × 315 mm (sheet). Etching, aquatint, softground, and drypoint in brown and yellow metallic on ivory Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Button Rug. Dated: c. 1936. Dimensions: overall: 28.8 x 22.9 cm (11 5/16 x 9 in.). Medium: watercolor, graphite, and gouache on paperboard. Museum: National Gallery of Art, Washington DC. Author: Jules Lefevere.

'Conjunctionis IV', 1993, Oil on canvas. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Fragment ca. 1700 Italian, Venice. Fragment 218573

Fragment; silk

Unknown architect, designs of the glass painter H. B. Beck for windows, Horstmar () (Without Dat.): Eight compartments of windows. Blueprint on paper, 34.5 x 43.4 cm (including scan edges) N.N. : Entwürfe des Glasmalers H. B. Becks für Fenster, Horstmar ()

Textile Design with Alternating Rows of Circles Framed by Pearls over a Checked Background 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of a chacked backgroud colored with light tan and dark reddish-brown decorated with alternating rows of circles framed by pearls. The circles are colored alternatingly with orange and purple, outlined with red; the pearls are colored with white.. Textile Design with Alternating Rows of Circles Framed by Pearls over a Checked Background. Anonymous, Alsatian, 19th century. 1840. Gouache

Nimby; copy of the Fresku from Dunhuang; Zhang, Dingnan (Fl. Ca 1900-1950), Rong Bao Zhai (1672-); 1952 (1952-00-00-1952-00-00);Sobecka, Chinese (culture), gift (provenance), graphic prints, Chinese art, Lucia (1919-1993), Łucja (1919-1993)-collection

Light Red Over Black, Mark Rothko, 1957,

Drawing, Floral design for printed textiles; Designed by Louis-Albert DuBois (Swiss, 1752-1818); France; brush and gouache, graphite on blue wove paper; Sheet: 22.8 x 28 cm (9 x 11 in.) Image: 12 x 17 cm (4 3/4 x 6 11/16 in.)

Design for an Embroidered or Woven Horizontal Border of the 'Fabrique de St. Ruf', Fabrique de Saint Ruf, Lyon, France, Brush and white gouache on glazed tracing paper, An undulating stem from which alternately hanging and upright leaves branch off. Seeds are shown in the intervals., France, 1800-1815, Drawing, Drawing

Blade with a job pattern of plain lane with points and zigzag motif, anonymous, 1700 - 1850 Leaf with a job pattern of plain lane with points and lane with zigzag motif. paper. block printing (relief printing process) ornament ~ geometric motifs

of 3