Japanese Textile Stencils

Intricate stencils from 18th-19th century Japan, featuring traditional motifs like landscapes and floral designs, utilizing natural colors and textures.

Organic Clusters, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Various clusters of different organic shapes form this textile. The biomorphic shapes are evenly distributed within clusters, separated by negative space. Some paste is spotted mainly on the lower right corner of the stencil., Japan, late 18th - mid 19th century, textile designs, Katagami, Katagami

Piece early 19th century Japan. Piece 67608

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper. Edo period (1615-1868). Stencils

Organic Clusters, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Various clusters of different organic shapes form this textile. The biomorphic shapes are evenly distributed within clusters, separated by negative space. Some paste is spotted mainly on the lower right corner of the stencil., Japan, late 18th - mid 19th century, textile designs, Katagami, Katagami

Stencil 19th century Japan. Stencil 70153

Advessed starch paper in Bruin, P. Schokker, 1900 - 1993 paste paper paper.

Katagami stencil; overlapping circles and chrysanthemum rosettes. unknown, author

Depicts Saint Dorothea created by an anonymous artist using dough pressure technique, showing the saint and symbolic attributes.

Template with starfish, anonymous, 1800 - 1909 Japanese template (Katagami) with a punctured pattern of starfish or zipper -like tracks. A sheet of gold paper behind the template. Japan paper fantasy ornament

Drawing, Textile Design: Monte Zuma; Designed by Josef Hoffmann (Austrian, b. Moravia, 1870-1956); Made for Wiener Werkstätte (Austria); Austria; brush and gouache, pen and black ink, graphite on paper; 6.4 x 20 cm (2 1/2 x 7 7/8 in.)

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Textiles-Woven

Stencil 19th century Japan. Stencil 70682

Sidewall, Becker, Smith & Page, Inc., founded 1899, Machine-printed, a) Floral design, marked: 'Becker, Smith & Page, Inc. Phila 282' b) seven fragments of scrollwork design in white, red and green on ungrounded paper., Philadelphia, Pennsylvania, USA, 1905-20, Wallcoverings, Sidewall

Curtain, yellow, embroidered with vases, flower reflection, horn of abundance, peacocks and butterflies..yellow Silk curtain or a bed garnish embroidered with vases, flower drinks, horns or abundance, peacocks and butterflies in multicolored silk, lined with yellow silk. Intended For The Front, Left.

Silk fabric interwoven with silver and z Kotarbi, Mieczys Aw (1890-1943); 1916 (before November 2, 1916) (1916-00-00-1916-00-00);Poprzęcki, Szymon ( -1941), Poprzęcki, Szymon ( -1941)-harvest, silk, geometric ornament, silver, fabrics, silk fabrics, pattern, gold

Twenty -one dwarfs leaf in four rows, Anonymous, 1800 - 1825 brocade paper Leaf with twenty -one dwarfs in four rows. At the top left of dwarf with dog, top right toasting female dwarf with cat, bottom left dwarf with dog, below female dwarf dwarf with stabbed hand. Germany paper. paint (coating) relief printing little people. dog. cat

Textile, Medium: cotton Technique: wefts tie-dyed before weaving (weft ikat), Narrow and wide bands of weft ikat in dark indigo and cream alternating with solid bands of medium-hue indigo., France, late 18th century, printed, dyed & painted textiles, Textile

One of you will betray me. (The Last Supper). unknown, graphic artist, Leonardo da Vinci (1452-1519), painter

Sidewall, Leather, stamped, silvered, painted, With blue field. Flowers and foliage, with diapered scrollwork., Flanders, ca. 1700, Wallcoverings, Sidewall

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Starch paint paper in green with brilliant decoration, anonymous, 1900 - 1969 paste paper paper.

Stencil Japan. Stencil 70038

Sidewall, Leather, stamped, painted, silvered, Patched piece composed of four sections of leather in poor condition., Flanders, 17th century, Wallcoverings, Sidewall

Template with stylized waves, anonymous, 1800 - 1909 Japanese template (Katagami) with a pattern of stylized waves and foam heads. Japan paper. silk cutting ornament derived from objects. wave

Fragment Made 1800-1825 Japan. .

German 15th Century, Madonna and Child, c 1480 Madonna and Child

Sidewall; leather, stamped, painted, silvered

Drawing, Design for a Woven Fabric; France; graphite, blue, lateritious, and white gouche on oily tracing paper; 14.4 × 12.4 cm (5 11/16 × 4 7/8 in.)

Stencil 19th century Japan. Stencil 70675

Stencil 19th century Japan. Stencil 69256

Piece 15th century Japan. Piece. Japan. 15th century. Silk / Compound weave. Muromachi period (1392-1573). Textiles-Woven

Fragment, Medium: silk Technique: velvet with cut and uncut pile in a satin foundation, A vase with floral sprays in red., 17th century, woven textiles, Fragment

Tab with dotted pattern, stampi remondiniani pesp, 1861 - 1939 Leaf with pattern of double dots. Italy paper. paint (coating) block printing (relief printing process) ornament ~ geometric motifs

Stencil Japan. Stencil 70009

Leaf with continuous leaf -filling pattern of chrysanthemums (one of ten identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament derived from plant forms. flowers: chrysanthemum

Textile Sample from Sample Book 19th century Japan. Textile Sample from Sample Book. Japan. 19th century. Silk. Textiles-Woven

German 15th Century after Master of the Dutuit Mount of Olives, Saint Michael, c 1480 Saint Michael

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Sidewall (Holland), ca. 1700; leather, stamped, silvered, painted

Fragment early 16th century Italian, Venice. Fragment 230646

Damask with Cloud Palmettes and Chinese Characters 14th century China Trade or diplomacy must have played a role in the life of textiles such as this example (now darkened but originally blue), which, according to records, was found in Egypt. The palmette pattern originated in Central Asia and the eastern Iranian world. Here, it also features a Chinese cloud border and flawlessly rendered versions of the Chinese character for longevity (shou) in the center of and atop each one. Longevity damasks like this piece must have been present in other regions, too, as they probably inspired the designs of some of the rare surviving late thirteenth- to early fourteenth-century carpets of Konya, Turkey.. Damask with Cloud Palmettes and Chinese Characters 70996

Abstract Gourd Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), Abstract organic shapes resemble bottle gourds. These plants were dried and used as containers for flasks and sake., Japan, late 18th - early 19th century, textile designs, Katagami, Katagami

Sidewall (France); block-printed; 64 x 49 cm (25 3/16 x 19 5/16 in.)

Template with bamboo leaves, anonymous, 1800 - 1909 Japanese template (Katagami) with a pattern of bamboo leaves against a stock of hexagons or honeycomb. Japan paper. tracing paper. silk cutting foliage ~ ornament. plants and herbs: bamboo

Leaf with spreading pattern of tendrils with fruits and leaves, anonymous, 1750 - 1900 Leaf with spreading pattern of tendrils with fruits and leaves. Half of an open cover. paper. lacquer (coating) block printing (relief printing process) / lacquering ornament derived from plant forms

Fragment of appIIqué unknown

Red paste paper 19th century Anonymous. Red paste paper. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Corpse and Mirror. Jasper Johns (American, born 1930); printed by Bill Goldston and James V. Smith; published by Universal Limited Art Editions (American, founded 1955). Date: 1976. Dimensions: 700 x 930 mm (image); 780 x 1005 mm (sheet). Lithograph on black wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Sidewall, René Crevel, French, 1900-1935, Block-printed paper, Printed in art deco style of decoration for Nancy McClelland of New York City. Gold scrolls scattered in a haphazard way over the gray background. Printed in old Roman gold on slate gray., France, 1920, Wallcoverings, Sidewall

Student album Indologues, 1930-1931. Photo album with a vale green fabric folder. Herein 20 gray inner magazines, between the pergamine, bound with a green cord in cover. The interior has 122 black and white photos of, among other things, the world exhibition in Antwerp (1930), group photos of Indologues on a ball in the 'Oud-Wassenaar', Groningen, Wad, Zorgvliet in The Hague, the Betuwe, Doorn, The tennis club, a boat trip with luxury passenger ship ("Harry Seidel" from Danzig). Photo with greetings from Cairo. The photos are provided with captions in the beginning. Approx. 10 photos are missing. Probably composed by the young Dutch woman who can be seen on many of the photos.

Raffaëlli, Jean-François (n.1850-04-20-D.1924-02-29), Le Rémouleur (Main title), 1907. Etch and dry point in yellow on Japan paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Stagnation, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1958. Dimensions: 484 × 382 mm (image); 635 × 452 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

OBRA SIN DOCUMENTAR. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Tibet, Nepal and Northern Hindustan. Date/Period: Ca. 1574. Oil painting on wood. Height: 115 mm (4.52 in); Width: 34 mm (1.33 in). Author: EGNAZIO DANTI.

Embroidered Sampler 1841-42 Lucy Jane Phelps Atwater Lucy Jane Phelps was a resident of West Townsend, Vermont. According to family history, however, she spent a year at a convent school in Cincinnati, where she worked this sampler. She was probably in her teens at the time; instead of such basics as the alphabet and numbers, Lucy received training in fancy embroidery and darning, sewing techniques that were useful for ornamenting and mending clothing.. Embroidered Sampler 14057

Stencil 19th century Japan. Stencil 70676

Leaf with continuous leaf -filling pattern of chrysanthemums (one of ten identical sheets), Anonymous, 1850 - 1950 decorated paper Japan China paper. Japanese paper. paint (coating). block printing (relief printing process) ornament derived from plant forms. flowers: chrysanthemum

Woven Covering for Chair Back. Dated: 1935/1942. Dimensions: overall: 16.4 x 14.1 cm (6 7/16 x 5 9/16 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ingrid Selmer-Larsen.

Puhoro: tracing of the chisel cuts used in a Maori design of tattooing on the thigh. Watercolour by H.G. Robley.

Vilnius. Underground, fragment of the dungeon; Bu Hak, Jan (1876-1950); around 1931 (1931-00-00-1931-00-00);

Gentle Grid John Newcomb, Acrylic, 2009

Stencil 19th century Japan. Stencil 70662

Madonna and Child Enthroned with Saints Zenobius, John the Baptist, Reparata and John the Evangelist Nardo di Cione (Italian, Florentine, active 1343-1356/1366). Madonna and Child Enthroned with Saints Zenobius, John the Baptist, Reparata and John the Evangelist, mid 14th century. Tempera and tooled gold on panel, 77 1/2 x 39 1/2 in. (196.9 x 100.3 cm). In 1348, the bubonic plague killed more than half the population of Florence, causing profound social, economic, and psychic devastation. In the plagues aftermath Nardo di Cione painted this large altarpiece, likely for the Duomo, the most important church in the city. There is a red and white banner near Jesus, who holds a bird in his hand; both are symbols of the Resurrection, his future triumph over death. For devout Christian survivors of the pandemic, this would have been a powerful image of salvation. The Duomo housed the relics of two of the saints depicted here: Zenobius (upper left), the first Bishop of Florence, and the city

William Blake, 1757-1827, British, "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young.

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper. Edo period (1615-1868). Stencils

Fragment, probably from a Chasuble, 1400s. Italy. Silk with cut and voided velvet; overall: 66 x 29.9 cm (26 x 11 3/4 in.); mounted: 76.2 x 40.6 cm (30 x 16 in.).

Saint Catherine. Medium: paste print counterproof. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

River view. Origin: Japan. Period: Edo period. Date: 1615-1868. Ink and tint on silk. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Panel. Designed by Sir Hubert Herkomer (English, born Germany, 1849-1914); Woven by Anton Herkomer (American, 1806-1901). Date: 1890. Dimensions: 197.9 x 61.8 cm (77 7/8 x 24 3/8 in.)Warp repeat: 97 cm (38 1/4 in.). Silk and cotton, plain weave with supplementary pile warps forming cut voided velvet. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: HUBERT VON HERKOMER.

St. Margaret (Schr. 2846) 15th century Anonymous, German, 15th century German. St. Margaret (Schr. 2846) 382488 Artist: Anonymous, German, 15th century, St. Margaret (Schr. 2846), 15th century, Pasteprint, sheet: 5 5/8 x 4 1/8 in. (14.3 x 10.5 cm). The Metropolitan Museum of Art, New York. Bequest of James Clark McGuire, 1930 (31.54.186)

Design for a Bedroom Ceiling, Francis Augustus Lathrop, American, 1849 - 1909, Pen and brown ink, brush and white gouache on board, Long, rectangular design divided into squares and rectangular sections. Design with tendrils and foliage indicated in white gouache, inside two similar borders. Lower half unfinished., USA, ca. 1890, architecture, interiors, Drawing, Drawing

Leaf with flowers with branches, Johann Wilhelm Meyer, 1740 - 1780 brocade paper Leaf with flowers with tantens. Half of a cover. Augsburg paper. paint (coating) relief printing ornament derived from plant forms

Pattern of a ceiling in perspective. Draughtsman: anonymous. Dating: c. 1500 - c. 1520. Place: Noord-Italië. Measurements: h 200 mm × w 143 mm. Museum: Rijksmuseum, Amsterdam.

Fragment. Culture: Spanish. Dimensions: 37 1/2 x 22 3/4 in. (98.2 x 58.8 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Celtic ornament

Sidewall - Fragment (France); block-printed on handmade paper; 23 x 32.5 cm (9 1/16 x 12 13/16 in.)

Fragment blue silk dam mast with double -headed eagle, anonymous, c. 1500 - c. 1599 Fragment blue silk with pattern of rows of double crowned eagles. Italy silk damask Fragment blue silk with pattern of rows of double crowned eagles. Italy silk damask

Lazio Viterbo Bolsena S. Cristina3. Hutzel, Max 1960-1990 Medieval: 11th century nave (consecrated 1077), 9th century ciborium in crypt with Roman spolia, 13th century campanile. Post-medieval: Renaissance tripartite facade of 1492-94 built under Leo X, terracotta tympana, frescoes, painting on panel, painting on canvas, polychrome terracotta sculptures, stucco. Coverage is of the exterior and interior of S. Cristina, including the Chapel of the Miracle of Bolsena, the Grotto of S. Cristina, and the Chapel of S. Michael the Archangel. Antiquities: Roman sarcophagus and architectural fragments displayed in the lapidarium. The grotto of S. Cristina is housed within a supposed temple to Apollo. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects o

Monkshades. Draughtsman: Richard Roland Holst. Dating: 1893. Measurements: h 500 mm × w 130 mm. Museum: Rijksmuseum, Amsterdam.

Book containing prose and five miniatures 1800-1850 Iran. Opaque watercolor and ink on paper with a leather cover . Islamic

Desdemona Cursed by her Father (Desdemona maudite par son père) Eugène Delacroix (French, 1798-1863). Desdemona Cursed by her Father (Desdemona maudite par son père), ca. 1852. Oil on cradled panel, 16 x 12 5/8 in. (40.6 x 32.1 cm). European Art ca. 1852

Quilted and Pieced Coverlet. Dated: c. 1938. Dimensions: overall: 35.7 x 26.3 cm (14 1/16 x 10 3/8 in.) Original IAD Object: 72" wide; 84" long. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Cora Parker.

Sheet with overall curved abstract pattern Anonymous 19th century View more. Sheet with overall curved abstract pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

PEQUEÑA GRAN VENTANA - 2005 - OLEO/TELA - 105x86. Author: SOLEDAD SEVILLA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Sash, Lydia Bush-Brown, (American, 1887-1984), Medium: cotton, silk Technique: block printed on crepe (overspun warp) and embroidered using figure-8 and running stitches, Sash to be worn with blouse (1977-77-1) with same block printed floral pattern in rust red with green on off-white fabric. Three panels of equal length joined by a figure-8 stitch using rust red silk. Running stitch using the same silk decorates hems on four sides., USA, 1905-19, printed, dyed & painted textiles, Sash

Fragments, Medium: silk, linen Technique: woven, Oval cartouches containing pomegranites in yellow and dull pink., 17th century, woven textiles, Fragments

Stencil with Pattern of Chrysanthemums in Rushing Water 19th century Japan. Stencil with Pattern of Chrysanthemums in Rushing Water 69367

Album with 124 performances to Rembrandt, Rembrandt van Rijn, 1807 - 1808 Album with 124 performances on 50 album blades. These are prints of or from Rembrandt, published by Henry Louis Basan in Paris 1807-1808, entitled: Recueil De Quatre-Ningt-Cinq Estampes Originales. In addition to the title page, another table of contents of two pages. Half Marokins green band with marbled plates. In the front two and in the back three bracts. Paris morocco (leather). paper marbled paper / letterpress printing / etching Album with 124 performances on 50 album blades. These are prints of or from Rembrandt, published by Henry Louis Basan in Paris 1807-1808, entitled: Recueil De Quatre-Ningt-Cinq Estampes Originales. In addition to the title page, another table of contents of two pages. Half Marokins green band with marbled plates. In the front two and in the back three bracts. Paris morocco (leather). paper marbled paper / letterpress printing / etching

Sheet with overall spotted design 19th century Anonymous. Sheet with overall spotted design. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Embers Glow, 1890-1897. Theodore Roussel (French, 1847-1926). 1 color etching and aquatint mounted on original aquatint mount with etched and aquatinted framing papers surrounding the impression, 7 color etching and aquatint proofs, 2 "Lotus Pattern Frame" proofs; sheet: 24.3 x 20.4 cm (9 9/16 x 8 1/16 in.).

Panel of velvet. Culture: Iranian, probably Tabriz. Dimensions: L. 23 x W. 9 inches (58.4 x 22.9 cm). Date: late 13th-14th century.Imported Middle Eastern textiles were highly valued luxury goods during this period, and this velvet pattern was originally the product of the Persian workshops of Tabriz. The number of surviving pieces in European and American collections suggests that this attractive pattern was produced in relatively large quantities; it may have been imitated by Italian velvet weavers and produced for a long period of time. Museum: Metropolitan Museum of Art, New York, USA.

Stencil 19th century Japan. Stencil 69330

Design for booklet for orange memorial book. .

Die Conditorei im Bildern 1854 Written by Conrad Wegner German. Die Conditorei im Bildern. 1854. plates: color lithography and hand colored lithography. Heinrich Keller (Franckfurt am Main). Books

Fragment. Egypt. Date: 801 AD-1300. Dimensions: 15.2 × 6.4 cm (6 × 2 1/2 in.). Silk, plain simple cloth. Origin: Egypt. Museum: The Chicago Art Institute, Chicago, USA.

Leather; leather, stamped, silvered, painted

Jean-Baptiste Carpeaux (1827-1875). Album of 24 gray sheets (25 drawings). Drawing, around 1869. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19 Center

Charm, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 472 × 370 mm (image); 640 × 455 mm (sheet). Color lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Design for a dress ..

Spiral Kammar in red, yellow and blue, Anonymous, 1700 - 1850 marbled paper paper. paint (coating) combed marbled paper / snail marbled paper

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