Landscape and Architecture Prints

A variety of landscapes featuring rivers, ruins, and architectural elements, showcasing natural beauty and historical significance.

Charles-Jean-Louis Courtry (1846-1897) (According to Victor Hugo). "L'Éclair". Etching. 1868. Paris, house of Victor Hugo. 122591-23 Eat, 19th XIXth 19th 19th 19th 19th century, engraving

. Two water mills at a river. Three women were in the foreground. The third print of a six-part series with landscapes in Tyrol

Charles-Jean-Louis Courtry (1846-1897) (According to Victor Hugo). "L'Éclair". Etching. 1868. Paris, house of Victor Hugo. 122591-23 Eat, 19th XIXth 19th 19th 19th 19th century, engraving

Landscape with ruins of the Tropaea Marii, Nicolas Perelle, after Jan Asselijn, 1627 - 1655 print Numbered in the bottom right: 6. paper etching / engraving landscape with ruins Trophies Marius

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

Ruins at Misenum; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Ruins at Misenum, named after Misenus, Companion of Hector and Hoornblazer from Aeneas that was drowned and buried here. It was on the place of the current miseno. Right a few boats. In the foreground a company of men and women. A boy has a basket and two jugs. Four lines of text in Italian in the undermarge. The print is part of an album.

Hunting company for a villa, Jean Moyreau, After Philips Wouwerman, c. 1733 - 1762 print paper etching Hunter. Assembly, 'Departure for hunting'. Villa

Landscape with ruins and bridge over running water, 1560 - 1570 print Landscape with ruins and bridge over running water. On the right a group of women in the shade. Print from a series of landscapes with ruins and fantasy architecture. paper etching fantastic architecture, unrealistic architectural fantasies. landscape with ruins

Tomb of Cecilia Metella, Rome, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1832-1834, Etching and engraving, first published state on moderately thick, slightly textured, beige, wove paper, with gray chine colle, Sheet: 11 1/16 × 16 5/8 inches (28.1 × 42.2 cm), Plate: 6 15/16 × 9 1/4 inches (17.6 × 23.5 cm), Chine collé: 6 5/8 × 9 inches (16.8 × 22.9 cm), and Image: 3 1/8 × 5 1/4 inches (7.9 × 13.3 cm)

River view with figures at a source, Pieter Langendijk (I), 1693 - 1756 print River face with figures on the right in the foreground at a source. paper etching river bank - HH - ideal landscapes. utilitarian, public pump or water fountain

Italian landscape with Tobias and the Engel, Nicolas Perelle, After Willem van Nielandt (II), After Paul Bril, 1673 - 1695 print Paris paper etching landscapes. herd, flock. angels

Figures around an allegorical burial monument for Cloudsley Shovell, Nicolas Henri Tardieu, After Domenico Maria Fratta, After Marco Ricci, After Sebastiano Ricci, 1735 - 1741 print Paris paper etching / engraving grave, tomb. ornamental fountain. obelisk, needle

Domestic life of the Batavians, Harmanus Vinkeles, after Engelbertus Matthias Engelberts, 1784 print Domestic life of the Batavians. Residents of a village sit outside for their huts, cooking, playing and talking to each other. Netherlands paper etching extinct, 'historical' peoples (with NAME) Netherlands

Ruins in a street to the Grote Markt at the Manneken Pis in Brussels, 1695; Vue de la rue tirant du Grand Marché, fresh Le Manneken-Pis; Perspectives des Ruines de la Ville de Bruxelles. Presentation of the ruins in a street to the Grote Markt at the Manneken Pis in Brussels after the bombing by the French, 13-15 August 1695. Seventh print in the series of twelve.

View of Delft, Maxime François Antoine Lalanne (Attributed to), After Johannes Vermeer, 1837 - 1886 print France paper city-view, and landscape with man-made constructions - II - ideal landscapes. landscapes with waters, waterscapes, seascapes (in the temperate zone) Delft

Coastal village; Roman ruins and coastal landscapes (series 2). On the left a village with a quay wall. On a road a ridden donkey walks and is a figure. From the sea a sailing ship and a shaft with cargo comes. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Etching by Lodovico Mattioli depicting a river landscape with bathers and a separate ruin landscape, produced between 1680 and 1740.

Fons Aemilij in Graecia, view of the town with ruins of the aqueduct on the river bank; in the foreground, a shepherd of sheep on a rock, on the river, a boat with fishermen with a net.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Running Bij Miseno, 1680 Ruins at Misenum, named after Misenus, companion of Hector and Hoornblazer van Aeneas who was drowned and buried here. It was on the site of present -day Miseno. On the right a few boats. In the foreground a company of men and women. A boy drags a basket and two jugs. Four lines of text in Italian in the lower margin. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Miser Ruins at Misenum, named after Misenus, companion of Hector and Hoornblazer van Aeneas who was drowned and buried here. It was on the site of present -day Miseno. On the right a few boats. In the foreground a company of men and women. A boy drags a basket and two jugs. Four lines of text in Italian in the lower margin. The print is part of an album. after print by: Praagpublisher: Rome paper engraving Miser

Simson kills the lion; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. With his bare hands, Simson kills the lion through the jaws of the animal. In the background a hilly landscape. Under the show a reference in Latin to the Bible text in RI. 14. This print is part of an album.

Baden from Caracalla, Hendrick Hondius (I), After Petrus Stephanus, 1600 print View of the ruins of the caracalla baths, with figures. In circle. Print from a series of six with performances of Roman ruins. Under the performance a rule in Latin. The Hague paper engraving public baths. ruin of a building ~ architecture Thermen from Caracalla. Rome

Forum of nerva; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. View of the ruins of the forum Nerva in Rome, such as the Temple of Minerva and the Bow of Pantani. On the right the so-called 'colonacce'. On the right is a man in the doorway at his chickens or roosters. A carriage passes. In the underwear three lines text in Italian. The print is part of an album.

Cattle between Roman ruins; Roman ruins and coastal landscapes (series 2). On the right a overgrown ruin, left a fountain between two columns. Different figures and cattle in the middle. Perhaps the Roman Forum in Rome. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

View of a fountain in Pratolino Park near Florence, Giuseppe Molini, 1790 - 1856 print paper park. garden fountain. ornamental fountain Florence

View of the old Vismarkt in Antwerp, Jean Théodore Joseph Linnig, 1868 print paper etching market Antwerp

Arriva der sclauonier zu Venedig, Sambt Derer Schiffen und Gallen; Küsel, Melchior I (1626-1683), Baur, Johann Wilhelm (1607-1642); 1682 (1682-00-00-1682-00-00);Venice (Italy), Album Factis, architecture, German graphics, iconography, German (culture), ports, work (genre scenes), genre scenes, ships, relaying, city views, band

This 1835 lithograph by Moritz von Schwind depicts a promenade scene in front of a small Austrian town, highlighting urban landscape, architecture, and 19th-century lithographic technique.

Ruins on a Trekvaart, Jacob Elias van Varelen, After Jacob Cats (1741-1799), 1799 print Haarlem paper etching landscape with ruins. river. towing path

Fishing Man, Anonymous, After Jean Baptiste Pillement, 1755 - 1775 print A Chinese man is fishing along the bank. In the background a landscape with bridges and a building. Paris paper etching fishing (sports). city-view, and landscape with man-made constructions - II - ideal landscapes

Ruins Next to a Pool in a Wooded Landscape 1783-84 Thomas Rowlandson British. Ruins Next to a Pool in a Wooded Landscape 407354

Cartoon on the state exam for admission to the university, 1850, Anonymous, After Carel Vosmaer, 1850 print Cartoon on the State Examination by Minister Thorbecke for admission to the university, by Royal Decree of 1 July 1850. On the left the student's dream in bed and the sad students who have not succeeded, on the right the happy students who have passed. At the top the students are cooked at the gymnasium in a large boiler. According to inscriptions on this copy, it would be about events in August 1849 and the print would also have been published in 1849. print maker: Netherlandsafter drawing by: Netherlandsprinter: The Haguepublisher: The Hague . student. examination ~ university. secondary education

Etching by Jacques-Philippe Le Bas showing a landscape with a tower and fishermen, including a fish sale, created in 1743, illustrating 18th-century rural commerce and scenery.

Etching by Marco Ricci from 1730 featuring a landscape with a ruined palace, showing architectural decay within a natural environment.

Landscape with gate and ruin; Roman ruins and coastal landscapes (series 2). There are undergraded ruins on the water, perhaps the Porta Furba. On the left a gate. Left in the foreground a road with a ridden donkey and a walker. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Fabel van de aap en de Dolfijn, Johann Heinrich Meil (the older), after Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). monkeys, apes. swimming mammals: dolphin

Siege of Breda, 1793, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Breda besieged by the French army, February 1793. Amsterdam paper etching Victory, position was Breda

Etching by Remigio Cantagallina depicting the palace of Fama and the figure Astrea, created in 1608.

The Equestrian Monument, from the series Vedute(Views). Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768

Etching by Pierre Charles Canot depicting a farm. Created in 1768, illustrating rural architecture, agricultural activity, and landscape of the 18th century.

Distributing bread to the poor, from the cycle Landscapes". Swanevelt, Herman van (ca 1600-1655), graphic artist

Herod for the Court, Melchior Küsel (I), After Johann Wilhelm Baur, 1682 print Text in German in the lower margin. Numbered in the bottom right: 15. Print is part of an album. Augsburg paper etching Christ before King Herod; sometimes a gorgeous robe is brought (Luke 23:8-11)

Fourth view of the ruins of the Palatijn, Johannes or Lucas van Doechum (attributed to), afteronymus cock, 1561 print Fourth face on the ruins of the Palatijn in Rome. Two men play with their dogs among the ruins. paper etching / engraving landscape with ruins Palatin

A 1636-1652 etching by Jan Both showing the Milvian Bridge and a mule driver on the Via Appia, depicting architectural and travel elements in a seventeenth-century landscape.

Thermen from Caracalla in Rome, Jan van de Velde (II), 1616 print Figures and Pakzelsen at the Thermen of Caracalla in Rome. Tenth print of part five of a series of a total of sixty prints with landscapes, spread over five parts of twelve prints each. Northern Netherlands paper etching landscape with ruins. pack-animal Thermen from Caracalla

River with a chapel on the right, Isaac major, after Pieter Stevens (I), after Pieter Stevens (II), 1586 - 1630 print paper engraving river. church (exterior) - QQ - small church, chapel

Coupling stick for the Gate of Den Briel, 1572. The Veerman coupling stick negotiates on behalf of the water geese of Lumey at the city gate of Den Briel, 1 April 1572.

Cityscape with moored rowing boat, Nicolas Perelle, 1613 - 1695 print Numbered at the top right: 21. publisher: Parispublisher: ParisFrance paper etching city-view in general; 'veduta'

Villa of Julia Agrippina on Lake Locrinus; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Ruin of the Villa of Julia Agrippina, located on Lake Locrinus. In the background (at c) the Villa of Julius Caesar at Baia (Castello di Baia). In the foreground a company. A woman is cooking. Another woman washes her clothes. Four lines of text in Italian in the undermarge. The print is part of an album.

Hydraulica, Jan Balzer (possibly), after Johann Kleinhard, 1772 print A rocaille ornament in a landscape with a water pump. On the right is a man seven. Nummered in the lower margin. Prague paper etching / engraving rocaille ornament. fluid mechanics, hydraulics. sorting, selecting of material by sieving, sifting, screening

Petite Marine Angloise 1761 Pierre Charles Canot. Petite Marine Angloise 712211

Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, The Equestrian Monument, from the series Vedute(Views), Etching, platemark: 14.2 × 20.8 cm (5 9/16 × 8 3/16in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

Ruin of the caracalla thermal baths; Roman ruins (series 2). The overgrown ruins of the caracalla thermal baths in Rome. In the foreground two shepherds with a herd of goats. In the background the city of Rome. Print from a series of Roman ruins, consisting of copies to a pictures of Willem van Nieulandt.

Figure Playing Bells, from 'Nouveau Cahier de Six Feuilles De Différents Sujets Chinois Historiés', Jean-Baptiste Pillement, French, 1728-1808, Etching on paper, France, 1728-1808, Print, Print

Untitled. Prints. 1759 - 1870. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Monte Circello 1831 Germany. Etching on ivory wove paper . Adrian Ludwig (Ludwig) Richter

Nymphaeum in Rome; Roman ruins and coastal landscapes (series 2). The ruin of the Nymphaeum, also known as the Temple of Minerva Medica, in Rome. On the right a road with a few travelers. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Jacques Callot, Shepherd and Ruins, c 1622 Shepherd and Ruins

Fontein in the garden of Paleis Het Loo, Jan van Call (I), c. 1700 print paper etching garden fountain. palace Apeldoorn. Palace Het Loo

Etching by Charles Benazech from the second half of the 18th century depicting a harbor scene with boats at port.

Four episodes from national history, Simon Fokke, 1722 - 1784 print Uncuted magazine with four performances from national history. From left to right: Visit by Frederik I, King of Prussia to Amsterdam; Tour of Tournai; Division in Middelburg; Arrival of the Hollands-English fleet with Charles VI, German emperor in Lisbon. Amsterdam paper etching historical events and situations. historical persons (portraits and scenes from the life)

Boy with basket, greeting lord and lady and woman with baskets. Three drawings stuck side by side on a leaf.

Baths of Dioclectian, with tower; Thermae diocletiani; Roman ruins. View of the ruins of the baths of dioclectian, with figures and a high tower in the middle. Perspective dotted lines connect the buildings and the foreground to the horizon. To read: Horison (Leged) and: Base (Bottom right). In Circle. At the top: C.LXXXVI. Print from a series of six with representations from Roman ruins.

Landscape with stone bridge in Octagonal Framework, Anonymous, After Paul Bril, 1582 - 1700 print Landscape with stone bridge in Octagonal Framework, copy to print of Paul Bril with show Spiegelverdt. paper etching landscape with bridge, viaduct or aqueduct

RESTEN VAN DE THEMEN VAN CARACALLA TE Rome, Giovanni Battista Mercati, 1629 print print maker: Italyafter own design by: ItalyItalyToscane paper etching landscape with ruins. public baths - AA - in the open air Thermen from Caracalla

Frontisper with a performance of the Mars circus along the Via Appia Antica, Giovanni Battista Piranesi, c. 1756 - c. 1757 print Numbered at the top right: II. Tom. III. Rome paper etching city-view, and landscape with man-made constructions. circus ring. piece of sculpture, reproduction of a piece of sculpture. obelisk, needle. column, pillar ~ architecture Rome. Via Appia Antica

Ruin with a gate; Roman ruins and coastal landscapes (series 2). A ruin with a gate, perhaps the Porta Furba in Rome. Two figures are in conversation in the foreground in the landscape. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Ships at sea for Amsterdam, Charles Rochussen, in Or Before 1841 print Ships at sea with a face on Amsterdam in the background. Around the Wapen van Amsterdam and various scenes that indicate the flourishing of the city in the seventeenth century. In the last company of the Treurs game, the Archangel Rafaël Gijsbrecht says to leave Amsterdam and that the city will rise in later centuries. The Hague paper. ships (in general). city-view in general; 'veduta' Amsterdam

Passage of the valley on the ice / January 14, 1795 (IT)

Sepolcro di Matela detto Capo di Bove. Tomb of Caeclia Metella called Capo di Bove (Ox Head).. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1748. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Rotundas, Tombs & sepulchral monuments , Italy

Etching and copper engraving by Wilhelm Friedrich Gmelin from 1780-1820 depicting the mythological scene of Acis and Galatea in a detailed landscape.

Escape from Hugo de Groot in the book box from Slot Loevestein, 1621. Lock Loevestein face with Left in the foreground The escape of Hugo de Groot in the book box, March 22, 1621. Men drag the coffin to a rope.

Genre scene for rural or court buildings unknown

Fireworks on behalf of the Utrecht students, 1766, 1766 print The lighting of the fireworks on the Stelleal at the Temple with the Allegorical performances, by the students of the University of Utrecht on 10 July 1766 during the visit of Stadholder Willem V to Utrecht on the occasion of his inauguration as an inheritance holder. Marked at the top right: PL: 3. Northern Netherlands paper etching / engraving bonfire, fire-works (+ illumination, fire-works ~ festive activities) Utrecht

James Fittler, 1758-1835, British, Isola Bella, on the Lago Maggiore, 1818. Etching and engraving on medium, slightly textured, cream, wove paper.

Fireworks display with triumphal arch supported by three pontoons on the water, decorated with symbols of Louis XIV 17th century Anonymous, French, 17th century. Fireworks display with triumphal arch supported by three pontoons on the water, decorated with symbols of Louis XIV 700326

Thermen van Caracalla, inside, 1624 - 1650 Ruins of the Thermen of Caracalla in Rome, inside. With five people. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Thermen from Caracalla Ruins of the Thermen of Caracalla in Rome, inside. With five people. In the lower margin three lines of text in Italian. The print is part of an album. Prague paper engraving / etching Rome. Thermen from Caracalla

Depicts 'Lunch' (Opus VII, sheet 1) by Max Klinger in 1883 using etching and aquatint, showing figures at a table in a narrative scene.

Breakthrough of the Zuidhollandse Waard, 1421, 1747 - 1759 print Dike breach of the Zuidhollandse Waard, 1421. Filed villages after the Sint Elisabeth flood. Residents climb on a church tower, others in boats on the water. Northern Netherlands paper etching flood South-Holland. Dordrecht

Gisingen Bey München; Kobell, Wilhelm von (1766-1853), F. Bruckmann AG (Munich; Publisher; Ca 1850-1937); 1918 (edition); 1818 (matrix) (1918-00-00-1918-00-00);

Chteau d'Arlay. Richard Parkes Bonington; English, 1802-1828. Date: 1822-1828. Dimensions: 198 × 259 mm (image); 282 × 389 mm (sheet). Lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Well, plate 13 from Imaginary Prisons 1750 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

This signed on Danersijde by Herman Saftleven is the Nieuwee Weert AO 1674

Avanco del Tempio della Concordia, 1756. Giovanni Battista Piranesi (Italian, 1720-1778). Etching and engraving;

Etching by William Wynne Ryland created between 1752 and 1783 depicting a landscape view with a bridge.

Le Patre et Les Ruines (The Shepherd and the Ruins), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. Le Patre et Les Ruines (The Shepherd and the Ruins), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Lazio Roma Monterotondo Palazzo del Municipio. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tomb of Caecilia Metella, from Views of Rome. Giovanni Battista Piranesi (Italian, 1720-1778); published by Francesco (Italian, 1758-1810) and Pietro Piranesi (Italian, born 1758/9). Date: 1761-1762. Dimensions: 447 x 627 mm (image); 455 x 635 mm (plate); 540 x 743 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Terrace with decorated fountain, H. Lebas, 1819 print Print is part of an album. paper garden fountain

Copper engraving and etching of Altargemar by Étienne Fessard from 1756, featuring precise line work and careful composition.

The Laundress 1756 France. A shrewd entrepreneur, FranÁois Boucher worked across media and helped define the elaborately ornamental Rococo style. He produced paintings, drawings, book illustrations, and designs for porcelains and textiles that were collected by a diverse clientele, from the middle class to King Louis XV. Over 1,500 prints were made by other artists after Boucherís compositions, greatly fueling his popularity. The Laundress, however, in a rare impression before lettering, is one of 32 prints drawn and etched by the artist himself. In this picturesque rendering of French life, a girl elegantly drapes linens on a clothesline as a small boy peeks out from behind a broken-down fence. The pleasant figures and light-hearted atmosphere are characteristic of Boucherís scenes of country households.. Etching, with traces of engraving, in black on ivory laid paper . François Boucher

Two men work with a Windas, Jan Luyken, 1711 print Amsterdam paper etching tools, aids, implements ~ crafts and industries: windlass

The Fishers. Jean Baptiste Le Prince; French, 1734-1781. Date: 1771. Dimensions: 382 × 270 mm. Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Szamotuły. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, Misierowicz, Alojzy (ca 1825-post 1900), graphic artist, Orda, Napoleon (1807-1883), draughtsman, cartoonist

Girl scales crumbs in a wake. A richly dressed girl kneels on a frozen pond. She has made a wake in the ice and winds into crumbs. A building with a colonnade can be seen behind her. On a second drawing behind this show a landscape with trees and mills on the water. There are remains of ice on the water.

The Choor of Doms Kercke: With the Tooren. 1677 The 28 Junius this stuck is ghetgent from the Kercke of St.Peeter who was drawn on that way of Herman Saftleven.Out 68 Jaer

Italian Landscape, perhaps the Monte Mario, Rome. Artist: Jacob van der Ulft (Dutch, Gorkum 1627-1689 Noordwijk). Dimensions: sheet: 11 9/16 x 15 11/16 in. (29.3 x 39.9 cm). Date: 1659. Museum: Metropolitan Museum of Art, New York, USA.

Destruction by the flood and ice floes in Beusichem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print print maker: Amsterdamafter drawing by: Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching dike-break. ruin of a dwelling, house, castle, etc. Beusichem

Artist: Stefano Della Bella, Italian, 1610-1664, Tower ofCalais, Etching, sheet: 8.5 × 14 cm (3 3/8 × 5 1/2in.), Made in Italy, Italian, 17thcentury, Works on Paper -Prints

Villa Borgia in Rome. Jabłczyński, Feliks (1865-1928), graphic artist

Het sneuvelen van Kapitein Herman Helling, 23 november 1577.Attack of slope and ruychaver on Amsterdam, November 23, 1577. Fighting on the Dam Square for the town hall where Glling Sad. Design for a print.

unknown artist, ( Banks ), Ruins Discovered at the Corner of Whitcomb Street 1821, 1822. Engraving.

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