Landscape Etchings

Idyllic landscapes featuring figures and natural elements, utilizing muted tones and intricate detailing, highlighting rural settings and classical themes.

No. 22. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Considered to Hal Icelais du CASHOLLY SILVESTRETRE, 1631 - 1661 print France paper etching palace Luxembourg Palace

Landscape with Figures 1774 Richard Earlom British. Landscape with Figures. Liber Veritatis, no. 8. After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). 1774. Mezzotint. Published by John Boydell (British, Dorrington, Shropshire 1720-1804 London). Prints

Coast of Naxos with Bacchus and Ariadne, Richard Earlom, After Claude Lorrain, 1776 print London paper etching coast - HH - ideal landscapes. sea (seascape). Bacchus finds Ariadne on Naxos Naxos

Anloo in Drenthe, Hendrik Schwegman, after Egbert van Drielst, 1771 - 1816 print View of some farms in Anloo, Drenthe, while it is raining and blinds. In the foreground a man, woman and dog. print maker: Haarlemafter drawing by: Anloopublisher: Amsterdam paper etching / engraving village Anloo

Down Castle, Craigforth and Stirling in the Distance, Print made by Thomas Medland, 1755-1823, British, after Alexander Campbell, 1764-1824, British, Published by Longman, active 1804-1914, British, 1802, Aquatint on medium, slightly textured, cream wove paper

Landscape with resting shepherds under a tree and cattle rider, Richard Earlom, After Claude Lorrain, 1774 print London paper etching cattle driving, cattle driver. village. story teller; listening to story teller

Shepherd with cows and sheep for a water mill; Classic landscapes. In a landscape with mountains a shepherd walks with cows and sheep. A water mill on the right. Under the show a text in Latin and a reference to Virgilius.

Scenographia Americana: A Southwest View of the City of New York, in North America, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after drawings by Thomas Howdell, active ca. 1768, British, 1758-1760, Colored engraving, DON'T USE: 14 1/8 x 20 13/16in. (35.9 x 52.9cm) and Plate: 14 x 20 5/8in. (35.6 x 52.4cm)

No. 22. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Cock, Mathys (1505 1548)

Print made by David Lucas, 1802-1881, British, Opening of Waterloo Bridge, 1831. Mezzotint and drypoint on medium, slightly textured, cream wove paper.

The vaccine fields. (Robert-Dumesnil 23; Mannocci 17) Claude Gell�e (said Lorrain) (around 1600-1682). Campo Vaccino. (Robert-Dumesnil 23, Mannocci 17). Etching. 1636. Museum of Fine Arts in the city of Paris, small palace.

Face of Dresden, draughtsman: Daniël Dupré, 1786, paper, pen, brush, h 225 mm × w 354 mm

Tent camp in the Tiergarten in Berlin, Daniel Nikolaus Chodowiecki, 1772 print View of the tent camp in the Tiergarten in Berlin. The men at the tree on the right in the foreground are the actors Karl Theophilus Doebelin and Johann Franz Hieronymus Brockmann. In the middle of the field a statue of flora. paper etching park. tent-camp. walking, hiking (recreation). four-wheeled vehicle drawn by two animals. statues, sculptures in garden Large zoo

Venus and Adonis, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Venus tries to keep Adonis from the hunt. Adonis holds a spear in his hand. There is a hunting dog next to Venus. On the right a landscape extends with a river and a mountain with a castle on top. paper etching / engraving Venus trying to prevent Adonis from going hunting. landscapes in the temperate zone

March; Martius; The twelve months, with village scenes. Landscape with a country road on which figures and a covered wagon, with a village in the background, representing the way from Lisse to Hillegom. Right a plowing farmer. Landscape representing the month of March. At the top of the constellations belonging to this month: RAM. Third print from a series of twelve.

Landscape with shepherds, cattle and triumphal arch around a lake, Richard Earlom, After Claude Lorrain, 1775 print London paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. triumphal arch. landscape with ruins - II - ideal landscapes. pastorals, Arcadian scenes. viaduct

View of the frozen Amstel in Amsterdam, 1762, Paulus van Liender, 1805 print View of the frozen Amstel in Amsterdam with skating figures and slider drivers on the ice, and walking figures on the quay. On the left the Amsteldijk with the Herberg de Berebijt seen to the Hogesluis. On the right in the background the De Bul mill on the Bolwerk Oosterblokhuis. Under the show the title in Dutch and French. paper etching / engraving winter landscape; landscape symbolizing winter (the four seasons of the year). skates (winter sports). hotel, hostelry, inn. windmill Amstel (river). Amsterdam. Hogesluis. Inn De Berebijt

Samuel Hieronymus Grimm, 1733-1794, Swiss, Between Chiswick and Brentford, 1774. Watercolor with black ink over graphite on medium, smooth, cream laid paper.

Landscape with fishermen, Francesco del Pedro, after Claude Joseph Vernet, 1749 - 1806 print In the foreground, two figures bring a fishnet out of a boat on the land. A man with two rods in his hand is ashore. There are two women next to him. In the background other fishing figures and buildings. In the lower margin, three verses from Voltaire's poem 'Le Mondain' (1736). print maker: Italypublisher: Venice paper engraving / etching fisherman. sailing-ship, sailing-boat

Wright, Wilhelm von, work, A shot hare and hunting equipment, 1834, technique text: watercolor and gouache on paper, painting, keywords: still life; hare, game, little bird, rifle, hunting bag, pocket mat, stone, plant, 60 cm x 48 cm, Wilhelm von Wright 1810 - 1887, Swedish-Finnish painter and amateur naturalist.

View of 's-Gravenpolder, Pieter Hendricksz. Schut, 1656 - 1657 print paper etching / engraving prospect of village, silhouette of village. church (exterior) 's-Gravenpolder

Vienna. 1778 - 1880. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Vienna (Austria)

David Lucas, Flatford Mill, 1846, mezzotint on chine collé on cream wove paper.

Artist: Pierre-Charles Canot, French, 1710-1777, After: Thomas Howdell, American, A South East View of the City of New York, in NorthAmerica, Etching and engraving, third state, sheet: 45.72 × 60.96 cm (18 × 24 in.), Made in France, French, 18thcentury, Works on Paper -Prints

Men walking by a lock, View of the Nieuwe Brouwers-Kolk in Overveen , print maker: Antoine Cardon, (mentioned on object), print maker: Antoine Alexandre Joseph Cardon, (mentioned on object), intermediary draughtsman: Augustijn Claterbos, (mentioned on object), Haarlem, c. 1759 - c. 1815, paper, etching, h 298 mm × w 375 mm

Artist: Jan van de Velde II, Dutch, 1593-1641, Winter, from a series of the fourseasons, Etching, sheet: 26.7 × 35.8 cm (10 1/2 × 14 1/8in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Face of leather. Silhouette of the city leather. In the foreground activity on a river.

Waterloo, Antonie, work, Man under the dog hill, (1000 - 2000), etching, graphic, 10.6 cm x 15, 8 cm

Fountain in the gardens of Villa Doria Pamphill - Rome; Veduta delle Fontane della Parte Destra del Teatro del Giardino (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. Numbered at the bottom right: 22. The print is part of an album.

Watercress Gatherers, Rail's Head, Ferry Bridge, Twickenham, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, 1819, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm), Plate: 8 1/2 × 11 3/8 inches (21.6 × 28.9 cm), and Image: 7 3/8 × 10 1/2 inches (18.7 × 26.7 cm)

Palazzo del Lord looks at Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of Palazzo del Signore Guarda on the Brenta River. A gondola sails on the water. A gondola is moored in the foreground. Numbered in the middle: XXV and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. hôtel, i.e. small palace in city. gondola Brenta

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Landscape with skaters. Draughtsman: Andreas Schelfhout. Dating: 1797 - 1870. Measurements: h 255 mm × w 327 mm. Museum: Rijksmuseum, Amsterdam.

Landschap Met de Temple van Venus, Wilhelm Friedrich Gmelin, after Claude Lorrain, 1805 print print maker: Romeafter drawing by: Romepublisher: Mannheim paper etching / engraving temple, shrine ~ non-Christian religions. satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa). landscapes - HH - ideal landscapes. armorial bearing, heraldry Temple of Venus and Roma

Cornfield with the Needle at Soestdijk. Draughtsman: Cornelis Steffelaar. Dating: 1837. Measurements: h 326 mm × w 407 mm. Museum: Rijksmuseum, Amsterdam.

Phaeton, 1763. William Woollett (British, 1735-1785). Engraving;

An ink and brush drawing by René-Louis-Maurice Béguyer de Chancourtois, executed with wash and white highlights, depicting celestial or scientific subjects.

View of the large basin taken behind the statue of autumn. / 1 (title registered (letter)) | View of the large basin taken behind the statue of spring. / 1 (dummy title) | Tuileries Garden (Title of all)

A view of New-York and its environs. Taken from the heights of West Hoboken. Bayot, Adolphe Jean-Baptiste (1810-1866). Bry, Auguste (b. 1805). Eno, Amos F., 1836-1915. Prints. 1850 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York Harbor (N.Y. and N.J.) , 1800-1899, Picnics , United States, Hoboken (N.J.) , 1800-1899, New York (N.Y.) , 1850-1859

Cone players for a house, Andrew Lawrence, After David Teniers (II), 1743 print Paris paper etching / engraving hotel, hostelry, inn. inn, coffee-house, public house, etc.. ninepins, skittles

Laying the Bamboze Brugh about 't Revier d'Sappang of the BenEnden Thuijn na t Campon Baro on Buijten Zorg, Johannes Rach, 1770 drawing A river littered with boulders. On the right a European couple with four servants. In the middle a bridge of bamboo over a river on which a military column with a sedior chair with the governor-general, two horsemen with trumpets in front and four riders behind it. There are low trees in the fairly flat landscape. Outdoor care paper. ink pen / brush bridge. landscape with bridge, viaduct or aqueduct. (carrying a person in a) sedan-chair. colonial governor Java. Outdoor care

William Henry Toms, ca. 1700-ca. 1750, British, Veue de Mall dans St. James's Park, 1752. Hand colored engraving.

Winter face on Leiden, Jacques Bacheley, after Jan Pietersz Zorg, 1730 - 1781 print Skaters and sleds on the ice. Lead in the background, with the Hooglandse Kerk on the right. paper etching / engraving skates (winter sports). sledge, sleigh (winter sports). ice ~ freezing weather. prospect of city, town panorama, silhouette of city. church (exterior) To lead. Highland

Face of Schenskhans, Jan van Call (I), 1666 - 1706 drawing paper. watercolor (paint). chalk brush

Leicester, Leicestershire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, first published state

View of Wageningen, Hendrik Hoogers, 1785, draughtsman: Hendrik Hoogers, 1785, paper, pen, brush, h 173 mm × w 237 mm

Horse-racing Set of six: 4. Subduing Shoeing, the Cavison and Pillar, William Elliot, active 1774, died 1792, British, after Thomas Smith of Derby, ca. 1720-1767, British, 1758, Engraving, Sheet: 15 3/8 x 21 3/8in. (39.1 x 54.3cm)

James T. Willmore, 1800-1863, British, Dido and Aeneas, 1859-1879. Steel engraving.

Am Neuthor (1821) .

Dutch School, Plate 2, Print made by Samuel William Reynolds, 1773-1835, British, after Sir Peter Paul Rubens, 1577-1640, Flemish, Published by Samuel William Reynolds, 1773-1835, British, 1825, Mezzotint and etching on medium, slightly textured, cream wove paper

River face with boats. Draughtsman: H. van Dreven. Dating: 1700 - 1800. Measurements: h 120 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

River Landscape with Hunters in a Boat Contemporary Artists (series title) Les artistes contemporains (series title on object), print maker: Auguste Paul Charles Anastasi, (mentioned on object), after: Jules Dupré, (mentioned on object), printer: Victor Jacques Bertauts, (mentioned on object), Paris, 1847, paper, h 313 mm × w 444 mm

Wide landscape with two figures and sailing ships, Izaak Jansz. de Wit, After Paulus van Liender, 1799 print Face from the Rhenense mountain over the Betuwe in Gelderland. Sailing ships on the water and in the foreground two figures, one of which with vast arm. Haarlem paper etching sailing-ship, sailing-boat. index finger forwards, pointing, indicating. water course Rhenense Berg. Betuwe

Palace of the Grand Duchess Marie Nicolaievna. C. Schultz (possibly German, active. c. 1820-1830); after J. Meyer. Date: 1815-1825. Dimensions: 243 × 349 mm (image); 400 × 570 mm (sheet). Lithograph in black with second tint stone on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA. Author: C. SCHULTZ.

The Bridge in Middle Distance (Liber Studiorum, part III, plate 13) June 10, 1808 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added aquatint and mezzotint to describe a broad river spanned by a long, multi-arched classical bridge. Tall trees screen the setting sun as two women in the foreground listen to a pipe player. The letters "EP" in the upper margin likely stand for Elevated Pastoral, and were applied by Turner to landscapes within the set that echo the Arcadian sensibility of Claude.. The Bridge in Middle Distance (Liber Studiorum, part III, plate 13) 382918

A Stormy Scene with Figures Unloading Boats Near a House on the Water's Edge. Artist: Jacob Cats (Dutch, Altona 1741-1799 Amsterdam); After Ludolf Bakhuizen (Dutch, Emden 1630-1708 Amsterdam). Dimensions: 10 3/16 x 13 9/16 in. (25.8 x 34.5 cm). Date: 1785. Museum: Metropolitan Museum of Art, New York, USA.

Tomb of Jean Jacques Rousseau. Jean Michel Moreau; French, 1741-1814. Date: 1778. Dimensions: 265 × 355 mm. Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: the Younger Jean Michel Moreau.

Design for a New Order of Architecture, Samuel Ireland, active 1760-died 1800, British, after William Hogarth, 1697-1764, British, May 1, 1799

A View of Charlton near Woolwich in Kent, Print made by Michael 'Angelo' Rooker, 1746-1801, British, after Paul Sandby RA, 1731-1809, British, 1775, Line engraving on medium, moderately textured, cream laid paper, Sheet: 7 1/2 × 10 1/8 inches (19 × 25.7 cm), Plate: 6 7/16 × 7 15/16 inches (16.4 × 20.2 cm), and Image: 5 1/16 × 7 1/8 inches (12.8 × 18.1 cm), cows, farmhouses, farming, farms, fields, horses (animals), livestock

Jupiter in Europa, François Vivares, After Claude Lorrain, 1771 print England paper etching Europa and her maidens play with the bull, and/or adorn it with flowers

Face at Oudewater, draughtsman: Gerrit Lamberts, 1834, paper, brush, h 210 mm × w 306 mm

Joseph Mallord William Turner and Henry Edward Dawe, Isleworth, published 1819 Isleworth

Six jump at the image of faunus; To see the six-way at Phanus after 't image of Ceres; Neerlandse Veldtbracht, or 't Lust Hof founded by Z.B.M. Willem III at 't Lo (...). View of the image of faunus where six roads come out in the gardens of Palace Het Loo. Print is part of an album.

Slot Loevenstein, anonymous, 1700 - 1799 drawing Netherlands paper. ink pen / brush Slot Loevestein

Boys bathing in the river by the playing fields, Eton College, Berkshire. Line engraving by J.T. Willmore after J.D. Harding.

Face on stick.

Winter Landscape with Skaters and Sledges on the Ice, a Bridge and a Mill behind. Artist: Abraham van Strij (Dutch, Dordrecht 1753-1826 Dordrecht). Dimensions: sheet: 14 3/8 x 18 1/2 in. (36.5 x 47 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

THE GRAVE OF THE CHARGER 'COPENHAGEN,' AT STRATFIELDSAY

William Woollett, 1735-1785, British, Shooting, Plate I, 1769. Engraving and etching, fifth published state.

Reproduction of a painting: Brochocki, Walery (1847-1923), Entering a small town; from: "Kłosy" 1882, II, 120. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, unknown, draughtsman, cartoonist, Pomianowski, Kazimierz (fl. 1876-1896), engraver

Fontein on a square in Rome, Anonymous, 1675 - 1711 print Amsterdam paper etching ornamental fountain Rome

Title print with landscape in January, Gabriel Perelle, 1613 - 1655 print publisher: ParisFrance paper etching / engraving landscape symbolizing January

Garden at home ten Bosch, ca. 1825; Leidsen on the Swiss bridge and the pond, near the house in the Bosch in S'grenhane / vue sur la Pont Suisse et le Vivier, apartmentsant au palais au bois - à la haije -.view of the swiss bridge and the pounds in the gardens At Huis TS Bosch Palace in The Hague, approx. 1825. Part of a Sheet Metal from Approx. 1824-1825 With 74 (Unnumbered) Plates of the Most Important Topographical Faces and Several Morals and Habits in The United Kingdom of the Netherlands.

. Sailing trip of Stadholder Willem V and Princess Wilhelmina van Prussen on the IJ when returning from Zaandam, on May 31, 1768. View of the many ship on the water, with spectators at guns on the quay. Part of a print series with title print and 14 plates of the prince and princess in Amsterdam, 30 May - June 4, 1768.

Voorn Boers, Verburgh, Cornelis Gerrit, Rotterdam, Hunter in a forest, verso - stamped, A hunter holds his gun aimed at his prey. Next to him stands his dog. In the background a castle., print, prints, height 239 mm, width 309 mm, Dutch, 1802-08-06 - 1879-09-30, print maker, printmaker, 1812 - 1879, paper, papier, chine collé, lithografie (techniek), Work conception, after own design by, printer, drukker

River face from Oever IJssel, Carel Frederik Bendorp (I), 1785 print print maker: Dordrechtpublisher: Amsterdam paper etching river IJssel

An 18th-century drawing of a winter landscape showing ice skaters and ponies, rendered in gray pen and watercolor over graphite, with minor abrasions.

Visit to a Flower Nursery. Bezoek aan bloemkwekerij: de maand april. Draughtsman: Jacob Cats (1741-1799). Dating: 1791. Measurements: h 131 mm × w 182 mm. Museum: Rijksmuseum, Amsterdam.

At Richmond Va.. Kollner, Augustus (b. 1813). 1845. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. James River (Va.), Richmond (Va.)

Casini del N. H. Riva on the Brenta; Veduta Delli Casini del N. H. Riv (...); Le delicie della brenta; Les Delices de la Brenta; Faces on the Brenta River. View of the Casini del N. H. Riva on the Brenta River. A gondola on the waterfront on the water. On the right two men on horseback. Numbered in the middle of: XXII and bottom right: Tom: II. This print is part of an album.

Pierre Charles Canot, ca. 1710-1777, French, active in Britain, A View of the Palace from the South side of the Lake with the Temples of Bellona and AEolus and the House of Confucius in the Royal Gardens at Kew, ca. 1764. Hand-colored engraving.

The Gypsy Fortune-Teller. Date/Period: Ca. 1758. Painting. Watercolor, pen and black ink over graphite on medium, cream, slightly textured wove paper. Height: 343 mm (13.50 in); Width: 410 mm (16.14 in). Author: Paul Sandby.

An 18th century work depicting the St. Elizabeth's flood in the Netherlands in November 1421 when a storm caused dykes to break in several places. The flood remains one of the most serious Europe has

Joseph Mallord William Turner and JC Easling, Saint Catherine's Hill Near Guilford, 1811 Saint Catherine's Hill Near Guilford

Image of Abcoude and New Demo Lock. Leaf with 2 performances of the Lock of Abcoude and the Nieuwersluis in Loenen. Under every image a caption. Numbered upper left: No. 27.

Landscape with skaters, draughtsman: Andreas Schelfhout, 1797 - 1870, paper, brush, h 255 mm × w 327 mm

Lebas, Jacques-Philippe, inventor: Theobald Michau, work, View from Bruggen tienoola, (1000 - 2000), copper engraving, graphics, plate width 38.8 cm, leaf width 39.7 cm, leaf height 31.9 cm, image width 36.2 cm, image height 25 cm

View of the waterfalls of Fontainebleau Castle, Gabriel Perelle, After Israel Silvestre, 1640 - 1691 print Print is part of an album. publisher: ParisFrance paper etching French or architectonic garden; formal garden. garden cascade Court of the fountain

Apotheosis on Archduchess Elisabeth died on February , first wife of the later Emperor Franz II, Johann Hieronymus Delete Kohl -, publishing house

Market Town Artist's working dates 1620-1653 Holland. Etching on ivory paper . Simon de Vlieger

Landscape. Dated: published 1782. Medium: aquatint and etching in brown and gray. Museum: National Gallery of Art, Washington DC. Author: Regina Katharina Quarry after Jacob Cats.

Monument of Prince Józef Poniatowski in Leipzig. Krausse, Alfred (1829-1894), graphic artist, Baumgärtner, Friedrich Gotthelf (Lipsk ; wydawca, księgarz ; 1759-1843), publisher, Weger, August (1823-1892), printer

'View of the Park'. Album in the cardboard cover. Holland, 1770. Dimensions: 18,2x30,1 cm. Museum: State Hermitage, St. Petersburg. Author: Arends Jan.

Kügelgen, Carl von, manufacturer: printed in St. Petersburg 1823-1824, Puijo, 1823, lithography, graphics, sheet width 54.7 cm, sheet height 44 cm, image width 40.5 cm, image height 31 cm

Print made by David Lucas, 1802-1881, British, A Summerland, 1831. Mezzotint and drypoint on medium, slightly textured, cream laid paper.

Bourdeaux at the beginning of 15th c. Engraving. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

Liender, Paulus van, Driebergen by Utrecht, 1754, Village view in Driebergen, verso - stamped, View of a road in the village of Driebergen. On the left two women are hanging out the laundry to dry, further on figures are standing by a covered wagon., print, prints, height 240 mm, width 298 mm, 1731 - 1797-05-26, print maker, printmaker, 1763 - 1763, paper, papier, etching, Work conception, after own design by

Print made by Samuel William Reynolds, 1773-1835, British, Dutch School, Plate 2, 1825. Mezzotint and etching on medium, slightly textured, cream wove paper.

HENLEY REGATTA, EIGHT-OAR'D MATCH

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