Landscape Ruins and Studies

Etchings and prints showcasing picturesque landscapes with ruins, featuring elements of nature intertwined with historical architecture.

Louis XIV (King of France), Paris, Swanevelt, Herman van, Diverses veuës dedans et dehors de Rome, Title page and twelve views of Rome and surroundings, Parte delle terme Antoniano, View of the Baths of Caracalla, verso lower left - stamped, There is a part of the ruined Baths of Caracalla. Several walkers can be seen on the path near the complex., print, prints, height 115 mm, width 183 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1652 - 1652, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Artist: Jan Both, Dutch, 1618-1652, PonteMolle, Etching, sheet: 19.1 × 27.1 cm (7 1/2 × 10 11/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Shepherd at a ruin, Jan van de Velde (II), 1616 print Flute playing shepherd with sheep in a ruin in a landscape. Thirteenth print from a series of twenty. Northern Netherlands paper etching / engraving landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Tobias and the angel at the Tigris, where Tobias pulls his shoes to wash his feet. A ruin in the background. Leged numbered: 9.

Vue d'un temple... dédié à Diane from Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); after Hubert Robert (French, Paris 1733-1808 Paris); Adélaide Allou (French). Dimensions: Plate: 6 11/16 × 9 1/4 in. (17 × 23.5 cm)Sheet: 9 11/16 × 12 15/16 in. (24.6 × 32.9 cm). Publisher: Pierre François Basan (French, Paris 1723-1797 Paris ()). Series/Portfolio: Differentes vues dessiné d'après nature... dans les environs de Rome et de Naples. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with ancient ruins at river with settlement, Giovanni Battista Pittoni (I), Afteronymus Cock, 1561 print Landscape with an antique ruin in the event of a river in the sea. A settlement on the left bank. A high mountain in the background. paper etching ruin of a building ~ architecture. landscape with ruins. river

Louis XIV (King of France), Paris, Swanevelt, Herman van, Diverses veuës dedans et dehors de Rome, Title page and twelve views of Rome and surroundings, Parte delle terme Antoniano, View of the Baths of Caracalla, verso lower left - stamped, There is a part of the ruined Baths of Caracalla. Several walkers can be seen on the path near the complex., print, prints, height 115 mm, width 183 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1652 - 1652, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Joshua sends spies to Jericho / Rachab let the spies escape through the window; UNUM BENFICIUM OMNIA PECCATA DILVIT; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. The city of Jericho, with the Joshua army on the left. Joshua sends two spies to the city. On the right can be seen how Rachab, a prostitute from Jericho, let the two men escape with a rope from her window after which they climb over the wall (Josh. 2: 1). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

View of the So-Called Tempio della Tosse (Temple of the Cough) on the Via Tiburtina a mile from Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1763. Dimensions: 440 x 577 mm (image); 445 x 584 mm (plate); 560 x 790 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Landscape with ruins and travelers, Davide Antonio Fossati, after Marco Ricci, 1743 print Landscape with ruins and a road. On the left, on the road, travelers on foot, on horseback and by carriage. Italy paper etching landscapes. city-view, and landscape with man-made constructions. public road

Figures on a country road near a church ruin in a landscape. Second print from part two of a series of sixty prints with landscapes, divided into five parts of twelve prints each., Figures on a country road near a church ruin Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

Krajobraz z antycznym grobowcem. Reinhart, Johann Christian (1761-1847), graphic artist

. A pond with fountain and a waterfall in an architectural garden. Two men are on the edge of the pond in the foreground. On the left a boat.

Resting family for a ruin, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print For a overgrown ruin, a resting family and two shepherds with their herd of sheep. On the left a ruin with houses underneath. Print from a series of Italian landscapes. unknown paper etching family, relationship, descent. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins

Landscape with Round Tower and Figures Crossing a Bridge 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Landscape with Round Tower and Figures Crossing a Bridge 340041

Landscape with a lapse tower: June; Iunius; The twelve months; Duodecim Anni Mensium. View of a lapse tower in a landscape, for which four resting figures, representing the month of June. Links shepherds at their herd. At the bottom of the astrological symbol of the constellation. Print from a series of twelve.

Francois Vivares, 1709-1780, French, Landscape with a ruin, a river, a shepherd and sheep (set of 6).

Two figures are on a bank of a river, behind them a bridge and ruins. Around the scene a frame with oriental figures, putti and musical instruments, Two figures on a bank Figures in landscapes 4 D Morceaux de Caprices a divers usages , print maker: Carl Albert von Lespilliez, (mentioned on object), François de Cuvilliés (Sr.), (mentioned on object), Keizerlijk hof, (mentioned on object), Germany, 1745, paper, etching, h 197 mm, w 230 mm

Ruin with a gate, anonymous, after Willem van Nieulandt (II), 1594 - 1685 print A ruin with a gate, perhaps the Porta Furba in Rome. In the foreground in the landscape, two figures are talking to each other. Print from a series of Roman ruins, consisting of copies to a press series by Willem van Nieulandt. paper etching / engraving landscape with ruins Rome

The Old Tower at the Edge of a River Made 1763 France. Although Jean Jacques de Boissieuís paintings were considered rather laborious, the roughly 140 etchings were widely admired, especially his views of Lyon and the surrounding countryside . The freshness of de Boissieuís approach and his skillful rendering of light lend an immediacy and authenticity to these works.. Etching on paper . Jean Jacques de Boissieu

Landscape with duck hunt, Nicolaes de Bruyn, after Gilles of Coninxloo (II), 1600 print Mountain landscape with a castle. In the right front soil two men hunt for water birds. Antwerp paper engraving landscape with tower or castle (+ city(-scape) with figures, staffage). the Judgement of Paris (without Mercury)

Landscape with a watermill and the Merciful Samaritan, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print On the road in an Italian landscape, in front of a water mill, the merciful Samaritan with the donkey on his hand runs, on which he transports the wounded traveler to a accommodation. To the Bible story in Luc. 10: 25-37. Print from a series of Italian landscapes. paper etching the Samaritan sets the wounded traveller on his mount (ass or horse), and brings him to an inn. watermill in landscape

Harbor with unloading boats, Richard Adam, 1654 - 1693 print Harbor with unloading boats, a tower on the left. Larger ships and a city in the background. Amsterdam paper etching harbour. prospect of city, town panorama, silhouette of city

Landscape with shepherds and a herd, Albert Meyering, 1695 - 1714 print Landscape with two shepherds and their herd of sheep at Roman ruins. Amsterdam paper etching landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

. Three conversing gentlemen at a fort on a hill in a river landscape. A city on the horizon. Print from a series with river landscapes.

Canal in a village with Tobias and the Engel, Isaac Major, after Pieter Stevens (I), after Pieter Stevens (II), 1586 - 1630 print paper engraving

. Landscape with the ruins of a castle. In the middle two figures in conversation on an arc bridge.

Figures in a canoe in a castle, print maker: Jan van de Velde II, 1616.

Environs of Venice -19. Ricci, Marco, 1676-1729. 1743. D. A. F. (Davide Antonio Fossati), 1708-1780. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Waterfall at a Stone Bridge, with Castle in the Distance 1668-1671 France. Etching on ivory laid paper . Sébastien Bourdon

View of the Palatine with the Septizodium, print maker: Hieronymus Cock, 1550 and/or 1551.

Park face with fountain, Anna Maria de Koker, 1640 - 1698 print Park face with a large fountain, with a decorated arch and columns. A group of six people is admired for the fountain. On the right in the foreground a man with a stick in his hand, next to him a sitting woman. paper etching garden ornaments. public gardens, park

Landscape with the expulsion of Hagar and Ismaël by Abraham; Filii luucis adoptati; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. River landscape with houses. In the distance the sea with emerging sun. On the left, Abraham Hagar and his first son is away from his wife Sara (Gen. 21:10). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

East Gate, Winchelsea. Dated: published 1819. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Samuel William Reynolds I.

Ponte Molle, draughtsman: Jan Both, 1628 - 1652, paper, brush, h 232 mm × w 333 mm

Garden with debris of antique images, Johannes or Lucas van Doetechum (attributed to), after Maarten van Heemskerck, c. 1578 - c. 1600 print Inneration of a ruin with the remains of antique images and fallen columns. A walking man can be seen through an opening in the wall. etching / engraving gallery of sculptures. landscape with ruins

A drawing by Johannes de Bosch depicting a park landscape with a stone river god on a parapet, executed in black-gray and gray pen, gray wash, and graphite pencil.

Louis XIV (king of France), Swanevelt, Herman van, Paris, Diverses veuës dedans et dehors de Rome, Title page and twelve views of Rome and surroundings, St. Adriano in Via flaminia, S. Andrea in Via Flaminia near Rome, On the bank of the Via Flaminia lies the S. Andrea in Via Flaminia. In front of the church walkers can be seen and on the other side are two more figures., print, prent, prints, prenten, height 117 mm, width 180 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1652 - 1653, paper, papier, etching, etchings, Work conception, after own design by, Frans, 1638-09-05 - 1715-09-01, granter of privilege

Sepolcro Antico in Via Nomentana. Reinhart, Johann Christian (1761-1847), graphic artist, Frauenholz, Johann Friedrich (1758-1822), publisher

Two hikers at a channel, Gillis van Scheyndel (I), 1631 - 1656 print Landscape with a bridge over a river. On the right two pedestrians. On the left a shepherd with his herd. Amsterdam paper etching / engraving farm or solitary house in landscape. 'en route', traveller under way. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. canal. groups of trees

Goat shepherd at a Kasteelgracht; Landscapes with antique Roman buildings. A ruin of a castle with a weapon with papal tiara and keys on the gate. On the other side of the Kasteelgracht a shepherd walks with its goats.

Landscape with the Porta Portese; Veduta Fori di Porta Portese; VEDUTE VARIE. Landscape with the Porta Portese in Rome. Men row in boats on the tiber. Mid above the title. Numbered at the top right: 7.

Interior view of the Flavian Amphitheater, called the Colosseum, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1766. Dimensions: 454 x 693 mm (image); 487 x 707 mm (sheet). Etching on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

The messenger eager near the ruins of the Baths of Caracalla (Hollstein 22) Breeneberg, Bartholomaus. The messenger eager near the ruins of the Baths of Caracalla (Hollstein 22). Etching.

The Calm ca. 1750-1790 After Joseph Vernet. The Calm. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-1790. Engraving. Elisabeth Cousinet Lempereur (French, born 1726). Prints

View of the entrance to Tivoli and the walls of the Villa d'Este, horsemen approaching the entrance at bottom center, arched entrance in the middleground, cyrus trees and other plants surrounding. Artist: After Jean Honoré Fragonard (French, Grasse 1732-1806 Paris); Jean Claude Richard, Abbé de Saint-Non (French, Paris 1727-1791 Paris). Dimensions: sheet: 7 3/16 x 9 3/8 in. (18.3 x 23.8 cm)plate: 5 7/8 x 7 1/2 in. (14.9 x 19 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with the ruin of a gate. In the foreground two shepherds and their goats., Landscape with Ruin, print maker: Jurriaan Cootwijck, intermediary draughtsman: Jan Lievens, (mentioned on object), Amsterdam, 1724 - 1798, paper, h 201 mm × w 267 mm

No. 89. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

I vestigi dell' antichità di Roma, Du Pérac, Etienne, d. 1604, Engraving, 1575, plate 29

Landscape with an Artist Sketching. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Resting family for a ruin, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print For a overgrown ruin, a resting family and two shepherds with their herd of sheep. On the left a ruin with houses underneath. Print from a series of Italian landscapes. Antwerp paper etching family, relationship, descent. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins

Villa of Julia Agrippina on Lake Locrinus; Vestigi delle Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Ruin of the Villa of Julia Agrippina, located on Lake Locrinus. In the background (at c) the Villa of Julius Caesar at Baia (Castello di Baia). In the foreground a company. A woman is cooking. Another woman washes her clothes. Four lines of text in Italian in the undermarge. The print is part of an album.

Glauber, Johannes, unknown, Arcadian landscapes, Arcadian landscape with a river, verso lower left - stamped, An Arcadian landscape with a river. Ruins along the bank. In the foreground a man with a spear and a seated woman. Both are in Roman clothing. In the background a city. The print is part of a series with Arcadian landscapes., print, prent, prints, prenten, width 364 mm, height, 240 mm, 1646 - 1726, print maker, prentmaker, 1656 - 1726, paper, papier, etching, etsen, Work conception

Antwerp, Wtenbrouck, Matheus Moysesz. van, The Hague, Moyses van, Arcadian landscapes, Jacob wrestles with the angel, verso lower left - stamped, Jacob wrestles with the angel. A dog barks at the fighters. In the background two towers on a river, along which a procession of cattle with shepherds passes. The cattle is transported across the river by boat., print, prints, height 125 mm, width 186 mm, Northern Netherlands, 1600 - 1647, print maker, printmaker, paper, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, - 1660, publisher, 1645 - 1660

Ruin with two cows next to it, Landscape with ruin, print maker: anonymous, 1600 - 1700, paper, etching, h 119 mm × w 97 mm

Italianizing landscape with walkers near a staircase in a garden, Jan Frans van Bloemen, 1689 - 1749 print Rome paper etching public gardens, park. garden ornaments

Landscape with ruin and figures. Left front is a woman on the floor. In addition to her, a man stands in the air. He leans on a spade. In addition, a dog. A third figure runs through the ruin. Some birds in the air.

Garden with man and animals.

Figures at a fort in a river landscape, Jan van de Velde (II), 1603 - 1641 print Three conversing gentlemen at a fort on a hill in a river landscape. A city on the horizon. Print from a series with river landscapes. Northern Netherlands paper etching bastion, bulwark. fortress. river

Landscape with a Draftsman among Ancient Ruins. Dated: 1670s. Dimensions: overall: 25.7 x 39 cm (10 1/8 x 15 3/8 in.). Medium: pen and brown ink with gray and brown wash over red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Oswald Harms.

Umbria Terni Amelia Palazzo Petrignani6. Hutzel, Max 1960-1990 Post-medieval: 16th century frescoes, restored ; views of exterior. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two landscapes with buildings, Albert Meyering, 1707 print Two landscapes. Above a landscape with a building and a man leaning on a stick. Under a landscape with a man on the left at a monumental garden vase and a building on the right. Numbered at the top right: 334. Amsterdam paper etching / engraving landscapes in the temperate zone (+ landscape with figures, staffage). farm or solitary house in landscape

Landscape with ruins and figures. Landscape with classic sculptures and various fragments of buildings. In addition, groups are half-naked women. On the right in the background a bow.

Haven with unloading boats, Richard Adam, 1654 - Before 1693 print Harbor with unloading boats, a tower on the left. Larger ships and a city in the background. Netherlands (possibly) paper etching harbour. prospect of city, town panorama, silhouette of city

Joshua sends spies to Jericho / Rachab lets the spies escape through the window, 1613 The city of Jericho, with the army of Joshua on the left. Joshua sends two spies to the city. On the right you can see how Rachab, a prostitute from Jericho, lets the two men with a rope escape from her window, after which they climb over the wall (Jos. 2: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching The city of Jericho, with the army of Joshua on the left. Joshua sends two spies to the city. On the right you can see how Rachab, a prostitute from Jericho, lets the two men with a rope escape from her window, after which they climb over the wall (Jos. 2: 1). With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress pri

Landscape with Fontein, Johannes Janson (Possible), after Jan van Huissen, 1761 - 1784 print Hilly landscape with fountain. A man, seen on the back, and drink a donkey from the fountain. Next to the donkey a woman sitting on a horse. For the fountain a squatted man with a dog. With the pointed mountain in the background. Leiden paper etching Pastoral, Arcadian Scenes

Artist: Herman van Swanevelt, Dutch, 1600-1655, Jeux de Boules Near the CityGate, Etching, , image: 17.2 × 27.7 cm (6 3/4 × 10 7/8 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Tomb of the Scipio family, verso - stamped, View of the remains of the tomb of the Scipio family outside the Porta San Sebastiano in Rome. Title and explanatory letters in the lower margin. Numbered top right: Tom. II. XXVIII., print, prent, prints, height 395 mm, width 519 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

Ruinae Coliseum. Artist: After Sebastiaen Vrancx (Netherlandish, Antwerp 1573-1647 Antwerp). Dimensions: Sheet (clipped impression): 2 11/16 × 4 3/16 in. (6.8 × 10.6 cm). Etcher: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Series/Portfolio: Roman Ruins. Date: ca. 1650. Museum: Metropolitan Museum of Art, New York, USA.

François Roettiers the Elder drawing of a courting couple in a landscape with ruins, executed in brown pen.

Alexander Severus nymphaeum; Vestigi della Antichita di Roma, Tivoli, Pozzuolo et Altri Luochi. Remains of the Nymphaeum of Alexander Severus, also called the trophy di Mario to the two marble sculptures that were placed in the upper arches but placed in 1590 on the balustrade of the Piazza del Campidoglio. In the underwear three lines text in Italian. The print is part of an album.

Le moineau de lesbie. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: René Gaillard after François Boucher.

The Little Waterfalls ca. 1740-1800 After Joseph Vernet. The Little Waterfalls. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1740-1800. Engraving. Pierre François Basan (French, Paris 1723-1797 Paris ()). Prints

Two conversing men on a path and a galloping rider at a round tower in a river landscape. On the horizon sailing ships. Sixteenth print of a series with 36 prints of landscapes, divided into six parts.

Harbor face with three columns, Nicolas Perelle, 1673 - 1695 print France paper etching harbour. coast

View of a Portico by the Side of a River, with Herdsmen and Cattle, Print made by Richard Earlom, 1743-1822, British, after Claude Lorrain, 1600-1682, French, Published by John Boydell, 1720-1804, British, 1774, Mezzotint and etching, printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 x 16 5/16 inches (28 x 41.5 cm), Plate: 8 3/16 x 10 1/8 inches (20.8 x 25.7 cm), and Image: 7 3/8 x 10 1/8 inches (18.8 x 25.7 cm), architectural subject, colonnade, columns (architectural elements), flute (aerophone), genre subject, gesture, goats, grazing, hat, hills, leisure, marine art, men, music, pastoral, peasants, pillars, pointing, reeds, river, riverbanks, ruins, rural, sheep, shepherds, trees

. A man, leaning on a stick, with a ruin, in which two conversing figures. Behind this a setting sun.

Drawing by Étienne Allegrain of a landscape with ancient monuments partially submerged in water, executed in pen, brown ink, brush, and gray wash, with black chalk grid, second half of the 17th century.

Le pâtre qui dort couché par terre, sur le devant, à droite. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with the ruin of a gate next to a dilapidated bridge, Christian Wilhelm Ernst Dietrich, 1744 print Germany (possibly) paper etching landscape with ruins. mountains. river. Madonna: i.e. Mary with the Christ-child. monument, statue

Landscape with antique ruins, 1561 print Landscape with a ruin with an antique cassette ceiling, overgrown by plants and trees. In the background on the left are even more antique ruins and an obelisk. Two men walk in the ruin. Title in Latin up. whole: Paper etching landscape with ruins (+ city(-scape) with figures, staffage). ruin of a building ~ architecture. landscape with ruins

Landscape with tower between trees, Gilles van Coninxloo (II) (follower of), 1554, Landscape with a tower between trees and a small bridge in the foreground on the right., draughtsman: Gilles van Coninxloo (II), (follower of), draughtsman: Gillis Claesz. de Hondecoeter, (rejected attribution), draughtsman: Roelant Savery, (rejected attribution), 1554, paper, brush, pen, h 154 mm × w 202 mm

L'arc Triomphal Developin, densate Arcus (BAGSCH as 15) Van Bronckhorst, Jan Gerritsz. The triumphal arc of the Emperor Constantine, Delineath Arcus (Bartsch 15). Etching.

Dying Soldiers by the Roadside, plate sixteen from The Large Miseries of War Artist's working dates 1612-1635 Netherlands. Etching on paper . Gerrit Lucasz van Schagen

Landscape, Nicolas Perelle, c. 1680 - c. 1695 print Landscape. Design for painting above chimney mantle or door Print is part of an album. paper etching landscape with ruins

The Prodigal Son Eats with the Pigs from a Feeder near a Ruin (Luke 15:11-31). Seventh print in a series of sixty prints with landscapes, divided into five parts of twelve prints each., Landscape with the Prodigal Son with the Pigs Landscapes (series title) Amenissimae aliquot requculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1616, paper, etching, h 135 mm × w 200 mm

La Place Devant l'Auberge. Anthoni Waterlo; Dutch, 1609-1690. Date: 1630-1690. Dimensions: 153 x 205 mm (image); 155 x 207 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Anthonie Waterloo.

Landscape with a sculpture, fountain and harbor face, Isaac de Moucheron, 1677 - 1744 print Landscape with the sculpture of a woman on the left. Two figures at the foot. On the right a fountain with a water -breathing dolphin. Behind it a square with a few figures and a harbor face behind the balustrade. To the painted wall panel in the room of the house of merchant David Bueno de Mesquita. Amsterdam paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. ornamental fountain. village square, place - II - ideal landscapes. harbour

The Golden Age / Age of Iron / Topics from a fable of the fountain, having for title the frogs that require a king. (IT)

Four performances from classical history, Simon Fokke, 1722 - 1784 print Four performances from the classical history of one album, numbered from LVII to LX and all with a caption. At the top left: Death of Antiochus Epiphanes. Bottom left: Agis killed next to his mother and grandmother. At the top right: earthquake in Rhodes. At the bottom right: Meeting between Lucius Aemilius Paulus and his daughter. Proposals LVII and LVIII at the top right marked: Against page. 178. Proposals LIX and LX at the top right marked: Against page. 231. Amsterdam paper etching Antiochus IV Epiphanes falls from his chariot. violent death by strangling. earthquake. (story of) Lucius Aemilius Paul(l)us

Loggia and Statuary in an Italian Garden. Dated: 1744/1750. Dimensions: sheet: 11.7 x 14.8 cm (4 5/8 x 5 13/16 in.) page size: 42.5 x 27.7 cm (16 3/4 x 10 7/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph-Marie Vien.

The Pyramid of Gaius Cestius, from Vedute di Roma (Roman Views). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 20 11/16 x 27 9/16 in. (52.5 x 70 cm)Plate: 15 3/8 x 21 1/4 in. (39 x 54 cm). Series/Portfolio: Vedute di Roma. Date: ca. 1756. Museum: Metropolitan Museum of Art, New York, USA.

Black chalk and gray-brown wash drawing with white highlights by Olivier Le May showing hunters resting near a temple ruin in a landscape, executed on gray-brown tinted paper.

Views: A City Beyond a River, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching;

Veduta delle antiche sostrurioni del Monte Aventino, 1823, Luigi Rossini, Italian, 1790 - 1857, 14 3/8 x 19 7/8 in. (36.51 x 50.48 cm) (plate)18 5/8 x 24 3/16 in. (47.31 x 61.44 cm) (sheet), Etching, Italy, 19th century

Landscape with river and gatehouse, Esaias van de Velde, 1616.

Large fountain in the garden of Huis ter Meer in Maarssen, Hendrik de Leth, c. 1740 print View of the large fountain in the French garden of Huis ter Meer, there are figures all around. The print is part of a series with 26 faces at Huis ter Meer and the accompanying estate in Maarssen. paper etching country-house. French or architectonic garden; formal garden. garden fountain House Ter Meer

Lazio Viterbo Bagnaia Villa Lante94. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two shepherds in a ruin, Claes Jansz. Visscher (II), After Willem van Nieulandt (II), 1618 print View of a rolling landscape with two shepherds who have a conversation at a ruinous building. Goats stands around them. One of the shepherds points to the ruin. In the background ruins and a city. Amsterdam paper etching goat. landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Temple of Augustus. Attributed to Jean-Baptiste Le Prince; French, 1734-1781. Date: 1754-1781. Dimensions: 261 × 232 mm (image/sheet, trimmed within platemark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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