Landscape Studies and River Scenes

A variety of landscape prints, illustrating serene views of nature, including rivers, trees, and distant structures, showcasing different artistic approaches to scenery.

Velde, Jan van de (II), Northern Netherlands, Amenissimae aliquot requculae, Landscapes, Skaters at a farm and a haystack, verso - stamped, Skaters on the ice at a farm with a haystack. Twenty-fourth print in a series of 52 prints with landscapes, divided over two parts of each 26 prints., print, prints, height 120 mm, width 190 mm, 1593 - 1641-11-04, print maker, printmaker, 1616 - 1616, paper, papier, etching, etchings, Work conception, after own design by

Two Plank Hedges, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 6 ca. 1616 Willem Pietersz. Buytewech. Two Plank Hedges, from Verscheyden Landtschapjes (Various Little Landscapes), Plate 6. Willem Pietersz. Buytewech (Dutch, Rotterdam, 1591/92-1624). ca. 1616. Etching; Begemann's second state of three. Claes Jansz. Visscher (Dutch, Amsterdam 1586-1652 Amsterdam). Prints

Velde, Jan van de (II), Northern Netherlands, Amenissimae aliquot requculae, Landscapes, Skaters at a farm and a haystack, verso - stamped, Skaters on the ice at a farm with a haystack. Twenty-fourth print in a series of 52 prints with landscapes, divided over two parts of each 26 prints., print, prints, height 120 mm, width 190 mm, 1593 - 1641-11-04, print maker, printmaker, 1616 - 1616, paper, papier, etching, etchings, Work conception, after own design by

Louisa Augusta Greville, 1743-active 1762, British, Two People Fording a River, Dog on Riverbank, Round Building in Middle Distance, 1770. Etching in brown ink on moderately thick, moderately textured, cream laid paper.

Paradise Lane, Cheshunt, 21 May 1814, Capt. Thomas Hastings, 1778-1854, British, 1814, Graphite and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 7 1/2 inches (12.4 × 19.1 cm)

Sir Robert Smirke the younger, 1781-1867, British, Girgenti, 1802-1804. Brown wash and graphite on moderately thick, moderately textured, beige, wove paper.

Liber Studiorum: The Castle above the Meadows. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

The Bridge in Middle Distance, Charles Turner, 1774-1857, British, And: Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1808, Etching, Plate: 8 x 10 7/8in. (20.3 x 27.6cm) and Sheet: 10 1/4 x 13 1/2in. (26 x 34.3cm)

Bank of a River. Dimensions: overall: 17.7 x 31.7 cm (6 15/16 x 12 1/2 in.). Medium: pen and brown ink with brown wash on cardboard. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Wright, Wilhelm von, work name: Pyrstötiainen, 1828, lithography, painted with water colors, graphics, sheet width 27.4 cm, sheet height 22.2 cm, image width 14.6 cm, image height 8.3 cm, Wilhelm von Wright 1810 - 1887, Swedish-Finnish painter and amateur naturalist.

Stratford Mill, The Young Waltonians, Print made by David Lucas, 1802-1881, British, after John Constable, 1776-1837, British, 1834 to 1840, Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper, Sheet: 15 1/8 x 19 1/2 inches (38.4 x 49.5 cm) and Image: 11 3/4 x 16 5/8 inches (29.8 x 42.2 cm), England, Europe, Stour, Suffolk, United Kingdom

Salmon Fisher (Le pecheur du saumon), etching, Bliss 1923, no. 223, Alphonse Legros (artist) French, 1837 - 1911

Ajax in the Grave ca. 1790-99 Jacob Wilhelm Mechau German This drawing is a most impressive example of Mechau's mature style and can be dated to the end of the eighteenth century, when the artist's compositions were moving away from the influence of Claude Lorrain, who generally treated the human element in his landscapes as mere staffage. Here, the towering trees are given no greater importance than the scene depicted underneath. The subject of the drawing is explained by a 1785 poem by the German poet and philosopher Johann Gottfried Herder (1744-1803), inscribed on the back of the sheet, probably in the artist's own hand. A cowardly Phrygian soldier, who only dares to threaten the Trojan hero Ajax when he is dead and buried, jumps backward when Ajax shouts to him from his grave. It is not known for what purpose the drawing was made. A drawing by Mechau at the Albertina, Vienna, is also inscribed with a poem by Herder.. Ajax in the Grave 377596

Antwerp, Cock, Hieronymus, Bruegel, Pieter (I), Doetechum, Johannes or Lucas van, Large landscapes, Pagus Nemorosus, Wooded landscape, verso - stamped, Wooded landscape with on the left a wagon drawn by two draft animals and two riders, who are going through a pool of water. Houses and a church between the trees., print, prints, height 323 mm, width 428 mm, print maker, printmaker, 1553 - 1558, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, South Netherlands, 1525 - 1569-09-05, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Krajobraz podgórski w Alland. Bilińska-Bohdanowiczowa, Anna (1854-1893), draughtsman, cartoonist

Print, Trial Proof for Cotton Printing: "Pastoral Scene with Peacocks and Poultry"; copper engraving in gum paste on grey laid paper with deckle edges; 36.2 x 57.2 cm (14 1/4 x 22 1/2 in. )

No. 191. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Sir Richard Colt Hoare, 1758-1838, British, The Lake of Nemi called Speculum Diane, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

Going to Market. Dated: 1889. Dimensions: image: 274 x 508 mm sheet: 490 x 641 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Edith Penman.

The Fisherman, John Varley, 1778-1842, British, undated, Graphite, gray wash and brown wash on thin, slightly textured, cream wove paper, Sheet: 3 3/8 x 4 1/2 inches (8.6 x 11.4 cm), buildings, cottage, fisherman, fishing, genre subject, landscape, river, spires, steeples, towers, trees

A Park Landscape 1783-89 Thomas Rowlandson. A Park Landscape. Imitations of Modern Drawings. After George Barret, the elder (Irish, Dublin 1728/32-1784 Paddington, London). 1783-89. Etching, printed in brown ink; proof before addition of aquatint. Prints

Francis Danby, 1793-1861, Irish, A Classical City, undated. Graphite and brown wash on medium, slightly textured, gray wove paper.

Capt. Thomas Hastings, 1778-1854, British, Part of Mayo's Island, Cheshunt, 23 May 1814, 1814. Graphite and pen and black ink on medium, slightly textured, cream wove paper.

Lake Morat from Avenches. Date/Period: Ca. 1780. Painting. Brushed brown ink, brown wash, graphite and brown ground on thin, slightly textured, cream laid paper, mounted on medum, slightly textured, cream laid paper. Height: 298 mm (11.73 in); Width: 346 mm (13.62 in). Author: Mary Harcourt.

1653 drawing by Nicolaes Pietersz. Berchem depicting a river landscape with a ferry. Black chalk and gray tones are used, with brown accents along the edges added later.

Road through the forest, draughtsman: Abraham Furnerius, draughtsman: Rembrandt van Rijn, (rejected attribution), 1640 - 1649, paper, pen, brush, h 162 mm × w 225 mm

Rock grotts in Ariccia; Blaschnik, Arthur (1823-1918); 1857 (22-00-00-1857-00-00);Ariccia (Italy), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, grottoes, landscapes, German drawings, rocks

Paris, Joubert, François Etienne, Moreau, Louis Gabriel, Quatrième suite of landscapes drawn and engraved with water-forte by L. Moreau, Stairs to a landing with a statue, verso lower right - stamped, Park with a staircase along a wall, leading to a landing with a statue on it. Two figures sitting on the stairs., print, prints, verso middle - stamped, height 130 mm, width 195 mm, 1740 - 1806, print maker, printmaker, 1770 - 1805, third quarter 18th century, fourth quarter 18th century, first quarter 19th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1787 - 1836, publisher

Capt. Thomas Hastings, 1778-1854, British, Southampton, 1826. Graphite on medium, slightly textured, cream wove paper.

The ladies of the halle starting to pick the king at Versailles The ladies of the haller leaving to fetch the king in Versailles, "5 October 1789. By Jean-Louis Prieur the young (1759-1795).

Road with Trees, Ditches and Houses, draughtsman: Rembrandt van Rijn, (school of), Amsterdam, in or after c. 1660, prepared paper, pen, brush, h 105 mm × w 193 mm

Mushroom Gatherers (Les ramasseurs de champignons). Medium: drypoint and etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Landscape with ruins. Design for a painting.

Wooded Landscape with Figures, Cottage and Cow. Date/Period: Between 1785 and 1788. Drawing. Gray wash and black chalk, heightened with white gouache on moderately thick, moderately textured, cream laid paper. Height: 267 mm (10.51 in); Width: 387 mm (15.23 in). Author: Thomas Gainsborough.

Travelers at a Village ca. 1570-1629 Copy after Joos van Liere (Master of the Small Landscapes). Travelers at a Village 459285

St. Joseph Charpentier (St. Joseph, Carpenter). Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: Mount: 6 1/8 × 9 3/8 in. (15.5 × 23.8 cm)Sheet: 3 9/16 × 7 in. (9 × 17.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Vue d'amboy et du steam-boat. The steamboat the Rariton.. Hyde de Neuville, Anne Marguerite Henriette (ca. 1749-1849). 1809. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Staten Island (New York, N.Y.), Perth Amboy (N.J.), Steamboats , New Jersey

Allegory ofWinter. Artist: Lodewijk Toeput (Pozzoserrato), Flemish, ca. 1550-ca. 1605

View of a Park late 1770s Jean Honoré Fragonard French. View of a Park 459371

Samuel Ireland, active 1760-died 1800, British, Design for a New Order of Architecture, May 1, 1799.

A brown ink and brown-blue wash drawing by Jan Brueghel the Elder depicting a tree-rich river landscape with a cross and a castle, with graphite lettering.

Veemarkt, Cornelis Ploos van Amstel, after Jan van Goyen, 1767 print Landscape with a house. In addition, a cattle market where cows are traded. Amsterdam paper etching (annual) fair, trade fair. cow

The Port of Ouchy; graphite study of two women with caps, unknown artist, between 1826 and 1866, Graphite, Sheet: 6 9/16 x 8 7/8in. (16.7 x 22.5cm)

Rijn, Rembrandt van, De drie bomen, The three trees, verso - stamped, print, prints, height 89 mm, width 114 mm, print maker, printmaker, 1643 - 1643, paper, papier, etching, etchings, mezzotint, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Thomas Girtin, 1775-1802, British, Turver's Farm, Wimbish, Essex, ca. 1799. Watercolor with pen and brown ink and gouache over graphite on beige, moderately thick, moderately textured, laid paper.

Drawing by Christian Wilhelm Ernst Dietrich depicting figures resting by a fountain, created in 1767 using lead handle and light brown brush laviert techniques.

swainson drawing

Cloetis, c. 1855, watercolor and graphite on wove paper, sheet: 19.05 × 27.94 cm (7 1/2 × 11 in.), William Brenton Boggs (artist) American, 1809 - 1875

Thomas Girtin (British, 1775 - 1802), Conway Castle, North Wales, c. 1800, watercolor over graphite on cartridge paper

Thomas Rowlandson, New Town, Old Church (Isle of Wight), c.1790-98, pen and brush and gray ink and watercolor over graphite on cream wove paper.

A Summerland 1829 David Lucas British View of a rural landscape with a horse drawn plow in the center.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Summerland. David Lucas (British, Northamptonshire 1802-1881 London). 1829. Mezzotint with drypoint, touched with white chalk; proof before published state. Prints

Landscape with a flute saat, female and putto, annibale carracci (attributed to), 1570 - 1609 drawing paper. ink pen

Landscape with ruins, Dionys van Nijmegen (Possible), 1715 - 1798 drawing Design for a painting. paper. pencil brush

River face, Allaert van Everdingen, 1631 - 1675 drawing paper. ink pen / brush

Bergerpoort in Alkmaar, draughtsman: Jan Lievens, (follower of), intermediary draughtsman: Jan Lievens, 1620 - 1720, paper, brush, h 238 mm × w 360 mm

Sketches G. Hayter, Hayter, Sir George, 1792-1871, graphite, ink, watercolor, 1816

Salisbury Cathedral from the Meadows: the Rainbow. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1834. Dimensions: 552 × 689 mm (image); 616 × 712 mm (sheet). Mezzotint with etching, in black, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Print made by Edward Webb, active 1805-1854, Bowes Tower, 1834. Line engraving; touched engraver's proof on medium, slightly textured, cream wove paper.

Genoels, Abraham, work, Shepherd and sheep by the stream, (1000 - 2000), line etching, graphics, plate width 16.5 cm, plate height 13 cm

Drawing by an anonymous artist depicting overgrown ruins with two staff-holding figures, executed in gray-blue ink and feather around 1600.

Whippingham, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, 1829, Graphite on medium, slightly textured, cream wove paper, Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)

View of the Park at Versailles Stairway with Two Pairs of Sphinxes 1781-1827 France. Brush and gray wash, over graphite, on cream laid paper, squared in graphite for transfer . Pierre Antoine Mongin

John Christian Schetky, 1778-1874, British, Under the Hill at Milford, 1819. Watercolor over graphite on thick, slightly textured, cream wove paper.

Snipe Shooting, Samuel Howitt, 1756-1822, British, undated, Watercolor, with pen, in brown ink and black ink, over graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 12 5/16 × 16 15/16 inches (31.3 × 43 cm)

Drawing (Italy); brush and brown ink with traces of graphite on off-white paper on secondary paper support

Shepherd and his flock walking on a path along trees, Harmen ter Borch, 1651, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 15-Nov-1651, paper, brush, brush, h 161 mm × w 206 mm

Open Landscape with Horsemen and Covered Cart. Date/Period: Between 1780 and 1788. Painting. Gray wash, white chalk and black chalk over pencil on cream-colored laid paper. Height: 273 mm (10.74 in); Width: 356 mm (14.01 in). Author: Thomas Gainsborough.

Sunrise on the Bergan Canal William Rickarby Miller (American, 1818-1893). Sunrise on the Bergan Canal, July 25, 1887. Pen, ink and wash on paper, Sheet: 9 7/16 x 12 1/2 in. (24 x 31.8 cm). American Art July 25, 1887

Landscape with Two Pilgrims Walking Along a Road. Artist: Attributed to Pieter Balten (Netherlandish, Antwerp 1526/27-1584 Antwerp). Dimensions: 9 9/16 x 12 3/4 in. (24.3 x 32.4 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Travelers attacked by a storm at Kasteel Doorwerth, Cornelis van Hardenbergh, 1765 - 1843 drawing paper. pencil. ink pen / brush storm Arnhem. Castle Doorwerth

George Robertson, 1749-1788, British, Boats, Fishermen and Peasents near a Weir, undated. Pen and black ink and watercolor on medium, slightly textured, cream wove paper.

Francis Towne, 1740-1816, British, The Foot Bridge, 1780. Watercolor and black and brown ink over graphite on medium, slightly textured, cream laid paper.

Figures at a pond, Claes Jansz. Visscher (II), After Master of the small landscapes, After Johannes or Lucas van Doetechum, 1620 print There are two people and some cattle in a pond, for a group with houses. Ducks and birds swim in the pond. Amsterdam paper etching road, path. pond, pool

William Payne, active 1850s, British, Figures by a Ruined Arch, undated. Watercolor on medium, moderately textured, cream wove paper.

John Baptist Jackson after Marco Ricci, Heroic Landscape with Cart and Goatherd, with San Giorgio Maggiore in the Background, 1744 Heroic Landscape with Cart and Goatherd, with San Giorgio Maggiore in the Background

Albania. Date/Period: Between 1848 and 1849. Painting. Watercolor. Height: 117 mm (4.60 in); Width: 181 mm (7.12 in). Author: Edward Lear.

The Ponds before the Urban Estate of Count Alexei Kirillovich Razumovsky in Moscow by Ivanov, Ivan Alexeyevich (1779-1848) / Private Collection / Neoclassicism / Early 1800s / Russia / Pen, brush, watercolour, ink and white colour on paper / Architecture

Samuel Palmer, 1805-1881, British, active in Italy (1837-39), Cornfield and Church by Moonlight, early 1830s. Brush and black ink on very thick, smooth, cream wove paper.

Design for chamography with scenery with cart. Design for a wall painting.

Thomas Rowlandson, 1756-1827, British, River Scene with Small Boats, undated. Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper.

Kerkhof near Welgelegen, 1882 Drawing in a frame. Page 29 Recto from a sketchbook with 54 sheets. Delft paper. pencil. chalk churchyard, cemetery Delft

Windmill. Landscape. Watercolor with pen and black ink over graphite on moderately thick, smooth, cream wove paper. Height: 86 mm (3.38 in); Width: 124 mm (4.88 in). Author: UNKNOWN.

Thomas Rowlandson, 1756-1827, British, A Water-Wheel Driving a Transporter, undated. Watercolor with pen and gray and black ink; Verso: pen and black and gray ink, with trace of red pastel/charcoal, over graphite on moderately thick, moderately textured, beige, laid paper.

Anne Rushout, ca. 1768-1849, British, Three Figures Standing under a Large Tree, 1824 to 1832. Watercolor and graphite on moderately thick, slightly textured, cream wove paper.

LA ILUSTRACION 1885 BOLIVIA ROMANTICA - MISION DE AIGUARENDA. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Drawing, Campagna Fantasy; Frederic Edwin Church (American, 1826-1900); USA; brush and oil on wove paper; 24.8 × 38.1 cm (9 3/4 in. × 15 in.)

Knaresborough Castle, Yorkshire, Rev. William Gilpin, 1724-1804, British, undated, Gray and orange wash over graphite on moderately thick, slightly textured, cream wove paper prepared with orange wash, mounted on thick, moderately textured, cream laid paper with wash line border, Mount: 14 3/4 x 17 13/16 inches (37.4 x 45.2 cm), Contemporary drawn border: 13 1/8 x 16 1/4 inches (33.4 x 41.2 cm), and Sheet: 10 15/16 x 13 7/8 inches (27.8 x 35.3 cm), architectural subject, buildings, castle, hills, houses, landscape, mountains, river, rocks (landforms), ruins, trees, waterfall, England, Knaresborough, Knaresborough Castle, Nidd, North Yorkshire, United Kingdom

Invitation to Reclusion at Jingxi 1611 Dong Qichang Chinese In this short handscroll, the artist-theorist Dong Qichang turns landscape forms into calligraphic abstractions. In the right half of the scroll, interlocking wedge-shaped masses create the illusion of a logical spatial recession. In the second half of the painting, logic is abandoned: ground planes shift, changes in scale are capricious, frequent contrasts between light and dark ink deny the blurring effects of atmosphere, and the illusion of recession is confounded by flat patterns of brushwork and patches of blank paper that continually assert the two-dimensionality of the picture surface.As the painting's title suggests, the scroll invites the viewer on a journey that leads not only from illusionism to abstraction but from the external world of appearances to the inner world of the recluse's mind. In so doing, it visualizes the disparate worlds between which both the artist and the scroll's recipient, Dong's longtime frien

Farm Buildings with Peasants, a Goat, and the Abduction ofGanymede. Artist: Unknown After: Abraham Bloemaert, Dutch, 1566-1651

Visscher, Nicolaes (I), Potter, Paulus, Bye, Marcus de, Grazing cow behind wall, verso - stamped, Head of a cow appears behind a wall with a fountain. N. 14., print, engraving, title print, prints, engravings, height 140 mm, width 173 mm, 1639 - 1688, print maker, printmaker, 1652 - 1679, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1625 - 1654, after

James McCullough's Leadmill. Dated: 1844. Dimensions: sheet: 26.67 × 40.48 cm (10 1/2 × 15 15/16 in.). Medium: graphite and gray ink wash with gouache on wove paper. Museum: National Gallery of Art, Washington DC. Author: Jasper Francis Cropsey.

Plaster on the outskirts of town, left two harnessed horses, draughtsman: Georges Michel, 1773 - 1843, paper, h 77 mm × w 150 mm

Louis XIV (king of France), Paris, Swanevelt, Herman van, Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita, Oval fantasy landscapes, Two figures on a hill, verso lower left - stamped, In an oval frame two men stand on a bare hill. On the left is a tree and in the distance another figure walks., print, prent, prints, prenten, height 47 mm, width 73 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, papier, etching, etchings, Work conception, after own design of, Publication (Event), Publication, publisher, uitgever van, Frans, 1638-09-05 - 1715-09-01, granter of privilege

La Fenaison. Charles-François Daubigny (French, 1817 - 1878)

unknown artist, An Ornamental Pool and Fountain, ca. 1700. Gray wash and graphite, verso: red chalk on moderately thick, slightly textured, cream laid paper.

Claude Lorrain, Landscape with a Bridge, c 1630 1635 Claude Lorrain (French, 1604/1605 - 1682), Landscape with a Bridge, c. 1630/1635, pen and brown ink with brown wash over black chalk on laid paper, Gift of Mr. and Mrs. Ronald S. Lauder 1981.68.1

Summer() 1768 Charles Michel Campion. Summer(). Four Seasons. Charles Michel Campion (French, Marseille 1734-1784 Marseille). 1768. Etching. Prints

Ruin van Kerk in Schoonderloo near Delfshaven, 1731 - 1732 Leaf 3 Recto from a sketchbook with 78 sheets. Delfshaven paper. pencil. ink pen / brush Delfshaven Leaf 3 Recto from a sketchbook with 78 sheets. Delfshaven paper. pencil. ink pen / brush Delfshaven

Design for a Stage Set 1828-90 Eugène Cicéri French. Design for a Stage Set 387313

Shepherd and his herd walking on a path along trees. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 15-Nov-1651. Place: Zwolle. Measurements: h 161 mm × w 206 mm. Museum: Rijksmuseum, Amsterdam.

Patras, Greece, Sir Robert Smirke the younger, 1781-1867, British, 1803, Watercolor and graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 8 5/8 × 11 1/2 inches (21.9 × 29.2 cm)

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