Landscape Views and Etchings

Etchings capturing diverse landscapes, serene vistas, and rural scenes, reflecting the artistic styles of different European artists over the centuries.

No. 12. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

No. 12. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

James T. Willmore, 1800-1863, British, Richmond Terrace, Surrey, 1827-1838. Line engraving, first published state.

No. 98. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Jardin de Monceau. Designer: Louis de Carmontelle (French, Paris 1717-1806 Paris). Dimensions: Overall: 22 7/16 x 16 1/8 x 1 in. (57 x 41 x 2.5 cm). Engraver: Jean Charles Delafosse (French, Paris 1734-1789 Paris); Louis Joseph Masquelier (French, Cysoing 1741-1811 Paris). Published in: Paris. Date: 1779. Museum: Metropolitan Museum of Art, New York, USA.

A Landscape, with the Story of Europa, Print made by Richard Earlom, 1743-1822, British, after Claude Lorrain, 1600-1682, French, Published by John Boydell, 1720-1804, British, Published by Josiah Boydell, 1752-1817, British, 1802, Aquatint and etching in brown ink on moderately thick, slightly textured, cream wove paper, Sheet: 10 15/16 x 16 5/8 inches (27.8 x 42.2 cm), Plate: 10 7/8 x 14 1/2 inches (27.6 x 36.9 cm), and Image: 9 9/16 x 13 7/16 inches (24.3 x 34.2 cm), abduction, assistants, bulls, cattle, chiton, costume, cows, flowers (plants), god, grazing, Greek mythology, island, Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water, landscape, leisure, masts, men, mountains, nobility, oars, peplos, princess, rape, religious and mythological subject, rowboats, rowing, sails, sea, ships, shore (landform), stola, talking, trees, tricking, walking, women

Daniel Nikolaus Chodowiecki, Premiere promenade de Berlin, 1772 Premiere promenade de Berlin

Print made by John Scott, 1774-1828, British, Harewood House, 1816-1820. Line engraving, engraver's proof.

Richmond Park Entrance. Thomas Sutherland (English, 1785-1825); after John Gendall (English, 1790-1865). Date: 1819. Dimensions: . Aquatint, heightened with watercolor, on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

No. 119. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

No. 170. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

George Town and Federal City, or City of Washington.. Beck, George (1748 or 50-1812). Prints. 1801. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington (D.C.), Georgetown (Washington, D.C.)

Print, Departure for the Fields, 1638-1641; Print Maker: Claude Lorrain (French, 1600-1682); France; etching on laid paper; Bequest of George Campbell Cooper; 1896-3-134

Hollandse harddraverij, ca. 1775.The Dutch hard trotting to the golden whip at the Haagsche Schouw, ca. 1775. Horse racing on a plain outside the city of The Hague, with a lot of public sitting on the ground or in cars and carriages.

Taras of the villa of W Oska; Robert, Hubert (1733-1808); around 1765 (1755-00-00-1770-00-00);Czartoryska née Krasiński, Ludwika Maria (1883-1958), Czartoryska née Krasiński, Ludwika Maria (1883-1958)-collection, Działyńska from Czartoryski, Izabela (1830-1899), Działyńska from Czartoryski, Izabela (1830-1899)-collections, collections, Gołuchów - collection, Renaud, François (Fl. 1776), album Dessins de Maîtres, balustrades, Czartoryski deposit, women, men, landscapes, plain landscapes, French drawings, garden terraces (archite.), Wille (archite.)

Landscape with Haywagen, Johannes Janson, 1783 print Landscape with in the foreground a hay wagon with two farmers and a peasant with rake. Left in the background a farm, cows and a farmer. Eighth print from a series of thirteen with months. Leiden paper etching landscape symbolizing July. hay-wagon (+ labourers ~ crafts, industries, agriculture)

No. 83. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Muller, Charles François (n.1789 - D.1855), Villette basin (dummy title). Sepia. Carnavalet museum, history of Paris.

No. 82. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Etched by Joseph Mallord William Turner, 1775-1851, British, The Bridge in Middle Distance, 1808. Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper.

New York from Hobuck Ferry House New Jersey. Robertson, Alexander (1772-1841). Eno, Amos F., 1836-1915. Prints. 1800. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (N.Y.), New York Harbor (N.Y. and N.J.)

Veue de Mall dans St. James's Park, William Henry Toms, ca. 1700-ca. 1750, British, after Jean B. C. Chatelain, 1710-1771, French, 1752, Hand colored engraving

The bathing teachers. Designed for one picture.

View along the Amstel. Draughtsman: Jan Gabrielsz. Sonjé. Draughtsman: Johannes Leupenius (rejected attribution). Dating: 1635 - 1707. Measurements: h 175 mm × w 304 mm. Museum: Rijksmuseum, Amsterdam.

The oracle competition in September 1859; Piwarski, Jan Feliks (1794-1859); 1859 (1859-00-00-1859-00-00);Dominik (1862-1944)-collection, Witke-Jeżewski, purchase (provenance), Łowicz (Łódź Voivodeship)

June, Jan van de Velde (II), 1618 print Landscape with shepherds with their cattle on a field near a village near a wooden bridge; Ouderkerk aan de Amstel to Abcoude, representing the month of June. At the top of the constellation belonging to this month: lobster. Sixth print from a series of twelve. paper etching June and its 'labours'. landscape symbolizing June. Cancer (zodiacal sign of June). landscape with bridge, viaduct or aqueduct. herd, flock Ouderkerk aan de Amstel. Abcoude

Falls of the Rhine, James Baylis Allen, 1803-1876, British, after Joseph Mallord William Turner, 1775-1851, British, 1832, Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper, with gray chine colle, Sheet: 11 3/8 × 16 15/16 inches (28.9 × 43 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 11/16 × 8 5/16 inches (14.4 × 21.1 cm), and Image: 3 3/4 × 5 9/16 inches (9.5 × 14.1 cm)

Souvenir of Tuscany. Dated: 1844. Dimensions: overall (oval): 13.6 x 20.8 cm (5 3/8 x 8 3/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste-Camille Corot.

Victor Marie Picot, 1744-1805, French, Summers Evening, 1794. Engraving on moderately thick, slightly textured, cream, wove paper.

Lazio Roma Frascati Episcopal Palace3. Hutzel, Max 1960-1990 Exterior views of the castle, formerly called Rocca, that is now the Episcopal Palace. Interior views of dining room and living room, along with paintings and frescoes. Antiquities: Assorted Roman and Etruscan antiquities in the courtyard, including two sarcophagi, statues, stele, an urn, busts. General Notes: There were two sets of prints made from the same set of negatives. One set is labelled Episcopio and the other Vescovado; they have now been integrated into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geog

Landscape with running man and wife, Nicolas Perelle, 1613 - 1695 print Numbered in the bottom right: 4. publisher: Parispublisher: ParisFrance paper etching / engraving landscapes. carrying something in basket, bag, rucksack, etc.

Laan with hikers on Honselaarsdijk, Abraham Blotling, 1695 - 1757 print Plein and Laan with walkers and riders for Palace Honselaarsdijk. Trees on either side of the avenue. Numbered in the middle: 12b. Print from a series of sixteen prints from Palace Honselaarsdijk. paper etching / engraving palace. road, path Palace Honselaarsdijk

Print made by Michael "Angelo" Rooker, 1746-1801, British, Wynn Stay in Denbighshire, the Seat of Sir Watkin Williams Wynn Bart, 1775. Etching and line engraving on medium, moderately textured, cream laid paper.

View of the Spot Where General Ross Fell, Near Baltimore, plate six of the first number of Picturesque Views of American Scenery. John Hill (American, 1770-1850); after Joshua Shaw (American, born England, c. 1777-1860); published by Matthew Carey & Son (American, active 1795-1821). Date: 1818-1821. Dimensions: 250 x 351 mm (image); 301 x 392 mm (plate); 380 x 566 mm (sheet). Aquatint with etching and hand-coloring on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Etched by Joseph Mallord William Turner, 1775-1851, British, Scene in the Campagna, 1812. Etching and mezzotint, printed in brown ink First Published State on medium, slightly textured, cream wove paper.

Vernet, Claude Joseph, Le Bas, Jacques-Philippe, France, Cochin, Charles Nicolas (II), Le Port Neuf ou l'arsenal de Toulon, print, prints, height mm, width mm, French, 1715 - 1790-04-29, print maker, printmaker, paper, etching, 1707-07-08 - 1783-04-14, 1714-08-14 - 1789-12-03

Design of a Ruineous Bridge for the Garden at Sion, Thomas Vivares, c.1735-c.1790, British, after Robert Adam, 1728-1792, British, 1778, Line engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm), Plate: 17 13/16 × 23 9/16 inches (45.2 × 59.8 cm), and Image: 16 7/16 × 22 11/16 inches (41.8 × 57.6 cm)

Amsterdam, Esveldt Holtrop, Jan Steven van, Perelle, Nicolas, Spiegel der natuur en school der teekenkunde, Rivierlandschap met vissen, Rivierlandschap met rechts enkele vissen. Leuchten a man met zijn behard. The print is part of an album., print, prent, albumblad, prints, prenten, height 133 mm, width 188 mm, Frans, 1631 - 1695, print maker, printmaker, 1641 - 1695, paper, papier, etching, etchings, Publication (Event), Publication, 1777 - 1833-11-20, publisher, uitgever, 1787 - 1833

June; Iunius; The twelve months, with village scenes. Landscape with shepherds with their cattle on a field at a village at a wooden bridge; Ouderkerk aan de Amstel to Abcoude, representing the month of June. At the top of the constellations belonging to this month: Lobster. Sixth print from a series of twelve.

Landscape at the Rhederoord house in De Steeg, Reinier Vinkeles (I), after Johan Antonie Kaldenbach, 1786 print Two figures in conversation on a path along a house in a wide landscape. A carriage on the road. At the top right: III.D.PL.1. Amsterdam paper etching / engraving farm or solitary house in landscape (+ city(-scape) with figures, staffage). four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. road, path House Rhederoord. The alley

Summers Evening, Victor Marie Picot, 1744-1805, French, after Philippe-Jacques de Loutherbourg, 1740-1812, French, active in Britain (from 1771), 1794, Engraving on moderately thick, slightly textured, cream, wove paper, Sheet: 18 × 22 1/4 inches (45.7 × 56.5 cm) and Image: 15 3/16 × 20 9/16 inches (38.6 × 52.2 cm)

View of the Paś in the Pokacch from the Vistula side; Richter, Joseph (1780-1837); 1806-1811 (1806-00-00-1811-00-00);Czartoryski, residences, Krasiczyn, collection, Puławy (Lubelskie Voivodeship), Sapieha Michał Xsawery, collection, Amazon, horse, animals, baroque, buildings, gift (provenance), deposit, rider, horse, animals, park, landscape, palace, buildings, carriage, horses, transport, ride, genre scenes, team, horse, animals

View into the gardens of the Zandbergen country estate, draughtsman: Hermanus Numan, 1754 - 1820, paper, brush, pen, h 472 mm × w 599 mm

No. 105. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Grotto and the Temple of Contemplation, Stowe, Jean B. C. Chatelain, 1710-1771, French, 1752, Watercolor, graphite, brown and gray wash, and pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 9 x 12 3/4 inches (22.9 x 32.4 cm), architectural subject, basket, fisherman, fishing, fishing rod, gardens, grottoes, reflections, swans, temples, trees, water, Buckinghamshire, England, Europe, Stowe, Stowe Landscape Gardens, United Kingdom

View of The Mall in the Saint James's Park in London, Robert Sayer, After Chatelain, 1752 print publisher: Londonpublisher: Londonprint maker: England paper. watercolor (paint) etching / brush public gardens, park (+ city(-scape) with figures, staffage). avenue, boulevard, promenade, esplanade (+ city(-scape) with figures, staffage) St James's Park. The Mall

Bernard Auguste Ridderbosch's watercolor depicts the Tiber River with Engelsburg, abbey, buildings, riverbanks, and ducks in flight, executed with gray and yellow cover colors.

SEPULCRO DE PAULAJO SOBERANO DE LAS ISLAS DE LOS AMIGOS - ISLAS DE VAVAO - DIBUJO A TINTA - SIGLO XVIII - EXPEDICION MALASPINA. Author: Fernando Brambila. Location: MUSEO DE AMERICA-COLECCION. MADRID. SPAIN.

Rev. William Gilpin, 1724-1804, British, Landscape with Two Men and a Castle Ruin on the Riverbank, 1783. Watercolor, graphite, pen and brown ink and black ink on moderately thick, moderately textured, beige, laid paper.

William Hincks, 1752-1797, Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water, 1791. Stipple engraving.

Attributed to Marco Ricci, The Mall from Saint James' Park, 1720s The Mall from Saint James' Park

Adi Badri - świątynia Wisznu w okolicach Karnaprayag. Bellermann, Ferdinand (1814-1889), draughtsman, cartoonist, Hohenzollern, Waldemar von (książę pruski ; 1817-1849), draughtsman, cartoonist

Jean B. C. Chatelain, 1710-1771, French, Melton Constable, Norfolk: Country Seat in a Park with Figures and Deer, undated. Gray wash, brown wash, and pen and black ink on medium, moderately textured, cream laid paper.

Walker on the Amstelveense Weg, Jan Evert Grave, 1798 drawing paper. ink. watercolor (paint). chalk brush / pen forest, wood Amstelveenseweg. Amsterdam

Paul Sandby, Dawn in Luton Park, 1763 1765 Dawn in Luton Park

Autumn - Sowing Grain, John Hassell, 1767-1825, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Tinted aquatint

Penesawr Castle. Paul Sandby; English, 1731-1809. Date: 1776. Dimensions: 237 × 314 mm (plate); 320 × 463 mm (sheet). Aquatint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Antwerp, Hollar, Wenceslaus, Views in the vicinity of Albury, Shire - Bey Albury, River view at Shere, verso - stamped, print, prints, height 89 mm, width 155 mm, Czech, 1607-07-13 - 1677-03-25, print maker, printmaker, 1645 - 1645, paper, papier, etching, etchings

Azienek view from a pound side; Vogel, Zygmunt (1764-1826); 1797 (1797-00-00-1797-00-00);Warsaw - bathrooms, aristocracy, genre scenes, classicism (buildings), park landscapes, walking (genre scenes)

Summer, noon and sky The four seasons, times of day and elements (title series), draughtsman: Jacob Cats (1741-1799), 1797, paper, brush, h 335 mm × w 415 mm

Autumn Sowing of the Grain. Date/Period: Ca. 1794. Painting. Watercolor. Height: 216 mm (8.50 in); Width: 327 mm (12.87 in). Author: J. M. W. Turner.

Park with statues, temples and monuments, Antonio Basoli, After Luigi Broglio, 1784 - 1848 print A park full of statues, temples and monuments. Three figures walk over a lane towards a temple. Numbered at the top right: CII. Italy paper etching public gardens, park. piece of sculpture, reproduction of a piece of sculpture. temple, shrine ~ Roman religion

York Watergate and Westminster Bridge, John Inigo Richards RA, 1730/31-1810, British, 1796, Watercolor, and pen and black ink over graphite on medium, slightly textured, cream laid paper, Sheet: 13 7/8 × 20 1/8 inches (35.2 × 51.1 cm)

Hell-Gate. Artist: John Hill, American, born England, 1770-1850 After: Joshua Shaw, British, c.1777 - 1860

A scenic depiction of a grove with a temple dedicated to Venus, illustrating a scene from the mythological ballet 'Mira sic,' also known as 'La vendetta di Venere,' created for the I.R. Teatro alla Scala by Salvatore Viganò in the spring of 1817. The artwork is attributed to A. Sanquirico for the design and Carolina Lose for the engraving, published by Antonio Bossi Editore in Milan in 1817. The additional title includes 'Mirra; ossia La vendetta di Venere' and is part of a collection of various scenic decorations created for the Teatro alla Scala. This piece is labeled as Tav. 28

Swanevelt, Herman van, work, Altro veduto dal Zugro, (1000 - 2000), etching, graphics, 11.8 cm x 18, 1 cm

Allegorical grave monument for Wilhelmina van Pruisen, 1820, A. Lutz, After W. Johnston, 1820 print Allegorical grave monument for Wilhelmina, died 9 June 1820. Pyramid between trees and ivy, an oval portrait of the deceased princess on the column. The royal family has been collected at the foot of the monument. On the monument a skull, an inscription and the princess years of life. "Proef pressure. Print Maker: The bepublisher: Amsterdam paper etching grave-building, monumental tomb

William Finden, 1787-1852, British, Mannering, Hazlewood and Smugglers, 1836. Line engraving, published state.

Coastal landscape with three hunters on horses, Richard Earlom, After Claude Lorrain, 1774 print London paper etching hunter - CC - female hunter, huntress. hunter. harbour. coast. riding a horse, ass, or mule; rider, horseman

Sir Richard Colt Hoare, 1758-1838, British, One from Views in Saxony, France, Spain, Reba, Italy, Sicily.., ca. 1817. Watercolor and black ink over graphite on wove paper.

William Miller, 1796-1882, British, Palace of LaBelle Gabrielle, 1826-1837. Line engraving, 1st state on moderately thick, slightly textured, white, wove paper, with gray, chine colle.

Rijn, Rembrandt van, Segers, Hercules, The Flight into Egypt: on a plate by Seghers, verso lower left, print, prints, height 214 mm, width 284 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1655, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, 1590 - 1640, Work conception, after own design by

V�e __of the Garden of Monceau. (Registered title)

Reproduction of a painting: Chełmiński, Jan (1851-1925), Bunch of flowers; from: "Tygodnik Powszechny". Tygodnik Powszechny (Warszawa ; czasopismo ; 1877-1885), publisher, unknown, woodcutter

No. 52. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Allegorical grave monument for Wilhelmina van Prussen, 1820. Allegorical grave monument for Wilhelmina, died 9 June 1820. Pyramid between trees and ivy, on the column an oval portrait of the deceased princess. The royal family has been collected at the foot of the monument. On the monument a skull, an inscription and the years of life of the princess. Bottom right 'Proof.'.

Face on stick. Leaf 23 Recto from a sketchbook with 41 sheets.

The Farm Yard with the Cock, plate 17 from Liber Studiorum Published 1809 England. Etching and engraving in brown on iovry laid paper . Joseph Mallord William Turner

Drawing from the album 'Travel in Italy, Sicily and Malta', 1778.

Joseph Grozer, ca. 1755-1798, British, Morning or the Benevolent Sportsman, 1795. Mezzotint, printed and hand colored.

Country inn near river bridge , Swine, Animal feeding, Women domestics, Bridges, Taverns Inns. Thomas Rowlandson (1756-1827). Prints and Drawings

View of the fence in the garden of the Buitenplaats Queekhoven, Daniël Stendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 36. Print is part of an album. paper engraving / etching French or architectonic garden; formal garden. gate, entrance Vecht. Fracture

View of the Surroundings of Bruges (Vue des environs de Bruges). Artist: Jacques Philippe Le Bas (French, Paris 1707-1783 Paris); After Jan Brueghel the Elder (Netherlandish, Brussels 1568-1625 Antwerp). Dimensions: Sheet: 12 3/16 x 15 7/8 in. (31 x 40.3 cm). Museum: Metropolitan Museum of Art, New York, USA.

Aquatint by Wilhelm Alexander Wolfgang von Kobell, 1803, depicting Bohemian figures in a rural landscape engaged in travel or activity, with natural and architectural elements.

Face from a terrace in an ornamental garden, Daniël Marot (II), 1705 - 1769 drawing Design for a wall painting. paper. ink. pencil. watercolor (paint) pen / pen / brush French or architectonic garden; formal garden

The City of New York, in the State of New York, North America The Birch View with the Picnic Party 1803 reissued ca. 1820 Samuel Seymour American By 1803, New York had recovered from losses caused by the British occupation during the American Revolution. The Philadelphia-based artist Birch worked with the engraver Seymour to create two variations of the present image from a single plate. This second version replaced a grazing horse in the foreground with picnickers on Brooklyn Heights; the view of ships on the river and masts moored along the New York side remained the same. Spires and towers dotting the skyline represent different places of worship and suggest a population from diverse backgrounds. From left to right, these include Trinity Church, First Presbyterian Church, Middle Dutch Church, St. Paul’s Chapel, St. Peter’s Roman Catholic Church, North Dutch Church, Brick Church, and St. George’s—the first, fourth, and last serving Anglican congregations of British origin.. The C

Face at Borghese Casino, draughtsman: Etienne de Lavallée-Poussin, 1762 - 1777, paper, brush, h 108 mm × w 185 mm

A View of the New Bridge Over the Thames at Walton in Surrey, Anthony Walker, 1726-1765, British, after Canaletto, 1697-1768, Venetian, active in Britain (1746-55), 1750, Colored engraving on medium, slightly textured, blued white, laid paper, Sheet: 12 3/4 × 24 3/16 inches (32.4 × 61.4 cm) and Image: 11 1/4 × 22 3/4 inches (28.6 × 57.8 cm)

Numan, Hermanus, Barbiers, Pieter Bartholomeusz., View of house Over Holland with tea pavilion on the Vecht in Nieuwersluis, verso lower right - stamped, print, prints, height 369 mm, width 520 mm, Noord-Nederlands, 1772-01-23 - 1837-09-10, print maker, printmaker, 1782 - 1837, fourth quarter 18th century, fourth quarter 18e eeuw, first quarter 19th century, second quarter 19th century, second quarter 19e eeuw, paper, papier, watercolor (paint), watercolour, etching, etchings, hand colouring, 1744 - 1820-03-09, intermediary draughtsman

Hedging and Ditching, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by J. C. Easling, fl.1788-1815, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink on medium, slightly textured, beige wove paper, Sheet: 8 1/8 × 11 1/8 inches (20.6 × 28.3 cm), Image: 7 3/8 × 10 1/4 inches (18.7 × 26 cm), and Mount: 11 × 16 5/8 inches (27.9 × 42.2 cm)

Danube views, Syrmia, Market Carlowicz, After, Jakob Alt -, Drawer, Adolf Friedrich Kunike -, Lithographer, Adolf Friedrich Kunike -, editor

Bosquet of Centaur Chiron. In the Tuileries Garden. / 4 (title registered (letter)) | Tuileries Garden (title of all)

New York fromWeehawk. Artist: John Hill, American, born England, 1770-1850 After: William Guy Wall, American. born Ireland, 1792-after 1863

Sulled on the mooles / Te Harmels by eligible / 1776

An Airing in Hyde Park, Thomas Gaugain, 1748-1812, French, after Edward Dayes, 1763-1804, British, 1796, Engraving

Hertenjacht, Anonymous, After Jacques Callot, 1620 - 1668 print In a tree -rich area on a water, many hunters hunt with their servants and dogs on a deer. On the right in the background a castle on a mountain. print maker: France (possibly)publisher: Paris paper etching stag-hunting. forest, wood. river

Panorama of an undulating grain field seen from above, draughtsman: Gerard ter Borch (I), Zwolle, c. 1626 - 1630, paper, brush, h 151 mm × w 200 mm

The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17) March 29, 1809 Designed and etched by Joseph Mallord William Turner British Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Charles Turner here added mezzotint to detail pigs feeding at a trough, poultry pecking on a dung heap, and laborers chatting over wooden palings at the back. The emphatic rusticity echoes a mode popularized by George Morland, and the letter "P" in the upper margin indicates Turner's category of Pastoral landscape.. The Farm-Yard with the Cock (Liber Studiorum, part IV, plate 17) 382983

Arcadian Landscape with Figures Making Music early 18th century Jan van Huysum Dutch. Arcadian Landscape with Figures Making Music 383930 Artist: Jan van Huysum, Dutch, Amsterdam 16821749 Amsterdam, Arcadian Landscape with Figures Making Music, early 18th century, Pen and grey ink and watercolor. Broad framing line in black ink, sheet: 9 3/16 x 13 9/16 in. (23.4 x 34.4 cm). The Metropolitan Museum of Art, New York. Van Day Truex Fund, 2008 (2008.476)

Garden of Monsieur de Nue outside the Parisian Voorstad Marsiou, Reinier Nooms, 1656 - 1662 print Walled garden of Monsieur de Nue outside the Parisian Voorstad Marsiou. Between the walls a flooded street with a number of people. paper etching / drypoint fenced or walled garden; 'Hortus Conclusus' Paris

A Hunting Piece in the Hunting Hall at Houghton, Daniel Lerpiniere, c.1745-1785, British, after John Wootton, 1682-1764, British, 1778, Engraving with cartouche in center of publisher's line, Sheet: 17 x 23in. (43.2 x 58.4cm)

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