Literary and Narrative Engravings

Etchings illustrating scenes from literature and history, portraying characters and events with a focus on storytelling through visual art.

De Driving School, Jacob Groenendijk, After Philips Wouwerman, 1781 print A horse is trained in a landscape in a ruin. In the foreground some spectators. In the background on the left a market maternity star with her true. Rotterdam paper etching training of horses. pedlar - BB - women engaged in trade and commerce. landscape with ruins

Don Quixote and De Ridder van de Mirrors, Bernard Picart, After Charles -Antoine Coypel, 1732 - 1733 print Don Quixote has overcome Sanson Carasco, the knight of the mirrors. He carries him to throw him at Dulciena's feet. In the margin a two -way caption in French. Amsterdam paper etching / engraving Don Quijote. Sancho Panza

Adam gestures towards a radiant Eve, flesh of his flesh. Etching by J.E. Ridinger after himself, c. 1750.

Horse market at a city; Mercatus Equorum Bellicorum // Mavors HorseMarkt. A horse market outside a city. A woman acts on the street in food. On the right the masts of ships are visible. In the background lies the city gate of a city. At the bottom of the margin a six-line text in Latin and a six-line text in Dutch.

King William III and Maria II Stuart rest during hunting, Jan van Huchtenburg, 1688 - 1733 print William III, Prince of Oranje-Nassau and Maria II Stuart rest during hunting. Several hunters, dogs and horses around them. In the background, a man reads his thirst at a fountain. paper engraving hunting, chase

L'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8 1633 Jacques Callot French. L'Attaque de la Diligence (The Attack of the Stagecoach), from Les Misères et les Mal-Heures de la Guerre (The Miseries and Misfortunes of War), plate 8. Les Misères et les Mal-Heures de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1633. Etching; second state of three (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

Traveling Troop with Ossenwagen, Charles Billoin, After Joseph Lies, 1869 print paper etching covered wagon, hooded wagon. forest, wood. 'en route', traveller under way

A set of seven, untitled, each dedicated: To the Right Hon'ble. Thomas Lord Viscount Weymouth...from the Original Painting in Long Leat Hall. Riders and hounds resting in a rocky landscape., L. Truchy, 1721-1764, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after John Wootton, 1682-1764, British, 1735, Engraving, Sheet: 19 1/2 x 17 3/4in. (49.5 x 45.1cm)

De Driving School, Jacob Groenendijk, After Philips Wouwerman, 1781 print A horse is trained in a landscape in a ruin. In the foreground some spectators. In the background on the left a market maternity star with her true. Rotterdam paper etching training of horses. pedlar - BB - women engaged in trade and commerce. landscape with ruins

Suppliers on horseback, Jan van Huchtenburg, After Adam Frans van der Meulen, 1674 - 1733 print A consultation between three men on horseback and one on the ground standing in the foreground in a landscape. On the left a man holds a horse with the reins. unknown paper engraving / etching landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

Hudibras Sallying Forth, plate two from Hudibras 1725-1726 England. William Hogarth illustrated the story of a sad-sack adventurer named Hudibras in twelve engravings. His source was Samuel Butlerís satirical, mock-heroic poem written in the vein of Cervantes and Rabelais. Ridiculing the puritan partyís attempts to overthrow the British monarchy during the Great Civil War of 1640, Butlerís poem exposes the hypocrisy and pretensions of the Presbyterians, Independents, and Zealots who hoped to establish themselves as leaders.Hudibrasí grand departure into the world appears to be neither impressive, nor particularly noble, from the point of view of the frightened fruit seller at the lower right of this print. Accompanied, Don Quixote-like, by a single squire, the paunchy ruffian is hardly a grand knight sallying forth. He barely seems to be aware of where he is going, and appears unable to stay upright on his overtaxed horse.. Etching and engraving in black on cream paper edge mounted on

On the right Moses comes to the aid of the seven daughters of Re, print maker: Simon Henri Thomassin, (mentioned on object), Bernard Picart, (mentioned on object), after: Charles Le Brun, (mentioned on object), print maker: Paris, Paris, after: France, publisher: Paris, 1709, paper, etching, engraving, h 276 mm × w 322 mm

Resting figures at a tree trunk, Adrianus Serné, after Pieter Bartholomeusz. Barbiers, 1783 - 1853 print A soldier and a woman rest on a tree trunk. The woman holds a jug and a glass in hands. There is a man with them. A boy plays with a dog. Netherlands paper etching (traveller) resting in the open air

Blindemannetje, Etienne Brion, After Jean Antoine Watteau, c. 1730 print Paris paper etching grown-ups playing children's games. blindfold games. landscapes

Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth" (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2) 1725-68 William Hogarth British. Sr. Hudibras, His Passing Worth, The Manner How He Sally'd Forth" (Twelve Large Illustrations for Samuel Butler's Hudibras, Plate 2) 400731

Monkeys in war; Monkey game in the world; 't Aapen play in the world. Monkeys compete in the war. Part of a series consisting of a title print with 16 unnumbered plates from approx. 1720 in which monkeys like people figurine in all kinds of scenes from daily life. Each print with a two-legged fresh in the caption.

Ubaldo and Danois looking for Renaldo, Nicolas Charles de Silvestre, after François Le Maine, 1709 - 1767 print Paris paper etching / engraving literary characters and objects. dragon

In a rocky landscape, six horsemen are fighting. One of them has fallen to the ground. In the background more fighting., Horseman's Fight, print maker: Hugo Allard (I), (attributed to), Adam Frans van der Meulen, (possibly), Netherlands, 1630 - 1684, paper, etching, h 207 mm × w 289 mm

News from America, or the Patriots in the Dumps.. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Suppliers on horseback, Jan van Huchtenburg (copy after), After Adam Frans van der Meulen, 1673 - 1709 print A consultation between three men on horseback and one on the ground standing in the foreground in a landscape. On the left a man holds a horse with the reins. print maker: unknownpublisher: Amsterdam paper engraving / etching landscapes (+ landscape with figures, staffage). war and peace (+ cavalry, horsemen)

Tobias and the Angel (small plate), 1608. Hendrik Goudt (Dutch, 1585-1630). Engraving;

Les grandes miseres de la guerre: No. 8 - Lattaque de la diligence. Artist: Jacques Callot, French, 1592-1635

The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote) 1756 or after William Hogarth British. The Adventure of Mambrino's Helmet (Six Illustrations for Don Quixote) 397845

Allegory on the Nieuwe Schouwburg in Amsterdam, 1774, Noah van der Meer (II), After Hermanus Numan, 1774 print Allegory on the Nieuwe Schouwburg on Leidseplein in Amsterdam, inaugurated on September 15, 1774. Apollo addresses some female personifications related to the stage in the forest. Northern Netherlands paper etching / engraving symbolic representations, allegories and emblems ~ the theatre. Apollo playing the lyre, Apollo Citharoedus Schouwburg Leidseplein (1774-1890)

We stopped coecique furious / monster in our sacred citadel. (TI)

Entry of Maria Henrietta Stuart, Princess of Orange in Amsterdam (plate 2), 1660; Afbelijthe on what Wijse Haere Hoogheeden, Maria Stuart Princesse Rojael, and Haeren Soon His Hoogheyt Wilhelm from Nassou, the III Prince of Orangien (...) on the 15 of Somermaent ao. 1660 (...). Visit by Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince Willem III and others in Amsterdam, June 15, 1660. The arrival of the procession with riders at the Haarlemmerpoort. The front rider labeled with the letter A. second plate in an unassembled ensemble consisting of a seven blades of the procession.

Uilenspiegel: the beggar family, anonymous, after Lucas van Leyden, 1644 print Bag -playing man with two children in the basket on his back, next to him a woman with a child on the shoulder. They carry a donkey, loaded with children. At the front, a boy with an owl walks on the shoulder, a dog sniffs next to him. Above performance Text: Lucas Leydanus Invent. Under the show two lines in Dutch, name of the publisher and year. Low Countries paper etching Eulenspiegel. beggar. bagpipe, musette - CC - out of doors

Nicolas Delaunay after Jean Michel Moreau, Discours sur l'égalité des conditions Il retourne chez ses égaux, 1778 Discours sur l'égalité des conditions: Il retourne chez ses égaux

Pilgrimage to the Island of Cythera 1733-1735 France. Etching and engraving on ivory laid paper . Nicolas Henri Tardieu

The Triumph of Bacchus. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Jan Popels (Flemish, active Antwerp, 1633-63). Dimensions: Sheet (Trimmed): 13 1/16 × 18 1/2 in. (33.2 × 47 cm). Date: 1633-63. Museum: Metropolitan Museum of Art, New York, USA.

Hunting train W: Descriptive memory on the Imperial Forest of Białowieża Lithuanie written by Baron de Brincken, chief curator of the Royanne de Poland, member of the department ., Warsaw 1828. Dietrich, Friedrich Christoph (1779 1847), Sokołowski, Jakub (1784 1837), Glücksberg, Natan

From the series campaign to Turkey April to the end of , Recording of Dubica by Feldmarschall from Laudon on August , Questionable, Markin, Copper Engraver, Questionable, Quirin Mark -, Copper Engraver , Questionable, Mansfeld , Questionable, Carl Schütz -,

Rubens, Peter Paul, Antwerp, Popels, Johannes, Triumph of Bacchus, verso lower left - stamped, Bacchus sits on a donkey, half supported by a satyr. They are surrounded by Bacchantes, satyrs and children, one of whom is riding on a goat. In the margin at the bottom two lines of text in Latin., print, prent, prints, prenten, height 331 mm, width 482 mm, Zuid-Nederlands, 1610 - 1684, print maker, printmaker, 1633 - 1664, paper, papier, etching, engraving, engraving (printing process), 1577-06-28 - 1640-05-30

The Archduke's eyes visit the destroyed Ostend after the capitulation, 1604, Simon Fokke, 1753 print Archduke Albrecht and Isabella on horseback between the ruins of the destroyed city of Ostend after the capitulation. Amsterdam paper etching march into the conquered place Oostende

Seleucid emperor Antiochus VII Sidetes invades Judea with his elephants, and takes the town of Bethsura Date: February 134 BC

Landscape with equestrian fight; Landscapes.

De Visverkoopster, Antonio Gabrieli, after Jean Baptiste Bénard, 1783 print Coastal landscape with fishermen. On the right a fish saleswoman. Numbered below: N. 1. Italy paper engraving fisherman. merchant, salesman

Don Quixote and Sancho Panza fight on a wooden horse, Bernard Picart, after Charles -Antoine Coypel, 1732 - 1733 print Don Quixote and Sancho Panza, seated on a wooden horse, believe that they drive through the airspace to avenge doloride. Bystanders watch. In the margin a two -way caption in French. Amsterdam paper etching / engraving Don Quijote. Sancho Panza

Two hunting dogs, a wolf and a sheep, a Pl. for 'A New Drawing Book..of Beasts in Various Actions' (1 of 9), Print made by George Bickham, 1683/4-1758, British, after unknown artist, Published by Henry Overton, 1675/6-1751, British, undated, Etching on medium, smooth, cream laid paper, Sheet: 11 7/8 x 7 3/8 inches (30.2 x 18.7 cm), Plate: 8 3/8 x 6 1/8 inches (21.3 x 15.5 cm), and Image: 7 3/8 x 5 inches (18.7 x 12.7 cm), animal art, claws, clouds, collars, dogs (animals), fighting, hunters, hunting dogs, landscape, mountains, sheep, soldiers, sporting art, teeth, trees, wolf

Spelende apen; Apenspel in de wereld; 't Aapenspel in de Werelt.Young monkeys play outside of children's games. On the right is a job tree. Part of a series consisting of a title print and plates in which monkeys like people figurine in all kinds of scenes from daily life. The print has a two-time fresh in Dutch.

Moses hits water from the rock, 1613 Moses hits the rock with his staff, causing water to flow out. The people fills the jugs (Num. 20: 1). Drink two goats on the right. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching Moses hits the rock with his staff, causing water to flow out. The people fills the jugs (Num. 20: 1). Drink two goats on the right. With a motto in Latin above the performance and a four -line caption in Latin under the print. The print is part of an album. print maker: Antwerppublisher: Amsterdam paper letterpress printing / etching

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Death of Sir Philip Sydney. Engraving.

Venus gives Aeneas his armor, Jean Baptiste de Poilly, After Antoine Coypel, 1679 - 1728 print publisher: ParisFrance paper etching / engraving (story of) Vulcan (Hephaestus)

Riverbank with fishermen, Jan de Visscher, after Nicolaes Pietersz Berchem, 1670 print A Lord points a lady - on a horse - to two fishermen who bring in their catch on the banks of a river. A young woman is resting on the bank and on the edge of the road a man drinks from a jug. Bergen can be seen in the background. paper etching river. fisherman. riding a horse, ass, or mule; rider, horseman. dog. index finger forwards, pointing, indicating

Bataven vervoerd per boot / Bataafse nederzetting; Illustratie voor de vaderlandse geschiedenis.Performances from national history. Above: A group of batava is transported by boat with their possessions. On the shore stands next to a woman with three children a man with a spear in his hand. Below: a Batavian settlement with a man with spear and shield surrounded by two children, a woman and animals.

Chalk, feather, and paint brush drawing by Francesco Simonini depicting cavalry in a tree landscape with a paved wall and corner blazing on the right, showing composition and spatial depth.

Jacoba van Bavaria is head of the corners, ca. 1430, 1787 print Jacoba van Bavaria takes the head of the corners in a battle, ca. 1430. Netherlands paper etching battle, fighting in general Netherlands

Bataven transported by boat / Batavian settlement, Simon Fokke, 1722 - 1784 print Performances from national history. Above: A group of Batavians is transported by boat with their assets. On the bank is next to a woman with three children a man with a spear in his hand. Below: a Batavian settlement with a man with a spear and shield surrounded by two children, a woman and animals in the foreground. Amsterdam paper etching poling, punting. founding a village

Willem I becomes lord of Friesland, 1195, 1722 - 1750 print William I is appointed Lord of Friesland in the year 1195 (according to the print in the year 1188). Northern Netherlands paper etching Netherlands

View of the decoration of natural trees at the acting Graf Waltron theatrical picture gallery for the theater newspaper, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Bellinde de Corzora on the stake, Jan Luyken, 1699 print Bellinde de Corzora, daughter of the Portuguese nobleman Emanuel de Corzora, is burned alive at the stake. While the executioner lights the stake with a torch, Bellinde makes a cross sign. In the background the city of Estremoz. Amsterdam paper etching violent death by burning at the stake; pyre. on the scaffold or place of execution. making the sign of the cross Star

Zomer, Reinier Vinkeles (I), 1769 print Two figures under a tree look at farmers working on the land, busy with the grain harvest. A four -line Dutch text in the lower margin. paper etching / engraving summer ~ human activities (the four seasons of the year). harvest

Paardenmarkt, Jacob Elias van Varelen, 1817 print paper etching market. horse. village

The Master Pulls the Cow Out of the Ditch by its Tail. Jacob Jordaens; Flemish, 1593-1678. Date: 1652. Dimensions: 225 × 314 mm (plate); 207 × 303 mm (sheet). Etching on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA.

Willem Basse, Alexander the Great and Neptune, 1634 Alexander the Great and Neptune

Jan Both, The Two Hinnies The Two Hinnies

. Landscape with cups sliders, showing the chopped heads of Westerners to their frost. They descend from a mountain in a parade.

Ragotin on horseback between a few farmers, Benoît Audran (II), After Jean Baptiste François Pater, 1708 - 1762 print print maker: Francepublisher: Paris paper etching (SCARRON, ROMAN COMIQUE) specific works of literature (with AUTHOR, Title). troupe (actors) 'en route'

Georg Philipp Rugendas brown and white wash drawing from 1696 depicting looting through pandures, showing figures in motion on light-brown paper.

Council meeting of the Batavians, Engelbertus Matthias Engelberts, 1784 - 1786, Council meeting among the Batavians. Design for a print., draughtsman: Engelbertus Matthias Engelberts, 1784 - 1786, paper, pen, brush, h 136 mm × w 93 mm

Riders crossing the Rhine, Jean Jacques Avril (I), After Nicolaes Pietersz Berchem, 1777 print print maker: Francepublisher: Paris paper etching / engraving riding a horse, ass, or mule; rider, horseman. crossing a river Rhine

Horses Going to a Fair, plate 3 from Various Subjects Drawn from Life on Stone. Jean Louis André Théodore Géricault (French, 1791-1824); printed by Charles Joseph Hullmandel (German and English, 1789-1850); published by Rodwell and Martin. Date: 1821. Dimensions: 254 × 356 mm (image); 318 × 418 mm (sheet). Lithograph in black on buff wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Bout, Pieter, work, Hunters, (1000 - 2000), line etching, graphic, 18.5 cm x 27 cm

Print made by David Allan, 1744-1796, British, born in Scotland, Madge and Bauldy, 1808. Etching and aquatint on moderately thick, slightly textured, cream wove paper.

rain, Caspar Luyken, Jan Luyken, Christoph Weigel, c. 1700

Landscape with shepherds in antique sarcophagus, Bernard Picart, After Nicolas Poussin, 1694 print Landscape with three shepherds and a woman. They discover an antique sarcophagus with an inscription in Latin: "et in Arcadia ego". In the margin a caption in French. Below that a caption in Latin and in French. Paris paper etching / engraving 'And in Arcadia I am'

Parable of a wedding party, Jan Luyken, 1700 print A performance in a cartouche of palm branches. In the foreground, the king's messenger invites a man for the wedding party. The guest apologizes with the pretext that he is just married. His wife is standing next to him. On the left comes the messenger to a man who apologizes for the party with the pretext that he has to take care of his cattle. In the background, the messenger comes to a man who apologizes for the party because he has bought a new field. Amsterdam paper etching ornament ~ cartouche. those that are invited to the royal wedding-feast excuse themselves

Augsburg, Nilson, Johann Esaias, Vanity of the world, Et erit ibi Semita, et Via Sancta vocabitur, Vain world blocks the way up, verso - stamped, In a landscape shows a group of people of different ages: two young children playing, a young couple in love, a self-satisfied adult couple and a poor old couple. A globe as a symbol for the vanity of the world blocks a gate and a path leading up to a temple. Around the representation a rocaille frame with leaf motifs and a cartouche. In the lower margin two columns with three-line German text., print, ornament print, prints, ornament prints, height 194 mm, width 291 mm, German, 1721-11-02 - 1788, print maker, printmaker, 1731 - 1788, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Intake of Brielle, 1572, Simon Fokke, 1752 - 1770 print The water geuzen of Lumey found fire and rams the city gate of Brielle, April 1, 1572. In the foreground two drummer and a flag soldiers. In the background ships in the water. Amsterdam paper etching / engraving capture of city (after the siege) Brielle

Etching by Gérard Audran, 1680-1703, depicting Achilles in disguise as a woman retrieving weapons from a chest, showing detailed figures, attire, and composition.

Saint George on horseback wearing armour is about to kill the dragon with his lance. Engraving by S. Lacey after D. Zampieri, il Domenichino, ca. 1835.

Ignorance penalized by natural science; La Physique Confond L'Ignorance, Dédié Aux Souscripteurs. A female personification of natural science beats a man with donkey ears on his naked back. Another man has had his beating just. There are books with pictures of balloon vessels in the foreground. Presumably the satire is aimed at Janinet and Miolant.

Travelers in a ruin, Johannes Schoenmakers (Possibly), 1770 - 1842 print With a overgrown ruin there are a number of travelers, some of which are on the ground. There are two horses at the travelers and there is a dog on the floor. Dordrecht paper etching horse. dog. landscape with ruins. (traveller) resting in the open air

Riders on a hill for a city, Adam Frans van der Meulen (Possible), c. 1642 - c. 1690 drawing paper. chalk land forces (+ cavalry, horsemen)

William Miller, 1796-1882, British, Palace of La Belle Gabrielle, 1828-1837. Line engraving, engraver's proof on thick, slightlly textured, beige, wove paper, with gray, chine colle.

Louis XV (King of France), Favart, Charles Simon, Eisen, Charles Joseph Dominique, Paris, Ghendt, Emmanuel Jean Nepomucene de, The Harvesters, Harvesters in the Field, verso bottom center - stamped, Two young men offer a poor peasant a drink. In the background, the other peasants are harvesting. The print has a French caption and is part of a series of prints on the subject of the play 'Les Moissonneurs' by Charles Simon Favart (1763)., print, prent, prints, prenten, height 240 mm, width 207 mm, Zuid-Nederlands, 1738 - 1815-05-17, print maker, printmaker, 1768 - 1768, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Frans, 1720-08-17 - 1778-01-04, after a design by, 1710 - 1792, writer, 1710-02-15 - 1774-05-10, granter of privilege

England, Ramberg, Johann Heinrich, Political Tragicomedy in Holland. 1787, Politische Tragikomodie in Holland. 1787, Performance in Sept and Oct., Die Vorstellvng in Sept. u. Oct., De Voorstelling, verso - stamped, Dutch patriot militiamen tumble over the ground, beg for mercy and flee as a real Prussian hussar appears on horseback with drawn sabre. The frogs also fall and flee. Part of a group of four cartoons on the patriots at the time of the Prussian invasion in October 1787. Repetition of the original version but now with English and German captions. See also the pendant and the accompanying pair of cartoons., print, prent, cartoon, prints, prenten, Frederik Muller Historieplaten, lower left - etched, height 324 mm, width 396 mm, German, 1763-07-22 - 1840-07-06, print maker, printmaker, 1787 - 1788, paper, papier, etching, etsen

Polish Horseman 1646-1656 Italy. Etching on paper . Stefano della Bella

4. The Earthing of the Fox / Renard dans son Terrier, Pierre Charles Canot, ca. 1710-1777, French, active in Britain, after John Wootton, 1682-1764, British, 1770, Engraving, Sheet: 19 3/4 x 15 3/4in. (50.2 x 40cm)

Preparations for hunt, Pierre François Basan, After Nicolaes Pietersz Berchem, 1758 - 1767 print Paris paper etching / engraving hunting, chase

Etching by Jan de Visscher depicting a village fair festival, created between 1653 and 1712. The scene shows rural architecture, people, and festivities in the Dutch countryside.

In 't year 923. Karel The simple grants Dirk I the title Count of Holland, 922.

Berchem, Nicolaes Pietersz., Northern Netherlands, Visscher, Jan de, Landscapes with shepherds after Berchem, Milkmaid, verso - stamped, In a landscape a shepherdess milks a cow., print, prints, height 155 mm, width 212 mm, 1633 - 1692, print maker, printmaker, 1643 - 1701, paper, papier, etching, etchings, Work conception, 1620 - 1683-02-18

The expired promotionists repaired by the Triumpers Arlequin (TI)

Shepherd pointing his staff to an inscription on a stone wall. Visscher, Jan de (ca 1633/1634-1712), graphic artist, Berchem, Nicolaes (1620-1683 ; st.), draughtsman, cartoonist

La Mort sur un champ de bataille Death on a Battlefield. Dated: 1648. Dimensions: sheet (cut to platemark): 21.1 x 29 cm (8 5/16 x 11 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

In front of and in the ruins of the cave of the nymph Egeria, a feast is taking place. A canopy has been made with a cloth and a stick. People are making music, dancing, eating and drinking. Under the remaining barrel vault, tables and chairs are set up., Festivities at the ruins of the cave of the nymph Egeria Prospetto e veduto a Cafarelle fuoro di porte S. Sebastiano, a Roma (title on object), print maker: Jan van Ossenbeeck, (mentioned on object), Jan van Ossenbeeck, (mentioned on object), Rome, 1647 - 1655, paper, etching, h 228 mm × w 335 mm

Cartouche Moderne with a Young Couple Being Served Wine, etching counterproof with drawing in pen and black ink and gray wash, on laid paper incised with grounding in red chalk for transfer on verso, sheet (cut within platemark): 15.5 x 26.5 cm (6 1/8 x 10 7/16 in.), Schuster 1936, no. 67, State counterproof of proof state, Johann Esaias Nilson (artist) German, 1721 - 1788

Lingelbach, Johannes, Amsterdam, Gronsveld, Aliqui Portus, Italian harbours, Harbour with merchants and horseman, verso lower left - stamped, Harbour with in the foreground a horseman with a quiver on his back, talking to a man. A dog is sitting with them. Groups of merchants on the left and right. Sailing ships in the background. Eleventh print from a series of twelve with Italian harbours., print, prent, prints, prenten, height 154 mm, width 240 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Work conception, Noord-Nederlands, 1622 - 1674

Two men repair a team, Philipp Jacques Loutherbourg (I), 1708 - 1768 print paper etching agricultural implements: plough. ox. dog

Landscape with group people, looking at a competition jump, Jacques Rigaud, 1686 - 1758 print paper etching landscape with tower or castle. long-jumping, broad-jumping

Sir Hudibras His Passing Worth the Manner How He Sallyed Forth (Plate 2: Illustrations to Samuel Butler's Hudibras) 1725-30 () After William Hogarth British. Sir Hudibras His Passing Worth the Manner How He Sallyed Forth (Plate 2: Illustrations to Samuel Butler's Hudibras) 415383

Lady and Gentlemen Riding in a Park. Dimensions: overall: 27.9 x 21.4 cm (11 x 8 7/16 in.). Medium: brush and brown ink with touches of pen and brown ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN MICHEL D. J. MOREAU.

Design for a room painting with love couple sitting at Fontein, Dionys van Nijmegen, 1715 - 1798 drawing paper. ink. watercolor (paint). pencil brush / pen couple of lovers

Allegory with Minerva as patroness of the arts, Abraham Delfos, 1754 print Allegory with Minerva as patroness of the arts sitting in landscape for ruins of triumph arch and Greek statues. Artists are on the ground. Two small angels wear a shield with monogram. paper etching (story of) Minerva (Pallas, Athena). symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa)

Jean Michel Moreau, Lady and Gentlemen Riding in a Park Lady and Gentlemen Riding in a Park

Design for title page for contemporary history, part VII, Jan Caspar Philips, c. 1735 drawing paper. ink pen / brush Mongolians. indigenous peoples of the American arctic regions

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), The Judgement of Paris, 1785. Line engraving.

Berchem, Nicolaes Pietersz., Noordelijke Nederlanden, Visscher, Jan de, Shepherd and shepherdess at a fountain, Northern Netherlands, verso - stamped, In front of a fountain are a shepherd on a donkey and a shepherdess with their sheep and cows. A dog bites the shepherd's whip., print, prent, prints, prenten, height 295 mm, width 392 mm, Noord-Nederlands, 1633 - 1692, print maker, prentmaker, 1657 - 1692, paper, papier, etching, etchings, Work conception, 1620 - 1683-02-18

Lau-Ti envoyé par l'empereur pour installer Amow-Sana, Conquêtes de l'empereur de la Chine, China, Helman, Isidore-Stanislas, 1743-1809, engraving, etching, 1783-1788

Johann Jakob Schalch drawing showing resting riders at a fountain, executed in brown ink with gray wash.

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