Lush Landscapes and Scenes

A series of tranquil landscapes depicting natural settings with trees, rivers, and figures, highlighting pastoral beauty and serene environments.

Amsterdam, Smees, Jan, Landscape with a farm and ruins, verso lower left - stamped, Hilly landscape with a farm by the water. On a hill lies the ruin of a castle. In the foreground two people, one of whom carries a bundle of branches on his back., print, prints, height 138 mm, width 213 mm, Noord-Nederlands, 1690 - 1729-04-06, print maker, printmaker, 1705 - 1729, paper, papier, etching, etsen, Work conception

Landscape with a rod, Isaac de Moucheron, After Gaspard Dughet, 1697 - 1744 print A man is fishing at a pool, a man next to him. Left in the background a building. In the distance the sea. print maker: Amsterdamafter painting by: Rome paper etching / engraving fisherman. trees. pastorals, Arcadian scenes

Crescenzio Onofri, Apollo and a Nymph Leading a Lion, 1696 Apollo and a Nymph Leading a Lion

. Legend numbered 2.

Landscape with a house and a well, Lucas van Uden, 1605 - 1673 print Landscape with a house and a well, in the foreground a whistling shepherd with his dog. Low Countries paper etching / engraving farm or solitary house in landscape. well. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. one person playing wind instrument

The Flight Into Egypt, c. 1652-1654. Herman van Swanevelt (Dutch, c. 1600-1655). Etching and engraving; This series by Herman Swanevelt, The Flight into Egypt, illustrates an event from the New Testament of the Bible. Joseph, Mary, and Christ fled into Egypt to escape King Herod's persecution. Traditionally represented as a single image, Swanevelt enlarged the story into four scenes. The Holy family is first shown traveling with three angels behind them, then Joseph helps Mary off the donkey, next Joseph leads the donkey to water as Mary changes the child, and finally the family is at rest. However, the main focus of each of these prints is the depiction of landscape, a genre that reached unprecedented levels of popularity during the 1600s. The scenery, looking much more like the Italian countryside than Egypt, was inspired by Swanevelt's paintings. Although he was Dutch, he spent most of his career in Paris and Rome. As a painter, he was known for his ability to convey warm, glowing

Amsterdam, Smees, Jan, Landscape with a farm and ruins, verso lower left - stamped, Hilly landscape with a farm by the water. On a hill lies the ruin of a castle. In the foreground two people, one of whom carries a bundle of branches on his back., print, prints, height 138 mm, width 213 mm, Noord-Nederlands, 1690 - 1729-04-06, print maker, printmaker, 1705 - 1729, paper, papier, etching, etsen, Work conception

Shepherds with the herd, Nicolas Perelle, after Willem van Nieulandt (II), After Paul Bril, 1613 - 1695 print paper etching landscapes. herd, flock

Bellerophon Vanquishing the Chimera 1668 Dominique Barrière. Bellerophon Vanquishing the Chimera. After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). 1668. Etching. Prints

Landscape with fishing boat and musician. Print from a series of twenty-two Venetian landscapes to Titian, du perac et al.

Landscape with hunters; Notitiam imnigene qui fills adipiscier artis, great, ut venator, aurore ad tempore surgat; Landscapes to Domenico Campagnola. Hilland landscape with hunters with hunting dogs. Title in Latin in undermarge. Numbered at the bottom right: 12.

unknown, Paris, Bonenfant, Antoine, Antwerp, Bril, Paul, Nieulandt, Willem van (II), Italian landscapes, Landscape with Judah and Tamar, verso - stamped, On a road in a hilly landscape sits the veiled Tamar, who receives the seal and bracelets from her father-in-law Judah. Judah does not recognize her and thinks she is a prostitute. Tamar becomes pregnant and can prove by means of the jewelry that Judah has given her that he is the father of her child. Based on the Bible story from Gen. 38: 1-26. Print from a series of Italian landscapes., print, prints, height 234 mm, width 315 mm, Northern Netherlands, 1584 - 1635, print maker, printmaker, 1594 - 1635, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1554 - 1626-10-07, after a design by, Publication (Event), Publication, publisher, uitgever, Publicatie, granter van privilege

Rudolf II of Habsburg (German Emperor), Matham, Jacob, Sovius, Simon, Bloemaert, Abraham, Haarlem, Landscape with the parable of the sower, verso lower left - stamped, Wooded landscape with the parable of the sower (Matt. 13). On the right the devil sowing weeds., print, prints, height 381 mm, width 508 mm, Northern Netherlands, 1571-10-15 - 1631-01-20, print maker, printmaker, 1605 - 1605, paper, papier, engraving, engraving (printing process), 1566-12-25 - 1651-01-27, intermediary draughtsman, after a drawing by, writer, Publication (Event), Publication, publisher, uitgever, 1552-07-18 - 1612-01-20, verlener van privilege

Louis XIV (King of France), Paris, Meulen, Adam Frans van der, Genoels, Abraham, River landscapes, River landscape with a road, verso center bottom - stamped, A hilly landscape with a river. To the right of the river a winding road. The print is part of a series of river landscapes., print, prints, height 216 mm, width 280 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1690, paper, papier, etching, etchings, Work conception, after a design by, Publication (Event), Publication, South Netherlands, French, 1632-01-11 - 1690-10-15, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Sitting figure at a barn, Carel Lodewijk Hansen, c. 1780 - 1840 print Netherlands paper etching barn. farm or solitary house in landscape (+ city(-scape) with figures, staffage). agricultural implements: harrow Tynaarlo

Saters around the fire in a cave, Herman van Swanevelt, 1623 - 1655 print In a cave, saters are depicted around a campfire with a pot. On the right you can see two saters with a third satar that plays with a young sater together with a third satin. paper etching satyr(s) (in general). nymphs (in general); 'Ninfe in commune' (Ripa). cave, grotto. camp-fire; watch-fire. kitchen-utensils: pot

Woodcutter Landscapes (A-F) (series title), print maker: Carel Lodewijk Hansen, Netherlands, c. 1780 - 1840, paper, etching, h 156 mm × w 249 mm

Houses Beside a Mountain. Dated: 1696. Dimensions: plate: 22.5 x 31.5 cm (8 7/8 x 12 3/8 in.) sheet: 29.4 x 40.6 cm (11 9/16 x 16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CRESCENZIO ONOFRI.

Paris, Swanevelt, Herman van, Landscapes with penitent saints, Temptation of St. Anthony the Great, verso bottom center - stamped, In a wooded landscape, Saint Anthony stands by a river. He wears a monk's robe and hood. In his left hand he holds a stick with a tau and next to his right leg a pig, his attribute, is depicted. Before him stands Satan with the outward features of a satyr, who offers him fruits., print, prints, height 250 mm, width 328 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Diverse Views in and around Rome: Second View of Zugro (Altro Veduto dal Zugro), c. 1652-53. Herman van Swanevelt (Dutch, c. 1600-1655). Etching;

Anthropomorphic landscape in the form of a man's head, Merian, Matthäus, the Elder (1593-1650)

Two Men in a Hollow 17th century Anthonie Waterloo Dutch. Two Men in a Hollow. Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching; second state of two. Prints

Landscape with Diana and a Nymph, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Diana and a nymph are in a landscape. In front of them on the floor are an arc and a arrow cooker. Two men are approaching in the background and is a farm. Print from a series of Italian landscapes. unknown paper etching / engraving (story of) Diana (Artemis). companions, nymphs of Diana; 'Ninfe di Diana' (Ripa). landscapes in the temperate zone

Italy, Titian, Campagnola, Domenico, Landscapes after Domenico Campagnola, Prospexit pecori cum custos, otia captat;, Sic prius invigila, dormi cum pinquis in aruo es, Landscape with sleeping shepherd, verso - stamped, Wide landscape with hills and some houses. In the foreground on the right a sleeping shepherd and his herd of goats. Title in Latin in the lower margin. Numbered lower right: 9., print, prints, height 252 mm, width 380 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, plaattoon, Italian, 1500 - 1564, intermediary draughtsman, after a drawing by, Work conception, 1488 - 1576-08-27

Mercury, Argus and IO, Nicolas Perelle, After Willem van Nieulandt (II), After Paul Bril, 1673 - 1695 print Mercury plays on his flute, so that Argus, who has to guard IO, falls asleep. The io turned into a cow lies between the trees. Paris paper etching / engraving cow. landscapes. Mercury lulls Argus into sleep by making music

Mower in a landscape, Anna Maria de Koker, 1640 - 1698 print Via a country road in a landscape with trees and fields, a mower with his scythe returns from the field. A woman also runs on the Landweg and a hay wagon runs. To the right of the road a corn field with mowing men can be seen and the contours of houses are visible in the background. paper etching agricultural implements: scythe. reaping, picking, mowing ~ harvest (+ men (labourers)). four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. plantation

Landscape in the shape of a men's head. .

Landscape with shepherds and cattle; Landscapes with shepherds and cattle. Hilly landscape with flute playing shepherd between his cattle standing in a stream. On the left in the background two figures and some cattle. Right classically looking image on base with the names of the artists. First print from a series of six with landscapes with shepherds and cattle.

Landscape with a Shepherd Couple, from Four Small Landscapes 1597-1600 Netherlands. Woodcut in black on blue laid paper . Hendrick Goltzius

Offer Van Isaak, Anonymous, After Philips Galle, After Hans Bol, c. 1550 - c. 1650 print Abraham is about to sacrifice his son Isaac. An angel stops him and Abraham sacrifices an RAM instead of Isaac that has entangled itself in a bush. Southern Netherlands paper etching when Abraham has his hand raised to kill Isaac, an angel restrains Abraham's hand

La Butte (Bartsch 100) ALLART VAN EVERDINGEN (1621-1675), Dutch painter. The Butte (Bartsch 100). Floor on paper, ink hue, 1645-1675.

Landscape with buildings on a hill, Henri Mauperché, 1612 - 1686 print print maker: Parispublisher: ParisFrance paper etching rural housing, e.g. country-house, villa, cottage. (high) hill

Couple and child at Watermolen, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print At a stream, with a water mill in the background, a man, a woman with a basket on her arm and a child. Right trees on a large rock. Print from a series of Italian landscapes. Antwerp paper etching / engraving watermill in landscape. watermill. rocks

Fishermen at a church on a coast, Jean Joseph Hanson, 1792 print Southern Netherlands paper etching coast. fisherman. church (exterior)

Opposite a dancing satyr, a second satyr plays a flute. He is accompanied by two nymphs, Dancing satyr Landscapes with satyrs (series title), print maker: Herman van Swanevelt, (mentioned on object), Herman van Swanevelt, (mentioned on object), Franse kroon, (mentioned on object), 1623 - 1655, paper, etching, h 118 mm × w 164 mm

Semicircular oven at a tree, against the oven is a broom, the oven door is closed with a curved trunk, print maker: Hermanus Fock, Dating 1809.

Amsterdam, Ottens, Josua & Reinier (II), Danckerts, Cornelis (II), Waterloo, Anthonie, Hillside landscapes, Sleeping figures in a landscape, verso lower left - stamped, On the left a wooded hill. On the right two figures are sleeping on a path., print, prints, height 128 mm, width 147 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, pencil, inkt, etching, etchings, Work conception, after own design by, Publication (Event), Publicatie, publisher, uitgever, 1664-03-02 - 1717-07-22

The man wearing a package on the back (Bartsch 19) Van Aken, Jan. The man wearing a package on the back (Bartsch 19). Etching.

Pieter Molijn, Woman and Child Standing near a Seated Peasant, probably 1626 Woman and Child Standing near a Seated Peasant

Arcadian landscape with a shepherd and shepherdin in the foreground, Anonymous, 1700 - 1800 print Arcadian landscape with a shepherd and shepherdin in the foreground. In the background buildings. paper etching Pastoral, Arcadian Scenes

A landscape with the judgment of Paris in the foreground. Mercury has brought Paris to the gods to settle a beauty competition between goddesses. He must choose who is the best thing: Juno (with the Peacock attribute), Minerva (in armor) or Venus (with next to her Cupid). Paris opts for Venus and hand over her as a golden apple. In the background a village to a river.

Amsterdam, Ottens, Josua & Reinier (II), Danckerts, Cornelis (II), Waterloo, Anthonie, Wooded landscapes, Three boys with dogs, verso lower left - stamped, Three boys with dogs are depicted along a forest path. A second forest path runs on the left and a house can be seen in the distance. The letter c is depicted at the top right., print, prent, prints, prenten, height 125 mm, width 140 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, drypoint, droogspijker, Publication (Event), Publicatie, publisher, uitgever, 1664-03-02 - 1717-07-22

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Landscape with expired farms. A woman at a wastobbe in a landscape with two ruined farmers.

Forest landscape with two hunters and a dog, Aegidius Sadeler (II), After Roelant Savery, 1624 - c. 1650 print Forest landscape. Two hunters and a dog on the left. A farm in the background. Fifth print of a six -part series with mountain landscapes from Tirol. print maker: Praagpublisher: Praagpublisher: Venice paper etching / engraving forest, wood. hunter. hunting dogs. farm or solitary house in landscape (+ city(-scape) with figures, staffage) Tyrol

The Peasant on Horseback Allart van Everdingen Dutch. The Peasant on Horseback 428206

Pan en Syrinx, Albert Meyering, 1695 - 1714 print Along the waterfront, Pan chases the Nymph Syrinx, which turns into a bunch of reeds. In the foreground the river, two deer. Amsterdam paper etching Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705). river. hoofed animals: deer

Oven with brooms. A face on a semicircular oven at a tree. A broom is against the oven; A second broom is on the ground. The door of the oven is closed with a curved tree trunk.

Landscape with Visser, Michiel Elgersma, after Jan van Huysum, 1700 - 1759 print Landscape with ruins of antique buildings. In the foreground in the shade is a man with a dog and two people talk to a fisherman by the pond. print maker: Netherlandsafter painting by: Amsterdam paper etching Pastoral, Arcadian Scenes

Louis XIV (king of France), Paris, Swanevelt, Herman van, Landscapes, Mountain landscape with waterfall, verso lower left - stamped, Mountain landscape with a narrow path on the left with three walkers. On the right a large rock formation with a waterfall and some walkers with a donkey., print, prints, height 309 mm, width 240 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1650 - 1655, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

Paris, Scotin, Gérard (I), Louis XIV (King of France), Meulen, Adam Frans van der, Boudewyns, Adriaen Frans, Landscape with two figures along a road, a church in the distance, verso - stamped, print, prints, height 178 mm, width 250 mm, 1644 - 1711, print maker, printmaker, 1666 - 1681, paper, papier, etching, etchings, Work conception, South Netherlandish, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, granter of privilege, 1643 - 1715-11-16

Rowing boat with two men, Hermanus Fock, 1781 - 1822 print A face on a large overhanging tree and a rowing boat that contains two men. A sailing ship in the background. Amsterdam paper etching rowing-boat, canoe, etc.

St. Jerome in the Wilderness mid-16th century Attributed to Nicolò Boldrini Italian This woodcut illustrates Titian's involvement with printmaking not only as a means of reproducing his drawings but also as a new expressive medium. The subject of Saint Jerome had been a favorite theme in Venetian art since the fifteenth century and was depicted often in paintings by Titian. Here the diminutive figure of the saint is absorbed in a vast, wild landscape appropriate to hermitage and prayer. Nature seems alive in this printnot only do the lions prowl and the deer run, but the trees writhe and twist in the wind, water gushes from an unseen source, the cliffs surge up, and the clouds unfurl in a turbulent sky. The dynamism of the landscape results from the lines that, although carved in wood, swell organically in imitation of Titian's pen strokes and follow the contours of cliffs, earth, and trees. The changing directions of the curvilinear strokes, together with the contrast between areas o

Landscape with rowing boat in a river, in the distance a city, Daniel Rabel, 1588 - 1637 print Numbered at the top right: 3. paper etching landscape with bridge, viaduct or aqueduct (+ city(-scape) with figures, staffage)

Italy, Titian, Campagnola, Domenico, Landscapes after Domenico Campagnola, Semper amat tenebras quisquis bene fidus amanti, Bruta immò horrescit, oculis umbrasque carentes, Landscape with a loving couple, verso - stamped, Hilly landscape with buildings, a stream and in the foreground a loving couple with a herd of goats. Title in Latin in the lower margin. Numbered lower right: 10., print, prints, height 250 mm, width 375 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Italian, 1500 - 1564, intermediary draughtsman, after a drawing by, Work conception, 1488 - 1576-08-27

Amsterdam, Danckerts, Cornelis, Justus, Waterloo, Anthonie, Landscapes with rock formations, Two buildings at the foot of a mountain, verso lower left - stamped, On the left are two buildings, possibly a house and a chapel, at the foot of a mountain covered with trees. Cattle are grazing on the mountain. On the left front a figure is walking on a path. In the distance is a village or town., print, prent, prints, prenten, height 114 mm, width 167 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, prentmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever, 1635-11-11 - 1701-07-16

Man with child on a narrow bridge, Anthonie Waterloo, 1630 - 1765 print A man walks with a child and a dog over a narrow, wooden bridge in a wooded area. A stream flows under the bridge. Amsterdam paper etching forest, wood. brook. bridge. father and child(ren), man and child(ren) (family group). dog

Louis XIV (king of France), Paris, Mariette, Pierre (I), Rome, Swanevelt, Herman van, Mercurius verandert Battus in steen, verso onder midden - gestamt, In a wooded landscape with a body of water, farmer Battus stands behind his cow in the foreground. With his raised left hand he points in the direction of Mercurius who is standing next to him. Mercury wears winged shoes, his winged helmet and his caduceus, with which he touches Battus to turn him to stone., print, prints, height 196 mm, width 261 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1643 - 1655, paper, papier, etching, etsen, Publication (Event), Publicatie, Frans, 1596 - 1657, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

Venice, Titian, Landscape with a boat on a river, verso - stamped, print, prints, height 171 mm, width 256 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Work conception, Italian, 1488 - 1576-08-27

Satyrs in a Landscape (after Titian) ca. 1550-60 Anonymous. Satyrs in a Landscape (after Titian). Anonymous. ca. 1550-60. Etching. Prints

Birth of Adonis, Herman van Swanevelt, Henri Bonnart (I), 1654

Landc shelf with man on donkey, Willem Swidde, After Dirck Dalens (II), c. 1676 - After 1688 print A man drives on a donkey on a wooded bank of a river. His dog runs out for him. Two talking men in the background. Amsterdam paper etching dog. ass, donkey. river bank - HH - ideal landscapes

The Journey to Emmaus, from Landscapes with Old and New Testament Scenes and Hunting Scenes. Adriaen Collaert (Flemish, c. 1560-1618); after Hans Bol (Flemish, 1535-1593); published by Anna van Hoeswinckel (Flemish). Date: 1584. Dimensions: 143 × 200 mm (image/primary support, trimmed within plate mark); 176 × 238 mm (secondary support). Engraving in black on cream laid paper, laid down on cream laid paper. Origin: Flanders. Museum: The Chicago Art Institute, Chicago, USA. Author: Adriaen Collaert, II.

Amsterdam, Danckerts, Cornelis (II), Justus, Waterloo, Anthonie, Landscapes with Biblical scenes, Expulsion of Hagar and Ishmael, verso lower left - stamped, Abraham sends Hagar and Ishmael away in the direction of the forest. Hagar holds bread and water. Ishmael walks ahead of them and carries a bow. A dog runs after them., print, prent, prints, enten, height 296 mm, width 252 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, prentmaker, 1630 - 1663, paper, papier, etching, etsen, Work conception, after own design by, Publication (Event), Publication, Northern Netherlands, publisher, uitgever, 1635-11-11 - 1701-07-16, 1664-03-02 - 1717-07-22

Elia and De Engel, Herman van Swanevelt, 1629 - 1641 print In a rocky landscape with tree parties and a water feature, an angel is displayed on the left in the foreground that arouses the kneeling Ellia and points it to a piece of bread and a jug with water. Rome paper etching an angel wakes Elijah; a loaf of bread and a jar of water are usually at Elijah's head

Herman van Swanevelt, Two Figures Seated to the Right of a Road Two Figures Seated to the Right of a Road

Antwerp, Wouters, Frans, Landscape with a farm cart, verso - stamped, print, prints, height 148 mm, width 225 mm, South Netherlandish, 1612 - 1659, print maker, printmaker, 1649 - 1649, paper, papier, etching, etchings

Farm with smoking chimney, Hermanus van Brussel, c. 1800 - in or before 1815 print Netherlands paper etching / drypoint landscapes in the temperate zone

Three shepherds in a storm, Johannes Gottlieb Glaber, After Gaspard Dughet, 1666 - 1703 print In a storm, three shepherds drive their cattle to the city. Next to the road a tree split by lightning. print maker: unknownafter painting by: Rome paper etching storm. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscapes

The Hut with the Ruinous Hedge. Artist: Allart van Everdingen (Dutch, Alkmaar 1621-1675 Amsterdam). Dimensions: Sheet: 3 5/8 × 5 7/16 in. (9.2 × 13.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Landscape with sitting couple; Four small landscapes. Forest landscape; In the foreground a man and a woman sitting under a tree. This print is part of a series of four small woodcuts with landscapes.

Bagelaar, Ernst Willem Jan, Netherlands, Landscape with two walkers, print, prints, height 74 mm, width 128 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, intermediary draughtsman

Landscape with three people near Dorp, Adriaen van der Kabel, 1648 - 1705 print Landscape with wife, seen from the front, standing in two people resting in the grass. In the background a village with a large round tower. Fourth print from the series of six. paper etching landscapes

Flight to Egypt; Landscapes with biblical, mythological scenes and yacht scenes. Heuven landscape. In the foreground Joseph with Maria and Child on a donkey. They are on the run for the soldiers of Herod. The print has an ornament list with flowers and animals. He is part of a twenty-four series of landscapes with biblical, mythological scenes and yacht scenes.

Arcadian landscape with triumph arch, Abraham Genoels, 1684 print Landscape with a river. In the background a temple and a triumphal arch. The print is part of a series with classical landscapes as a theme Antwerp paper etching temple, shrine ~ Roman religion. triumphal arch. river (+ landscape with figures, staffage)

Landscape with man with waving cloak, Adriaen van der Kabel, 1648 - 1705 print River landscape with a crawling man in the foreground at Vogelnest and a man with bulging cloak, sitting on the waterfront. A rowing boat on the river and a city in the background. Second print from the series of six. paper etching landscapes. child robbing bird's nests

Landscape with four resting men, Moise Jean Baptiste Fouard, After Titian, c. 1663 - 1726 print Numbered below: 3. paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). (traveller) resting in the open air

Rocky Landscape. Dated: c. 1638. Dimensions: overall: 33.2 x 45 cm (13 1/16 x 17 11/16 in.). Medium: engraving with etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Schelte Adams Bolswert after Sir Peter Paul Rubens.

Forest landscape with a cross along a path; Southern European landscapes; Topographia Vararum Regionum. Forest landscape with various figures, including two hunters, at a path with a large cross. In the background a mill and a cityscape.

Three soldiers in a ruin, Laurens Barata, Before 1628 - After 1656 print Three soldiers walk past a ruin of a Roman building. Italy (possibly) paper etching landscape with ruins

The man and the woman at the foot of the oak (Hollstein 41) Anthonie Waterloo (1609-1690). The man and the woman at the foot of the oak (Hollstein 41). Floor, mid-17th century.

The Donkey Led to the River. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

The two fishermen (Dutuit 367) Herman van Swanevelt (1600-1655). The two fishermen (Dutuit 367). Etching.

Landscape with Sheep, from The Small Landscapes Printed 1638-1640 Flanders. Engraving on ivory laid paper . Schelte Adamsz. Bolswert

Dughet, Gaspard, unknown, Glauber, Johannes, Landscapes after Gaspar Poussin, Hilly landscape with waterfall, verso under - stamped, Hilly landscape with a waterfall in the foreground that flows into a pond. The print is part of a series of landscapes after paintings by Gaspar Poussin., print, prent, prints, prenten, height 292 mm, width 387 mm, 1646 - 1726, print maker, printmaker, 1656 - 1726, paper, papier, etching, etchings, French, Italian, 1615-06-07 - 1675-05-25

Landscape with the ruin of a temple, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print An Italian landscape with the ruin of a round temple on the left on a hill, perhaps the temple of the Sibille in Tivoli. Left in the foreground, a man, two women, a child and a dog are walking. On the left on a rock three shepherds and a goat. paper etching / engraving landscape with ruins. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. dog

Figure in a Classical Landscape. Artist: Alexander Cozens (British, Russia 1717-1786 London). Dimensions: Sheet: 6 7/8 × 8 1/8 in. (17.5 × 20.7 cm). Date: 1760-69.Born in Russia to an English father, then educated in England, Cozens traveled to Italy to study with Claude-Joseph Vernet. Back in London by 1748, Cozens became an influential drawing master and theorist, publishing "An Essay to Faciliate the Inventing of Landskips" (1759). Citing Leonardo da Vinci, who had been inspired by cracks and patterns on old walls, Cozens suggested that artists develop landscapes from ink blots drawn swiftly with a brush dipped in ink. His Essay included eight pairs of aquatint blots paired with an etched landscape in outline, the group presented as range of essential types. "Figure in a Classical Landscape" exemplifies a more developed stage, where figures and buildings have been added, and tones subtly modulated. The work may relate to the artist's unpublished treatise, "Various Species of Compos

Couple on a wooden bridge, print maker: baron Reinierus Albertus Ludovicus van Isendoorn à Blois, F. Bosch, 1796 - 1856.

Waterloo, Antonie, work, Stream through the gorge, (1000 - 2000), etching, graphic, 11.8 cm x 16, 6 cm

A boat is docked in a bay, from which ship cargo is being loaded. On the left a fishing boat. On the right, a ruin stands on a rock. Print from a series of Italian landscapes, Several ships in a bay Italian landscapes (series title), print maker: Willem van Nieulandt (II), (mentioned on object), Paul Bril, (mentioned on object), publisher: Antoine Bonenfant, (mentioned on object), Antwerp, 1594 - 1635, paper, etching, h 233 mm × w 314 mm

Arcadian landscape with shepherds at a stone arch. .

Landscape with Seated Couple after 1595 Hendrick Goltzius Netherlandish. Landscape with Seated Couple 360243

Landscape with sitting couple; Four small landscapes. Forest landscape; In the foreground a man and a woman sitting under a tree. This print is part of a series of four small woodcuts with landscapes.

Landscape with the lost son like boar hazard. .

Print made by Richard Earlom, 1743-1822, British, A Study, 1810. Aquatint and etching printed in brown ink on moderately thick, slightly textured, cream wove paper.

River landscape with a city, castle rocks, trees, and two hunting servants with falcons and dogs by Adriaen van Nieulandt, executed in brown and gray Feder with black chalk over graphite pencil, showing terrain, architecture, and figures.

View of the Carloo farmhouse in the manor of Uccle, near Brussels. The print is part of a series with views of the surroundings of Brussels, View of the Carloo court, Saint Iobs in Carolo Views of the surroundings of Brussels (series title), print maker: Hans Collaert (I), Hans Bol, Jacob Grimmer, (attributed to), Antwerp, 1530 - 1580, paper, engraving, h 138 mm × w 199 mm

Tobias at the fish in the river Tigris, Jan van de Velde (II), After Moyses van Wtenbrouck, 1603 - 1641 print Tobias wants to wash his feet in the Tigris river, on which the angel Rafaël instructs him to catch the fish that appears. Second print from a series of four about the Bible story of Tobias. Northern Netherlands paper etching / engraving Tobias washes his feet in the river Tigris. a large fish appears while Tobias is washing his feet; he is frightened

Landscape with a winching shepherd at a cave and waterfall, Jean Louis Demarne (attributed to), 1762 - 1829 print paper etching waterfall. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). lyre, cithara, psaltery. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with the holy Hieronymus with two fighting lions, Moise Jean Baptiste Fouard, After Titian, c. 1663 - 1726 print Numbered below: 4. paper etching St. Jerome as hermit in a landscape, reading. beasts of prey, predatory animals: lion

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