Macbeth and Witches Encounter

Dramatic depictions of Macbeth meeting the witches, featuring intense expressions, dynamic poses, and dark tones, reflecting a sense of foreboding and fantasy.

Francisco de Goya (Spanish, 1746-1828). They Do Not Agree (No Se Convienen), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

The Proverbs: Carnival Folly, 1864. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Macbeth and Banquo meet the three witches, Theodoor Schaepkens, 1825 - 1883 print paper. etching / drypoint Macbeth

Francisco de Goya (Spanish, 1746-1828). They Do Not Agree (No Se Convienen), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Satyr Family with the Obelisk, from the Scherzi. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: Image: 8 13/16 x 6 15/16 in. (22.4 x 17.7 cm)Sheet: 13 7/16 x 9 5/16 in. (34.2 x 23.7 cm). Date: ca. 1743-50. Museum: Metropolitan Museum of Art, New York, USA.

Disparate furioso (Furious Folly). Dated: in or after 1816. Medium: etching and burnished aquatint trial proof printed posthumously circa 1854-1863. Museum: National Gallery of Art, Washington DC. Author: FRANCISCO DE GOYA.

Francisco de Goya (1746-1828), the Moorers who settled in Spain and abandoned the Quran's superstition, acquired this art to hunt and spit a bull on the plain, 1815-1816

Satyr Family with the Obelisk, from the Scherzi ca. 1743-50 Giovanni Battista Tiepolo Italian. Satyr Family with the Obelisk, from the Scherzi 361897

Lo merecia. (He Deserved It.), pl. 29 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Philosopher with book and soldier and man at statue; Standing philosopher with book; Capricci.

The Pancake Woman, Rembrandt van Rijn, 1850 - 1906 print paper etching pancakes

Elend, Bl.7. Klinger, Max (1857-1920), graphic artist

Two Philosophers and Boy, plate 22 from the Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, First state, before the number, Italy, 1750-1760, Print, Print, Two Philosophers and Boy, plate 22 from the Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, First state, before the number, Italy, 1750-1760, Print, Print

Stefanus stony.

God the Father and Angels Adoring the Madonna and Child recto. Dated: c. 1753. Dimensions: overall: 25 × 31.6 cm (9 13/16 × 12 7/16 in.). Medium: pen and brown ink with brown wash over black chalk on buff oatmeal paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

Male, women and child in hilly landscape, Johannes Josephus Aarts, 1881 - 1934 print A group consisting of a man, seven women and a child is in a hilly landscape. One of the women kneels and holds the child. paper etching low hill country. kneeling figure - AA - female human figure

Stefanus stony.

Five mermaids; Sea monsters. A group of five mermaids is under water. On the left in the foreground two aquatic plants.

Judgment of Paris. In a forest landscape, Pallas, Juno and Venus are opposite Paris with a shepherd's staff and a RAM next to itself. Above them, Amor floats that with Arrow and Arch focused on Paris. On the right, Mercury is hiding in a tree. In the undermaster a four-line Latin text.

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Rembrandt van Rijn, The Circumcision in the Stable, 1654 The Circumcision in the Stable

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Northern Netherlands paper engraving the meeting between Esau and Jacob

published in le Charivari (no du 14 aoüt 1842): Ancient History, plate 20: Alexander and Diogenes, 14 August 1842. Honoré Daumier (French, 1808-1879), Aubert. Lithograph; sheet: 33.8 x 25.4 cm (13 5/16 x 10 in.); image: 26.2 x 21.5 cm (10 5/16 x 8 7/16 in.).

Reconciliation of Jakob and Esau, Zacharias Dolendo (Attributed to), after Karel van Mander (I), 1580 - 1596 print The Esau and Jakob brothers hug each other. Right behind Esau is his army. On the left the cattle and the kneeling women and children of Jakob. Under the show the title and four four -line verses in Latin. Northern Netherlands paper engraving the meeting between Esau and Jacob

Pierre Brebiette, Putto Herding Goats through Garlands, 1626 Putto Herding Goats through Garlands

Aulus Cornelius Cossus kills Lars Tolumnius; A. Cornelio Cosso, Uccide di Propria Mano Larte Tolumnio Ré de'Vejenti, E Ne Consagra Le Spognie Opime, Al Tempio Di Giove Feretio; History of the Roman Empire; Frontespizio della Iistantia Romana. Aulus Cornelius Cossus has killed Lars Tolumnius with a sword. He is triumphant with his armor on the battlefield.

Pompey's body cremated, Bartolomeo Pinelli, 1819 print Two from Pompey are loyal released and burn his dead body. Rome paper etching (story of) Gnaeus Pompeius Magnus, Pompey the Great. body-burning, cremation

Arabes d'Oran. Eugène Delacroix (France, Charenton-Saint-Maurice, 1798-1863). France, 1833. Prints; etchings. Etching, roulette, and drypoint on china collé

Devote Profesión /Devout Profession; Board No. 70 From: Los Caprichos” Capices, ed. II, Madrid Ca. 1855 Goya, Francisco de (1746 1828)

Robert Blyth, after John Hamilton Mortimer, Stripping the Slain, 1779 Stripping the Slain

The Beggar and the Street Musician (or Two TrampsFighting). Artist: Jacques Bellange, French, active 1595-1616

GOYA Y LUCIENTES, Francisco de (1746-1828). Blow. 1799. Plate 69 of 'Los Caprichos', etching, aquatint, drypoint and burin. Romanticism. Engraving. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Ferdinand-Victor-Eugène Delacroix, Arabs from Oran, 1833, etching on paper.

Study sheet with man with Takekebos and kneeling woman at IJslee, Albertus Brondgeest, 1796 - 1849 print Netherlands paper. etching woodgathering, woodgatherer. sleigh, sledge (non-sport)

The Last Judgment, Page B, Giorgio Ghisi, After Michelangelo, 1530 - 1582 print A detail from the fresco 'The Last Judgment' by Michelangelo in the Sixtine Chapel. Print Maker: ItalyaFter Painting by: Vatican City paper engraving Last Judgement

GOYA Y LUCIENTES, Francisco de (1746-1828). Everything is topsy-turvy. 1810-1820. Plate 42 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Plate 33 from 'The Disasters of War' (Los Desastres de La Guerra): 'What more can be done' (Qué hai que hacer mas) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 33 from 'The Disasters of War' (Los Desastres de La Guerra): 'What more can be done' (Qué hai que hacer mas). Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). 1810 (published 1863). Etching, lavis, drypoint, burin, burnisher. Prints

July. Cornelis Dusart; Dutch, 1660-1704. Date: 1680-1704. Dimensions: 214 x 155 mm (plate); 216 x 158 mm (sheet). Mezzotint on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). Nor do these. 1810-1812. Plate 11 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Francisco de Goya y Lucientes / 'Charlatans show'. 1814 - 1815. Etching, Aquatint, Burin, Drypoint on ivory paper. Museum: Museo del Prado, Madrid, España.

Satyr Family with the Obelisk, from Scherzi. Giambattista Tiepolo; Italian, 1696-1770. Date: 1735-1740. Dimensions: 225 x 175 mm (plate); 234 x 182 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

GOYA Y LUCIENTES, Francisco de (1746-1828). Bury them and keep quiet. 1810-1812. Plate 18 of 'The Disasters of War'. Etching. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

Disparate claro (Clear Folly), pl. 15 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Mid-Day, from the series, "Four Times of the Day" 1830-75 After Jean-François Millet French. Mid-Day, from the series, "Four Times of the Day" 371549

Mothers in a farmhouse, 1672. Presentation of the atrocities operated by the French troops in Dutch villages in the year 1672, copied to the print of Romeyn de Hooghe from 1673 (FM 2439/3). The show shows the interior of a house with a straight a fireplace and in the background a bedside. At the top right the number 86.

Five mermaids; Fantastic composition with mermaids. A group of five mermaids is under water. On the left in the foreground two aquatic plants.

Capriccio, by Giambattista Tiepolo (1696-1770), engraving.

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

The twelve months of the year, November (Dutuit 30) Dusart, Cornelis. The twelve months of the year, November (Dutuit 30). Black way.

Arrow tip lifts Le Muir, p.278 I 279,North America, Cooper, James Fenimore (1789-1851). Stories of leather stockings. Scout, Indians, Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, illustrations, literature, modernism (style) , death

Etching by Rembrandt Harmensz. van Rijn from 1635 titled 'The Pancake Baker', depicting a woman baking pancakes with utensils and kitchen furniture.

To cure them and another /get them well; Board No. 20 from: The disasters of war The Disasters of War, ed. II, 1892 Goya, Francisco de (1746 1828)

Judgment of Paris, Zacharias Dolendo (attributed to), 1580 - 1596 print In a forest landscape, Pallas, Juno and Venus are opposed to Paris with shepherd's staff and a ram next to him. Above them, Amor floats with a bow and arch on Paris. Mercury is hidden in a tree on the right. In the lower margin a four -line Latin text. Amsterdam paper engraving the Judgement of Paris (Mercury present)

Holy Family accompanied by Engel Op Oever at Boot, Giovanni Domenico Tiepolo, 1750 - 1753 print paper etching flight into Egypt and miracles during the journey

Jusepe de Ribera, Drunken Silenus, 1628 Drunken Silenus

Le triomphe de la Mort: Les bouches inutiles , Victims, Alphonse Legros (1837-1911)

Holy family rest under trees during flight to Egypt, Giovanni Domenico Tiepolo, 1750 - 1753 print paper etching flight into Egypt and miracles during the journey

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Cyrus shows Daniëls enemies in the lion's den; History of Daniel, bell and the dragon. King Cyrus leaves the Babylonians who wanted to kill Daniel in the lion's owl. The men are immediately eaten by the lions. Daniel and Cyrus are ready from the edge of the pit.

Disasters of War: Pl. 33, What more can one do , 1810-1813. Francisco de Goya (Spanish, 1746-1828), Real Academia. Etching and aquatint; sheet: 24.3 x 33.3 cm (9 9/16 x 13 1/8 in.); platemark: 15.8 x 20.6 cm (6 1/4 x 8 1/8 in.); to borderline: 13.9 x 18.7 cm (5 1/2 x 7 3/8 in.).

Two Men Digging Made 1855-1856 France. Etching on cream laid Japanese vellum hinged to ivory card . Jean François Millet

Two workers with rope and shelves, Johannes Josephus Aarts, 1881 - 1934 print Two workers with hats, one sitting and the other standing. The sitting man binds a rope around a tree trunk. The standing man holds a stack of demolition wood. In the background, two workers pry with a rod under a rectangular object. paper. pencil engraving working class, labourers. plank, board ~ building material. tools, aids, implements ~ crafts and industries: rope

Five children with a large standing tombstone. Draughtsman: Hendrik Valkenburg. Dating: 1836 - 1896. Measurements: h 174 mm × w 241 mm. Museum: Rijksmuseum, Amsterdam.

Jael and Sisera 1611-74 Leonaert Bramer Dutch. Jael and Sisera. Leonaert Bramer (Dutch, Delft 1596-1674 Delft). 1611-74. Brush and gray ink, heightened with white bodycolor. Framing line in brush and gray ink and white bodycolor. Drawings

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Plate 11 from "The Disasters of War' (Los Desastres de la Guerra): 'Neither do these.' (Ni por esas.) Ca. 1810 Goya (Francisco de Goya y Lucientes) Spanish. Plate 11 from "The Disasters of War' (Los Desastres de la Guerra): 'Neither do these.' (Ni por esas.) 333979

Foolishness of the Carnival, Francisco de Goya, 1864 print Different figures in carnival clothing. From a series of eighteen prints. print maker: Spainpublisher: Madrid paper etching Carnival, Shrovetide (non-liturgical celebration)

Standing Woman and Seated Man Before an Obelisk, from the series VariCapricci. Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Drawing

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Francisco de Goya y Lucientes, Se repeulen (They Spruce Themselves Up), plate 51 from Los Caprichos, 1799, etching , burnished aquatint , burin.

Francisco Goya (1746-1828). "Los disparate - disparate desordenado - disorderly disparate (or matrimonial)". Museum of Fine Arts of the City of Paris, Petit Palais. The nonsense - disorderly nonsense - nonsense Disability, Disable Person, Woman, Man, Initiate, Nurse, Monster, Monster, Siamese, Siamese, Man, Woman

Con razon ó sin ella (Rightly or Wrongly), pl. 2 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Crying, Alphonse Legros (1837-1911)

Dumouriez as a traitor and informant of England

Drawing, Five Figures from Parnassus by Raphael Sanzio; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and ink, brush and sepia wash over black chalk on laid paper; 20.7 x 27.7 cm (8 1/8 x 10 7/8 in.)

Francisco de Goya (1746-1828), it's Dog Vaerre (74), 1810-1820

Horsemen in Combat 1865 France. Etching and drypoint on ivory laid paper . Odilon Redon

Taurus is grabbed by bullfighters, Francisco de Goya, 1811 - 1816 print A Torero (bullfighter) in Moorish clothing is taken on the Hoorns by a bull in an arena. Another bull fighter holds the bull at the horn and has a banderilla in his other hand. Two figures in the background. Spain paper etching / drypoint bullfight. bull-fighter, toreador. bull. head-gear: turban

Sultane Noire, plate 27 from Caravanne du Sultan à la Mecque 1748 France. Etching on ivory laid paper

Francisco de Goya y Lucientes, Charity., 1810-1820, etching and aquatint.

Triomphe de la Mort: La mort au pays des mines , Death, Alphonse Legros (1837-1911)

Attractions in a farmhouse, 1672. Presentation of the atrocities committed by the French troops in Woerden in the winter of 1672. The print has been copied to the Ets of Romeyn de Hooghe from 1673 (FM 2439/3). The performance shows the interior of a house with a fireplace on the right and a box bed in the background.

Francisco de Goya (1746-1828), they tire another in the enclosure, 1815-1816

Angel appearing to Peter in Prison 1680-1743 Robert van Audenaerde Flemish. Angel appearing to Peter in Prison 400631

Salvator Rosa, Pan and Syrinx. Photo production of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 41.

Inn interior with figures and in the middle a woman feeding a child, Jean Baptist Leprince, 1768 print paper etching feeding a baby. hotel, hostelry, inn. cat

Francisco de Goya, Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull), in or before 1816 Dos grupos de picadores arrollados de seguida por un solo toro (Two Teams of Picadors Thrown One after the Other by a Single Bull)

Le triomphe de la Mort: Les bouches inutiles , Death, Victims, Horses, Hills, Cities & towns, Alphonse Legros (1837-1911)

Anonymous / 'Martyrdom of Saint Bartholomew ()'. XVIII century. Grey-brown wash, Pencil ground, Pencil on white paper. Museum: Museo del Prado, Madrid, España.

Giovanni Domenico Tiepolo, The Holy Family Preparing to Embark, published 1753 The Holy Family Preparing to Embark

No se puede mirar.. Goya, Francisco (1746-1828). 1810. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Peninsular War, 1807-1814 , Atrocities, Bayonets, Pleading (Begging)

Michał Elwiro Andriolli, `Szwentas pod Pillenami` Shwentas at Pilleny, for the novel `Kunigas` by J. I. Kraszewski, 1880; from: `Kłosy`, 1881 no. 814, p. 65. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Emile Bernard (1868-1941). "The end of Satan. The elevation of the cross". Etching and aquatint. 1935. Paris, house of Victor Hugo. 101108-8 Annies thirty 1930 30, aquatinte, Catholic, Christian, cross, drawing, etching, elevation, illustration, crossing, New Testament, male nude, litterian work, biblical scene

Artist: Palma Giovane (Jacopo Negretti), Italian, ca. 1548-1628, Saint Jerome, Pope Damasus and twoputti, possibly before1600, Etching, image: 21 × 14.7 cm (8 1/4 × 5 13/16in.), Made in Italy, Italian, 16thcentury, Works on Paper -Prints

July, Abraham Bloemaert, 1574 - 1651, Harvesting hay. Design for a print., draughtsman: Abraham Bloemaert, 1574 - 1651, paper, pen, brush, h 96 mm × w 153 mm

Bladder; Sopla; Los Caprichos. An old man with a child, held to arms and legs. Air blows from the backside of the child. On the ground a number of figures, two devils with two babies in the air. Sixty-nine print from the Los Caprichos series.

Isabella at the table at Karel VI, Jacob Joseph Eeckhout (attributed to), 1803 - 1861 print Isabella is sitting at Karel VI at the table. Behind the table is a figure that symbolizes madness. paper. etching king. queen

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