Marine and Nautical Scenes

Etchings of ships and coastal views, illustrating tranquil waters and maritime activities, with a focus on sailboats and harbors in soft hues and detailed linework.

Riverbank with a crane and a few boats, Jan van Goyen, 1650 - 1651 drawing paper. chalk brush quay. dock crane

A Brig at Anchor. Francis Seymour Haden; English, 1818-1910. Date: 1870. Dimensions: 140 × 210 mm (image/plate); 231 × 306 mm (sheet). Etching with drypoint on cream laid paper. Origin: England. Museum: The Chicago Art Institute, USA.

View of the spades with ships for anchor at Bari; Vue de la rade de bari; Voyage and Italy, and Sicile et à Malte - 1778.Drawing from the album 'Voyage and Italy, and Sicile et à Malte', 1778.

St. Malo (from Scrapbook). Artist: John Singer Sargent (American, Florence 1856-1925 London). Dimensions: 3 1/2 x 5 11/16 in. (8.9 x 14.4 cm). Date: May 1875. Museum: Metropolitan Museum of Art, New York, USA.

Breaking up of the 'Great Eastern' #2, Sir Frank Short, 1857-1945, British, 1890, Etching, Sheet: 7 5/8 x 9 7/8in. (19.4 x 25.1cm)

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Billingsgate 1859 United States. Etching and drypoint with foul biting on off-white Japanese paper . James McNeill Whistler

The Creek. Artist: Willem de Zwart (Dutch, The Hague 1862-1931 The Hague). Dimensions: plate: 5 x 7 7/8 in. (12.7 x 20 cm)sheet: 6 x 8 7/8 in. (15.2 x 22.5 cm). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

Riverbank with a crane and a few boats, Jan van Goyen, 1650 - 1651 drawing paper. chalk brush quay. dock crane

Boats on the water, Henri François Schaefels, 1845 print paper etching sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage)

De Vliet, Willem Adrianus Grondhout, 1888 - 1931 print A mill along the Vliet near The Hague. On the right two moored ships. paper etching windmill in landscape. ships (in general) Vliet, the

Bomschuiten on the beach, Anton Mauve, 1848 - 1888 drawing paper. chalk beach. sailing-ship, sailing-boat

The large pool , Boats, Piers & wharves, Waterfronts. James McNeill Whistler (1834-1903). Lithographs

A Wetering at Abcoude. .

Harbor scene 1775-1827 Thomas Rowlandson British. Harbor scene 363991

Two sailing boats on a lake with a tower in the background, Jules Guiette, 1862 - 1901 print paper etching sailing-ship, sailing-boat. river

Water by moonshine. On the left, a man stands on the bank near a sailing ship with its sail lowered., Water by moonshine, print maker: Reinierus Albertus Ludovicus baron van Isendoorn à Blois, Vaassen, 1796 - 1856, paper, etching, h 139 mm × w 190 mm

Francis Danby, 1793-1861, Irish, The Ferry, ca. 1840. Graphite on moderately thick, moderately textured, cream laid paper.

A drawing by Stefano della Bella circa 1633-34 depicting several sailing boats, created using pencil and pen.

Buitenhaven and Dokken in Honfleur, Carel Nicolaas Storm of 's-Gravesande, c. 1873 print View of the port of Honfleur. Masts of sailing ships in the background. paper etching harbour Honfleur

Ships at the coast, Claes Jansz. Visscher (II), After Cornelis Claesz van Wieringen, 1613 print View of a few houses on the waterfront, where two sailing ships sail past. Two men on the left view the boats from the shore. Amsterdam paper etching coast. sailing-ship, sailing-boat

Bridge of Six; Recueil De Quatre-Vingt-Cinq Estampes Originales. The print is part of an album.

Landscape with mills, c. 1879 Page 21 Recto from a sketchbook with 27 magazines. paper. pencil windmill in landscape

Le Port deGênes. Artist: Adolphe Appian, French, 1819-1898

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 9.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), The Fleet: Evening, 1887. Etching on medium, slightly textured, cream antique laid paper.

The journey of the English king Charles II about the Thames to Sheerness and Chatham on August 27, 1681. The journey of the English king Charles II over the Thames to Sheerness and Chatham on 27 August 1681. The departure of the king; The king takes over from the Henrietta to the 'Baersje' (Barge) between Woolwich and Blackwall. The ships are Mary and the Lord Dunbane yacht.

strider in a mill, Joseph Hartogensis, 1858

Scheveningen, Etienne Bosch, c. 1873 - in or before 1931 print Fishermen and draft horses on the coast near a fishing boat; sketched. paper. printing ink drypoint fisherman Scheveningen

The Seine in Honfleur, bass tide, Carel Nicolaas Storm van 'S-Gravesande, 1874 print The bank of the Seine at Honfleur at low tide. paper etching ebb, low tide Honfleur. Seine

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of a dock andsailboat, Black chalk, White laid, 34.8 × 25.3 cm (13 11/16 × 9 15/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Sailboats on open water. Leaf 32 recto from a sketchbook with 38 sheets.

Bomshuit is drawn to the beach ..

Boats at Anchor. Dated: 1838. Dimensions: image (irregular): 6.35 × 8.57 cm (2 1/2 × 3 3/8 in.) sheet: 8.89 × 12.7 cm (3 1/2 × 5 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES GOODWYN CLONNEY.

Decorated bow of a sailing ship, 1797 - 1838 Leaf 35 Recto from a sketchbook with 65 sheets. paper. watercolor (paint). pencil brush Leaf 35 Recto from a sketchbook with 65 sheets. paper. watercolor (paint). pencil brush

The Limehouse, 1871. James McNeill Whistler (American, 1834-1903). Etching; sheet: 33.3 x 22.2 cm (13 1/8 x 8 3/4 in.); platemark: 20 x 12.7 cm (7 7/8 x 5 in.).

The Six bridge, print maker: Ignace-Joseph de Claussin, Rembrandt van Rijn, (mentioned on object), 1819, paper, etching, h 127 mm × w 222 mm

Limehouse. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 172 x 264 mm (image); 262 x 395 mm (sheet). Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Riva degli Schiavoni, Nummer 1, Frank Duveneck, 1880 - 1882 print Venetian cityscape. Face along the quay with walkers and boats on the Riva Degli Schiavoni, in the top left of the Dogpaleis. paper etching city-view in general; 'veduta'. quay Venice. Dogepaleis. Riva degli Schiavoni

From Pickle-Herring Stairs. Dated: c. 1878. Dimensions: plate: 14.92 x 22.54 cm (5 7/8 x 8 7/8 in.) sheet: 20.32 x 31.12 cm (8 x 12 1/4 in.). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The large pool. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Wapping - The Pool. James McNeill Whistler; American, 1834-1903. Date: 1878-1879. Dimensions: 187 x 277 mm (plate); 239 x 367 mm (sheet). Etching and drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Railway Bridge, Chelsea. Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 69 × 109 mm (image/plate); 74 × 109 mm (sheet). Etching in black on ivory Japanese paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, View of Amsterdam from theNorthwest, ca.1640, Etching, platemark: 11 × 15.3 cm (4 5/16 × 6 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

La plataine à Royan (The La Plataine Bridge atRoyan). Artist: Maxime Lalanne, French, 1827-1886

Nocturne , Bays Bodies of water, Sailing ships, Churches. James McNeill Whistler (1834-1903). Lithographs

Villers (Calvados) (1st state).. Lalanne, Maxime (1827-1886). 1869. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Beaches

Amsterdam, from the Tolhuis. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: plate: 5 1/8 x 8 3/16 in. (13 x 20.8 cm)sheet: 7 3/4 x 11 5/8 in. (19.7 x 29.5 cm). Date: 1863. Museum: Metropolitan Museum of Art, New York, USA.

Finch, Alfred William, work, Rosehearty harbor in Scotland, 1915, lithography, graphics, sheet width 39.4 cm, sheet height 38.1 cm

Sketches of canal scenes. From: Marine and Marken sketchbook., circa 1870-1871, by Petrus van der Velden. Gift of W. Fergusson Hogg, 1967.

View of the north side of the river Maas, with Maassluis in the background, View of Maassluis Postcard (series title), print maker: Joost van Geel, Joost van Geel, publisher: Jacob Quack, (possibly), Rotterdam, in or after 1666, paper, etching, engraving, h 152 mm × w 411 mm

West Indiaman, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 120 mm × w 193 mm

South American Brik, Pieter le Comte, 1831 print The ship sails on the waves. Numbered at the top right: pl. 27. This print is part of a cover with nineteen prints. paper sailing-ship, sailing-boat. sea (seascape)

Sailing ship, draughtsman: Georges Michel, 1773 - 1843, paper, h 84 mm × w 105 mm

Street with figures next to a dune in Scheveningen.Leaf 14 Recto from a sketchbook with 39 sheets.

Seascape with Boats. Eugène Louis Boudin; French, 1824-1898. Date: 1898. Dimensions: 120 × 160 mm (plate); 222 × 285 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Three Boats in a HillyLandscape. Artist: Unknown After: Jan Brueghel the Elder, Flemish, 1568-1625

The Inner Harbor- Gloucester, 1883. Stephen Parrish (American, 1846-1938). Etching;

Four faces of a sailing ship, Johannes Koekkoek, 1821 - 1831 print In the middle a side view with hoisted sail. Amsterdam paper sailing-ship, sailing-boat

Sailing ship for a coast, c. 1825 - c. 1875 Figures on a sailing ship for a rocky coast with a castle and village. Page 14 Recto from a sketchbook with 44 sheets. paper. pencil Figures on a sailing ship for a rocky coast with a castle and village. Page 14 Recto from a sketchbook with 44 sheets. paper. pencil

The La Plataine Bridge at Royan. Maxime Lalanne; French, 1827-1886. Date: 1876. Dimensions: 120 × 197 mm (image); 147 × 206 mm (plate); 205 × 263 mm (sheet). Etching on ivory vellum. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler, The Thames Towards Erith, c 1877 The Thames Towards Erith

Deutz and Cologne. Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Sheet: 2 3/8 × 5 1/2 in. (6 × 14 cm)cut on the platemark. Date: 1652-77. Museum: Metropolitan Museum of Art, New York, USA.

Rotherhithe 1860 United States. Etching with drypoint and foul biting in black ink on cream Japanese paper . James McNeill Whistler

View of the Amstel from the Blauwbrug, Rembrandt van Rijn, c. 1645 - c. 1650 drawing Amsterdam parchment (animal material). ink pen public road Amstel (river). Amsterdam

Etching by Hans Holbein the Younger depicting The Great Harry, showing the ship, rigging, crew, and maritime scene, created in 1756.

Three seascapes, including a sailing ship for a rock, 1830 - 1860 Page 3 Recto from a sketchbook with 10 sheets. paper. pencil. watercolor (paint) brush Page 3 Recto from a sketchbook with 10 sheets. paper. pencil. watercolor (paint) brush

Steamship and sailing ships on restless sea, Henri le Hon, 1819 - 1872 print paper etching ships (in general). sea (seascape)

Boats near a village on a river, Jan van de Velde (II), 1603 - 1641 print On the edge of a village, an elegant company goes on board a boat. A wooden bridge over the river. Print from a series of eight. Northern Netherlands paper etching passengers ~ ship (+ preparations ~ departure). village. river. landscape with bridge, viaduct or aqueduct

Design for illustration in De Amsterdammer: view at the Noordzeekanaal (26 August 1888). Draughtsman: Johan Braakensiek. Dating: 1888 - before 26-Aug-1888. Measurements: h 231 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Early Morning, Battersea (Battersea Dawn) (Cadogan Pier) 1861 James McNeill Whistler American In a scene near his new lodgings on Lindsey Row in Chelsea, Whistler responds to the calm of the Thames at dawn. A beached rowboat lies across the foreground and small sailboats cluster around a wooden dock at center. Beyond is a wooden ferry terminal rests on Cadogan Pier and Battersea Bridge extends across the river. Drypoint has been combined with etching to create soft effects evocative of misty water under an overcast sky. The print probbaly was made in 1863, but not published until in 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set").. Early Morning, Battersea (Battersea Dawn) (Cadogan Pier) 372778

Seascape with ships, G.J. Witteveen, c. 1850 - 1913 print paper. etching / drypoint sea (seascape). ships (in general)

Tweemaster, Lucie van Dam van Isselt, 1881 - 1949 print paper etching sailing-ship, sailing-boat

Zuiderzee near Huizen, Pieter Willem van Baarsel, c. 1889 - in Or Before 1931 print View of the Zuiderzee seen from a dike, with a few sailing ships in the distance. Japanese paper (handmade paper). printing ink Zuiderzee. Houses

Meryon, Charles, Paris, Pro-volant des iles Mulgrave, Sailing ship on the Pacific Ocean near the Marshall Islands, verso center right - stamped, Sailing ship (harpe oasienne) from the Marshall Islands in the Pacific Ocean. From the caption it appears that Meryon sighted this boat during a voyage on the ship Le Rhin (Navire Rhin) in the period 1842-1846 when he passed the islands in the Pacific Ocean., print, engraving, prints, engravings, Etat tout particulier ... des Ils Mulgrave CM, recto bottom - handwritten, recto bottom - stamped, height 145 mm, width 80 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1866 - 1866, third quarter 19th century, derde kwart 19e eeuw, paper, papier, etching, etchings, drypoint, dry needle, intermediary draughtsman, after a drawing by, printer, drukker

The Visitors' Boat. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 177 x 126 mm (image, trimmed within plate mark); 180 x 126 mm (sheet). Etching with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The drowning of the crown prince of Bohemia in the Holle Sloot on the IJ for Amsterdam, January 17, 1629, Simon Fokke, 1722 - 1784 drawing Frederik Hendrik van de Palts, the crown prince of Bohemen, drowns in the hollow ditch on the IJ in a collision between different boats, January 17, 1629. Design for a print. Northern Netherlands paper. ink. pencil pen / brush historical persons. historical events and situations. drowned person. falling overboard Ij. Amsterdam

West Pier 1878, 1878. Otto H. Bacher (American, 1856-1909). Etching;

Sketch of two boats. Draughtsman: anonymous. Dating: c. 1600 - c. 1699. Place: Northern Netherlands. Measurements: h 123 mm × w 218 mm. Museum: Rijksmuseum, Amsterdam.

Two performances: ship and company to a shore. One etching with two performances. Above the representation of a ship to a bank and under the representation of a company with umbrellas on a shore.

Havenscène, c. 1841 - c. 1865 Page 23 from a sketchbook with 80 pages. paper. pencil harbour

Price's Candle-Works (Price's Candle Factory) 1876-77 James McNeill Whistler American. Price's Candle-Works (Price's Candle Factory) 372551

Tug on river. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 115 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Boats near a Dutch Folly Fort, Canton, Thomas Daniell, 1749-1840, British, active in India, ca. 1785, Watercolor, graphite, gray wash, with pen, in gray ink on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, beige, wove paper, Mount: 17 9/16 × 25 1/8 inches (44.6 × 63.8 cm) and Sheet: 13 9/16 × 20 1/16 inches (34.4 × 51 cm)

Roeiboot met figuren aan een oever.In the grass on the waterfront is a dog. Leaf 27 Verso from a sketchbook with 37 sheets.

Félix-Hilaire Buhot (French, 1847 - 1898), Un Grain à Trouville (Squall at Trouville), 1874-1875, etching

Houses on the Water, George Hendrik Breitner, 1867 - 1923 drawing paper. chalk

Inspection of Visvangst, Egidius Linnig, 1842 print Two people stand on a bank, one smokes a pipe while the other has a fish. A fishing boat in the background. paper etching sailing-ship, sailing-boat. sea and coastal fishery

Print made by Francis Seymour Haden, 1818-1910, British, Whistler's House at Old Chelsea, 1863. Etching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper.

Harbor face in Hamburg, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper harbour Hamburg

Sail of a boat and two reclining boats, draughtsman: Hendrik Abraham Klinkhamer, 1820 - 1872, paper, brush, h 195 mm × w 124 mm

Study sheet with various sailing ships and figures, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 309 mm × w 225 mm

Louis Adolphe Hervier (French, 1818 - 1879). Une Barque à Marée Basse (Boulogne-sur-Mer), 19th century. Etching, aquatint, and roulette.

Billingsgate 1859 United States. Etching and drypoint with foul biting in dark brown ink on off-white Japanese paper . James McNeill Whistler

Battersea: dawn. Whistler, James McNeill (1834-1903). 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Windmill (reverse copy) n.d. After Rembrandt (Rembrandt van Rijn) Dutch. The Windmill (reverse copy) 391679

Landscape sketch. From: Marine and Marken sketchbook. sketchbooks, works on paper

James McNeill Whistler, Old Putney Bridge, 1879 Old Putney Bridge

Danish Royal Hunting ..

Figures in a sloop at houses on a river.

Menton view Henri Joseph Harpignies (1819-1916). Menton view. Chinese ink on paper, nineteenth century.

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