Maritime Cityscapes

Cityscape paintings of bustling waterfronts, depicting boats, markets, and riverside activities in various historical locations.

Nicolaes Muys, New fish market at the Blaak, Rotterdam, cityscape painting panel footage wood oil, View of the Blaak from the west to the east from the Leuvehaven at the (Witte) Leeuwensteeg. On the left the Zeevismmarkt on the right the dome of the Lutheran Church on the Wolfshoek over the water of the Blaak de Keizerswug (Houtwug) On the ships right in front of the bridge, pottery was sold. left below signature: N Muys Pinx. 1772 cityscape topography Rotterdam City center Stadsdriehoek Blaak leggerschip Nicolaas Muijs Originating from the collection of Gerrit van der Pot from Groeneveld auction 1808 as nr. 88 raised 310 guilders and was bought by Thomas Theodore Cremer; Cremer Rotterdam auction 16 April 1816 for 71 guilders.

Nicolaes Muys, New fish market at the Blaak, Rotterdam, cityscape painting panel footage wood oil, View of the Blaak from the west to the east from the Leuvehaven at the (Witte) Leeuwensteeg. On the left the Zeevismmarkt on the right the dome of the Lutheran Church on the Wolfshoek over the water of the Blaak de Keizerswug (Houtwug) On the ships right in front of the bridge, pottery was sold. left below signature: N Muys Pinx. 1772 cityscape topography Rotterdam City center Stadsdriehoek Blaak leggerschip Nicolaas Muijs Originating from the collection of Gerrit van der Pot from Groeneveld auction 1808 as nr. 88 raised 310 guilders and was bought by Thomas Theodore Cremer; Cremer Rotterdam auction 16 April 1816 for 71 guilders.

Charles Mozin (1806-1862). "Le Pont-Marie and Le Port Saint-Paul, around 1825". Oil on canvas. Paris, Carnavalet museum. 27092-15 Arrondissement IV IVEME 4th 4, boat, cart, pont-marie, port Saint-Paul, port, quai, catering, seine, oil on canvas, bridge

David Cox, 1783-1859, British, Greenwich Hospital from Woolwich Reach, 1820s. Watercolor and graphite with scratching out on moderately thick, moderately textured, white wove paper.

Greenwich Hospital from Woolwich Reach, David Cox, 1783-1859, British, formerly attributed to David Cox, 1783-1859, British, 1820s, Watercolor and graphite with scratching out on moderately thick, moderately textured, white wove paper, Sheet: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm), boats, clouds, hospital, marine art, river, England, Europe, Greenwich, Thames, United Kingdom, Woolwich

Anonymous. The large gallery of the Louvre, with the new door, the Pont-Neuf, the city, the tower of Nesle and the Quai Malaquais, around 1640, current 1st and 6th arrondissements. Oil on canvas. 1635-1645. Paris, Carnavalet museum. 76089-18

Fanciful View of the Castel Sant'Angelo, Rome. Dated: c. 1785. Dimensions: overall: 46.8 x 76.3 cm (18 7/16 x 30 1/16 in.) framed: 63.7 x 91.8 x 7 cm (25 1/16 x 36 1/8 x 2 3/4 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO GUARDI.

Venetian View Samuel Pritchett (1827-1907 British) Oil on canvas

An Italian Town, 1822-28 Richard Parkes Bonington, Oil Painting, Italy, Marketplace, Townscape

The Bucentaur at St Nicholas on Ascension Day, Venice, 1766-1770, by Francesco Guardi (1712-1770), oil on canvas, 67x101 cm.

Saltash with the Water Ferry, Cornwall. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: 35 3/8 x 47 1/2 in. (89.9 x 120.7 cm). Date: 1811.This picture is a product of Turner's journey to the west of England in summer 1811 and was exhibited at the artist's private gallery in 1812. Saltash is in Cornwall, across the Tamar River from Devonport and Plymouth. Ruskin described the painting in a letter of 1852 as "what the mind sees when it looks for poetry in humble actual life." The sky is damaged, but the lower half of the painting is well preserved. Museum: Metropolitan Museum of Art, New York, USA.

Jean-Baptiste Lecœur. Edme Champion (1764-1852), known as "The man with a small blue coat", distributing soup and bread on the Place du Marché Saint-Martin. Oil on wood. 1834. Paris, Carnavalet museum. 76093-2 Help, distribution, fountain, generosite, wood on wood, blue coat, misere, bread, French philanthrope, place du Marche Saint-Martin, soup

City defending against the attack of ships. nieznany malarz flamandzki, painter

Guardi, Francesco (1712-1793) National Gallery, London Painting 92,7x130,9 Landscape Venice. The Grand Canal with Palazzo Pesaro

Jan van Goyen, Dutch (1596-1656), View of Dordrecht from the Dordtse Kil, 1644, oil on panel

View of the Tiber from the south - Ripa Grande. Moucheron, Isaac de (1667-1744), painter

Devin Castle, by Bernardo Bellotto, known as Canaletto (1721-1780).

Beauty. The door of Saint-Denis and the boulevard, current 10th arrondissement. Silk oil fixed under glass. 1801-1850. Paris, Carnavalet museum. 76094-4

Embarkation of St Paula. Date/Period: After 1642. Painting. Oil on canvas Oil. Height: 505 mm (19.88 in); Width: 390 mm (15.35 in). Author: Claude Lorrain.

The Harbor of LaRochelle. Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Panorama of Istanbul. Date/Period: Late 18th century. Painting. Oil on canvas. Height: 1,000 mm (39.37 in); Width: 2,130 mm (83.85 in). Author: ANTOINE DE FAVRAY.

Joseph Mallord William Turner, 1775-1851, British, St. Mawes, Cornwall, ca. 1823. Watercolor and scraping out on moderately thick, slightly textured, cream wove paper.

Attributed to Pieter Casteels (active in the second half of the 17th century). "Le Pont Neuf, the city, the tower and the Porte de Nesle, around 1650". Oil on canvas. Paris, Carnavalet museum. 27041-17 Arrondissement, Ier I 1st 1, Ile de la Cite, Pont-Neuf, Seine, Tour Nesle, Vieme VI 6th 6, Oil on canvas, bridge

Venice. Artist: Thomas Moran, American, born England, 1837-1926

The Grand Canal, Venice 1755-1765 Italy. Oil on canvas . Francesco Guardi

Boats along the Shore by unknown artist, oil on wood, USA, Philadelphia, Pennsylvania, David David Gallery

Attributed to Pieter Casteels (active in the second half of the 17th century). "The conference door, around 1685". Oil on canvas. Paris, Carnavalet museum. Ier I 1st 1 arrondissement, Seine river, conference door, panorama, oil on canvas, bridge

Beirut From The Sea S.D. 1862 Preziosi, Amadeo(1816-1882 Italian) Pencil & Watercolor Christie's Images, London, England

Venice near the railroad station. Noon, Bogolyubov, Alexei Petrovich (1824-1896)

Artist, attributed to: Francesco Guardi, Italian, Venice, 1712-1793, After: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, A View of the Molo and the Riva degli Schiavone inVenice, ca.1750, Oil on canvas, unframed: 35.6 × 59.1 cm (14 × 23 1/4 in.), Not onview, Italian,Venetian, 18thcentury, Paintings

The Rapenburg, Leiden, Three Days After the Explosion of a Powder Ship on 12 January 1807. Face on the Rapenburg in Leiden, three days after the blast of the powder ship on January 12, 1807. On the bridge in the foreground are spectators and soldiers, Some men wear a victim on a portable road. Right-stoped household goods.

Adalia, Asia Minor. watercolor on paper mounted on paper. Date: 1844 or 1846. Museum: Smithsonian American Art Museum.

Lucerne from the Lake. Date/Period: 1800/1851. Watercolor over preliminary traces of pencil. Width: 473 mm. Height: 295 mm. Author: J. M. W. Turner.

'Seashore with a Fish Market'. Holland, Late 1640s - 1650s. Dimensions: 47x63 cm. Museum: State Hermitage, St. Petersburg. Author: Willem Gillisz Kool.

Russia, Sankt Petersburg, State Museum-Preserve, View of Nikolayev, 1797-1800, Oil on canvas

View of London from Greenwich. Artist: Joseph Mallord William Turner (British, London 1775-1851 London). Dimensions: sheet: 8 3/8 x 11 in. (21.3 x 28 cm). Date: 1825.Turner here offers a panorama of greater London as seen from Greenwich Park, looking down towards the Naval Hospital designed by Sir Christopher Wren, the river Thames, and the distant city. The foreground is littered with maps and globes, with a woman holding up two plans for a naval pensioner with spectacles and crutches to inspect-a reference to England's past. Slightly behind, a man dressed in a fashionably tall top hat and yellow gloves raises his hands to celebrate the burgeoning present. Finally, a third figure further down the hill peers through a telescope at steam boats racing past sailing ships on the river-a hint at the future. The watercolor belongs to a group that the artist made around 1825 as he planned a series of prints that never was published. Museum: Metropolitan Museum of Art, New York, USA.

Poor Venice, 1882-1883, by Pietro Fragiacomo (1856-1922), oil on canvas, 78x147 cm.

Riva degli Schiavoni in the direction of San Marco, Venice, by Giovanni Antonio Canal, known as Canaletto (1697-1768). Oil on canvas, 46x62.5 cm.

Regatta on the Grand Canal in Honor of Frederick IV, King of Denmark; Luca Carlevarijs, Italian, 1663 - 1730; 1711; Oil on canvas; Unframed: 135.3 x 259.7 cm (53 1/4 x 102 1/4 in.), Framed outer dim: 182.9 x 294.6 x 15.2 cm (72 x 116 x 6 in.)

Figures on a Moonlit Terrace. Francis Danby, R.A., (1793-1861). Oil on canvas, 37 x 60.7cm.

Joseph Mallord William Turner, 1775-1851, British, Leeds, 1816. Watercolor, scraping out and pen and black ink on medium, slightly textured, cream wove paper.

Canton Waterfront (The Hongs at Canton) ca. 1840 American. Canton Waterfront (The Hongs at Canton). American. ca. 1840. Oil on canvas

Meeting between Napoleon and Baron Karl von Dalberg at Aschaffenburg, 2 October, 1806 by Bourgeois du Castelet, Florent Fidele Constant (1767-1841) / Musee de l'Histoire de France, Chateau de Versailles / 1812 / France / Oil on canvas / History / 232x186

View of The Hague. View of The Hague from the Delftse Vaart in the Seventeenth Century. Dating: c. 1850 - c. 1852. Measurements: h 48 cm × w 58 cm; d 10 cm. Museum: Rijksmuseum, Amsterdam. Author: Cornelis Springer (mentioned on object).

Beaumaris Castle, Angelsey Joseph Mallord William Turner (1775-1851 British) Watercolor The Huntington Library, Art Collections, and Botanical Gardens, San Marino, California

Master of the Monogram IDM (Antwerp, 1564 - 1635). View of a River Port with the Castel Sant'Angelo (s.f). Oil on panel. 50.2 x 94 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid.

Aert van der Neer (c. 1603-1677). Landscape painter of the Dutch Golden Age. Winter Landscape with Ice Skating in Amsterdam (1650). Gema_ldegalerie, Berlin. Gemany.

Venice, the Palace of Dogs Felix Ziem (1821-1911). Venice, the Palace of Dogs. Oil on canvas.

Padua: The River Bacchiglione and the Porta Portello. Artist: Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697-1768 Venice). Dimensions: 7 5/16 x 10 7/16 in. (18.5 x 26.5 cm). Date: ca. 1750-60.In brown ink and grey wash, Canaletto captures the bustling traffic along the Brenta Canal in Padua. The monument at left, the Porta Portello, represents the old gate of Padua on the road to Venice. Designed in 1518 and a work of great distinction, it survives today much as Canaletto describes it. The bridge, too, stands on its original piers.This drawing once formed part of the legendary collection of the French connoisseur, Pierre-Jean Mariette (1694-1774). His collector's mark appears on the sheet at the lower right. In his letter to a Venetian architect in 1768, Mariette recorded his admiration of the drawing, and of Canaletto as a view painter:"M. Canale est excellent dans son genre. J'ai de lui quelques dessins qu'il a fait dans sa faveur, entre autres une vue de Padoue, qui est un

Scene in a port. Casteels, Pieter, II (fl. 1673-1674), painter

Port with the Villa Medici, Lorrain, Claude, or Claude Gel, 1637.

Town street by Francesco Guardi, oil on wood, 1770s, 1712-1793, Russia, St. Petersburg , State Hermitage, 52x34, 5

View of Seaport or Seaport at Sunset by Claude Lorrain or Gellee, c1600-1682, French, oil on canvas, 1639

John Warwick Smith, 1749-1831, British, In the Camp Vaccinio at Rome, ca. 1777. Watercolor and gouache over graphite on medium, rough, cream laid paper.

Funeral in Palestrina. Date/Period: Ca. 1857. Pencil, brown, red, ochre, light blue and purple watercolour, heightened with opaque white. Bleistift, in Braun, Rot, Ocker, Hellblau und Violett aquarelliert, mit Deckweiß gehöht, auf gräulichem Papier. Height: 410 mm (16.14 in); Width: 352 mm (13.85 in). Author: OSWALD ACHENBACH.

Nicolas-Jean-Baptiste Raguenet (1715-1793). "The Samaritan pump, the Pont-Neuf and the Cité Island seen from the Louvre quay". Oil on canvas, around 1760. Paris, Carnavalet museum. 25518-2 Water supply, boat, chime, Seine river, 1st i 1er 1 arrondissement, Ile de la Cite, work of art, water pump, Samaritan pump, Pont-Neuf, quai de Seine, silhouette, city, oil on canvas, bridge

Ca' d'Oro in Venice (Ca' d'Oro a Venezia), by Giuseppe Chitt÷ Barucchi, 1858, 19th Century, canvas

A Distant View of Ely with Windmills at Sunset. Thomas Lound (1802-1861). Pencil and watercolour heightened with white. Dated 1856. 32.8 x 49.2cm.

Fédor Hoffbauer. The clock tower, the concierge and the deck bridge, in 1621. Wood oil. 1887. Paris, Carnavalet museum. 76092-29 Boat, boat, concierge, Seine river, clock, canvas oil, urban landscape, change bridge, tower

Harbor Scene, With Fishing Boats Being Unloaded, attributed to David Cox, 1783-1859, British, early 19th century, Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 8 5/8 inches (16.2 × 21.9 cm), baskets, fish, fishermen, fishing boats, genre subject, harbor

A River Landscape, possibly a View from the West End of Rochester Bridge, John Inigo Richards RA, 1730/31-1810, British, ca. 1805, Oil on canvas, Support (PTG): 16 1/16 x 19 7/8 inches (40.8 x 50.5 cm), bonnet, bridge (built work), buildings, church, dock, dog (animal), landscape, men, river, riverbank, rowboat, steeple, swans, town, tricorne, view, woman, England, Kent, Medway, Rochester, Rochester Bridge, United Kingdom

LA FERIA DE SEVILLA-OLEO/LIENZO-148 X 204,5 CMS-HACIA 1852. Author: ANDRES CORTES Y AGUILAR (1810-1879). Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN. BONAPLATA NARCISO. YBARRA CONDE DE.

A Mediterranean Seaport with a Man drinking at a Fountain, Galley Slaves, Merchants and Dock Hands. Johannes Lingelbach (1622-1674). Oil on canvas. 77.2 x 66.4cm.

Paris, Cadart, widow Alfred, Lalanne, Maxime François Antoine, France, Le Wagg-Poids de la ville d'Amsterdam, View of a harbour in Amsterdam, verso - stamped, Numbered at the top right: 7., print, prent, prints, prenten, height 198 mm, width 279 mm, 1827-11-27 - 1886-07-29, print maker, printmaker, 1880 - 1880, paper, papier, etching, etchings, drypoint, dry needle, plate tone, engraving, engraving (printing process), Work conception, after own design by, French, printer

J. M. W. Turner, Ancient Rome; Agrippina Landing with the Ashes of Germanicus (detail), 1839 , Oil paint on canvas, London, England.

Frederick Nash, 1782-1856, British, Somerset House, London, ca. 1825. Oil on artist's board.

Jan Van Goyen / 'Lacustrine Landscape', 17th century, Oil on panel, 15,8 x 25 cm.

Verona, Attributed to George Clarkson Stanfield, 1828-1878, British, Formerly attributed: Clarkson Stanfield, 1793-1867, British, 1833, Watercolor over graphite touched with white gouache on thick, slightly textured, cream wove paper, Sheet: 8 5/8 x 13 3/4in. (21.9 x 34.9cm) and Sheet: 8 5/8 × 13 3/4 inches (21.9 × 34.9 cm), Verona

Piazza San Marco. Works on Paper. Iron gall ink on paper. Height: 5.25 mm (0.20 in); Width: 9 mm (0.35 in). Author: FRANCESCO GUARDI.

Italy, Venice, The Basin of San Marco, oil on canvas

Visit of Doge to the Redentore, Venice

Rhodes, Joseph Mallord William Turner, 1775-1851, British, between 1823 and 1824, Watercolor, gouache and scraping out on moderately thick, slightly textured, cream wove paper, Sheet: 5 1/4 x 8 7/8in. (13.3 x 22.5cm), boats, city, cityscape, marine art, oars, sailboats, tower (building division), Europe, Greece, Nísoi Aiyaíou, Rdos, Nísos, Rhodes

Newark Abbey, Joseph Mallord William Turner, 1775-1851, British, between 1806 and 1807, Oil on canvas, Support (PTG): 36 x 48 1/2 inches (91.4 x 123.2 cm), barges (ships' boats), boat, canal, castle, evening, factories, fire, fishermen, fishing, landscape, night, reflection, river, river, riverbank, rowboat, ruins, seamen, sky, sunset, England, Europe, Newark-on-Trent, Nottinghamshire, Trent, United Kingdom

A hunting procession at the Hofvijver in The Hague, seen from the Plaats, Gerrit Adriaensz Berckheyde, c. 1690

Ariccia, near Rome, Italy. Date/Period: 1860. Painting. Oil on panel. Height: 203 mm (7.99 in); Width: 308 mm (12.12 in). Author: John William Inchbold.

John Varley, 1778-1842, British, Carnarvon Castle, undated. Watercolor and graphite on medium, slightly textured, cream, wove paper.

River View by Moonlight. Dating: 1630 - 1700. Measurements: h 42.5 cm × w 57.5 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Aert van der Neer (manner of).

Scene on the Grand Canal, Venice. oil on canvas. Date: 18th century. Museum: Smithsonian American Art Museum.

Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), A Match at Newmarket, undated. Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper, mounted on, moderately thick, rough, white, wove paper.

Port Of Rouen, ca. 1620, by Claude de Jongh, France 17th Century.

MALASPINA, ALEJANDRO. NAVEGANTE Y EXPLORADOR ITALIANO. 1754-1810.. EXPEDICION CIENTIFICA 1789-1794.. PERU." EL PASEO DEL AGUA EN LIMA ", DIBUJO DE . FERNANDO BRAMBILLA.. MUSEO NAVAL. MADRID. Author: FERNANDO BRAMBILA.

Empress Josephine,Message of Victory

Sea bay view with barge by unknown painter, Russia, St Petersburg, State Hermitage, 43, 5x35, 5

View of basin of St Marks, Venice. Italy. Museum: CA' REZZONICO, VENECIA, ITALIA. Author: VINCENZO CHILONE.

Jan Baptist Weenix (1621-1659). Dutch painter. View of an Italian Harbour, 1649. Centraal Museum. Utrech. Netherlands.

Dutch envoy Adriaan Pauw entering Munster in 1646 for Peace Negotiations - Gerard ter Borch, 1646

Watercolour landscape painting titled 'Lancaster from Viaduct'. The painting depicts a scene of young man relaxing on a dock with a large bridge and structure in the background. By Joseph Mallord William Turner (1775 - 1851) English romantic landscape painter. Dated 1836

Puerto de Palma,detalle.San Jorge y el dragon.(1468-1470) Pere Niçard. Óleo y temple sobre tabla.Museo diocesano (Museu diocesà).Centro historico.Palma.Mallorca.Baleares.España.

Market, by Willem Reuter (1642-ca 1681), oil on canvas, 98x134 cm.

Doge Palace and Justice Palace Giovanni Antonio C. Canaletto (1697-1768 Italian) Toledo Museum of Art, Ohio

Landscape with river by Hans Bol, gouache on parchment, 1592, 1534-1593, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 14x25

Moscow riverside, Russia, St. Petersburg, State Russian Museum, 86x118

William Paton Burton, 1828-1883, British, The Market Place, Tanta, Egypt, 1874. Watercolor, with pen in gray ink, black ink, brown ink, blue ink and graphite on moderately thick, moderately textured, cream, wove paper.

The Pope Leaving Rome. Vincenzo Giovannini (1817-1903). Oil on canvas. Signed and dated 1869. 48.2 x 96.5cm.

Guillaume-Frédéric Romny. "Masquerade on the new bridge", 1830. Oil on canvas. Paris, Carnavalet museum. 72353-4 Boat, beef-gras, bourbon, carnival, rider, disguise, facade, crowd, lantern, masquerade, bridge new, king France, equestrian status, car, oil on canvas

Somerset House, London. Date/Period: Ca. 1825. Painting. Oil on artist's board. Height: 143 mm (5.62 in); Width: 216 mm (8.50 in). Author: Frederick Nash.

View Toward Rialto Bridge Canaletto (1697-1768 Italian) Oil on canvas Museo Civico Correr, Venice, Italy

Venice: San Giorgio Maggiore with the Giudecca and the Zitelle by Francesco Guardi (1712-1793), 1784. From Italy, oil painting on canvas.

Windsor Castle, Attributed to Peter DeWint, 1784-1849, British

J. M. W. Turner, St Benedetto, Looking towards Fusina, 1843 , Oil paint on canvas, London, England.

Melrose. Date/Period: 1831. Drawing. Watercolour with scraping on paper. Height: 100 mm (3.93 in); Width: 156 mm (6.14 in). Author: J. M. W. Turner.

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