Maritime Landscapes

Etchings and prints showcasing riverside scenes with boats and bridges. The artworks possess a moody ambiance, emphasizing atmospheric effects and reflections on water.

Harbor face with town hall in Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1887 - 1902 print Netherlands silk drypoint harbour. townhall Flushing

Chelsea Bridge and Church, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Haven in Cuxhaven, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print In the foreground multi -posts; Behind it sail ships and smaller boats. paper harbour Cuxhaven

Steamboats off the Tower. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 6 1/16 × 8 7/8 in. (15.4 × 22.5 cm)Sheet: 8 3/8 × 10 7/8 in. (21.3 × 27.7 cm). Date: 1875. Museum: Metropolitan Museum of Art, New York, USA.

Thames warehouses , Boats, Piers & wharves, Waterfronts, Warehouses. James McNeill Whistler (1834-1903). Lithographs

River view with church tower, Jan Daniël Cornelis Carel Willem Baron de Constant Rebecque, 1851 - 1879 print The Hague paper etching river

Temse aan de Schelde at evening, Carel Nicolaas Storm of 's -Gravesande, 1880 - 1884 print Harbor face in Temse. On the left the moon behind the clouds. paper drypoint harbour. river. evening Temse. Scales

The Little Pool 1861 James McNeill Whistler American. The Little Pool 372527

View of Dordrecht, Auguste Numans, 1833 - 1879 print Brussels paper etching city-view in general; 'veduta'. sailing-ship, sailing-boat Dordrecht

Harbor face with town hall in Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1887 - 1902 print Netherlands silk drypoint harbour. townhall Flushing

Berwick, Sir David Young Cameron, 1865-1945, British, 1890, Etching printed in brown ink over two counterproofs, engraver's proof, (verso: two counterproofs), Sheet: 6 3/8 x 9 7/8in. (16.2 x 25.1cm)

Haven in Temse on the Scheldt, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1910 print paper. etching harbour Temse. Scales

Little Wapping, 1861. James McNeill Whistler (American, 1834-1903). Etching;

Hurlingham 1879 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

Billingsgate. Artist: James McNeill Whistler, American, 1834-1903

The dock head , Rivers, Boats, Piers & wharves. Joseph Pennell (1857-1926). Prints and Drawings

John Constable, Brighton Beach, Looking East, 1824, brush and gray wash over graphite on beige wove paper.

Harbor face, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1924 print Possibly the port of Hamburg. paper drypoint harbour

A Sketch from Billingsgate (From Billingsgate). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 7/8 × 8 7/8 in. (14.9 × 22.6 cm)Sheet: 8 in. × 11 9/16 in. (20.3 × 29.3 cm). Date: 1878. Museum: Metropolitan Museum of Art, New York, USA.

James McNeill Whistler, Little Venice, 1880 Little Venice

Quay with omnibus boats in Paris with the Eiffel Tower in the background, Eugène Bejot, 1904 print Paris paper etching rowing-boat, canoe, etc.. quay Paris. His

Sailing boats on the water, in the distance a city, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1924 print Possibly Venice. paper drypoint traffic on the water. prospect of city, town panorama, silhouette of city

Limehouse 1878 James McNeill Whistler American. Limehouse 372790

Port of Bergen op Zoom near High Water, Carel Nicolaas Storm of 's-Gravesande, c. 1884 print In the foreground, a figure pushes a rowing boat. Netherlands paper drypoint harbour. flood, high tide Bergen op Zoom

Little Putney Bridge. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 133 x 208 mm (plate); 240 x 353 mm (sheet). Etching and drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Gloucester Harbor. Dated: 1880. Dimensions: plate: 11.11 × 22.38 cm (4 3/8 × 8 13/16 in.) sheet: 22.86 × 30.16 cm (9 × 11 7/8 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles A. Platt.

Attributed to Peter Rashleigh, active 1775, Bewdley Bridge, Worcester, 1775. Graphite and gray wash on medium, slightly textured, cream laid paper.

James McNeill Whistler, Long Venice, 1879 1880 Long Venice

The little lagoon , Lakes & ponds, Sailboats, Gondolas, Gondoliers. James McNeill Whistler (1834-1903). Lithographs

The Footbridge Temporarily Replacing the Pont-au-Change, Paris, After the Fire of 1621. Charles Meryon (French, 1821-1868); after Stefano della Bella (Italian, 1610-1664). Date: 1860. Dimensions: 118 × 229 mm (image); 118 × 229 mm (plate); 217 × 336 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Haven in IJmuiden, Carel Nicolaas Storm van 's-Gravesande, c. 1884 print On the left is a sailing ship in the water. A steamboat sails on the right. Netherlands paper drypoint harbour IJmuiden

Haven of Rouen, Camille Jacob Pissarro, 1883 - 1885 print View of the port of Rouen. A number of men are working on the quay. France paper etching / drypoint harbour Rouen. Quai BOIELDIEU

View of a canal in a city, draughtsman: Coen Metzelaar, 1855 - 1881, paper, pen, brush, h 68 mm × w 104 mm

View of the Delftsche Vliet near The Hague, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Netherlands paper drypoint canal The Hague

View of the Spaarne and Sint Bavo, Auguste Lepère, 1901 print paper drypoint city-view in general; 'veduta'. boat propelled by man or animal. wheelbarrow Sint-Bavokerk. Saving

Black feder and brush drawing by Félix Ziem depicting Venice with the Canale Grande, Santa Maria Della Saluta, and the Campanile of San Marco, black-blue lavated with red color traces, 1885-1892.

Nocturne 1. Whistler, James McNeill (1834-1903). 1879 - 1880. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Capt. Thomas Hastings, 1778-1854, British, Cowes, from West Cowes Ferry, 22 March 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

The Tiny Pool. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1876/1878. Prints; etchings. Etching and drypoint

Thames Warehouses 1859 James McNeill Whistler American. Thames Warehouses 372503

Town on the water, Adolf Le Comte, 1860 - 1921 drawing paper. chalk brush quay

Pelgrom, Jacobus, Amsterdam, Springer, Cornelis, Dike breach in Arnhem, 1855, verso - stamped, The breach of the Arnhemmer Broekdijk in Arnhem during the flood in March 1855., print, prints, height 144 mm, width 240 mm, Dutch, 1817-05-25 - 1891-02-20, print maker, printmaker, 1855 - 1855, paper, papier, etching, etchings, plaattoon, 1811-09-08 - 1861-11-03, intermediary draughtsman

Wapping - The Pool 1878-1879 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Mercato square at the Gambare Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of the Piazza del Mercato All Gambarare on the River Brenta. A barge full of hay sails on the water. Numbered in the middle: XXII and bottom right: Tom: I. This print is part of an album. print maker: ItalyVenice paper etching river. ships (in general). square, place, circus, etc. Brenta

Upright Venice. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 15/16 × 6 15/16 in. (25.3 × 17.7 cm)Sheet: 9 15/16 × 6 15/16 in. (25.3 × 17.7 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

The Fishing Boat. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 155 x 232 mm (image, trimmed within plate mark); 163 x 232 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bomschuit on the beach, Johannes Huygens, 1843 - 1911 drawing paper. pencil. chalk sailing-ship, sailing-boat

Two turn ships, Willem van de Velde (I), 1643 - 1707 drawing paper. pencil brush sailing-ship, sailing-boat

Riverside with a crane and a few boats. Draughtsman: Jan van Goyen. Dating: 1650 - 1651. Measurements: h 98 mm × w 157 mm. Museum: Rijksmuseum, Amsterdam.

Two berovsches.

Battersea Bridge, Francis Seymour Haden, 1818-1910, British, 1868, Etching and drypoint, with plate tone on moderately thick, slightly textured, beige wove paper, Sheet: 9 13/16 x 12 1/4in. (24.9 x 31.1cm), Plate: 6 15/16 x 9 15/16 inches (17.6 x 25.2 cm), and Image: 6 15/16 x 9 15/16 inches (17.6 x 25.2 cm), bank, boats, bridge (built work), buildings, church, cityscape, clouds, dark, dinghies, figures, houses, marine art, masts, moon, night, reflections, rowing, sailing, sails, shore (landform), shorelines, trees, Battersea, Chelsea, England, Europe, London, United Kingdom

River face, Jan van Goyen, 1631 drawing Three anglers in a boat paper. chalk river bank. angling

The Mouth of the Apponagansett 1883 United States. Etching on cream China paper . Robert Swain Gifford

Chelsea, No. 1, 1886. Joseph Pennell (American, 1857-1926). Etching;

Barque de pecheurs faisant escale les roches de Collioure (PyreneesOrientales). Artist: Adolphe Appian, French, 1819-1898

Limehouse 1. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1859. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Steamboats off the Tower. Dated: 1875. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

James McNeill Whistler (American, 1834 - 1903), Steamboats off the Tower, 1875, etching

Gropius Martin (1824-1880), sketch album 4: travel sketches from Athens, Venice and Padua: Padua. Sailboat, Padua (without Dat.): Perspective view Padua, Views Boot. Pencil on paper, 16.6 x 19.8 cm (including scan edges) Gropius Martin (1824-1880): Skizzenalbum 4: Reiseskizzen aus Athen, Venedig und Padua: Padua. Segelboot, Padua

Charing Cross Railway Bridge. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 5 1/8 × 8 1/2 in. (13 × 21.6 cm)Sheet: 7 1/2 × 12 3/16 in. (19 × 30.9 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

The Harbor at Viareggio La Darsena. Dated: 1873/1874. Dimensions: plate: 26 × 44.1 cm (10 1/4 × 17 3/8 in.) sheet: 38.9 × 54.7 cm (15 5/16 × 21 9/16 in.). Medium: etching and drypoint on wove paper. Museum: National Gallery of Art, Washington DC. Author: UBERTO DELL'ORTO.

Old Putney Bridge. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 7/8 x 11 5/8 in. (20 x 29.5 cm)Sheet: 7 7/8 × 11 5/8 in. (20 × 29.5 cm). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA.

Le Port de Boulogne-sur-Mer. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1902. Dimensions: 118 x 269 mm (image/plate); 122 x 271 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

View on a quay, Johan Hendrik Weissenbruch, 1834 - 1903 drawing In the background dark buildings, trees and a spire against the bright evening sky. paper. chalk pier, quay, wharf. quay

Shipping and the Ducal Palace, 1880. Otto H. Bacher (American, 1856-1909). Etching;

The Fishing Boat 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

View in Rotterdam. William George Reindel (American, 1871-1948). Drypoint;

Landscape with a mill on water, Adrien Le Mayeur de Merprés, 1854 - 1911 print paper etching windmill in landscape

The Riva, No. 2, 1886. James McNeill Whistler (American, 1834-1903). Etching;

The Riva, Looking Towards the Caserna. Frank Duveneck; American, 1848-1919. Date: 1880. Dimensions: 219 x 333 mm (image/plate); 217 x 333 mm (primary support); 328 x 468 mm (secondary support). Etching, with drypoint, in black on cream wove paper, laid down on ivory wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Quai Voltaire Giuseppe De Nittis Italian 1876 In 1874, De Nittis joined the Société des Aquafortistes (Society of Etchers) in Paristhe same year his friend Edgar Degas invited him to participate in the first Impressionist exhibition. This print from two years later shows the artists investigation of the alliance between printmaking techniques and the aesthetic priorities of Impressionism. To convey atmospheric effects in this view along the Seine, De Nittis selectively wiped the ink on the copperplate before printing it. View more. Quai Voltaire. Giuseppe De Nittis (Italian, 1846-1884). 1876. Etching and drypoint; sixth state of six. Prints

View of the coast, Matthieu van Plattenberg, 1617 - 1660 print Landscape with a coastal face. In the foreground a pier with a moored ship. In the background ships at sea. Paris paper etching pier, quay, wharf. sea

Sunset on the East River 1879 Henry Farrer American. Sunset on the East River 380997 Artist: Henry Farrer, American, London 18441903 New York, Sunset on the East River, 1879, Etching, plate: 4 15/16 x 7 11/16 in. (12.5 x 19.5 cm) sheet: 8 x 11 1/16 in. (20.3 x 28.1 cm). The Metropolitan Museum of Art, New York. The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954 (54.90.935)

Little Putney, No. 2 (The Little Putney) 1879 James McNeill Whistler American. Little Putney, No. 2 (The Little Putney) 372561

Barges, Dordrecht. James McNeill Whistler; American, 1834-1903. Date: 1886. Dimensions: 65 x 98 mm (plate); 224 x 238 mm (sheet). Etching in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Harbor face, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Sailing boats in a port. Figures are working on the pier. The performance has been crossed out. paper harbour

Harbor. Board 6. From the portfolio of "Gda SK"; Mycielski, Jan Kazimierz (1864-1913); around 1950 (print); around 1906 (matrix) (1906-00-00-1952-00-00);Gdańsk (Pomeranian Voivodeship), Motława (River), Provincial and Municipal Public Library in Gdańsk - collection, gift (provenance), granary, ships, crane (Gdańsk), Żurawy (archite.)

Holland, shipping scene, by Petrus van der Velden. Gift of the New Zealand Academy of Fine Arts, 1936.

Skåne, Luggude hd., Väsby sn., Lerberget's fishing location. Drawing of Ferdinand Boberg Nordic

District of rags in pairs; Rubczak, Jan (1884-1942); 1913 (1913-00-00-1913-00-00);Witke-Jeżewski, collection

View of the Lagune of Venice with Dukdalf, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1902 print paper etching / drypoint haff, lagoon created by sand, shingle bank ~ coast. prospect of city, town panorama, silhouette of city Laguna Veneta

Italianate Landscape with a Stone Bridge over a River, Abraham Jansz Begeyn, c. 1660 - c. 1670 drawing Stone bridge over a river in a southern landscape; In the foreground carts and a rider in the water. paper. ink. chalk brush landscape with bridge, viaduct or aqueduct. landscape with ruins. crossing a river

View of the Lagune of Venice for Murano, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print paper drypoint haff, lagoon created by sand, shingle bank ~ coast. prospect of city, town panorama, silhouette of city Murano Laguna Veneta

Lalanne, Maxime (n.1827-11-27-D.1886-07-29), La Mare d'Auteuil during the war (1870-1871) (dummy title), 1870. Museum Carnavalet, Histoire de Paris.

Sir Frank Short, 1857-1945, British, In Port, Volendam, 1892. Etching.

Boats at Grancamp (Calvados), draughtsman: Jules Chadel, 1880 - 1942,

'St Gervais', 1915. Artist: Edgar Chahine.

View of palace gardens on the coast in Naples, Anonymous, After Melchior Küsel (I), after Johann Wilhelm Baur, c. 1700 - c. 1710 View of palace gardens on the coast in Naples. Different ships on the water. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Naples View of palace gardens on the coast in Naples. Different ships on the water. The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Naples

Charles François Daubigny, Night Journey, 2nd Plate (Voyage de nuit), 1862 Night Journey, 2nd Plate (Voyage de nuit)

Sailing ship for anchor for a coast, 1830 - 1860 In the background sailing ships and a reed collar. Page 10 Recto from a sketchbook with 46 sheets. paper. watercolor (paint) brush In the background sailing ships and a reed collar. Page 10 Recto from a sketchbook with 46 sheets. paper. watercolor (paint) brush

Two sailing ships on the water, Frans Hens, 1866 - 1910 print paper etching / drypoint sailing-ship, sailing-boat. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Ship and a few sloops near a village on the coast, Abraham de Verwer, 1636 drawing paper. ink pen / brush sea (seascape). coast. sailing-ship, sailing-boat. rowing-boat, canoe, etc.

Two studies of sailing ships, draughtsman: Jan Weissenbruch, 1832 - 1880, paper, h 158 mm × w 195 mm

Riviege cages, mijam pink jacobson, 1916 print On the right a water tower; On the left a sailboat. paper etching river. water tower. sailing-ship, sailing-boat

Pleasure Boats, Chelsea 1888-1889 England. Etching in black on cream wove paper . Theodore Roussel

Din in the port of Cuxhaven, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print In the foreground, a figure sails in a rowing boat at a multi -pole. paper harbour. dusk, evening twilight Cuxhaven

Abingdon, David Law, British, 1831 - 1901, Etching on paper, Landscape at night; a river or inlet in foreground, to the right, houses built out on wharf boats; to the left, the bank, with plants, a fate and boat. In the background, more houses on the water. A cloudy sky and full moon. Below, the publisher's name and location, plate number (25) and right, the title and artist's name (in pencil)., England, ca. 1880, Print, Print

The Thames, Evening. Theodore Roussel; French, worked in England, 1847-1926. Date: 1897. Dimensions: 68 × 102 mm (image/plate); 113 × 162 mm (sheet). Etching and drypoint in black, with plate tone, on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Seymour-Haden, Francis (Sir), England, Thames Side, Waterside Village, verso middle right - stamped, The River Thames The River Thames at Mortlake, with some houses and a vehicle on the bank., print, prints, verso middle - stamped, height 61 mm, width 97 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1865 - 1869, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Rhine, Rembrandt van, The barge, Canal with rowing boat and bridge, verso lower right, print, prints, Rembrandt. f. 1650, lower left, height 83 mm, width 108 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1650 - 1650, third quarter 17th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

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