Maritime Landscapes

Etchings showcasing sailboats and harbors along coastlines, presenting serene scenes of water and nature with historical ambiance.

Hurlingham. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Gezicht op Concarneau, Maxime François Antoine Lalanne, 1874 print Numbered at the top right: 244. print maker: Francepublisher: Paris paper etching / drypoint city-view, and landscape with man-made constructions - II - ideal landscapes. harbour Concarneau

Sailing ships along the coast, Nikolay Semyonovich Mosolov, after Jan van de Cappelle, 1857 - 1914 print paper. etching / drypoint sailing-ship, sailing-boat. sea and coastal fishery

Sailboat on a river, Joseph Hartogensis, 1856 print The Hague paper etching sailing-ship, sailing-boat. river (+ landscape with figures, staffage)

View of Spakenburg, Hermanus van Brussel, in or after 1815 print paper etching night ~ landscape (sometimes titled 'Nox'). sailing-ship, sailing-boat. moonlight Spakenburg

Portrait of an unknown man.

Landscape with skaters on the ice around a mill, Jacques van Gingelen, 1842 print paper. etching skates (winter sports). windmill in landscape

View of the Stolbovka Stream flowing into the Lena River. Draeger, F. (Moskwa ; zakład litograficzny ; ca 1850-1860), lithography atelier, unknown, graphic artist, Niemirowski, Leopold (1810-1883), draughtsman, cartoonist

Runmolen on the Omval, Jan Vincentz. van der Vinne, After Laurens Vincentz. van der Vinne, c. 1717 - In or after 1779 print View of the bark or runmolen on the Omval. On the water some rowing and sailing ships. Numbered in the bottom right: 10. paper etching windmill. river. sailing-ship, sailing-boat. rowing-boat, canoe, etc. Amstel (river). Outfall, the

W. R. Smith, active 1819-1851, Saltash, Cornwall, 1827-1838. Line engraving, engraver's proof (earlier).

Hurlingham. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Shipyard at Low Water, Cornelis Claesz van Wieringen (Possible), After Cornelis Claesz van Wieringen, 1614 - 1618 print Haarlem paper etching dry-dock, floating-dock

Landscape. To Rembrandt. .

Beach face with houses on the water and ships, Isaac Weissenbruch, after Jan Weissenbruch, 1836 - 1912 print Netherlands paper landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). ships (in general) - CC - more than one ship. city-view, and landscape with man-made constructions

Boats on the coast near a building and jetty, Henri François Schaefels, 1863 print paper etching pier, quay, wharf. ship bound for the harbour

Landscape with a watermill, David Lucas, after John Constable, 1830 print London paper. watermill in landscape (+ city(-scape) with figures, staffage)

Thames Police , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

View of the port of Monaco, Jacques Barthélemy Appian (Adolphe), 1874 print paper etching / drypoint harbour Monaco

Stakess at Burcht aan de Schelde, Carel Nicolaas Storm of 's-Gravesande, c. 1872 print River face with a stake on the left. Sailing boats in the background. paper. etching pier, quay, wharf. river Castle. Scales

Little Putney Bridge. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 134 x 207 mm (plate); 231 x 320 mm (sheet). Etching and drypoint in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Amsterdam, from the Tolhuis , Waterfronts, Piers & wharves, Sailboats. James McNeill Whistler (1834-1903). Lithographs

Near Quai d'Ivry, Paris. John Marin; American, 1870-1953. Date: 1906. Dimensions: 149 x 199 mm (plate); 190 x 300 mm (sheet). Etching, selectively wiped, on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

W. R. Smith, active 1819-1851, Entrance to Fowey Harbour, Cornwall, 1827-1838. Open etching.

Print made by John Horsburgh, 1791-1869, British, Mayburgh. Line engraving; engraver's proof on medium, slightly textured, cream wove paper with chine-collé.

La pêche au filet , Fishermen, Fishing nets, Alphonse Legros (1837-1911)

J. C. Varrall, active 1815-1827, Walton Bridge on Thames, Surrey, 1827-1838. Open etching.

Price's candle works. Whistler, James McNeill (1834-1903). 1875. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Harbor: Cos Cob, Connecticut, Childe Hassam, American, 1859-1935, Drypoint on off-white wove paper, A small launch and dinghy are drawn up at a rough stone wharf, bordered by old warhouses. Figures, some on boats, in the distance., USA, 1915, seascapes, Print, Print

Entree du Port aDorielan. Artist: Adolphe Marie Timothée Beaufrère, French, 1876-1960

DijkBrraak in Arnhem, 1855, Cornelis Springer, After Jacobus Pelgrom, 1855 print The breakthrough of the Arnhemmer Broekdijk in Arnhem at the flood in March 1855. Amsterdam paper etching Dike-Break Arnhem

Gaeta. Artist: Anonymous, French, 19th century. Dimensions: sheet: 9 15/16 x 14 3/16 in. (25.3 x 36 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Unknown Dramatic Scene 1822 France. Lithograph in black on gray wove chine, laid down on ivory wove paper . Charles Étienne Pierre Motte

The canal; Six Dutch faces. View of a broad speed, to which a few buildings are. Along the waterfront are boats. This print is part of a series of six etched Dutch faces (the first two numbered), the whole preceded by a title page.

Early morning, Battersea. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1861. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Boat with Lowered Sail Made 1868 France. Etching on cream laid paper . Félix Henri Bracquemond

Windsor Terrace Looking Westward 1809 England. Color aquatint on paper . Paul Sandby

Face from the Rokin to the north, Willem Witsen, c. 1911 - c. 1912 print paper etching urban housing. rowing-boat, canoe, etc.. hand-cart. canals, waters (in city) Rock

Delivery of sand on the village near Warsaw; Gorazdowski, Edward (1843-1901), Gierymski, Aleksander (1850-1901); 1885 (1885-00-00-1885-00-00);Kłosy (Warsaw - magazine - 1865-1890) - Illustration, Méyet, Leopold (1850-1912) - collection, Warsaw (Masovian Voivodeship), Wisła (river), Dar (provenance), Most Kierbalzia (Warsaw), Piasekarz

Pile work in the port of Hamburg, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print Two sailing boats are moored against a wall of posts. paper harbour Hamburg

Strong bicêtre / 1870-71. (IT)

Monuding Mong De Brente Bij Fuse Bijaca Bijato, Moso di Rivier Bout, Francesco Costina, C. 1750 - c. 1760 print View of the mouth of the River Brenta near Fusina. Numbered in the middle: III and bottom right: Tom: I. This print is part of an album. print maker: ItalyVenice paper etching river BREA. Fussina

Richmond, Yorkshire, W. R. Smith, active 1819-1851, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Bombardement van Maastricht, 1793, Reinier Vinkeles (I), After Jacobus Buys, 1783 - 1795 print Bombing of Maastricht by the French army, 24 February 1793. Amsterdam paper etching Bombardment ~ victory Maastricht

The Dawn, plate fourteen from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 101 × 121 mm (image); 230 × 208 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

High sea for Scheveningen, 1790. High sea or flood on the coast for Scheveningen, December 1790.

Sailing boats on the Scheldt at night, Carel Nicolaas Storm of 's -Gravesande, 1889 - 1903 print paper drypoint river. night. sailing-ship, sailing-boat Scales

Landscape with two men in classic ruins, Israel Silvestre, 1643 print France paper etching landscape with ruins. column, pillar ~ architecture Italy

Sawley Abbey 1873 England. Etching from a zinc plate printed on cream wove paper . Francis Seymour Haden

Two images on a leaf. On the left a landscape with a car at an inn. Right a seated woman with a spin skirt in hand in conversation with a lying man, leaning on his elbow, for a tent. A third figure in the tent.

City with towers on the water, Anonymous, After Willem van Nieulandt (II), 1594 - 1685 print City with different towers on the water. In the foreground, a road runs under a gate. Print is part of a series of Roman ruins and coastal landscapes to prints by Willem van Nieulandt. This series is a copy of the series, which Claes Jansz Visscher made to Van Nieulandt. paper etching public road in village. tower, clock tower ~ monumental adornment. water course

My Dream 1883 France. Etching on paper . Rodolphe Bresdin

Old Sarum. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1832. Dimensions: 179 × 256 mm (plate); 305 × 465 mm (sheet). Mezzotint in black ink on heavy ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Pierre Charles Canot from 1762 showing the arrival of merchant boats at a harbor, emphasizing maritime activity.

Call at the spring at Driel; Drielche Veer. .

Shipbuilding (An Old Oak Dead), Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, mounted on, very thick, slightly textured, cream, wove paper, Mount: 17 9/16 × 12 1/16 inches (44.6 × 30.6 cm), Sheet: 14 3/4 × 9 3/4 inches (37.5 × 24.8 cm), Plate: 11 7/16 × 6 inches (29.1 × 15.2 cm), and Image: 2 1/2 × 3 1/2 inches (6.4 × 8.9 cm)

Put in a landscape, Henri de Braekeleer, 1850 - 1879 print paper. etching landscapes

Ships at sea with coastline in the background, Jacques Barthélemy Appian (Adolphe), 1874 print France paper etching / drypoint ships (in general). coast

James H. Kernot, active early 19th century, St. Mawes, Cornwall, 1827-1838. Open etching.

Sunset from Williamsburg Bridge, Joseph Pennell, American, active England, 1857-1926, Etching in black ink on laid paper, The New York skyline is shown in deep shadow. In the distance, the Manhattan and Brooklyn Bridges span the East River., USA, 1915, architecture, Print, Print

Nocturne , Waterfronts, Rivers, Barges, Boatmen. James McNeill Whistler (1834-1903). Lithographs

Exeter, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof (completed)

Castle on a hill, Lodewijk Schelfhout, 1942 print In the foreground a rider on a bridge. paper drypoint landscape with tower or castle. low hill country. riding a horse, ass, or mule; rider, horseman

The Little Pool 1861 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Sketchbook Page, Kenyon Cox, American, 1856-1919, Graphite on paper, Sketch of boats; building with smokestack in background., USA, 1875, albums (bound) & books, Sketchbook folio, Sketchbook folio

Lodewijk Napoleon sails from Dalem to Gorinchem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print Stated at the bottom right: Proef pressure. paper etching / engraving dike-break. sailing-ship, sailing-boat. windmill Dalem. Gorinchem

The Towpath, from Cahier de six eaux-fortes, vues de Hollande. Johan Barthold Jongkind; Dutch, 1819-1891. Date: 1862. Dimensions: 167 x 209 mm (image); 176 x 217 mm (plate); 358 x 520 mm (sheet). Etching in brownish-black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Naples, from the Mole, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1820, Etching and engraving on medium, smooth, cream, wove paper, Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm), Plate: 10 1/8 × 13 inches (25.7 × 33 cm), and Image: 5 1/2 × 8 5/8 inches (14 × 21.9 cm)

The Mouth of the Apponagansett. Robert Swain Gifford; American, 1840-1905. Date: 1883. Dimensions: 196 x 283 mm (image); 201 x 288 mm (plate); 364 x 496 mm (sheet). Etching on cream China paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Scaffolding in Papendrecht, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print In the foreground a jetty with a lantern. Sailing boats in the water in the background. Netherlands paper drypoint pier, quay, wharf Papendrecht

Black Lion Wharf , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

Destruction of Both Houses of Parliament, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, first published state on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm), Plate: 8 9/16 × 6 inches (21.7 × 15.2 cm), Chine collé: 8 5/16 × 5 3/8 inches (21.1 × 13.7 cm), and Image: 4 1/2 × 3 5/8 inches (11.4 × 9.2 cm)

Coastal landscape with houses, Maximilien Luce, 1895 print Remarque in margin below: landscape. France paper. coastal cliff or crag. landscapes with waters, waterscapes, seascapes (in the temperate zone)

Arran, plate fourteen from the Clyde Set. David Young Cameron; Scottish, 1865-1945. Date: 1889. Dimensions: 126 x 252 mm (image/plate); 271 x 382 mm (sheet). Etching on cream wove paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Landscape with ox wagon, Theodoor Verstraete, c. 1880 print paper etching / drypoint (farm) wagon, freight wagon, cart. landscapes. ox

Cannoon sloops in the Dordtsche Kil, 1793, Reinier Vinkeles (I), After Jacobus Buys, After Carel Frederik Bendorp (I), After Martinus Schouman, 1800 print The closure of the Dordtsche Kil with rafts, guns and some other vessels on March 29, 1793, as a defense against the French. Amsterdam paper etching / engraving rowing-boat, canoe, etc.. chains across waterway Dordtse Kil

Mount St. Michael, Cornwall, S. Fisher, active 1831-1844, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Tours - looking backwards, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, engraver's proof on thick, moderately textured, cream, wove paper, Sheet: 8 × 10 3/4 inches (20.3 × 27.3 cm), Plate: 6 × 8 7/8 inches (15.2 × 22.5 cm), and Image: 3 11/16 × 5 1/2 inches (9.4 × 14 cm)

Old Putney Bridge. Whistler, James McNeill (1834-1903). 1879. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Millbank, James Abbott McNeill Whistler, 1861 print View of the River Theems at Millbank, London. Three men are at a ship on the bank. At the bottom right a four -line inscription in English. paper etching / drypoint river bank Millbank. Thames

The towpath; Six Dutch faces. View of a mill on a water. In the foreground a man on horseback, a boat and a second mill in the background. This print is part of a series of six etched Dutch faces (the first two numbered), the whole preceded by a title page.

Etching by Jeanne Françoise Ozanne produced between 1755 and 1795 depicting a daily scene at dusk, showing figures, landscape, and buildings in 18th-century European style.

Artist: Herman van Swanevelt, Dutch, 1600-1655, A Distribution of Bread to thePoor, Etching, image: 16.9 × 27.8 cm (6 5/8 × 10 15/16 in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

Ruins of the castle and monastery in Korets, Volhynia. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Jacottet, Louis Julien (1806-1880), graphic artist, Wilczyński, Józef Władysław (fl. ca 1850), draughtsman, cartoonist, Bayot, Adolphe Jean Baptiste (1810-1866), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Landscape with Purmersteijn lock in Purmerend. River with ducks and right a fishing figure. Second print in a series of four with castles in Holland and Utrecht.

Lithograph by Richard Parkes Bonington depicting the Masture of the Touques, illustrating a landscape scene from late 19th to early 20th century.

Summer Evening. Artist: Emil Ganso (American (born Germany), Halberstadt 1895-1941 Iowa City, Iowa). Dimensions: plate: 9 3/4 x 15 in. (24.8 x 38.1 cm) sheet: 13 1/2 x 18 1/2 in. (34.3 x 47 cm). Publisher: Published by WPA. Date: 1936. Museum: Metropolitan Museum of Art, New York, USA.

Doesburgermolen, Willem Bastiaan Tholen, 1870 - 1914 print paper etching / drypoint lake. windmill in landscape Doesburgermolen

Mill in meadow landscape and face in the Ravensteinstraat in Brussels, Philip Zilcken, 1894 print paper etching windmill in landscape. street Bed sheet. Brussels

Fisherman. Charles Émile Jacque; French, 1813-1894. Date: 1839-1849. Dimensions: 197 × 268 mm (image/chine); 312 × 450 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Farm in the Dunes. Dirk Baksteen; Belgian, 1886-1971. Date: 1919-1920. Dimensions: 158 x 206 mm (image); 164 x 211 mm (plate); 252 x 320 mm (sheet). Drypoint in black on ivory wove paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Barrett's Veterans (They Also Serve). Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 5 7/16 x 8 15/16 in. (13.8 x 22.7 cm)sheet: 10 1/4 x 13 5/8 in. (26 x 34.6 cm). Date: 1920. Museum: Metropolitan Museum of Art, New York, USA.

Greeting of the government sloop through the inner fleet, William Unger, after Jan van de Cappelle, after Simon de Vlieger, 1847 - 1889 print print maker: Germanypublisher: Amsterdam paper. etching military salutes. sailing-ship, sailing-boat

Man and wife collect water from a well, c. 1670 print paper etching well

The Bay, New York, Joseph Pennell, American, active England, 1857-1926, Aquatint in black ink on paper, View of the water, with moonlight breaking through the clouds. The lights of New York seen in the distance., USA, 1922, seascapes, Print, Print

Wenzel Hollar's etching from 1627-1677 depicts Tyros near Sidon and a scene in Ireland, showing city layouts, coastlines, and architectural elements.

LEstacade. Artist: Eugène Béjot, French, 1867-1931

Moyenvic, Lorraine, 1631 1635 France. Not to be confused with the 18th-century family of artists of the same name, Nicolas Cochin was born in Troyes and began his artistic career as a painter on glass. He soon discovered the prints of Stefano della Bella and Jacques Callot and devoted his talents to making copies of these and the work of other masters. His earliest prints were made in Troyes in June 1635, but by 1636 he was established in Paris. This view of the Lorraine, which was under siege. by the French in 1631, may be a liberal adaptation of a work such as the adjacent print by Gabriel PÈrelle, which was also inspired by the more renowned artist Jacques Callot.. Etching on ivory laid paper . Nicolas Cochin

Mill in a landscape, Philip Zilcken, after Jacob Maris, 1867 - 1890 print paper etching / drypoint windmill in landscape

Ruins of the Château de Pierrefonds. Charles Meryon (French, 1821-1868); after Viollet-Le-Duc (French, 1814 - 1879). Date: 1858. Dimensions: 154 × 206 mm (image); 154 × 206 mm (plate); 190 × 237 mm (sheet). Etching and drypoint on grayish laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Little Bridge Made 1913 France. Etching on cream wove paper . Louis Auguste Lepère

London night, whiskey and tea , Night, Cities & towns, Rivers. Joseph Pennell (1857-1926). Prints and Drawings

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