Maritime Scenes and Harbors

A collection of etchings depicting various harbors, ships, and waterfront activities, showcasing different styles and time periods, from busy docks to serene waterways.

Francis Seymour Haden, British (1818-1910), Yacht Tavern, Erith, 1865, etching (zinc)

Francis Seymour Haden, British (1818-1910), Yacht Tavern, Erith, 1865, etching (zinc)

James McNeill Whistler, Amsterdam from the Tolhuis, 1863 Amsterdam from the Tolhuis

Seascape with a galley in the harbor. In the background other ships in the harbor. A ship lies on its side on the quay. In the background on the right a round tower and houses on a hill., Galley in harbor Ships and harbors (series title) Divers embarquements (copies) (series title), print maker: Stefano della Bella, (mentioned on object), Stefano della Bella, (mentioned on object), publisher: Giovanni Giacomo de'Rossi, print maker: Italy, Italy, publisher: Rome, 1620 - 1664, paper, etching, h 74 mm × w 154 mm

Steamboats off the Tower 1875 James McNeill Whistler American. Steamboats off the Tower 372764

Etching with a pinion by Rembrandt from 1645 depicting the Six Bridge, showing architectural structure and surrounding landscape details.

Billingsgate, James Abbott McNeill Whistler, 1859 print Sailing ships are anchor in the Thames at Billingsgate. On the boats and on the quay a large number of people. England paper etching sailing-ship, sailing-boat Thames. Billingsgate

Early Morning James Abbott McNeill Whistler (American, 1834-1903). Early Morning, 1878. Lithograph (lithotint) on cream, moderately thick, smooth paper, Sheet: 6 3/4 x 10 1/4 in. (17.1 x 26 cm). James McNeill Whistler credited Japanese art with having a profound impact on his own artistic activities, which included painting, printmaking, and interior decoration. Indeed, the Japanese cultivation of beauty in all aspects of material life informed his own art for art’s sake” philosophy. This sensibility led Whistler to shift from naturalistic representation in his pictures toward more abstract, evocative arrangements of color and form in the late 1860s. In this image of London’s Battersea district across the Thames, the asymmetrical composition and emphasis on the misty atmospheric effects of early light both reveals the artist’s debt to Japanese art and transforms the urban industrial landscape into a thing of poetic beauty. American Art 1878

The Steam Launch, Chelsea Embankment. Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 76 × 118 mm (image); 82 × 121 mm (plate); 96 × 132 mm (sheet). Etching in blue-green, with plate tone, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Turret Ship 1887 United States. Etching and drypoint in black ink on cream laid paper . James McNeill Whistler

Amsterdam from the Tolhuis, 1863. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

Early Morning. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 165 x 259 mm (image); 183 x 271 mm (sheet). Lithotint in black ink with scraping, on a prepared half-tint ground, on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Print made by James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Dry Dock, Southampton, 1887. Etching on medium, smooth, cream antique laid paper.

Fishing barge in a canal, seen from behind. Draughtsman: Johan Barthold Jongkind. Dating: 1829 - 1891. Measurements: h 47 mm × w 78 mm. Museum: Rijksmuseum, Amsterdam.

Nebelmorgen. Tüpke-Grande, Helene (1871-1946), graphic artist

Boot on a river, Cornelis Claesz van Wieringen (Possibly), After Cornelis Claesz van Wieringen, 1614 - 1618 print On the left a mill. Haarlem paper etching river. ships (in general). windmill

Limehouse. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 172 x 264 mm (image); 224 x 286 mm (sheet). Lithotint, in black ink, with scraping and incising, on a prepared half-tint ground, on ivory plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Boats in the Lagoon, from The Samland Ode. Max Pechstein (German, 1881-1955); published by Fritz Gurlitt Verlag. Date: 1917. Dimensions: 329 x 282 mm (image); 436 x 383 mm (sheet). Lithograph on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Long Lagoon. James McNeill Whistler; American, 1834-1903. Date: 1878-1880. Dimensions: 152 x 227 mm (plate); 162 x 227 mm (sheet). Etching and drypoint with foul biting in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Waltner, Charles-Albert (n.1846-03-24-D.1925-06-15), the rest of the sultana after Ziem (main title), 1880. Etch on applied China paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Shipyard in Muiden, Carel Nicolaas Storm van 's-Gravesande, c. 1877 print Japanese paper (handmade paper) etching shipyard, shipdock Others

Drawing, Landscape with Sailboat; Leon Dabo (1868-1960); USA; charcoal on white paper; 15.3 x 21.6 cm (6 in. x 8 1/2 in.); 1961-5-15

Frank Duveneck, Riva Delgi Schiavoni, No 1, 1880 Riva Delgi Schiavoni, No. 1

View of a river, draughtsman: Carel Nicolaas Storm van 's-Gravesande, c. 1851 - c. 1924, paper, h 123 mm × w 177 mm

Hurlingham 1879 James McNeill Whistler American. Hurlingham. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1879. Etching and drypoint; fourth state of four (Glasgow); printed in black ink on ivory laid paper. Prints

Early morning, Battersea , Waterfronts, Rivers, Boats. James McNeill Whistler (1834-1903). Lithographs

Two figures on a path at a speed. Leaf 1 Recto from a sketchbook with 31 sheets.

Sailing ships at Sea near Schemering, Henri Seghers, in or after 1880 - in or before 1913 print paper etching / drypoint sailing-ship, sailing-boat. sea

Dutch Boat, Samuel Prout, 1783-1852, British, 1814, Softground etching (), Sheet: 9 3/4 x 13 1/2in. (24.8 x 34.3cm) and Plate: 8 1/4 x 12 1/2 inches (21 x 31.8 cm)

River Pier, 1878. Otto H. Bacher (American, 1856-1909). Etching;

Limehouse, 1878. James McNeill Whistler (American, 1834-1903). Lithograph;

Return to Tilbury , Bodies of water, Ships, Arrivals & departures. James McNeill Whistler (1834-1903). Lithographs

Gangboard on the Oever, behind it two sailing boats, Willem Bastiaan Tholen, 1870 - 1914 print paper etching lake. sailing-ship, sailing-boat

Lindsey Houses. Whistler, James McNeill (1834-1903). 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Sunset on the East River. Artist: Henry Farrer (American, London 1844-1903 New York). Dimensions: plate: 4 15/16 x 7 11/16 in. (12.5 x 19.5 cm)sheet: 8 x 11 1/16 in. (20.3 x 28.1 cm). Date: 1879. Museum: Metropolitan Museum of Art, New York, USA.

Nieuwer-Amstel, Stark, Elias, River landscape with village and sawmill, verso - stamped, View of a river with on the left a village with a church and a sawmill. On the water a fisherman in a barge and in the background a sailing ship., print, prent, prints, height 277 mm, width 459 mm, Dutch, 1849-08-15 - 1933-02-06, print maker, printmaker, 1888 - 1888, paper, papier, etching, etchings, roulette

Drawing, Bay at Cullercoats, England; Winslow Homer (American, 1836-1910); USA; charcoal, chalk on white paper; 34 x 55.6 cm (13 3/8 x 21 7/8 in.)

View of a harbor with a lock; Landscapes. .

Thames Warehouses. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1859. Prints; etchings. Etching and drypoint

Wrecks in a polder landscape, Jan Veth, 1886 print paper etching wreck ashore. polder, reclaimed land

James McNeill Whistler, Millbank, 1861 Millbank

Edwin Edwards, 1823-1879, British, The 'Adam and Eve', Chelsea, 1872. Etching.

17: Evening, Dordrecht, 1881-1883. John Henry Twachtman (American, 1853-1902). Etching;

View of a port / character study

Boot on the Adour, Carel Nicolaas Storm of 's -Gravesande, 1870 - 1871 print At the top left the letter G. paper etching sailing-ship, sailing-boat. river Adour

Moored Schuiten, Willem Adrianus Grondhout, 1888 - 1931 print In the background the silhouette of a city. paper etching harbour. prospect of city, town panorama, silhouette of city

Sailing ships on river, draughtsman: Adolf le Comte, 1860 - 1921, paper, h 125 mm × w 230 mm

San Biagio; A Set of Twenty-Six Etchings. Face from the water on quay with the old gate at San Biagio, Venice.

Dordrecht 1886 United States. Etching and drypoint with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

Port in Fécamp. Pankiewicz, Józef (1866-1940), graphic artist

James McNeill Whistler, The Turret Ship, 1887 The Turret-Ship

James McBey, September Sunset, Venice (Venice set no. 2), 1925, etching on paper.

View of Amsterdam from theNorthwest. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Landscape in Moonlight with windmill and some buildings on a lake, Egide François Leemans, 1849 - 1883 print paper etching / drypoint windmill in landscape. moonlight

Artist: Johan Barthold Jongkind, Dutch, 1819-1891, Small Sailboats and aThree-Master, Black chalk or charcoal, 11.4 × 19.1 cm (4 1/2 × 7 1/2in.), Made in The Netherlands, Dutch, 19thcentury, Works on Paper - Drawings andWatercolors

Francis Seymour Haden, British (1818-1910), Old Chelsea, Out of Whistler's Window (Battersea Reach), 1863, etching with drypoint

Sketch of two male figures in a canoe with bags in center of canoe; indication of foliage in background. Date: 1895. crayon on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

The white mill , Windmills, Canals. Joseph Pennell (1857-1926). Prints and Drawings

Woman mates the corridor at the bottom of a staircase, Ben Linnig, 1880 print paper etching / drypoint cleaning (the house). staircase

Seascape with breakwaters near Vlissingen, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print In the foreground, waves hit brokers. Two sailing boats sail on the horizon. paper drypoint sea (seascape). coastal protection work, breakwater Flushing

Old Putney Bridge 1879 James McNeill Whistler American. Old Putney Bridge. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1879. Etching and drypoint, printed in dark brown ink on ivory laid paper; seventh state of seven (Glasgow). Prints

Eubia, Willem Bastiaan Tholen, 1903 print The artist's ship, with sailed sail on a shore. paper etching sailing-ship, sailing-boat

Granchi-Taylor, Achille (n.1857-07-10-D.1921), the port-Drawing for the title sticker of the introduction (dummy title), 1920. Blue ink and pencil on paper laminated on cardboard. Houses of Victor Hugo Paris - Guernsey.

Stakess at Burcht aan de Schelde, Carel Nicolaas Storm of 's-Gravesande, c. 1872 print River face with a stake on the left. Sailing boats in the background. paper. etching pier, quay, wharf. river Castle. Scales

Vauxhall Bridge, 1861. James McNeill Whistler (American, 1834-1903). Etching;

Water strider by a windmill, print maker: Joseph Hartogensis, (mentioned on object), The Hague, 1858, paper, etching, h 101 mm × w 165 mm

View of the Maartensgat in Dordrecht, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print Netherlands paper drypoint harbour Moonhole

Tours, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1833, Line engraving

Charles-Albert Waltner (1846-1925), after Félix Ziem (1821-1911): Constantinople, "Le Rest de la Sultane" (Petit Palais, PPP00219), oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 55591-5 Lying, boat, detachment, print, event, naked woman, naked female, rowing, rower, rest, sultana, sultana

From studio - fishing village , Villages, Fishing. Charles H. Woodbury (1864-1940). Prints

Sailboats on a waterfront. Draughtsman: Andreas Schelfhout (signed by artist). Dating: 1797 - 1870. Measurements: h 69 mm × w 96 mm. Museum: Rijksmuseum, Amsterdam.

Sailing ships on river, Adolf Le Comte, 1860 - 1921 drawing paper. chalk sailing-ship, sailing-boat

Coal Barges Unloading (recto); Sketch of a Building (verso). Walter Greaves; English, 1846-1930. Date: 1872. Dimensions: 214 x 264 mm. Etching and drypoint in black, with touches of pen and black ink (recto) and black chalk (verso), on cream laid paper. Origin: United Kingdom. Museum: The Chicago Art Institute, Chicago, USA.

Sailing ships for a coast, c. 1803 - c. 1818 In the background the contours of a city. Page 13 from a sketchbook with 74 pages. paper. pencil coast. sailing-ship, sailing-boat. city-view, and landscape with man-made constructions

Sketch of the landscape; Waliszewski, Zygmunt (1897-1936); 1917-1920 (1917-00-00-1920-00-00);gift (provenance), city landscapes, towers

Amsterdam. Artist: William Unger, German, 1837-1937

Return to Tilbury. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 132 x 96 mm (image, trimmed within plate mark); 134 x 96 mm (sheet). Etching and drypoint with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Seascape with Pier at Cuxhaven, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print On the left a tugboat sails for the pier. paper drypoint pier, quay, wharf. sea (seascape) Cuxhaven

Seymour-Haden, Francis (Sir), Engeland, Whistler's house at old Chelsea, Het huis van Whistler, England, verso middle left - stamped, The River Thames with a number of boats moored along the bank. On the quay a row of large houses next to each other, with the white house of the artist James Abbott McNeill Whistler second from the left., print, prints, height 175 mm, width 332 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1863 - 1863, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Limehouse 1859 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

Skaters on a canal. On the left, two skaters coming from a ditch. In the distance three windmills., Skaters in a Dutch Landscape, print maker: Elias Stark, (mentioned on object), Nieuwer-Amstel, 2-Jan-1887, paper, etching, h 122 mm × w 197 mm

Effect of the setting sun. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1902. Dimensions: 205 × 204 mm (image/plate); 306 × 248 mm (sheet). Etching, drypoint and burnishing from a zinc plate on discolored ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Barges, Dordrecht 1886 United States. Etching in black ink on cream laid paper . James McNeill Whistler

Loading Up. Dated: 1881. Dimensions: plate: 14.92 × 17.62 cm (5 7/8 × 6 15/16 in.) sheet: 20 × 26.35 cm (7 7/8 × 10 3/8 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Charles A. Platt.

Bustle in a harbor, Johannes Christiaan Schotel, 1826 - 1833 print A group of men at work in a port where various sailing boats are moored. In the foreground two men in rowing boats. Dordrecht paper harbour. sailing-ship, sailing-boat

Drawing by Ferdinand Boberg. Ångermanland, Boteå sn. , Gålsjö Nordic

Moored Schuiten, Margaretha Mack, 1889 - 1937 print paper etching ships (in general) Pivot

Le Pont Victoria -Madrid. Artist: Eugène Béjot, French, 1867-1931

Billingsgate. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 153 x 227 mm (plate); 274 x 352 mm (sheet). Etching and drypoint with foul biting in dark brown ink on off-white Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Boat lying on the slope of a shipwright's yard, George Pieter Westenberg, c. 1801 - c. 1873, draughtsman: George Pieter Westenberg, c. 1801 - c. 1873, paper, pen, brush, h 206 mm × w 301 mm

The Thames, 1896. James McNeill Whistler (American, 1834-1903). Lithograph;

Sailing ship on a boisterous sea, George Hendrik Breitner, 1873 drawing Rotterdam paper. pencil storm at sea. sailing-ship, sailing-boat

Harry Kelly's, Putney, 1865-1866. Francis Seymour Haden (British, 1818-1910). Etching; sheet: 17.5 x 23.1 cm (6 7/8 x 9 1/8 in.); platemark: 11 x 17.5 cm (4 5/16 x 6 7/8 in.).

Vaart with Sluis, Johannes Löhr, 1892 - 1928 print Left in the background a lock. On the right in the foreground is a boat on the bank. paper etching lift-lock, canal lock. canal

Mill on a speed, c. 1803 - c. 1818 Page 71 from a sketchbook with 74 pages. paper. pencil landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). bridge

Coteaux de Mauves, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, engraver's proof on moderately thick, moderately textured, beige, wove paper, Sheet: 8 1/16 × 11 1/16 inches (20.5 × 28.1 cm), Plate: 5 15/16 × 8 15/16 inches (15.1 × 22.7 cm), and Image: 3 13/16 × 5 5/8 inches (9.7 × 14.3 cm)

Johan Barthold Jongkind (1819-1891). "Exit from the port of Honfleur". Etching on Werned Holland laid paper: "Aqua-fortists". 1864. Museum of Fine Arts of the City of Paris, Petit Palais. 74388-7 Sailing boat, etching, coastline, ship, port, port city, sailboat, engraving

Little Dordrecht. James McNeill Whistler; American, 1834-1903. Date: 1885-1886. Dimensions: 95 x 132 mm (plate); 105 x 158 mm (sheet). Etching with foul biting in dark brown ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Adieu. Dated: 1895. Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Sketch of a Boat. Charles Adams Platt; American, 1861-1933. Date: 1881. Dimensions: 70 x 106 mm (image/plate); 180 x 270 mm (sheet). Etching in black on tan laid China paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Adams Platt.

'San Biagio', c1879, (1904). Artist: James Abbott McNeill Whistler.

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