Maritime Scenes and Vessels

Detailed prints depicting historical maritime scenes, featuring ships, ports, and figures engaged in trade and adventure, rendered in classic etching styles.

Reformed Hungarian ministers are delivered near Naples by Michiel de Ruyter, 1676, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 155 mm

Galeischip with covered bridge in the port of Livorno, Anonymous, After Stefano della Bella, 1655 print View of the port of Livorno with a Galeischip with a covered back on the right. In the foreground on the right a group of men and a mountain of cannons. Left port workers and traders on the pier. In the background on the left a second Galei and a fort on the coast. paper etching dock labourer. harbour. ships (in general). merchant, salesman Livorno

Ship by pirates overpowered in Congo, Jan Luyken, 1682 print Print at the top right numbered: 303. Amsterdam paper etching sailing-ship, sailing-boat. pirate, corsair, buccaneer Congo

Haven with merchants with cargo, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Haven with two merchants in the foreground, a dog left. To the right of them four foreign merchants at a fountain with tons. In the background a watchtower on a hill. Ninth print from a series of twelve with Italian ports. Amsterdam paper etching / engraving harbour (+ four persons or more ~ traffic and transport)

Ships at sea, Ludolf Bakhuysen, 1701 print Ships at sea. Print from a series with ten seascapes. paper etching sea (seascape). traffic on the water

Galei for anchor at the port of Messina, Abraham Casembroot, 1603 - 1658 print View of a part of the port of Messina. On the quay is in the foreground a Galei for anchor. Some workmen are busy on the quay. In the background a sieve and a galloy. Print from series of thirteen prints with faces of the port of Messina paper etching harbour. quay. warfare; military affairs (+ oared ships, e.g.: galley). fortress Messina

Amerigo Vespucci sailing towards America, engraving by Collaert.

Ship hit by a storm on the beach, Pieter van den Berge, Wilhelmus Koning, After Sieuwert van der Meulen, 1717 - 1732 print after print by: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching / engraving wreck ashore

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Various boardings, storm. Sixth issue of a sequence of 7 pieces (A. de Vesme 808. Dutuit 94) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The yacht donated by the States General to King Frederik I van Pruisen, 1707, Joan Luder à Wolfgang (Possible), after Joan Luder à Wolfgang, 1707 print View of the richly decorated yacht donated by the States General to King Frederik I van Prussia, ca. 1707. The hunt for the water of the IJ, in the background Amsterdam. On the left the assignment in an ornamental cartouche with a fantasy ones and allegorical figures. In the caption a verse of 16 lines in Latin. paper etching / engraving sailing-ship, sailing-boat. armorial bearing, heraldry Amsterdam. Ij

Reformed Hungarian ministers are delivered near Naples by Michiel de Ruyter, 1676, print maker: Jan Luyken, publisher: Pieter van der Aa (I), print maker: Amsterdam, publisher: Leiden, 1698, paper, etching, letterpress printing, h 110 mm × w 155 mm

The Sunset, 1600s. France, 17th century. Etching;

View of Scheveningen from Zee, Cornelis Elandts, 1668 - 1700 print View of Scheveningen seen from the North Sea. A ship and two armed people in the sea. Walkers and a rider on the beach. A path leads from the beach to the village of Scheveningen and the Straight Scheveningen Zeestraat (Scheveningseweg) runs through the dune landscape to the city of The Hague, visibly on the Horizon. This print was marked at the top left (fol. 106), but this marking was removed here after the pressure of the paper. The Hague paper etching prospect of village, silhouette of village. prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat. beach (+ landscape with figures, staffage). sea. church (exterior) Scheveningen. North Sea. Scheveningseweg

Allegory over the Dutch victories at sea during the first English war, 1654, 1654 print Allegory over the Dutch victories at sea during the first English war, 1654. Triumph car with the Dutch sea heroes Cornelis Tromp and Michiel de Ruyter. The car is drawn by the Dutch Lion and the personification of Eendracht (Concordia), vigilance (Vigilantia) runs next to it. Victory (Victoria) is sitting on the goat of the car with a lance with the weapons of the seven provinces, in the back of the Peace is trying the Detinal. At the back of the car the Dutch tricolor and occupied English flags. English prisoners are on the ground. In the air the fame (fama) with two trumpets. Right of bonfires and salute shots to celebrate the peace of Westminster, closed on April 15, 1654. A ship with fireworks at sea. Loevestein in the background where Admiraal Ayscue has been imprisoned. In the caption 4 verses of 8 lines in Dutch and French. print maker: Northern Netherlandspublisher: Amsterdam paper engravin

Fokke Simonsz., Arend, Noordelijke Nederlanden, Brouwer, Cornelis, Storm op het IJ, 1788, Northern Netherlands, verso - stamped, Storm op het IJ on 13 July 1788. Boats in trouble on the water and people who have fallen overboard., print, prints, Frederik Muller Historieplaten, height 100 mm, width 119 mm, Noord-Nederlands, 1735 - 1803-03-31, print maker, printmaker, 1789 - 1789, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1755-07-03 - 1812-11-15, publisher

The Prophet Elijah on a Beach with Fishers Cutting Up a Whale. Savery, Roelant, 1576-1639. 1620 - 1630. Passe, Magdalena van de, 1600-ca. 1638. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Two Galien behind a Driemaster, In the air the fall of Phaëthon, Cornelis Cort (Possible), After Pieter Bruegel (I), 1561 - 1565 print Two Galien sailing behind a three -master, in the air the fall of Phaëthon from the solar car and Jupiter on a cloud. Netherlands paper engraving ships (in general). fall of Phaethon; he is struck by a thunderbolt of Jupiter

Waterproofing the beams of three flute ships; Thirteen scenes with ships. There are three-told flute ships behind a breakwater. With every ship a floating raft with men who work on the waterproofing of the trunk. In the foreground a smooth with five men.

Stool from a boat / two tramps, Two representations of lottery spells, each with its own number. Above n. 217: a representation in a round list of a sailing ship at sea. One of the skippers relieves himself from the boat. His droppings fall on a seal. Under n. 220: a representation in an octagonal list of two vagrants leaving a house, overloaded with furniture. In the background some rich people around a table, seen through an open door. The print has a page number on the top right, sailing ship, sailing boat, defecation, swimming mammals: seal, beggar, burglary, banquet or elegant company, Jan Goeree (mentioned on object), 1707, paper, engraving, w 95 mm × h 146 mm

Copper engraving by Pieter Bruegel the Elder showing an armed triad of ships with Daedalus and Icarus flying in the sky, created between 1561 and 1565.

Launching a Ship, 1701. Ludolf Backhuysen (Dutch, 1631-1708), Ludolf Backhuysen (Dutch, 1631-1708). Etching; sheet: 21.9 x 29.5 cm (8 5/8 x 11 5/8 in.); platemark: 17.8 x 24 cm (7 x 9 7/16 in.).

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, An old and worn-out ship is being demolished, The demolition of an old ship, plate no. 15, The demolition of an old and worn-out ship in the harbour. No. 16 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 163 mm, width 190 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

Wildens, Jan, Noordelijke Nederlanden, Nolpe, Pieter, Etiam servamur in undis, Tableau vivant with Neptune and Arion, 1642, Northern Netherlands, verso - stamped, Allegorical tableau vivant with Neptune in his chariot and William of Orange as Arion on the dolphin. In the background a ship (the cog) and a bridge. Exhibition planned - but ultimately not carried out - on the water of the Damrak during the visit of English Queen Henrietta Maria to Amsterdam, 20-22 May 1642. In the caption the title and 2 times 4 lines in Latin. First plate in a group of ten displays and triumphal arches., print, prent, prints, Frederik Muller Historieplaten, height 356 mm, width 372 mm, Noord-Nederlands, 1614 - 1653, print maker, printmaker, 1642 - 1642, second quarter 17th century, tweede kwart 17e eeuw, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1585 - 1653-10-16

Fleet Gondels, Claude Mellan, After Friedrich Brentel, 1624 print paper engraving / letterpress printing ships (in general). gondola

Une Sirène entre Deux Vaisseaux (A Siren between Two Ships), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 17 1621-35 Jacques Callot French. Une Sirène entre Deux Vaisseaux (A Siren between Two Ships), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 17. Lux Claustri ou La Lumière du Cloitre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1621-35. Etching; second state of two (Lieure). François Langlois (French, baptized Chartres, 1588-1647 Paris). Prints

Harbor Scene with a Lighthouse 1638-1641 France. Claude arrived in Rome around 1613 and apprenticed himself to Agostino Tassi, a landscape painter. Except for a brief return to his native Nancy in 1627, he remained in Rome for the rest of his life.. Etching on ivory laid paper . Claude Lorrain

Haven with merchants and rider, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Haven with a rider with a arrow cooker on the back in the foreground, in conversation with a man. There is a dog with them. Left and right groups of merchants. Sailing ships in the background. Eleventh print from a series of twelve with Italian ports. Amsterdam paper etching / engraving harbour (+ four persons or more ~ traffic and transport)

Boreas and Oreithyia, Crispijn van de Passe (I), 1602 - 1607 print Boreas, the north wind, is in love with Oreithyia, the daughter of a king of Athens. He flies away with Oreithyia clamped in his arms. In the margin a four -line caption, in two columns, in Latin. In the margin a four -line caption, in two columns, in Latin. Cologne paper engraving Boreas abducting Orithyia

Wonderful fishing; Italian landscapes. Petrus wades to Christ, which is on the edge of the water and reaches him the hand. On the left the boat containing some disciples, from whom one enters a fisherman. On the right a village on a rock. Print from a series of Italian landscapes.

Departure to and arrival of Prince Willem III in England, 1688, Jan Luyken, 1689 print Leaf with two performances. Above the departure of Prince William III to England from Hellevoetsluis on November 11, 1688. Under the arrival on the English coast, November 15, 1688. Print Maker: Amsterdamprinter: Utrecht paper etching departure ~ travelling. arrival and return ~ travelling

August: swimming and fishing (virgin); August; The twelve months (part 2). Landscape that depicts the month of August. River landscape with swimming people and fishermen. In the middle above the symbol for the Virgo zodiac sign.

The Attack. Dated: 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Veer van Haarlem to Amsterdam, Reinier Nooms, 1650 print The ferry from Haarlem to Amsterdam on Ruig Water, on the right a rowing boat, left and in the distance a number of sailing ships. paper etching sea (seascape). sailing-ship, sailing-boat

Haven with merchants and sailing ships, Johannes Gronsveld, after Johannes Lingelbach, 1679 - 1728 print Haven with left in the foreground a group of foreign merchants and on the right a man moving a ton. On the right in the background, merchants are loading a sailing ship. Fifth print from a series of twelve with Italian ports. Amsterdam etching / engraving harbour (+ four persons or more ~ traffic and transport)

John Thomas Serres, 1759-1825, British, Harbour Scene, 1803, published 1806.

Idinone ea Mopso Argonoti guidati da Apollo. Dimensions: plate: 9.1 x 13 cm (3 9/16 x 5 1/8 in.) sheet: 9.1 x 13.2 cm (3 9/16 x 5 3/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet after Remigio Cantagallina.

Numbered top right: 1, top center: No. 79., Storm on the Sea of Galilee Ships in stormy weather (series title), print maker: Johann Wilhelm Baur, (mentioned on object), publisher: erven Johann Michael Probst, (mentioned on object), print maker: Vienna, publisher: Augsburg, 1640 and/or in or after 1809, paper, etching, h 108 mm × w 148 mm

Northern Netherlands, Spanish army returns in an attempt to cross the Maas, 1632, Failed attempt by the Spanish army to cross the Maas in an attempt to relieve the city. The sloops with Spanish soldiers are fired upon and sunk. Episode from the siege of Maastricht by the Dutch army under Frederik Hendrik, 9 June to 21 August 1632. Printed on the back with text in Dutch., print, prent, historical print, prints, Frederik Muller Historical plates, height 102 mm, width 177 mm, print maker, printmaker, 1632 - 1699, second quarter 17th century, third quarter 17th century, fourth quarter 17th century, paper, papier, etching, etchings

Ferdinand's trip to Italy; Entry of Ferdinand in Ghent in 1635 (no. 7), 1635 - 1636 print Ferdinand's journey by sea from Barcelona to Genoa in Italy (11 April - 5 May 1633). Ferdinand of Austria rowed in a Galei to slave men. Angels in the air, in the water sea beings. Presentation at the top left on the front of the Triumph -Poort Arcus Fernandi on the Vrijdagmarkt. Page No. 7 in a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving triumphal arch. trireme, galley. slavery; serfs and the enslaved Ghent. Friday market

Death of Pompeius. In the boat that would bring him to land, Pompeius is set back through Septimius. Salvius and Achilles also attract their daggers. Pompeius is powerless and pulls his head over his head.

Columbus' ships approach Cuba where the natives are fishing for turtles.

. .

unknown, Amsterdam, Schenk, Pieter (I), Northern Netherlands, Meulen, Sieuwert van der, Navigiorum Aedificatio, The construction and fortunes of a ship in 16 plates, ca. 1700, The ship, in the sag and run-off in the water, Launching the ship, plate no. 5, Launching the ship at the shipyard. No. 5 from a series of 16 prints depicting the construction and fortunes of a ship. With captions in Dutch and Latin., print, prent, prints, Frederik Muller Historieplaten, height 167 mm, width 195 mm, Noord-Nederlands, 1683 - 1730-06-18, print maker, printmaker, 1690 - 1710, paper, papier, etching, etchings, Publication (Event), Publicatie, 1660-12-26 - 1711, publisher, uitgever van privilege

August: Swimming and Fishing (Virgin), Antonio Tempesta, 1575 - 1613 print Landscape that depicts the month of August. River landscape with swimming people and fishermen. In the middle of the symbol for the constellation Virgo. print maker: Italyafter own design by: Italypublisher: Rome paper etching landscape symbolizing August. Virgo (zodiacal sign of August). swimming (movement in water). fisherman. fishing net

Print, Vignette; Print Maker: François Joullain (France, 1697 - 1778); France; etching on paper; 1919-10-49

First part of a view of Rotterdam, View of Rotterdam (first part) Rotterdam Rotterodamum Hollandiae urbs celeberrima et situ portibusque mercaturae opportunissima. Ao. 1665 (Maas map), print maker: Joost van Geel, Joost van Geel, publisher: Jan Houwens (I), Rotterdam, after 1666 - 1698, paper, etching, engraving, h 565 mm × w 444 mm

The Prize. Dated: 1617. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Catching a polar bear, 1594, Anonymous, After Gerrit de Veer, 1598 print Attempts to catch a polar bear and an attack by the pattern of polar bear on the sloop with Barentsz during the first trip, July 19, 1594. Opposite page 6 in: 'Warhafftige Relation. Der Dreyen Newen Unerhörten Seltzamen Schiffart So Die Holländischen und Seeländischen Schiff .... Anno 1594, 1595 und 1596 performed '(1598). Nuremberg paper engraving New Zembla

Scenographia Campi Martii, page from Il Campo Marzio dell'Antica Roma, Giovanni Battista Piranesi, Italian, 1720-1778, Giovanni Battista Piranesi, Italian, 1720-1778, Etching with engraving on paper, Composite scene of ancient ruins with various inscriptions in foreground. Scene of Campi Martii in distance with numbered sites correlating to columns of text flanking the scene., Rome, Italy, 1762, architecture, Bound print, Bound print

Antwerp, Zuccaro, Mitelli, Agostino, Rabel, Daniel, Galle, Cornelis (II), Beeldhe van the first century of the Society Iesv is presented to the eyes by the Duyts-Nederlantsche Province of the selver Societeyt., Scroll cartouche with Noah's Ark, From a series of 38 cartouches, decorated with masks, garlands of fruit and flowers, shells and animals., print, ornament print, prints, ornament prints, height 104 mm, width 138 mm, South Dutch, 1615 - 1678-10-18, print maker, 1640 - 1640, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, after a design by, 1578 - 1637-01-03, inspirator, 1609 - 1660-08-02, Publication (Event), Publication, publisher

Jonah is thrown overboard by the sailors, Crispijn van de Passe (I), After Maerten de Vos, 1574 - 1637 print The ship on which Jonah is sailing is plagued by a heavy storm. Jonah asks the sailors to throw him overboard to temper God's anger. A large fish swims in front of the ship. In the margin a two -way caption in Latin. Antwerp paper engraving the sailors reluctantly throw the prophet Jonah into the sea

The Breach in the Saint Anthony's Dike near Amsterdam, Jan van Goyen, 1651, Breach of the Diemerdijk near Houtewael on March 5, 1651., draughtsman: Jan van Goyen, 1651, paper, brush, h 114 mm × w 184 mm

The ships at the island of Santa Maria, 1615, 1646 print The ships in the bay at the island of Santa Maria in Chile, 29 May 1615. Skirmishes on the island with Spaniards set fire to the village. On the left the mainland of Chile. Part of the illustrations in the report of the Joris van Spilbergen journey around the world, 1614-1617, No. 5. Northern Netherlands paper etching exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions Santa Maria, Isla

Jacques Philippe LeBas after Julien David Le Roy, View of the Ancient Port of Phaleron, Athens, 1758 View of the Ancient Port of Phaleron, Athens

Figures view two ships in De Baai, Jan Luyken, 1689 print Amsterdam paper etching / letterpress printing sailing-ship, sailing-boat

Expectation of the unmarried lovers Rosette and Galant. The pregnant Rosette and her beloved Galant are turned off by a company, including her brother, on a desert island. In the background the woman buried the young child. Different utensils in the foreground, including a pitcher, ax and spade.

Jacques Callot, French (1592-1635), The Siege of La Rochelle plate 10 of 16; set comprises 1952.8.97-112, 1628-1631, etching and engraving

Seascape with Rond Bolwerk, Bonaventura Peeters (I), 1624 - 1652 print Antwerp paper etching bastion, bulwark

Rotterdam: distant view, with ships Date: circa 1700

Fortune Does Not Watch over All Sleepers from Six Sayings about Fortune ca. 1560 Dirck Volckertsz Coornhert Netherlandish. Fortune Does Not Watch over All Sleepers from Six Sayings about Fortune 427040

Jacobus II goes on board a ship to France in Waterford, 1690, 1691 After the defeat in the Battle of the Boyne flight King Jacobus II to Waterford where he board a ship to France, July 1690. Plate no. 8 in the series 'Engelant's theater' about the war between William III and Jacobus II in The years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching Waterford After the defeat in the Battle of the Boyne flight King Jacobus II to Waterford where he board a ship to France, July 1690. Plate no. 8 in the series 'Engelant's theater' about the war between William III and Jacobus II in The years 1690-1691 after the Glorious Revolution, (third part). With captions in Dutch and French. Amsterdam paper etching Waterford

The ships at the island of Santa Maria, 1615; Santo Maria; Image of the Eyland of Sancta Maria. The ships in the bay at the island of Santa Maria in Chile, 29 May 1615. Skirmishes on the island with Spaniards that fired the village. Left mainland Chile. Part of the illustrations in Joris Journey Report from Spilbergen to the world, 1614-1617, No. 5.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Jonah, Jonah thrown overboard, When the ship on which Jonah has fled threatens to sink in a storm, Jonah is chosen by lot as the culprit. He is thrown overboard by the crew. In the foreground swims the fish that will swallow Jonah. Below the scene a reference in Latin to the Bible text in Jonah 2:15. This print is part of an album., print, album page, prints, height 192 mm, width 249 mm, South Netherlands, 1559 - 1604-03, print maker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Allegory on the peace breach with Algiers, 1755, Simon Fokke, 1755 - 1757 print Allegory of breaking peace with Algiers and the subsequent departure of the Dutch consul from Algiers. An Algerian (pirate) with drawn sword and torn tractate tramples a female personification (free commerce). In the background, the consul leaves the city gate to board a ship. Amsterdam paper etching pirate, corsair, buccaneer Algiers

O le bon tems que ce siecle defer…. Artist: Francisco del Pedro, Italian, 1749-1806

Pvgna navalis in ipsis faucibus freti Öresund Svecos inter et Belgas Foederatos commissa d 29 Octob an: 1658 , Swedish-Dutch War, 1658-1659, Pictorial works, Early works to 1800, Sound, Battle of the, 1658, Pictorial works, Early works to 1800, Sound, The Denmark and Sweden, Pictorial works, Early works to 1800 Norman B. Leventhal Map Center Collection

Ship Navigating Near Rocks. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Shipwreck. Wild sea at a mountainous coast. To the left of the sea a three-master, at the point of being swallowed by the sea. Another ship has almost disappeared in the waves. Drowners try to save themselves on floating wreck wood. On the right on the coast some figures that have brought to safety.

Harbor Scene ca. 1764 After Joseph Vernet. Harbor Scene. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1764. Engraving. Franz Edmund Weirotter (Austrian, 1733-1771). Prints

Fishing at sea; Yacht and fishing; VENATIONES, PISCATIONES ET AUCUPII TYPI. Fishermen cast their nets at sea. A lighthouse in the background. The print has a Latin caption and is part of a series of 54 prints.

. Whales are caught at sea that are cut to pieces on the land. On the right in the foreground a large boiler in which whale space is boiled. Left a reindeer slee, behind it slaughtering reindeer and animal sacrifices to idols. Opposite page 35 in: 'Warftige Relationship. Deryen Newen UNERHÖRTEN SELTHAMEN SCHIFFART SO Die Holländischen und Seeländischen Schiff .... Anno 1594, 1595 Und 1596 "(1598).

Anfione Argon condotto da Mercurio. Dimensions: plate: 8.9 x 13.4 cm (3 1/2 x 5 1/4 in.) sheet: 9.1 x 13.6 cm (3 9/16 x 5 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet after Remigio Cantagallina.

Antwerp from the Scheldt to see, right middle leaf. .

Breakthrough of the Dam; The art of rendering browsable rivers, in variver ways, with other inventions, and varies other secrets. Three ships at turmoil. Numbered at the top right in Bruin: 54.

Lovers in a Gondola (hiding), 1578, by Donato Bertelli. This engraving depicts couples and gondoliers in gondolas. Published in Venice by Apud Donatum Bertellũ., 1 print

Meeting with a stranded Portuguese ship, 1601, 1646 print Meeting with a stranded and battered Portuguese ship from Makassar, 5 February 1601. Part of the illustrations in the report of the journey around the world by Olivier van Noort in 1598-1601. No. 25. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. shipwreck Makassar

Intake of Delfzijl by Maurits, 1591, 1591 - 1593 print Intake of Delfzijl by Prince Maurits, July 12 (July 1 according to the new era) 1591. The performances shows a storming of the city that never actually took place: the city surrendered to the prince without a struggle. With caption of 8 lines in German. Nummered in the bottom left: 273. The print is part of an album. Cologne paper etching battle, fighting in general Delfzijl

Titian, The Submersion of Pharoah's Army in the Red Sea, c 1514 1515 The Submersion of Pharoah's Army in the Red Sea

Carriages (sledges) for travel in the Far North, 16th century. Finns and Lapps riding sleighs drawn by horse or reindeer. A Fenni man on long wooden shoes like skis in the background. Chars (traineaux) pour voyager dans les pays du Nord. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

The ship fin de la guerre, 1585; Fin de la guerre; Series 9: Dutch and German events, 1583-1587. The huge ship called Fin de la Guerre, built by the Antwerpen to destroy the Schipbrug of Parma, May 1585. With a caption of 12 rules in German. Left below numbered: 223. The print is part of an album.

Amsterdam, Visscher, Claes Jansz. (II), Noordelijke Nederlanden, Schut, Pieter Hendricksz., Map of the siege of Huis te Gennep (side sheet), 1641, Northern Netherlands, Map of Gennep with the Huis te Gennep and surroundings, besieged and conquered by the Dutch army under Frederik Hendrik, 6 June - 27 July 1641. With the circumvallation line of the besiegers and their army camps. Left side sheet with an inset with a map of the larger area in Limburg and a fisherman. Part of an ensemble consisting of a title in 4 strips, the 4 plates from Visscher's studio, the 4 sheets of the departure of the garrison by Nolpe and 7 text sheets., print, picture, news print, map, prints, pictures, Frederik Muller Historieplaten, height 404 mm, width 149 mm, 1586 - 1652-06-19, print maker, printmaker, 1641 - 1641, second quarter 17th century, paper, etching, etchings, Dutch, 1619 - 1660, printer

A Japanese vessel, 1600, 1646 print A Japanese vessel called a Champan, December 3, 1600. Part of the illustrations in the report of the journey around the world by Olivier van Noort in 1598-1601. No. 17. Northern Netherlands paper engraving exploration, expedition, voyage of discovery. landscapes in tropical and sub-tropical regions. ships (in general) (+ propulsion of vehicle, ship, etc. by wind) Japan

Creation of the ship De Wilhelmina in Greenland, 1777, Simon Fokke, 1777 - 1784 print Presentation from national history. Figures in an Icelandscape near a tent. In the distance, behind a large IJsschots, the crashed boat is located. Presentation at the top numbered: XVI. Amsterdam paper etching shipwreck. landscapes in polar regions Greenland

Figures on a rowboat, floating among rocks in a sea cave. In the foreground floats a raft with burning torches. Print marked top left: page 69. Rowing boat in a sea cave Wonderlyck Adventure of Franois de I , print maker: Jan Lamsvelt, (mentioned on object), Jan Lamsvelt, (mentioned on object), 1700, paper, etching, h 183 mm × w 137 mm

Dune landscape with a man seated near a basket Verscheyden Beaches and water gesichten gedaen by Jan Percelles (series title), print maker: Gillis van Scheyndel (I), print maker: Jan Porcellis, (rejected attribution), intermediary draughtsman: Jan Porcellis, Noord-Nederland, 1645, paper, etching, h 73 mm × w 92 mm

Allegorical show with portrait of Willem V, Simon Fokke, 1753 print In a boat surrounded by two sea gods, there is a louwed man with a sheet of paper in his hand. In the air a woman holds a winch and laurel wreath and carries the portrait of Willem V in Ovaal together with a putto. High in the air fama with two trumpets. paper etching historical persons (+ historical person or scene in allegorical or symbolic frame or setting; or with allegorical or symbolic accessories). Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa)

Pieter van der Heyden after Hieronymus Bosch, Die Blau Schuyte (The Ship of Fools), 1559 Die Blau Schuyte (The Ship of Fools)

The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets... 1739 Engraved and published by John Pine British. The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets... 380666 Engraver: Engraved and published by John Pine, British, London 16901756 London, Draftsman: Hubert Franois Gravelot, French, Paris 16991773 Paris, Draftsman: Clement Lemprire, British (), active London, 18th century, Artist: After Hendrick (Cornelisz) Vroom, Dutch, Haarlem ca. 15631640 Haarlem, The Tapestry Hangings of the House of Lords Representing the Several Engagements Between the English and Spanish Fleets..., 1739, Illustrations: etching and engraving, 21 3/16 x 14 15/16 in. (53.8 x 38 cm). The Metropolitan Museum of Art, New York. The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1963 (63.608.1)

State of the English Nation August 1, 1778 Anonymous, British, 18th century British This print copies one first published in the Westminster Magazine on March 1, 1778 as "A Picturesque View of the State of the Nation." Explanatory text is now in French and the imagery includes a cow (English commerce), whose horns are being sawn off by a Native American (the American Congress), and milked by a Dutchman who gives shares to a Frenchman and a Spaniard. The British lion sleeps while a Free Englishman wrings his hands. In the background General William Howe and Admiral Richard Howe sit near Philadelphia, with the latter's flag ship "The Eagle," beached and unready for action.. State of the English Nation 389030

Jacques Callot, Entry of the Prince of Pfaltzbourg, 1627 Entry of the Prince of Pfaltzbourg

Emblem: Schipwruit, Jan Luyken, 1695 - 1705 print In the foreground some drowning people who hold on to a piece of wood. In the background the shipwreck. Print Maker: Amsterdampublisher: Nuremberg paper etching shipwreck. Abstract Ideas and Concepts

Le Campement (The Camp), plate 1 from "Les Petites Misères de la Guerre" (The Little Miseries of War) Jacques Callot French Publisher Israël Henriet French 1636 View more. Le Campement (The Camp), plate 1 from "Les Petites Misères de la Guerre" (The Little Miseries of War). Les Petites Misères de la Guerre. Jacques Callot (French, Nancy 1592-1635 Nancy). 1636. Etching; second state of two (Lieure). Israël Henriet (French, Nancy ca. 1590-1661 Paris). Prints

The round tower, Herman Saftleven, 1619 - 1685, draughtsman: Herman Saftleven, 1619 - 1685, paper, brush, h 99 mm × w 80 mm

Flight from the King and Queen to France, 1688, 1688 - 1689 print Leaf with two performances. Above the flight of Queen Maria from Modena to France, December 19, 1688. Under the flight from King Jacobus II to France, December 20, 1688. marked at the top right: fol. 800. Northern Netherlands paper etching flight of ruler from adversary

. Print at the top right labeled: fol. 203.

Sadeler, Johann (I), Munich, Antwerp, Vos, Maerten de, Creation of the world, Creation of the birds and the sea creatures, verso left - stamped, God the Father stands in the foreground and raises his arms. In front of him sea creatures swim in the water. On land and in the air various birds. On the fifth day of creation God created the birds in the air and the animals in the water. The print has a Latin caption., print, prints, height 198 mm, width 249 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1588 - 1600, paper, papier, engraving, engraving (printing process), Work conception, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher, uitgever, schrijver

Faces on the island of Amsterdam, Frederik Ottens, 1717 - 1770 print Two images of the island of New Amsterdam in America. Above ships off the coast. In the foreground a prauw (C) and a canoe with interpreter (D). Two Dutch ships and a row of canoes in the background. Under face on a bay. Palmen on land and a village. In the foreground four original inhabitants of America. Amsterdam paper etching / engraving Australian and Oceanian races New Amsterdam

. Yacht OP Walrussen Tijdens de Eerste Rice, 31 July 1594. Tegenover Pagina 9 in: 'Gainful relation. The Dreyen Newen unbearable Seltzamen Schiffart so the Dutch and Sealing ship .... Anno 1594, 1595 and 1596 Judgment '(1598).

. .

Jacques Callot, The Siege of La Rochelle (plate 11 of 16; set comprises 1952897 112), 1628 1631 The Siege of La Rochelle plate 11 of 16; set comprises 1952.8.97-112

The round tower. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 99 mm × w 80 mm. Museum: Rijksmuseum, Amsterdam.

of 2