Maritime Scenes in Prints

Prints depicting serene water landscapes with boats and wharfs, showcasing the beauty of maritime life and coastal settlements.

Seymour-Haden, Francis (Sir), England, The Feathers Tavern, West London Rowing Club, verso middle left - stamped, The River Thames at Mortlake, with a sailing ship on the right. On the bank left the clubhouse of the West London Rowing Club, The Feathers Tavern., print, prints, Seymour Haden, recto lower right - pencil, verso centre right - stamped, d, verso lower left - stamped, height 95 mm, width 140 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1865 - 1865, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Havenhoofd in Vlissingen, Carel Nicolaas Storm of 's -Gravesande, 1880 - 1884 print On the right is a boat on the beach. Netherlands paper etching pier, quay, wharf Flushing

Early Morning: The Thames at Battersea, London, 1878. James McNeill Whistler (American, 1834-1903). Lithograph;

Chelsea Wharf 1863 James McNeill Whistler American. Chelsea Wharf. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1863. Etching and drypoint, printed in black ink on a brittle fibrous laid Japan; second state of two (Glasgow). Prints

Embarcadére a Bercy, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Hurlingham' by James McNeill Whistler (1834-1903), created in 1879, etching

Castello Quarter, Riva, 1880. Otto H. Bacher (American, 1856-1909). Etching;

The Steamboat, Venice. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 267 x 186 mm (plate); 368 x 230 mm (sheet). Etching with drypoint in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Early Morning Battersea, 1861. James McNeill Whistler (American, 1834-1903). Etching; sheet: 17.8 x 14 cm (7 x 5 1/2 in.); platemark: 14.9 x 11.3 cm (5 7/8 x 4 7/16 in.).

Kostverlorvaart, Amsterdam, Willem Adrianus Grondhout, 1888 - 1934 print Sailing ships on the Kostverlorenvaart in Amsterdam. In the background the silhouette of a mill. paper etching canals, waters (in city). ships (in general) Dietary Lorgeon

Seymour-Haden, Francis (Sir), England, The Feathers Tavern, West London Rowing Club, verso middle left - stamped, The River Thames at Mortlake, with a sailing ship on the right. On the bank left the clubhouse of the West London Rowing Club, The Feathers Tavern., print, prints, Seymour Haden, recto lower right - pencil, verso centre right - stamped, d, verso lower left - stamped, height 95 mm, width 140 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1865 - 1865, third quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Work conception, after own design by

Ship on the beach. Draughtsman: Willem Bastiaan Tholen. Dating: 1870 - 1931. Measurements: h 126 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Thames warehouses , Boats, Piers & wharves, Waterfronts, Warehouses. James McNeill Whistler (1834-1903). Lithographs

Sir Frank Short, 1857-1945, British, Seine Boats, St. Ives, Cornwall, 1888. Etching.

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Battersea Reach, 1863. Etching and drypoint, printed from canceled plate on medium, smooth, cream laid paper.

Seine Armand Guillaumin (1841-1927). "Seine's edges". Gras pencil on paper, 1869. Museum of Fine Arts of the city of Paris, small palace.

The Little Pool, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Two sailing ships; Six Dutch faces. View of a water with two sailing ships. Links a number of houses on the waterfront. On the right in the background two mills. This print is part of a series of six etched Dutch faces (the first two numbered), the whole preceded by a title page.

View of the Zuiderzee near Spakenburg, Johan Conrad Greive, 1847 - 1877 print The Zuiderzee. In the foreground a bank with a fishing boat. Amsterdam paper etching river bank (+ landscape with figures, staffage) Zuiderzee. Spakenburg

Return of the Fishing Boats at Collioure, near the Spanish Border, 1878. Adolphe Appian (French, 1818-1898). Etching; sheet: 32.5 x 45.9 cm (12 13/16 x 18 1/16 in.); platemark: 29.4 x 38.6 cm (11 9/16 x 15 3/16 in.).

Nozal, Alexandre (n.1852-08-07-D.1929), boat on the beach with a dog (front). Sailboat (back) (main title), 1893-09. Graphite pencil, pen and ink wash on paper (front); Graphite pencil (back). Petit Palais, Museum of Fine Arts of the City of Paris.

James McNeill Whistler, The Little Putney, No 1, 1879 The Little Putney, No. 1

James McNeill Whistler, The Riva, NoII, 1880 The Riva, No.II

Francis Seymour Haden, 1818-1910, British, Egham, 1859. Etching and drypoint, with plate tone on medium, slightly thick, cream laid paper.

The Riva, No. 2. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 8 1/4 × 11 15/16 in. (21 × 30.4 cm)Sheet: 8 1/4 × 11 15/16 in. (21 × 30.4 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Strasse in Zandvoort; Liebermann, Max (1847-1935); 1890 (1890-00-00-1890-00-00);The Netherlands, Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection , Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, Zandvoort (Netherlands), modernism (style), landscapes, village

Sketch from Nature, 1877. Maxime Lalanne (French, 1827-1886). Etching;

Haven in Dordrecht at Maanlicht, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1887 print Netherlands paper drypoint harbour. moonlight Dordrecht

James McBey, Brightlingsea No. 2, 1921, etching on laid paper.

The Towpath (Le Chemin de Halage). Dated: 1862. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Johan Barthold Jongkind.

Cityscape, Egbert Rubertus Derk Schaap, 1872 - 1939 drawing paper. chalk

Enkhuysen, Edward William Cooke, 1811-1880, British, undated, Graphite on moderately thick, slightly textured, white wove paper, Sheet: 4 3/8 × 7 inches (11.1 × 17.8 cm), dock, lighthouse, marine art, marine art, port, sails, ships

Battersea Dawn (Cadogan Pier) 1863 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

View of the beach with ships and various figures. Draughtsman: Willem Bastiaan Tholen. Dating: 1870 - 1931. Measurements: h 126 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

The Pool 1859 James McNeill Whistler American. The Pool 372753

The "Adam and Eve," Old Chelsea. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 174 x 302 mm (plate); 215 x 332 (sheet). Etching and drypoint in black ink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

On the Thames (Canterbury, Eng., Aug. 1884.), 1884. Stephen Parrish (American, 1846-1938). Etching; sheet: 26.5 x 36.7 cm (10 7/16 x 14 7/16 in.); platemark: 14.1 x 20 cm (5 9/16 x 7 7/8 in.).

James McNeill Whistler, Steamboats off the Tower, 1875 Steamboats off the Tower

View of the Scheldt at evening, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print On the left on the horizon a church tower. Netherlands paper drypoint river. prospect of village, silhouette of village. evening Scales

The Inn, Purfleet. Francis Seymour Haden; English, 1818-1910. Date: 1864-1874. Dimensions: 93 × 253 mm (image/plate); 192 × 303 mm (sheet). Etching and drypoint on zinc printed on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Antwerp (Port) Norbert Goenuette (1854-1894). Antwerp (Port). Floor, dry tip, roulette, aquatint.

Drawing by Ferdinand Boberg. Stockholm, Hammarbysjö Nordic

Drawing by Ferdinand Boberg. Stockholm, Nordic

Jacques Callot (1592-1635). "Headquarters of the Citadel of Saint Martin in the Ile de Ré, second leaf from the bottom, in the middle" (Lieure 654, Meaume 522). Etching. 1629-1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-16 Etching, engraving

Harbor, Brest 1840-98 Eugène Boudin French. Harbor, Brest 337073

River face ..

Venice F�lix Ziem (1821-1911). Venice. Plume and purple ink on paper. Nineteenth century.

Portsmouth children , Bodies of water, Boats, Children. James McNeill Whistler (1834-1903). Lithographs

Man and woman in a boat near the bank, draughtsman: Cornelis Saftleven, (attributed to), 1617 - 1681, paper, h 139 mm × w 199 mm

Javel, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Two rafts in the sea at the beach of Scheveningen, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1902 print paper drypoint sea. prospect of city, town panorama, silhouette of city. improvised and unusual traffic on the water Scheveningen

Riva del Sciavoni, James Abbott McNeill Whistler, 1879 - 1880 print The wide quay Riva del Sciavoni, along the water in Venice. paper etching / drypoint quay Venice

Vauxhall Bridge. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1861. Prints; etchings. Etching and drypoint

Claude Monet, View of Rouen, 1883, black chalk on blued white Gillot paper.

Paris, Cadart, Alfred, Lalanne, Maxime François Antoine, France, À Concarneau (Finistère), View of Concarneau, verso - stamped, print, prints, height 160 mm, width 237 mm, 1827-11-27 - 1886-07-29, print maker, printmaker, 1874 - 1874, paper, etching, plate tone, drypoint, Work conception, after own design of, Publication (Event), Publication, French, 1828 - 1875, publisher

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Joseph Pennell, Old Million Eyes, 1910 Old Million Eyes

Riva, No 2 1879-1880 United States. Etching and drypoint with foul biting in brown ink on ivory laid paper . James McNeill Whistler

Fish story , Fishermen, Boats. Charles H. Woodbury (1864-1940). Prints

View of Venice from the water, with a wooden raft in the foreground in the water, Carel Nicolaas Storm of 's-Gravesande, 1888 drawing paper. chalk. pencil. watercolor (paint) brush city-view in general; 'veduta'. improvised and unusual traffic on the water Venice. Italy

Finch, Alfred William, work, Port exercise, pencil, drawing, 30 cm x 37 cm

Ships on the beach, Johannes Christiaan Schotel, 1797 - 1838 drawing paper. ink. pencil pen beach. sailing-ship, sailing-boat

View of the Delftsche Vliet near The Hague, Carel Nicolaas Storm of 's -Gravesande, 1851 - 1902 print Netherlands paper drypoint canal The Hague

James McNeill Whistler, The Little Lagoon, 1879 1880 The Little Lagoon

Kasteel van Grimbergen. Du Chasteau de Grimbergen (title on object). Draughtsman: Constantijn Huygens (II). Dating: 3-Aug-1678. Measurements: h 102 mm × w 163 mm. Museum: Rijksmuseum, Amsterdam.

William Walcot, The Pool of London, etching and drypoint on wove paper.

Old Putney Bridge James Abbott McNeill Whistler (American, 1834-1903). Old Putney Bridge, 1879. Black ink on handmade laidpaper with a watermark and a countermark, Image: 8 x 11 3/4 in. (20.3 x 29.8 cm). A major proponent of Aestheticism and Japonisme, James McNeill Whistler also helped to revitalize etching as a serious, creative pursuit. His appreciation for this medium was fostered, in part, by close study of etchings by the seventeenth-century Dutch master Rembrandt. For his own prolific output, Whistler often went out into the streets of London (where he settled in 1859), capturing urban views directly onto plates. Back in the studio, he would painstakingly experiment with inking processes and the timing of the acid bath, refining his original conceptions to create prints of great technical and visual complexity. Internationally acclaimed and exhibited, Whistlers etchings exerted a strong influence on a younger generation of American painter-etchers. American Art 1879

Enkhuisen, 1914, Netherlands, by Henry Brown. Gift of Mrs Harold Wright, 1965.

Boats in a Dock, Joseph Stannard, 1797-1830, British, between 1824 and 1827, Etching, engraver's proof, Plate: 17 x 10 3/4in. (43.2 x 27.3cm)

Quay with ships. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 107 mm; w 183 mm × h 218 mm. Museum: Rijksmuseum, Amsterdam.

Lustheim. Artist: Otto Bacher, American, 1856-1909

The Thames Made 1896 United States. Lithotint, in black ink, with scraping, on cream wove proofing paper . James McNeill Whistler

Joseph Pennell, Rouen, from Bon Secours, American, 1857-1926, 1907, etching

John Varley, 1778-1842, British, Ships on a River with Buildings in the Distance, ca. 1830. Brown wash on moderately thick, slightly textured, cream wove paper mounted on medium, rough, gray wove paper.

James McBey, Approaching New York, 1934, etching and drypoint on paper.

James McNeill Whistler, Rotherhithe, 1860 Rotherhithe

A Palatial Garden with Circular Terraces. Dated: c. 1810. Dimensions: overall: 19.3 x 25.5 cm (7 5/8 x 10 1/16 in.). Medium: pen and black ink with gray wash over graphite, squared in graphite, on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alessandro Sanquirico.

John Henderson, (), 1764-1843, British, Venetian Scene, undated. Pen and brown ink on medium, slightly textured, cream laid paper.

Black Lion Wharf. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 7/8 × 8 11/16 in. (15 × 22.1 cm)Sheet: 7 1/16 × 9 3/4 in. (18 × 24.7 cm). Series/Portfolio: Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" 1871). Date: 1859. Museum: Metropolitan Museum of Art, New York, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

Edwin Edwards, Rail and Sea, 1833-1879, etching on Japan paper.

A Packet Boat off Dover. Dated: c. 1836. Dimensions: overall: 19.1 x 27.8 cm (7 1/2 x 10 15/16 in.). Medium: watercolor and gouache with touches of black chalk on gray wove paper, laid down. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

Charles François Daubigny, Cambronne's Word (Le Mot de Cambronne), 1862 Cambronne's Word (Le Mot de Cambronne)

James McNeill Whistler (American, 1834-1903), The Thames Towards Erith, c. 1877, etching

View of the Scheldt at Breskens, draughtsman: Adolf le Comte, 1860 - 1921, paper, h 115 mm × w 174 mm

The Broad Bridge. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 187 x 281 mm (image); 247 x 357 mm (sheet). Lithotint, in brown ink, with scraping, on ivory plate paper. Origin: United States. Museum: The Chicago Art Institute, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

Hercules Brabazon Brabazon, 1821-1906, British, Quay of St. Tropez, undated. Black chalk on moderately thick, slightly textured, gray wove paper.

Windmills at Kinderdijk. Draughtsman: Adolf le Comte. Dating: 1860 - 1921. Measurements: h 120 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

Edmond Gosselin (French, 19th century) after Charles Meryon (French, 1821 - 1868). L'Arch du Pont, Notre Dame, 1881. From Eaux-Fortes sur Paris d'après C. Meryon. Etching.

San Pietro in Castello, Venice, 1883. Frank Duveneck (American, 1848-1919). Etching;

Eagle Wharf James Abbott McNeill Whistler (American, 1834-1903). Eagle Wharf, 1859. Etching, Sheet: 8 7/8 x 13 5/16 in. (22.5 x 33.8 cm). American Art 1859

Breaking Up of the Agamemnon (The Second Plate). Dated: 1886. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Nocturne. Dated: 1879/1880. Dimensions: overall: 20 x 29.5 cm (7 7/8 x 11 5/8 in.). Medium: etching in black on off-white laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Graphite and coal drawing by Ludwig Rösch depicting a port scene.

Fishing networks; Stankiewicz, Zofia (1862-1955); around 1930 (1925-00-00-1953-00-00);Iwanowska, Janina (Fl. 1958), Iwanowska, Janina (Fl. 1958) - collection, Jastrzębia Góra (Władysławowo), Baltic Sea, Władysławowo (Pomeranian Voivodeship), clouds (meteorol.), Polish graphics, seas, landscapes, landscapes Podwodne, Poland (culture), fishing, fishing networks, purchase (provenance), boats, sailboats

Moored ships in the port of Concarneau, Willem Adrianus Grondhout, 1888 - 1934 print Houses in the background. transparent paper harbour Concarneau

View of the Blekerpad in Amsterdam with the Victor mill. Women in front. Page 38 from a sketchbook with 32 sheets.

James McNeill Whistler, Rotherhithe, 1860 Rotherhithe

Houses to a speed. View of farm houses on a speed with two figures in a rowing boat in the foreground. Recto of a drawing that is part of an album.

Landscape with my (). Draughtsman: Henk Henriët. Dating: 1913 - 1945. Measurements: h 239 mm × w 316 mm. Museum: Rijksmuseum, Amsterdam.

High noon in the boatyard, Rye prints, etchings, drypoints, works on paper

Old Westminster Bridge. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 73 x 199 mm (plate); 113 x 261 mm (sheet). Etching and drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

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