Medieval Architectural Photography

Photographs documenting 15th-18th century church interiors in Italy, focusing on frescoes, altar designs, and architectural elements captured by Max Hutzel.

Lazio Latina Valvisciolo SS. Pietro e Paolo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia S. Magno2. Hutzel, Max 1960-1990 Medieval: Augustine church, cloister, 15th century brick & tile tower. Post-medieval: Architecture & architectural sculpture. Interior views of ceiling vault & "false dome". Other interior views include Baroque altar in stone & marble with painted columns, statues in white marble, freizes & columns in reddish marble, 16th century paintings, main altar in colored marble, an organ of late Baroque style with rococo decoration, frescos, cabinet. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex

Abruzzo L'Aquila L'Aquila Madonna del Soccorso0. Hutzel, Max 1960-1990 Views of exterior, cloister, and extensive coverage of interior. Objects from church stored in the Museo Nazionale are catalogued under that location. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

King Solomon. Dated: 1872 or 1874. Dimensions: Overall: 39.5 x 21.5 cm (15 9/16 x 8 7/16 in.) mat: 55.9 x 40.6 cm (22 x 16 in.). Medium: egg tempera () with touches of varnish on paper mounted to board. Museum: National Gallery of Art, Washington DC. Author: Simeon Solomon.

Lazio Frosinone Casamari Abbazia di Casamari3. Hutzel, Max 1960-1990 Prints of views, the exterior and its portico, portals and other walls. Interior photos of the church and its vaulting with particular attention paid to the altar. There are also photos of the cloister and the abbey interior, particularly the Sala Capitolare and the Refectory. There are many details of the varied nature of the columns and capitals. There are also some negatives of manuscripts in the library. Object Notes: Hutzel photo campaign date: February 23, 1983. There are more than one set of notes. Also, there is a second set of negatives in 35mm which are listed at the end of the negative numbers. They were noted by Hutzel as general shots and are not the set from which the prints we have were made. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati

Saint Sebald in a Niche 1518 Albrecht Dürer German. Saint Sebald in a Niche 404627

Lazio Latina Valvisciolo SS. Pietro e Paolo2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Antonio de Pereda y Salgado / 'Saint Albert of Sicily', ca. 1670, Spanish School, Oil on canvas, 116 cm x 78 cm, P03347. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Lord Jesus of the Church; Skowro Ski, Grzegorz (Fl. Ca 1746); before 1865 (print); around 1746 (matrix) (1740-00-00-1864-00-00);Branicki, Aleksander (1821-1877), Branicki, Aleksander (1821-1877)-collections, Branicki, Władysław (1848-1914), Branicki, Władysław (1848-1914)-collections, Jesus Christ, collection from Sucha-collection, Kraszewski , Józef Ignacy (1812-1887), Kraszewski, Józef Ignacy (1812-1887)-collections, Tarnowska, Anna (1876-1953), Tarnowska, Anna (1876-1953)-collections, Tarnowski, Juliusz (1864-1917), Tarnowski, Juliusz (1864-1917)-collections, Tarnowski, Juliusz Gabriel (1901-1989), Tarnowski, Juliusz Gabriel (1901-1989)-collections, folk woodyards, ethnography, Polish graphics, Poland (culture), purchase (provenance)

ARTE RENACIMIENTO. ITALIA. PIERO DELLA FRANCESCA (Borgo Sansepolcro, Arezzo, h. 1420-1492). Pintor italiano. "POLITICO DE LA MISERICORDIA" (1445-1462). Obra encargada por la Compañía de la Misericordia, hermandad de Borgo San Sepolcro. Detalle de SAN BENITO DE NURSIA (480-547), fundador de la orden benedictina (parte superior izquierda). Museo Cívico. Sansepolcro (provincia de Arezzo, región de Toscana). Italia.

David Lorenzo Monaco (ca.1370-1425 Italian) Tempera

Drawing by Hans Holbein the Elder depicting Christ as Salvator Mundi, executed with brush and pen in black, gray lavings, highlighted with white on gray-green primed paper after 1493.

Madrid El Prado Museum Museo del Prado Two Old Men form part of the Black paintings by Francisco de Goya y Lucientes and were painted between 1820 1823 Madrid Spain Espana Europe EU

Tuscany Siena Montalcino Museo Diocesano27. Hutzel, Max 1960-1990 Post-medieval: Painting, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Christ as Man of Sorrows, 1692, etching with engraving on laid paper, plate: 38.1 x 30 cm (15 x 11 13/16 in.), sheet: 41.5 x 33.3 cm (16 5/16 x 13 1/8 in.), Robert-Dumesnil no. 5, State ii/ii, Antoine Coypel (artist) French, 1661 - 1722, Charles Simonneau (engraver) French, 1645 - 1728

Holy Joseph Giovanni Antonio Sogliani (1492-1544/Italian) Pinacoteca, Volterra

Ritratto di Carlo Cappello. Portrait of Charles Hat. Jacopo Robusti 1754

Recanati (Italia, Marche - provincia di Macerata), Musei Civici di Villa Colleredo Mels. Lorenzo Lotto, San Giacomo Pellegrino, 1512 c.

Print made by unknown artist, seventeenth century-eighteenth century, Virgin, undated. Mezzotint on medium, slightly textured, cream, laid paper.

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

SAN FRANCISCO EN ORACION-OLEO/LIENZO-105,5X86,5 CM. Author: EL GRECO. Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN. SAN FRANCISCO DE ASIS.

Anonymous / 'Saint John the Evangelist'. Ca. 1500. Oil on panel. Museum: Museo del Prado, Madrid, España.

Bruegel, Pieter Stecher: Hondius, Hendrik (1) Dating: 1588/1649

SAN JERONIMO - SIGLO XVII - BARROCO ESPAÑOL. Author: FRANCISCO DE ZURBARAN. Location: MUSEUM OF FINE ARTS. Malaga. SPAIN. SAN JERONIMO CARDENAL.

Umbria Perugia Bevagna Pinacoteca F. Torti7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Veronica sweat cloth, Claude Mellan, 1649 print paper engraving Veronica; possible attributes: 'Sudarium' (veil with the image of Christ)

Vesalius, Andreas .

TheSudarium. Artist: Claude Mellan, French, 1598-1688

Lazio Latina Bassiano S. Erasmo3. Hutzel, Max 1960-1990 Exterior photos of facade and courtyard. Interior photos show views and details. The major artifact is a horizontal wooden crucifix in front of the altar. Additional photos of paintings and baptismal font. Object Notes: Hutzel photo campaign is undated. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Vignanello S. Maria, Collegiate church9. Hutzel, Max 1960-1990 Exterior views of 18th c. church facade, with detail views of wooden portal. Interior views of nave, baroque organ, altar gloria, architectural sculpture, painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print made by Johann Lorenz Haid, 1702-1750, German, S. Matthias, undated. Mezzotint on moderately thick, slightly textured, cream laid paper.

In. Hieronim standing; Beham, Sebald (1500-1550); 1520 (1st edition) (1520-00-00-1550-00-00);

St Augustine by Sandro Botticelli (14451510)

Saint Candidus. Date/Period: From 1502 until 1507. Painting. Oil, stucco reliefs and gold leaf on wood. Height: 1,820 mm (71.65 in); Width: 880 mm (34.64 in). Author: AYNE BRU.

Lazio Viterbo Viterbo Museo Civico0. Hutzel, Max 1960-1990 Views of paintings (Middle Ages through 18th c.), frescoes, a tabernacle, coffin, sculpture reliefs, portal fragments, busts, sculpture, tapestry found in the Pinacoteca, Second floor gallery and Second floor cloister sequences. Antiquities: Many views of Etruscan and Roman fragments, sculpture, sarcophagi, pottery, masks, jewelry and other objects found in the Storeroom sequence (inventory numbers on back of prints), and the Cloister, Second floor Cloister, Valle Giulia, Sala Romana and Sala Etrusca sequences. General Notes: There are eight separate numerical sequences for this location. The cloister as an architectural structure, rather than museum site, is documented in the record and file for S. Maria della Verita, Cloister, all views of which are stored in Medieval core collection. Five views from the Museo Civico Second floor cloister sequence are stored in Medieval. German-born photographer and scholar Max Hutzel (1911-1

Standing clergyman. Draughtsman: Giuseppe Cesari (possibly). Dating: 1578 - 1640. Measurements: h 297 mm × w 198 mm. Museum: Rijksmuseum, Amsterdam.

Lazio Rieti Magliano Sabina S. Michele8. Hutzel, Max 1960-1990 Exterior views of facade and 14th century side wall. Interior views and detailed shots of altarpiece (16th century), paintings of saints (16th, 19th centuries), and two stone ciboria. Antiquities: 2 Roman cinerary urns German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Saint John the Baptist , by Francesco Gentile da Fabriano (active second half of the 15th century), panel.

The Sudarium of Saint Veronica. Claude Mellan; French, 1598-1688. Date: 1649. Dimensions: 433 × 316 mm (plate); 436 × 319 mm (sheet). Engraving in black on buff laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

SAN ISIDRO EN ORACION-1622-168X125 CMS. Author: BARTOLOME GONZALEZ (1564-1627). Location: MUSEO DE HISTORIA-PINTURAS. MADRID. SPAIN. SAN ISIDRO LABRADOR.

Saint John the Baptist, anonymous English, around 1420, carved and polychrome alabaster, San Sebastian de Lermanda, Vitoria-Gasteiz Museum of Sacred Art, María Inmaculada Cathedral, Álava, Spain.

Saint Mark the Evangelist. Date/Period: Ca. 1450. Painting. Mixed technique on canvas. Height: 81.1 cm (31.9 in); Width: 63.6 cm (25 in). Author: ANDREA MANTEGNA.

Lazio Latina Cori S. Oliva53. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister33. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

EXTASIS DE S FRANCISCO- MANIERISMO ESPAÑOL. Author: EL GRECO-Domenikos Theotokopoulos (1540-1614). Location: HOSPITAL TAVERA-HOSPITAL DE SAN JUAN BAUTISTA. Toledo. SPAIN.

Tuscany Siena Serre di Rapolano Palazzo di Giustizia4. Hutzel, Max 1960-1990 Medieval: Gothic architecture (restored) and architectural sculpture; fragments of fresco (14th century) Object Notes: Includes attached loggia. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Orte S. Silvestro Museo Diocesano d'Arte Sacra18. Hutzel, Max 1960-1990 Medieval: Romanesque architecture (12th century), architectural sculpture, 8th century mosaic, paintings on canvas and panel, including 13th century panel with scenes from the life of St. Francis, sculpture, carved wooden coffin, church furnishings. Post-medieval: Paintings on canvas and panel Antiquities: Fragments of sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bettona (Umbria - PG), Municipal Art Gallery. Perugino, Sant'Antonio da Padova and devotee, tempera on canvas, second decade of the 16th century (from the church of Sant'Antonio)

you have a miking; 1801-1900 (1801-00-00-1900-00-00);Gomulicki, Wiktor (1848-1919)-collections, Mikołaj from Mira (Saint-Ca 270-INTER 345 ET 352), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance)

Print made by Johann Lorenz Haid, 1702-1750, German, S. Bartholomaeus, early 1750s. Mezzotint on moderately thick, slightly textured, beige laid paper.

CUADRO "SAN FRANCISCO EN ORACION", RETRATO DE SAN FRANCISCO DE ASIS. AUTOR: FRANCISCO DE ZURBARAN. (OLEO SOBRE LIENZO). COLECCION PRIVADA.

Massimo Stanzione Attributed to / 'Soldier bearing the head of John the Baptist'. Before 1630. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Luis de Morales / 'Saint John the Baptist', ca. 1565, Spanish School, Oil on panel, 47 cm x 34 cm, P00950. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Lazio Roma Ponzano Romano Parish church5. Hutzel, Max 1960-1990 Exterior view of flank and facade and detail of 16th century campanile. Interior views of nave and ceiling; remaining views of paintings, some from S. Andrea in Flumine, and of reliquaries, crucifixes, statues. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Ventaroli S. Maria in Foro Claudio0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ARROBAMIENTO MISTICO S FCO JAVIER. Author: FRANCISCO HERRERA EL VIEJO (1590-1655). Location: UNIVERSIDAD. Sevilla. Seville. SPAIN. SAN FRANCISCO JAVIER (1506-1552).

SaintPeter. Artist: Master of Città di Castello, Italian, Siena, active ca. 1290-ca. 1325

Saint Cecilia, right wing of a triptych. Dating: 1490 - 1500. Measurements: support: h 65.2 cm; suppport: w 23.5 cm; d 5 cm. Museum: Rijksmuseum, Amsterdam. Author: Master of the Brunswick Diptych (attributed to).

Solon, Berruguete, Pedro (1450-1503)

SAN VICENTE FERRER - SIGLO XVII - OLEO/LIENZO - 113 x 90 cm - NP 2629 - BARROCO ESPAÑOL. Author: ANONIMO ESPAÑOL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Cornelis Schut / 'Saint Francis of Assisi in Ecstasy'. XVII century. Reddish wash, Pencil, Pencil ground, Grey-brown ink on laid paper. Museum: Museo del Prado, Madrid, España.

'Saint Michael', 1475-1485, Mixed media on panel, 140 cm x 75 cm, P06895. Author: MIGUEL XIMENEZ (S XV). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Lazio Roma Rome S. Croce in Gerusalemme04. Hutzel, Max 1960-1990 Medieval: Cosmati pavement, architecture (facade). Post-medieval: Architecture, architectural sculpture, sculpture, frescoes: "Leggenda della Santa Croce," Antoniazzo Romano (attr) & "S. Elena sale al cielo," Corrado Giaquinto; mosaic ceiling in Cappella di S. Elena; coats-of-arms German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bugenhagen, Johannes Designer: Cranach, Lucas (The Younger) Dating: 1541/1580

Anonymous / 'Penitent Magdalene'. XVII century. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Saint Francis Xavier with a divine light emanating towards him from the upper left, with a crucifix, mitre, and book on a table at left. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Schelte Adams à Bolswert (Dutch, Bolsward 1581-1659 Antwerp). Dimensions: Sheet (Trimmed): 15 9/16 × 10 3/16 in. (39.6 × 25.8 cm). Date: ca. 1623-33. Museum: Metropolitan Museum of Art, New York, USA. Author: After Peter Paul Rubens. Schelte Adams à Bolswert.

Abruzzo Teramo Campli S. Giovanni1. Hutzel, Max 1960-1990 Details of both the exterior and interior Medieval architecture of the church; interior photos show details of the Baroque paintings and Medieval Frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Luis Tristán / 'Portrait of a Carmelite', ca. 1620, Spanish School, Oil on canvas, 110 cm x 84 cm, P05206. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Portrait of A. Stroynowski unknown

SAN ANTONIO ABAD -. Author: JUSEPE DE RIBERA. Location: PRIVATE COLLECTION. Palma. MALLORCA. SPAIN.

'St Bernard'. Spain, 1577-1579. Dimensions: 116x79,5 cm. Museum: State Hermitage, St. Petersburg. Author: Greco El (Doménikos Theotokopoulos).

Dantis Amor - Finished Study, 1859-1860. Dante Gabriel Rossetti. Central figure is Love dressed as a pilgrim. This is a study for the oil painting Dantis Amor ('Dante's Love') which was painted in 1850 as the middle panel of a cabinet for William Morris's Red House at Upton (now dismantled). The subject is a symbolic representation of Beatrice's death.

Santa Barbara, 17th century, oil on canvas, Diocesan Museum of Jaca, Huesca, Spain.

The reader, Valentine Green, After Reynolds, 1749 - 1813 print glass. paper. oil paint (paint)

Saint Anthony of Padua. Hans Memling; Netherlandish, 1435/40-1494. Date: 1480-1490. Dimensions: Frame: 41.3 × 33.3 cm (16 1/4 × 13 1/8 in.)Painted surface: 34.9 × 26.6 (13 3/4 × 10 7/16 in.)Reverse: 34.7 × 26.5 cm (13 5/8 × 10 7/16 in.). Oil on panel. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Dantis Amor, Finished Study, 1859-1860 Dante Gabriel Rossetti, Central figure is Love dressed as a pilgrim. This is a study for the oil painting Dantis Amor ('Dante's Love') which was painted in 1850 as the middle panel of a cabinet for William Morris's Red House at Upton (now dismantled). The subject is a symbolic representation of Beatrice's death., Drawing, Ink, Pre-Raphaelite, Art Movement, Symbolism

Lazio Rieti Leonessa S. Pietro3. Hutzel, Max 1960-1990 Medieval: Exterior views of architecture, and architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes (15th century), wall painting (17th century), sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Ancient manuscript Illuminations & miniatures. 1934, Middle East

Sergeyev, P.G. (20th century) State Central Artillery Museum, St. Petersburg 1945 87x67 Oil on canvas Soviet Art Russia

Strength Jean-Fran�ois BREMOND (1807-1868). Sketch for Saint-Jacques-Saint-Christophe-de-la-Villette church: The Force . Oil on canvas, circa 1843.

Mocenigo palace, perfume museum, venice, Italy

Monterubbiano Polyptych, by Alemanno Pietro, 15th Century, tempera, cm 146 x 33

Portrait of Zeno van Elea, Bernard Picart, After Rembrandt van Rijn, 1699 print Paris paper

Portrait of Peter Paul Rubens (1577-1640), Anthony van Dyck (after), c. 1630 - c. 1650 painting Portrait of a man, identified as Peter Paul Rubens, painter and diplomat. Halved with the right hand over the chest. panel. oil paint (paint) portrait, self-portrait of artist. historical persons

Philipp Melanchthon (1497-1560). German religious reformer. Portrait. Chromolithography. Historia Universal, by César Cantú. Volume VIII. Published in Barcelona, 1886.

Bliżej Kultury Unknown, Eljasz Radzikowski, Walery (1841 1905)

Campania Napoli Naples S. Lorenzo Maggiore81. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Juan Sánchez de San Román / 'Cristo Varón de Dolores', ca. 1500, Spanish School, Panel, 40,3 cm x 30,3 cm, P07289. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

SAN PEDRO PREDICANDO - SIGLO XVIII - OLEO/LIENZO - 134x98 cm - NEOCLASICISMO ESPAÑOL. Author: ANTON RAPHAEL MENGS. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. APOSTLE PETER.

The Prophet Hosea, predella of an altarpiece by Gherardo Starnina, known as Master of the Bambino Vispo (ca 1360-before 1413), panel.

Head of Christ. Artist: European Painter (before 1500). Dimensions: Overall, with engaged frame, 19 3/8 x 14 1/8 in. (49.2 x 35.9 cm); painted surface 16 3/4 x 12 1/2 in. (42.5 x 31.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Frascati S. Maria in Vivario5. Hutzel, Max 1960-1990 Exterior views, including facade, bell tower, fountain, and a fresco (damaged).; interior views of nave, apse fresco, altar (sarcophagus), crucifix, cupola, and baptismal font. Antiquities: One sarcophagus that serves as an altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

King Richard II by unknown painter, tempera on panel, circa 1390, England, London, Westminster Abbey

Umbria Terni Amelia SS. Filippo e Giacomo0. Hutzel, Max 1960-1990 Medieval: Church dates from 1287, cloister 15th century. Post-medieval: Interior renovated 1767; views include architecture, architectural sculpture, altar, statues, organ, wall paintings, paintings on canvas, frescoes, panels, tombs, wood cabinets, marble holy water basin. All views of the exterior and several of the tombs are stored in the Medieval core colection. The Hutzel Collection coverage is of the interior, including painting, statues, and tombs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by p

Abruzzo, L'Aquila, S. Giuliano, S. Giuliano, Italy, 20th century, photo, photography, Europe

The Blessed Henry Suso - 1636/38 - oil on canvas - 209x154 - Spanish Baroque. Author: FRANCISCO DE ZURBARAN. Location: MUSEO DE BELLAS ARTES-CONVENTO DE LA MERCED CALZAD. Sevilla. Seville. SPAIN. SUSO BEATO ENRIQUE. BEATO ENRIQUE SUSO.

Mosaic with representation of Raphaël, Cuypers Art Workplaces Mosaic of glass, polychrome and gold colored, with a performance Raphaël. Subsurfber concrete. glass. concrete mosaic Mosaic of glass, polychrome and gold colored, with a performance Raphaël. Subsurfber concrete. glass. concrete mosaic

'St Antoninus'. Italy, Late 15th - early 16th century. Dimensions: 23,5x16,2 cm. Museum: State Hermitage, St. Petersburg. Author: late 15th-early 16th centuries Unknown artist of the Florentine school.

Lazio Viterbo Tuscania Cathedral3. Hutzel, Max 1960-1990 Post-medieval: Architecture, 16th century (largely restored in the 18th century); paintings on canvas and panel; fresco; sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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