Medieval Illuminated Manuscripts

Richly decorated pages featuring biblical scenes and historical narratives, including vibrant colors and intricate border designs from 14th-16th century Europe.

Jacques de Lalaing Jousting with the Sicilian Knight before the Duke of Burgundy; Master of the Getty Lalaing (Flemish, active about 1530); Belgium; about 1530; Tempera colors, gold leaf, gold paint, and ink; Leaf: 36.4 × 26.2 cm (14 5,16 × 10 5,16 in.)

Saint Mark; Master of Jean de Mandeville (French, active 1350 - 1370); Paris, France; about 1360 - 1370; Tempera on parchment; Leaf: 34.9 x 26 cm (13 3,4 x 10 1,4 in.)

Jacques de Lalaing Fighting the Esquire Jean Pitois at the Passage of Arms of the Fountain of Tears. Master of the Getty Lalaing (Flemish, active about 1530)

Hosea and Gomer. Master of Jean de Mandeville (French, active 1350 - 1370)

BREVIARIO DE CARLOS V - SIGLO XVI - VIT4 F165V - VICTORIA GRANADA Y EMPERADOR. Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Charles I (V of the Holly Roman Empire). CARLOS V ALEMANIA-CARLOS I DE ESPAÑA (1500-1558).

The Founding of Alexandria-in-Caucaso. Master of the Jardin de vertueuse consolation and assistant (Flemish, active 3rd quarter of 15th century)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 143r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

The Blinding of Tobit with Tobias and the Angel; Master of Jean de Mandeville (French, active 1350 - 1370); Paris, France; about 1360 - 1370; Tempera colors, gold, and ink on parchment; Leaf: 34.9 x 26 cm (13 3,4 x 10 1,4 in.)

Saint Luke; Master of Jean de Mandeville (French, active 1350 - 1370); Paris, France; about 1360 - 1370; Tempera on parchment; Leaf: 34.9 x 26 cm (13 3,4 x 10 1,4 in.)

Jacques de Lalaing Jousting with the Sicilian Knight before the Duke of Burgundy; Master of the Getty Lalaing (Flemish, active about 1530); Belgium; about 1530; Tempera colors, gold leaf, gold paint, and ink; Leaf: 36.4 × 26.2 cm (14 5,16 × 10 5,16 in.)

Cyrus the Great, Founder of the Persian Empire, killed by Thamaris, Queen of the Massagetai. Boucicaut Master Illuminator (French, active about 1390 - 1430)

King Mark Preventing Iseult from Killing Herself; Paris, France; about 1320 - 1340; Tempera colors, gold paint, and silver and gold leaf on parchment; Leaf: 39.4 x 29.8 cm (15 1,2 x 11 3,4 in.)

Courtly scene, miniature from the Florence school, Italy 12th Century.

Initial Q: Gillion Defeating the King of Gibraltar; Lieven van Lathem (Flemish, about 1430 - 1493), David Aubert (Flemish, active 1453 - 1479); Antwerp, Belgium; 1464; Tempera colors, gold, and ink on parchment; Leaf: 37 x 25.5 cm (14 9,16 x 10 1,16 in.)

Scenes from the Life of Noah. Unknown

The Expulsion from Paradise; Master of Jean de Mandeville (French, active 1350 - 1370); Paris, France; about 1360 - 1370; Tempera colors, gold, and ink on parchment; Leaf: 34.9 x 26 cm (13 3,4 x 10 1,4 in.)

Scenes from the Lives of Jacob and Joseph; Paris, France; about 1250 - 1260; Tempera colors, gold leaf, and ink on parchment; Leaf: 19.2 x 13.3 cm (7 9,16 x 5 1,4 in.)

Miniature showing 1. Venus enthroned as Queen of Cypriens, beneath a red canopy, surrounded by couples at play; 2. temple scene with worshippers and statue of goddess; 3. scene showing prostitues; 4. ships in harbor. Border design, initial and rubric.. 1450. Boccaccio, Giovanni (1313-1375). text. Illuminations, Manuscripts, Miniatures (illuminations). Spencer Collection. Women

The Torment of Unbelievers and Heretics; Simon Marmion (Flemish, active 1450 - 1489); Valenciennes, France; 1475; Tempera colors, gold leaf, gold paint, and ink on parchment; Ms. 30, fol. 14v

Cain and Abel Offering Gifts; Master of Jean de Mandeville (French, active 1350 - 1370); Paris, France; about 1360 - 1370; Tempera colors, gold, and ink on parchment; Leaf: 34.9 x 26 cm (13 3,4 x 10 1,4 in.)

Border with the Crossing of the Red Sea; Simon Bening (Flemish, about 1483 - 1561); Bruges, Belgium; about 1525 - 1530; Tempera colors, gold paint, and gold leaf on parchment; Leaf: 16.8 x 11.4 cm (6 5,8 x 4 1,2 in.)

Miniature of Semiramis on horseback, in full armor, with head bare. She leads an army against Babylon, which is shown as a castle defended by crossbowmen. Border design, initial, rubric.. 1450. Boccaccio, Giovanni (1313-1375). text. Illuminations, Manuscripts, Miniatures (illuminations). Spencer Collection. Women

Constellation. Unknown

Probably born in Venice around 1254 CE, Marco Polo was raised by his aunt and uncle after his mother died. His father, Niccolo, was a Venetian merchant who left before Marco was born to trade in the Middle East. Niccolo and his brother Maffeo passed through much of Asia and met with Mongol emperor Kublai Khan who reportedly invited them to be ambassadors. In 1269, Niccolo and Maffeo returned to Venice, meeting Marco for the first time. In 1271, Marco Polo, aged 17, with his father and his uncle, set off for Asia, travelling through Constantinople, Baghdad, Persia, Kashgar, China and Burma. They returned to Venice 24 years and 15,000 miles later with many riches. Upon their return, Venice was at war with Genoa, and Marco Polo was imprisoned. He spent the few months of his imprisonment dictating his adventures to a fellow inmate, Rustichello da Pisa, who incorporated the tales into a book he called 'The Travels of Marco Polo'. The book documented the use of paper money and the burning of

LIBRO DE HORAS DE ISABEL LA CATOLICA - PG 166 - SIGLO XV - VITELA - 21,7x14 cm. Location: PALACIO REAL-BIBLIOTECA. MADRID. SPAIN.

Miniature of John the Evangelist, 3-line initial, border with grotesques and coat of arms.. 1470. Religious books, Manuscripts. Manuscripts and Archives Division

Adam and Eve Eating the Forbidden Fruit. Master of Jean de Mandeville (French, active 1350 - 1370)

The Creation of the World; Unknown; Hildesheim, Germany, Europe; probably 1170s; Tempera colors, gold leaf, silver leaf, and ink on parchment; Leaf: 28.2 x 18.9 cm (11 1/8 x 7 7/16 in.)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 150r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 6r, May, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Christ on the Cross with Pope Pius II. Dated: c. 1475. Dimensions: Overall: 36 x 26 cm (14 3/16 x 10 1/4 in.) overall (external frame dimensions): 59.7 x 44.5 cm (23 1/2 x 17 1/2 in.). Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

The beheading of Gerard van Velsen. Man kneeling with blindfold. In addition to him a man, of which head has been cut off, with a sword in his hand.

Valerius Maximus's Facta et dicta memorabilia: Opening Page of Book IX of Valerius Maximus's Facta et dicta memorabilia, c. 1476. Flanders, 15th century. Pen and brown ink, watercolor, and gouache; framing lines in brown ink around image; with letterpress text; sheet: 38.4 x 28.2 cm (15 1/8 x 11 1/8 in.).

Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica4. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 28v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Miniature showing 1. Hypsipyle enthroned in public square, before her husband's supposed pyre, with armed women slaying men; 2. Hypsipyle sold to pirates by Lycurgus; 3. Hypsipyle and Lycurgus on boats. Initial and border design.. 1450. Boccaccio, Giovanni (1313-1375). text. Illuminations, Manuscripts, Miniatures (illuminations). Spencer Collection. Women

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 204v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

City walls of Jerusalem / Illumination

MTI1 - CANTIGA DE SANTA MARIA Nº 5 - F11V - LA VIRGEN DEFIENDE LA CIUDAD DE CESAREA DEL EMPERADOR JULIANO - SIGLO XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. SAN BASILIO. JULIANO EMPERADOR. JULIANO EL APOSTATA.

CANTIGA STA MARIA Nº261-F45V-MUJER CUYO DESEO ERA VER PERSONAS BUENAS DE QUIENES OIA HABLAR-S XIII. Author: Alfonso X of Castile. Location: BIBLIOTECA NACIONAL COLECCIÓN. Florenz. ITALIA.

Prusias II, King of Bithynia, Reduced to Begging. Date/Period: Ca. 1413 - 1415. Folio. Tempera colors, gold leaf, gold paint, and ink on parchment. Height: 420 mm (16.53 in); Width: 296 mm (11.65 in). Author: UNKNOWN.

Decorated Incipit Page. Date/Period: Ca. 1120 - 1140. Folio. Tempera colors, gold, and silver on parchment. Height: 229 mm (9.01 in); Width: 165 mm (6.49 in). Author: UNKNOWN.

The city, miniature from De universo by Rabano Mauro, manuscript, 1023 Italy.

MTI1-CANTIGA STA MARIA Nº 44-F64R-CABALLERO RECUPERA SU AZOR GRACIAS A LA VIRGEN-S XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 107v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Saint Lupo from Heiligenleben (Lives of the Saints), Plate 5 from Woodcuts from Books of the 15th Century. Unknown Artist (Augsburg, 15th century); printed and published by Anton Sorg (German, c. 1430-1493); original text by Jacobus de Voragine (Italian, c. 1230-1298); portfolio text by Wilhelm Ludwig Schreiber (German, 1855-1932). Date: 1488. Dimensions: 83 x 63 mm (image); 247 x 184 mm (sheet). Woodcut in black with hand-colored additions, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat. Origin: Germany. Museum: The Chicago Art Institute, USA.

Miniature depicting 1. Venus enthroned as Queen of Cyprus, beneath a red canopy, surrounded by couples at play; 2. temple scene with worshippers and a statue of the goddess; 3. scene showing prostitutes; 4. ships in harbor. Includes border design, initial, and rubric., Approx. 1450

Petrarch at the fountain of Vaucluse, accompanied by two nymphs or muses playing musical instruments. Majorana, Cristoforo (Italian illuminator, active ca. 1480-1494). 1490 - 1510. Petrarca, Francesco, 1304-1374. Religious books, Manuscripts. Manuscripts and Archives Division

Canon Table Page; Mesrop of Khizan (Armenian, active 1605 - 1651); Isfahan, Persia; 1615; Tempera colors, gold paint, and gold leaf on glazed paper; Leaf: 23 x 17.1 cm (9 1,16 x 6 3,4 in.)

The Martyrdom of Saint Lucy from Heiligenleben, Sommerteil (Lives of the Saints, Summertime), Plate 20 from Woodcuts from Books of the 15th Century Original 1488 Germany. Woodcut in black with hand-colored additions, and letterpress in black with rubrication, (recto and verso), on cream laid paper, tipped onto cream wove paper mat . Unknown artist (Illustrator)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 76r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Illuminated page from the Canzone by Guido Guinizzelli, page of the Codex Br 217c Palat 418, Italy 13th Century.

The Entry into Jerusalem; Master of Guillaume Lambert and workshop (French, active about 1475 - 1485); Lyon, France; about 1480 - 1490; Tempera colors, gold and silver paints, silver leaf, and black ink on parchment; Leaf: 30.5 x 21.6 cm (12 x 8 1,2 in.)

Theater with the personification of Eendracht (Concordia), 1578, 1578 - 1579 Theater with the personification of Eendracht (Concordia). On the opposite page a cartouche with the verse that stood above the stage. Theater performance during the entry of Matthias in Brussels, January 18, 1578. Antwerp paper Brussels Theater with the personification of Eendracht (Concordia). On the opposite page a cartouche with the verse that stood above the stage. Theater performance during the entry of Matthias in Brussels, January 18, 1578. Antwerp paper Brussels

Gaston III of Foix-Bearn and the hunters, miniature from Livre de chasse (Book of the Hunt) by Gaston III of Foix-Bearn (Gaston De Phoebus), 14th Century.

MTI1-CANTIGA STA MARIA Nº97-F141V-VIRGEN SALVA A VALIDO DEL REY QUE LO HABIAN CALUMNIADO-1272. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. Alfonso X of Castile. MATEO DOMINGO.

Page from an illuminated manuscript, poems of Charles, Duke of Orleans. Flemish work of around 1500. From Britain and Her Neighbours, 1485 - 1688, published 1923.

Saint Lupo from Heiligenleben (Lives of the Saints), Plate 5 from Woodcuts from Books of the 15th Century Original 1488 Germany. Woodcut in black with hand-colored additions, and letterpress in black (recto and verso), on cream laid paper, tipped onto cream wove paper mat . Unknown artist (Illustrator)

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 244r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Illuminated page from the Chronicles of Venice, manuscript, Italy 15th Century.

Akephalos and Kynokephalos; Ghent, Belgium; about 1475; Tempera colors, gold leaf, and gold paint on parchment; Leaf: 43.8 x 30.5 cm (17 1,4 x 12 in.)

Alexander's Illness at the Cydnus River and the Death of Sisinnes. Date/Period: Ca. 1470 - 1475. Folio. Tempera colors, gold leaf, gold paint, and ink on parchment. Height: 432 mm (17 in); Width: 330 mm (12.99 in). Author: Master of the Jardin de vertueuse consolation and assistant.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 20v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

COMENTARIOS AL APOCALIPSIS-FOLIO 105V, EL CUARTO ANGEL TOCA LA TROMPETA. Author: BEATO DE LIEBANA. Location: CATEDRAL-BIBLIOTECA. BURGO DE OSMA. Soria. SPAIN.

Book of Hours.

Leaning

The woman and the drunkard end; The boar and the mouse; The donkey in the lion's skin.. 1480. Aesop. Manuscripts, Illuminations, Miniatures (illuminations). Spencer Collection

MTI1 - CANTIGA DE SANTA MARIA Nº 68 - F101R-RECONCILIACION DE MUJERES RIVALES EN AMORES - SIGLO XIII. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Design for a Two-Handled Platter 1845-55 Alfred Henry Forrester Alfred Crowquill British. Design for a Two-Handled Platter 394837

FERNANDEZ DE HEREDIA, Juan (1310-1396). Grand Master of the Order of Knights of the Hospital of St. John of Jerusalem, historian and bibliophile. 'La CrÑnica de los Conqueridores' (The Chronicle of the Conquerors). Chapter letter with portrait of Fernàndez de Heredia. Edition executed in Avignon (1385). Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Library.

LIBRO DE JUEGOS O LIBRO DEL AJEDREZ DADOS Y TABLAS - 1283 - FOLIO 10V - DOS JUGADORES DE AJEDREZ CON UN CRIADO SIRVIENDO. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 33v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Decorated Initial D with Leaves and Two Balls from a Choir Book 1401-1500 France. Manuscript cutting in tempera and gold leaf on vellum .

Scene inspired by the death of Jacob, miniature from the Pantheon by Goffredo of Viterbo, Latin manuscript.

Abruzzo L'Aquila Celano Museum04. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Eighth Generation, Anthony Derrer; Nuremberg, Germany; about 1626 - 1711; Tempera colors with gold and silver highlights on parchment; Leaf: 37.6 x 26 cm (14 13,16 x 10 1,4 in.)

Madrid, National Library. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 41v, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

The Animals Enter Noah's Ark (Genesis 6:13-7:16). Date/Period: Ca. 1250 (Medieval). Illuminated manuscripts; folios (leaves). Ink and pigment on parchment ink and pigment on parchment. Height: 13.20 mm (0.51 in); Width: 9.50 mm (0.37 in). Author: WILLIAM DE BRAILES.

Woodcutter: Unknown, SaintMartha, Hand-colored woodcut, block: 8.8 × 18.2 cm (3 7/16 × 7 3/16 in.), Made in Germany, German, 15thcentury, Works on Paper -Prints

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 242r, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Illumination from the Belles Heures of Jean de France, Duc de Berry (The Beautiful Hours) an early 15th-century illuminated manuscript book of hours. Dated 15th Century

The Poet with His Epilogue (from The Hunt of the Frail Stag). Culture: South Netherlandish. Dimensions: Overall: 36 3/8 x 35in. (92.4 x 88.9cm)Framed: 39 5/8 x 40 x 2 in. (100.6 x 101.6 x 5.1 cm). Date: ca. 1495-1510. Museum: Metropolitan Museum of Art, New York, USA.

Aiming Points on the Body. Fiore Furlan dei Liberi da Premariacco (Italian, about 1340/1350 - before 1450)

The Tower of London during the Captivity of Charles, duc d'Orleans, after Agincourt - from a manuscript of his poems Date: circa 1500

Alexander Attacks the City of Tyre. Date/Period: Ca. 1470 - 1475. Folio. Tempera colors, gold leaf, gold paint, and ink on parchment. Height: 432 mm (17 in); Width: 330 mm (12.99 in). Author: Master of the Jardin de vertueuse consolation and assistant.

Decorated Incipit Page. Unknown

The weasel and the rooster., 1480, Florence

Emilia-Romagna Ferrara Ferrara Museo Civico di Schifanoia06. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A colored woodcut by Albrecht Altdorfer from around 1500 depicting Saint Achatus, illustrating religious symbolism, detailed figures, and Northern Renaissance printmaking techniques.

Bordspel 'Het nieuw vermakelijk ganzenspel / Le nouveau jeu d'oie' / Board game 'The new entertaining goose game / Le nouveau jeu d'oie' circa 1800.

Diagram with a Dove; Unknown; Thérouanne , France (formerly Flanders), Europe; fourth quarter of 13th century (after 1277); Tempera colors, pen and ink, gold leaf, and gold paint on parchment; Leaf: 23.3 x 16.4 cm (9 3/16 x 6 7/16 in.)

Decorated Incipit Page; Würzburg, Germany; about 1240 - 1250; Tempera colors, gold leaf, and silver leaf on parchment; Leaf: 22.7 x 15.7 cm (8 15,16 x 6 3,16 in.)

Tuscany Siena Montalcino Museo Civico5. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Civico40. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino Museo Civico58. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

COMENTARIOS AL APOCALIPSIS, EL TERCER ANGEL DERRAMO SU COPA SOBRE LOS RIOS - BEATO DEL ESCORIAL - SIGLO X. Author: BEATO DE LIEBANA (730-798). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN. URIEL ARCANGEL / ARCANGEL URIEL.

'The Painter and the Devil', MTI1, The Cantigas de Santa Maria, Number 74, F109R, 13th century. Author: ALFONSO X EL SABIO (1221-1284). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

Tuscany Siena Montalcino Museo Civico43. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Chess Problem; Northern France, France; late 14th century; Tempera colors and gold leaf on parchment; Leaf: 24.8 x 16.8 cm (9 3,4 x 6 5,8 in.)

Abruzzo L'Aquila Celano Museum95. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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