Medieval Religious Art Panels

Intricate altar panels and epitaphs depicting biblical themes and saints, showcasing detailed craftsmanship and vibrant color palettes.

Flight Into Egypt C.1315/20 Giotto (ca.1266-1337 Italian) Fresco Capella Scrovegni, Padua, Italy

Epitaph for Dr Balthasar van Distelhuysen 1502, St., Sankt, Saint

Panel from Saint John Retable 1464-1507 Domingo Ram Spanish. Panel from Saint John Retable. Domingo Ram (Spanish, Aragon, active 1464-1507). Spanish. 1464-1507. Tempera on wood, gold ground. Made in Aragon, Spain. Paintings-Panels

Saint Martin and the Beggar; and Saint George and the Dragon - the wings of an altarpiece. Circle of Johann Koerbecke (circa 1420-1490). Oil on panel. 137.5 x 53cm.

The Annunciation. Johann Koerbecke; German, about 1420-1490. Date: 1420-1457. Dimensions: Panel: 93.3 × 65.8 cm (36 3/4 × 25 7/8 in.); Painted Surface: 36 3/16 × 25 1/4 in. Oil on panel, transferred to canvas. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Christ at the Column ca. 1440-70 Delli brothers Italian Dating from around 1440-70, this large, well preserved, delicately rendered drawing on fine vellum is of great rarity and historical significance. The drawing embodies the unique mixture of Italian and Spanish elements that prominently defined painting in early to mid-15th century Spain, particularly in the regions of Castilla and Leon. It was produced in Spain, in the workshop of the Delli brothers (Dello Delli, Niccolò Delli, and Sansone Delli), Florentine artists who established themselves in the region of Salamanca and Avila in Spain, between 1433 and 1445. Their most famous work is the monumental main altarpiece (retablo mayor) of the Old Cathedral of Salamanca, from 1437-45. Born in Florence around 1403, the eldest brother, Dello Delli, who was called "Daniel Florentino" in Spain, was probably the leader of the workshop, and is the most famous of the brothers, as he was the subject of a biography by the eminent historian Gio

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 189v, St. Catherine, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

Madonna and Child Seated on a Grassy Bank with Angels. Dated: 1480/1490. Dimensions: image: 8.9 x 5.9 cm (3 1/2 x 2 5/16 in.) sheet: 11 x 7.9 cm (4 5/16 x 3 1/8 in.). Medium: woodcut in dark brown, hand-colored in light red lake, dark blue, green, brown, gold, and orange. Museum: National Gallery of Art, Washington DC. Author: German 15th Century.

Flight Into Egypt C.1315/20 Giotto (ca.1266-1337 Italian) Fresco Capella Scrovegni, Padua, Italy

Frescoes in the cloister at the Brixen Cathedral, Brixen, South Tyrol, Italy, Europe

The Sun Artist Unknown (Italian) Palazzo Della Ragione, Padua

Four Scenes from the Life of St Ursula Valencian School circa 1400 in the interior of the Lady Lever Gallery in Port Sunlight Model Village Wirral Peninsula Merseyside England UK United Kingdom GB Great Britain British Isles Europe EU

ARTE GOTICO. ESPAÑA. S. XIV. SERRA (Hermanos). ADORACION DE LOS PASTORES, pintura sobre tabla que pertenece al retablo del monasterio de Sigena (Huesca). Costeado por el comendador Fray Fontaner de Glera. Se puede fechar entorno de 1375. Museo Nacional de Cataluña. Barcelona. Cataluña.

Apocalypse medieval tapestry, Angers castle, france ANGERS, FRANCE, MARCH 23, 2024 : Apocalypse medieval tapestry, by Jean Bandol and Nicholas Bataille, 14 th century, Angers castle, france Copyright: xZoonar.com/patrickxmichelettix 22206189

The Madonna of Humility with the Temptation of Eve by Olivuccio di Ciccarello, circa 1400

Europa Gustave Moreau (1826-1898/French) Musee des Beaux-Arts, Rouen

Tapestry with Ester presented to Ahasuerus. Date/Period: 1590 - 1510. Wool, silk, silver, gold thread. Height: 255 mm (10.03 in); Width: 308 mm (12.12 in). Author: Workshop of Brussel.

Nicolas Auguste Hesse (1795-1869). Sketch for Notre-Dame-de-Bonne-Nouvelle: David, King of Israel. Oil on canvas. 1840. Museum of Fine Arts of the City of Paris, Petit Palais. Crown, sketch, harp, Notre-Dame-de-Bonne-Nouvelle, king of Israel, oil on canvas

LIBRO DE HORAS DE LEONOR DE LA VEGA- LA ANUNCIACION - MANUSCRITO FLAMENCO - 1465-1470. Author: VRELANT GUILLERMO. Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

'Madonna with Child Enthroned with St James the Less, St John the Baptist, St Nicholas and St Lawrence'. Italy, Second half of the 1380s. Dimensions: 132x162 cm. Museum: State Hermitage, St. Petersburg. Author: Giovanni di Bartolomeo Cristiani.

Fra Angelico /Adoration of th.Kings/1434

Saint Gregory; Taddeo Crivelli (Italian, died about 1479, active about 1451 - 1479); Ferrara, Emilia-Romagna, Italy; about 1469; Tempera colors, gold paint, gold leaf, and ink on parchment; Leaf: 10.8 x 7.9 cm (4 1,4 x 3 1,8 in.)

The Dream of Pope Sergius. Date/Period: Late 1430s. Painting. Oil on panel. Height: 889 mm (35 in); Width: 800 mm (31.49 in). Author: Workshop of Rogier van der Weyden.

The Song of Solomon - I opened to my Beloved, 1862-3. Sir Edward Burne-Jones (d.1898). Design for St Helen's Church, Darley Dale, Derbyshire, England

United Kingdom, England, The King and his councillor, miniature from the Sacramentarium of Robert de Jumieges, circa 1050

David holding Goliath s Head, part of the fresco cycle with Stories from the Life of the Virgin, by Taddeo Gaddi, Baroncelli Chapel in the Basilica di Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy David holding Goliath s Head, part of the fresco cycle with Stories from the Life of the Virgin, by Taddeo Gaddi, Baroncelli Chapel in the Basilica di Santa Croce Basilica of the Holy Cross - famous Franciscan church in Florence, Italy Copyright: xZoonar.com/ZvonimirxAtletix 20396224

Pentecost; Girolamo da Cremona, Italian, active about 1450 - 1485; Mantua (possibly), Italy, Europe; about 1460 - 1470; Tempera colors and gold paint on parchment; Leaf (cutting): 20.1 x 12.9 cm (7 15/16 x 5 1/16 in.)

Fresco(XV), Vasca Limaria (XI Roman building), Capitular Museum, Atri, Abruzzo, Italy

In. Jan Nepomucen; Balcewicz, Franciszek Wac Aw (Fl. Ca 1748-1760); around 1750 (1740-00-00-1760-00-00);

The Capture of Christ. Artist Unknown; Bavarian, 15th century. Date: 1460-1465. Dimensions: 100 × 75 mm (plate); 105 × 80 mm (sheet). Metalcut in black hand colored with brush and watercolor in yellow, red-brown lake, and green, on ivory laid paper, with manuscript text in pen and brown ink on verso. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Four Episodes in the Story of Hercules ca. 1515-35 South Netherlandish. Four Episodes in the Story of Hercules. South Netherlandish. ca. 1515-35. Wool warp; wool and silk wefts. Textiles-Tapestries

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

Virgin and Child,1868. Sir Edward Burne-Jones (d.1898)

God creates Woman and introduces her to Adam. ca. 1630. Series of the Genesis or The Creation of Man. Cardboard after original of Michiel Coxcie. Manufacturing in Brussels by Jan Aerst. Silk and wool. 330 x 260 cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Burgos. Cathedral of St. Mary.

AZULEJO PROFETA JOSIAS. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN.

The History of Hannibal: Hannibal in Italy. ca. 1570. Citizens handing the keys to your city to Hannibal. Third cloth preserved of the series. Brussels manufacture. Wool and silk. 6.5 / 7 threads per cm. 340 x 336 cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.

TAPIZ-MANUFACTURA FLAMENCA:VIRGEN CON NIÑO Y ANGEL.S XVI.TESORO DE LA SEO DE ZARAGOZA. Location: MUSEO ARQUEOLOGICO NACIONAL-COLECCION. MADRID. SPAIN.

The Book Of Rivers, from Livre des proprietes des choses by Jean Cordicho, manuscript, France 14th Century.

John Dixon, Fireplace Tile, c 1936 Fireplace Tile

Virgin Annunciate, by Ferrari Gaudenzio, 1539, 16th Century, fresco transferred to canvas, wooden frame. Italy, Lombardy, Milan, Brera Art Gallery. Semi-lunette Virgin receiving the Annunciation lectern.

Album n � 4; Stained glass project for Boussy Saint Antoine: Charite Gsell-Laurent workshop. Album n � 4; Stained glass project for Boussy Saint Antoine: Charity. Pencil, watercolor, gouache.

SAINTS MATTHEW AND FRANCIS, by Giovanni di Paolo, 1435, Italian Renaissance tempera painting. This is a panel from a larger altarpiece. The graceful sculptural rhythms of the figure's drapery dominate the painting, while the tactile gold ground contrast in texture, form, and tone (BSLOC_2017_16_62)

painted house with old typical scenes painted house with old typical scenes, Valldemossa,Mallorca, balearic islands, spain, europe Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21723935

Shield of a choral mantle with the dispute of Saint Catharina of Alexandria, Anonymous, c. 1525 Back shield of a choir cap, with embroidery. On the back shield, the dispute of Catharina of Alexandria with emperor Maxentius and philosophers is embroidered. Amsterdam designer: Amsterdam designer: Leiden silk. linen (material). pearl embroidering Sint-JansKerk Back shield of a choir cap, with embroidery. On the back shield, the dispute of Catharina of Alexandria with emperor Maxentius and philosophers is embroidered. Amsterdam designer: Amsterdam designer: Leiden silk. linen (material). pearl embroidering Sint-JansKerk

Anonymous / "Panel of San Felipe", Second half of the 18th century, Terracotta painted on the roof. 196 x 112 x 1.5 cm. SAN FELIPE NERI.

Gothic medieval art in the National Art Museum of Catalonia.Second master of Bierge, scenes from the life of Saint Nicolas (late thirteenth century).

Paradise 1445 Giovanni di Paolo (Giovanni di Paolo di Grazia) Italian Together with a scene of the Creation and Expulsion from Paradise, also in the Metropolitan (Robert Lehman Collection), this picture formed the base (predella) of an altarpiece formerly in the church of San Domenico, Siena (Galleria degli Uffizi, Florence). Painted in 1445, the two paintings rank among the finest works by the artist. Groups of saints and angels embrace in a rich, tapestry-like garden of Paradise. Giovanni di Paolo was much inspired by paintings he saw in Florence by Fra Angelico, but he rejected the perspectival rationalism of Florentine art in favor of a visionary effect of exquisite intensity. For more information about this painting, including a reconstruction of the altarpiece, visit metmuseum.org.. Paradise. Giovanni di Paolo (Giovanni di Paolo di Grazia) (Italian, Siena 1398-1482 Siena). 1445. Tempera and gold on canvas, transferred from wood. Paintings

Stories of St Jerome, 1452, Benozzo Gozzoli (1421-1497), fresco. Chapel of St Jerome, the Church of San Francesco, Montefalco.

Cartel. La vejez. Colección privada. Author: ANTONI VILA ARRUFAT.

Album n � 4; Stained glass project for Boussy Saint Antoine: Esperance Gsell-Laurent workshop. Album n � 4; Stained glass project for Boussy Saint Antoine: Hope. Pencil, blue watercolor and yellow.

Picture series Little Sister and Little Brother Fairy Tale, The King had the stepmother killed, then the queen came back to life and Little Brother got his shape back / Bildserie Brüderchen und Schwesterchen Märchen, Der König ließ die Stiefmutter töten, da wurde die Königin wieder lebendig und Brüderchen bekam seine Gestalt zurück, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital verbesserte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Khwaja Shamsu d-Din Muhammad Hafez-e Shirazi, known by his pen name Hafez (1325/1326-1389/1390),was a Persian lyric poet. His collected works composed of series of Persian poetry (Divan) are to be found in the homes of most Persian speakers in Iran and Afghanistan, as well as elsewhere in the world, who learn his poems by heart and use them as proverbs and sayings to this day. His life and poems have been the subject of much analysis, commentary and interpretation, influencing post-fourteenth century Persian writing more than any other author. Themes of his ghazals are the beloved, faith, and exposing hypocrisy. His influence in the lives of Iranians can be found in 'Hafez readings', frequent use of his poems in Persian traditional music, visual art and Persian calligraphy. His tomb in Shiraz is visited often. Adaptations, imitations and translations of Hafez' poems exist in all major languages.

A Legendary Subject and Saint Michael Fighting theDemon. Artist, attributed to: Lippo d’ Andrea, Italian, Florence, ca. 1370-before 1451

Maestà. Date/Period: 1315 - 1321. Painting. Fresco. Author: SIMONE MARTINI.

Italy - Umbria region - Assisi. Basilica of St. Francis of Assisi, 13th century (UNESCO World Heritage List, 2000). Lower Basilica, right transept. School of Giotto (14th century), The flight into Egypt. Fresco

The great goddess Isis combined with a personification of Fortune. Painted panel from a wooden casket. Roman, made in Egypt, about AD 250-300 From the Fayum, Egypt

Antonio della Corna (ca. 1450/1455-ca. 1500). Italian painter, documented in Cremona and Soncino between 1481 and 1498. Adoration with the Infant Saint John. Tempera on board. Ala Ponzone Civic Museum. Cremona. Italy. Author: Antonio della Corna (ca. 1450/1455-ca. 1500). Italian painter.

The Archangel Raphael and Tobias. Artist: Neri di Bicci (Italian, Florence 1419-1491 Florence). Dimensions: Overall 7 3/4 x 5 3/4 in. (19.7 x 14.6 cm); painted surface 7 3/8 x 5 1/2 in. (18.7 x 14 cm). Date: possibly 1457-63. Museum: Metropolitan Museum of Art, New York, USA.

William the Conqueror presenting a charter to Lord Marmion, and Sleeping Lord Marmion being prodded by St. Editha, 1909. Ford Madox Brown

Maestà (Madonna and Child with Four Angels). Dated: c. 1290. Dimensions: painted surface: 230 × 141.5 cm (90 9/16 × 55 11/16 in.) overall: 240 × 150 × 2.4 cm (94 1/2 × 59 1/16 × 15/16 in.) framed: 252.4 x 159.4 x 13.3 cm (99 3/8 x 62 3/4 x 5 1/4 in.). Medium: tempera on panel. Museum: National Gallery of Art, Washington DC. Author: Master of Città di Castello.

The History of Hannibal: Mago, Hannibal's messenger, in Carthage. ca. 1570. Mago recounts the victory at the battle of Cannae and displays the plunder of rings of the romans before the Senate. Fifth cloth preserved in the series. Brussels manufacture. Wool and silk. 6.5 / 7 threads per cm. Flemish art. Tapestry. SPAIN. CASTILE AND LEON. Zamora. Cathedral Museum.

Count Kraft III von Toggenburg, Swiss poet and singer, died in 1339. Date: early 14th century

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. The Legend of Theodelinda of Gariboldo Receives the Longobard Envoys. The Ambassadors/Spokesmen Return to Italy. Scenes 6 and 7. Gold

The Nuremberg Chronicle is an illustrated world history. Its structure follows the story of human history as related in the Bible; it includes the histories of a number of important Western cities. Written in Latin by Hartmann Schedel, with a version in German translation by Georg Alt, it appeared in 1493. It is one of the best-documented early printed books - an incunabulum (printed, not hand-written) - and one of the first to successfully integrate illustrations and text.

Within a compartment, with pointed arched top, two narrow stained glass panels. Left: full-length female figure, holding lilies in her left hand. Right: full-length female figure, holding an open box in her hands. Inscriptions below. Date: ca. 1895. Brush and watercolor, gouache, graphite on tan paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Domenico di Michelino (1417-1491). Italian painter. Holy conversation. Tempera on panel. National Museum of Fine Arts. Valletta. Malta.

Mural, Spilimbergo Cathedral, Veneto, Italy, Venezia, Veneto, Europe

The Assumption of the Virgin. Artist: Bernardo Daddi (Italian, Florence () ca. 1290-1348 Florence) (possibly with workshop assistance). Dimensions: Framed: 44 1/2 × 56 1/8 × 2 3/4 in. (113 × 142.6 × 7 cm)42 1/2 × 53 7/8 in. (108 × 136.8 cm). Date: ca. 1337-39.Bernardo Daddi may have trained in the Florentine workshop of Giotto, a pivotal figure in the history of European painting. Daddi fused Giotto's grandeur and monumentality with a refined grace and lyricism. It has been suggested that while Daddi was responsible for the design of this panel, it was executed by a leading member of his workshop. The panel is likely the upper half of an important altarpiece painted for a chapel in the Cathedral of Prato, near Florence, which houses the highly venerated girdle, or belt, of the Virgin Mary. As evidence of her Assumption, the Virgin lowers her girdle to St. Thomas, whose hands are visible at the panel's lower edge and who was depicted in the missing lower section of the painting. Muse

St John the Evangelist, by Pietro Perugino (ca 1450-1523), embroidery in silk, gold and silver.

William and the Duchess play a game of chess in the bedroom, The Duchess makes a declaration of love to William, Frescoes of the Legend of the Chatelaine of Vergy, Bedroom of the Landlady, Palazzo Davanzati, Florence, Tuscany, Italy, Europe

Saint Louis. Engraving by Mirac ().

Sts. Lawrence and Stephen; Mariotto di Nardo (Italian, active 1394 - 1424); 1408; Tempera and gold leaf on panel; Panel: 138.4 × 80.3 × 10.8 cm (54 1,2 × 31 5,8 × 4 1,4 in.)

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. Detail. The Legend of Theodelinda of Autharis sees Theodelinda and touches her hand. Scene 10. Crown dress/robe/garment satin light blue/azure gold

Saint Matthew; Workshop of Master of the First Prayer Book of Maximilian (Flemish, active about 1475 - 1515); Bruges, Belgium; about 1510 - 1520; Tempera colors, gold, and ink on parchment; Leaf: 23.2 x 16.7 cm (9 1,8 x 6 9,16 in.)

Fra Angelico / Adoration of the Kings

Figures of men, detail from Marriage of the Virgin, fresco by Giovanni da Milano (active from 1346 to 1369). Rinuccini Chapel, Santa Croce, Florence. Italy, 14th century.

Hours of Queen Isabella the Catholic, Queen of Spain: Fol. 43v, Procession of the Sacrament, c. 1500. Master of the First Prayerbook of Maximillian (Flemish, c. 1444-1519), and Associates. Ink, tempera, and gold on vellum; codex: 22.5 x 15.2 cm (8 7/8 x 6 in.).

HENRY III, 1207-1272, reigned 1216 to 1272, at his coronation, October 28, 1216, holding model of Westminster Abbey which he enlarged

OíA, Master of (15th century). Calvary Road. 15th c. Castilian school, 15th century. Painting on serge. Gothic art. Painting. SPAIN. CASTILE AND LEON. Burgos. Burgos Museum. Proc: SPAIN. CASTILE AND LEON. BURGOS. OÐa. Monastery of San Salvador.

Triptych of Pieter van de Woestijne ; oak wood. (Dutch; about 1475; aquired 1908; Geschenk Charles Sedelmeyer Gemaldegalerie)

Niederwerth near Vallendar

The Miracle of the Gadarene Swine; Canterbury (), England; about 1000; Tempera colors, gold leaf, and ink on parchment; Leaf: 31.3 x 18.1 cm (12 5,16 x 7 1,8 in.)

Lazio Roma Subiaco Monastery of S. Scolastica Monastic church4. Hutzel, Max 1960-1990 Exterior views (in Medieval core collection). Views of 18th c. renovated interior, including nave, altar, ceiling, organ, chapels, paintings, choir, sacristy, refectory. Detail views of 15th c. frescoes in the Grotte di S. Scolastica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

ESCENAS DE LA VIDA DE STA URSULA-184x67 CADA UNO-NºP 731-HACIA 1400/1410. Author: ANONIMO ESPAÑOL. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Adoration of the Magi. English. Date: 1450-1500. Dimensions: 42.6 × 29.2 cm (16 3/4 × 11 1/2 in.). Alabaster with polychromy and gilding. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A 14th century mural in Catholic cloister, Olomouc, North Moravia, Czech Republic, Europe

Madonna of the Annunciation', c1304-1344, Artist: Simone Martini. Panel of diptych. Simone Martini was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style.

Frieze of a Medieval Wedding, Thomas Stothard, 1755-1834, British, undated, Gray wash, graphite, and pen and black ink on medium, slightly textured, cream wove paper, Sheet: 3 3/8 × 9 1/8 inches (8.6 × 23.2 cm), bride, ceremony, genre subject, groom, headdress, Medieval, priests, wedding

Fresco in the south aisle, 2nd half of the 15th century

Canopy project representing the collection of keys in Saint Pierre Jean Gaspard Jules or Johann Caspar Julius Gsell (1814-1904). Verrière project representing the collection of keys to St. Peter. Pencil.

Mural in the Duomo de San Gimignano, San Gimignano, Province of Siena, Tuscany, Italy, Europe

Simeon Theodocos / Mural, Nerezi / 1164

Jaume Huguet / Detalle del Retablo de San Abdón y Senén, 1459-1460, siglo XV, pintura sobre tabla. Museu de Terrassa, Seu d'Ègara.

Pan Jezus Antokolski. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Thurwanger Freres (fl. 1849-1865), graphic artist, Wilczyński, Jan Kazimierz (1806-1885), publisher

The Annunciation to the Shepherds; Master of the Houghton Miniatures, Flemish, active about 1476 - 1480; Ghent (probably), Belgium, Europe; late 1470s - about 1480; Tempera colors and gold paint on parchment; Leaf cutting: 12.5 x 9 cm (4 15/16 x 3 9/16 in.)

Claudius Lavergnes design for a church glass window depicts the engagement of Mary, executed in pencil, ink, chalk, and washes on tinted paper.

Cartography, Great Britain, 16th century. Christopher Saxton, Atlas of England and Wales (1579), frontispiece, Queen Elizabeth I enthroned.

Musicians, 1304-1340. Illustration from the Manesse Codex or Grosse Heidelberger Liederhandschrift, University of Heidelberg Library. The artist is unknown.

REPRESENTACION DE LOGROÑO- DOÑA BERENGUELA RENUNCIA A LA CORONA EN BENEFICIO DE SU HIJO FERNANDO- MOSAICO DE LA PLAZA DE ESPAÑA DE SEVILLA- SIGLO XX. Location: España Square. Sevilla. Seville. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. BERENGUELA DE CASTILLA. BERENGUELA LA GRANDE.

'St Lawrence and St Elisabeth'. Italy, First half of the 14th century. Dimensions: 64x39 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the venetian school.

U-17893-37.jpg Tristan and Isolde playing chess while King Mark watches, Cadira d Alfàbia, 15th century - the Moorish king s cadira - Alfabia, Bunyola, Mallorca, Spain LicenseRF Copyright: xZoonar.com/Tolox 23314211

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