Medieval Sculptural Art

Sculptures and fragments of figures from medieval Europe, depicting saints and religious themes, often with remnants of colorful paint.

Angel with the Arma Christi, , c. 1480 On a plinth with concave sides, it is bent forward with left leg, has the head slightly to the left and forward opposite to the direction of the upper body. On the left hand, which lies under the choral mantle, he holds a tournament helmet, which he supports with the right hand and on which Christ's shirt and thorns as a helmet sign. The angel has an injured pearl band with gem for the outstanding locks. He wears Amict and Albe, which latter is docked around, which releases part of the left foot. The choral mantle with a brush on the hood and with frills on the hem has been beaten back on the top right arm and also hangs in a large fold between arm and medium. Gets up oak (wood) On a plinth with concave sides, it is bent forward with left leg, has the head slightly to the left and forward opposite to the direction of the upper body. On the left hand, which lies under the choral mantle, he holds a tournament helmet, which he supports with the right

The Vision of Joseph 1495-1505 Germany. Oak with traces of polychromy . Bernt Notke

Angel late 15th century French. Angel. French. late 15th century. Wood, traces of paint. Sculpture-Wood

Architectural Fragment from a Retable, Tabernacle, or Tomb. Culture: French. Dimensions: Overall: 6 1/4 x 2 15/16 x 2 7/16 in. (15.9 x 7.5 x 6.2 cm). Date: ca. 1400. Museum: Metropolitan Museum of Art, New York, USA.

Virgin and Child with a Goldfinch. France, Ile de France, circa 1300-1350. Sculpture. Limestone with traces of polychromy

Saint Andrew (). Culture: North Netherlandish. Dimensions: Overall: 25 3/4 x 9 1/4 x 5 5/16in. (65.4 x 23.5 x 13.5cm)without base: 24 x 8 1/4 x 4 5/16in. (61 x 21 x 11cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Saint Father or Saint Bishop. Pierre, 1500. Paris, Carnavalet museum. 54591-5 Pierre, Saint Abbe, Saint Eveque, statue, three-quarter view

Jaume Cascalls (active 1341-1377/1379). Spanish sculptor. Sculpture of a Virgin. Part of a sculptural group of an Annunciation. Mid 14th century. Gothic. Alabaster. Provenance unknown. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Virgin and Child, anonymous, c. 1425 - c. 1500 On a ground, turning into a hexagonally profiled pedestal with arcades and niches, Maria stands on a crescent moon, the left knee bent. On the right arm she wears the, half -lying Christ child, of whom she has a foot in the left hand. The child puts his left hand on Maria's bosom and holds a fruit in the other. A nimbus behind the child's head. Maria's hair appears under the veil, which has been dropped off with a pleated strip. Her robe, pleated around the medium, shows an embroidered round neck deposition. The mantle stretched to the left is included under the right arm. The child's shirt with turned sleeves also has embroidered. Moder Maker: Utrecht 'Statue-Squeezer': Deventer (Possible) pipe clay Diepenveen On a ground, turning into a hexagonally profiled pedestal with arcades and niches, Maria stands on a crescent moon, the left knee bent. On the right arm she wears the, half -lying Christ child, of whom she has a foot in the left h

Angel with the Arma Christi, , c. 1480 On a plinth with concave sides, it is bent forward with left leg, has the head slightly to the left and forward opposite to the direction of the upper body. On the left hand, which lies under the choral mantle, he holds a tournament helmet, which he supports with the right hand and on which Christ's shirt and thorns as a helmet sign. The angel has an injured pearl band with gem for the outstanding locks. He wears Amict and Albe, which latter is docked around, which releases part of the left foot. The choral mantle with a brush on the hood and with frills on the hem has been beaten back on the top right arm and also hangs in a large fold between arm and medium. Gets up oak (wood) On a plinth with concave sides, it is bent forward with left leg, has the head slightly to the left and forward opposite to the direction of the upper body. On the left hand, which lies under the choral mantle, he holds a tournament helmet, which he supports with the right

Virgin and Child, c. 1315-1320. France, Lorraine, 14th century. Limestone with traces of polychromy and gilding; overall: 75.9 x 28 cm (29 7/8 x 11 in.).

Man playing an harp. Sepulcher of the Bishop of Girona Bernat de Pau (1394-1457). By sculptor Bernat Saulet. Alabaster, 1447-1457. Museum of the Cathedral of Girona. Catalonia, Spain.

Limestone statue of Artemis with quiver and fawn 3rd-1st century B.C. Cypriot The goddess wears a long, belted chiton, partially hiding the shod feet. A large overfold falls to the top of the thighs. There is red paint on the shoulders, the breasts, and the sides. Behind the left shoulder, a baldric holds a thick quiver that is broken at the top. The right arm was at the side of the body, the hand may have held a bow. At the level of the abdomen, the left hand holds a fawn or a lamb, the feet of which are bent and the floppy ears painted red.. Limestone statue of Artemis with quiver and fawn 242289

Female Saint by unknown French artist, sculpture, polychromed wood, 17th century, USA, Pennsylvania, Philadelphia, David David Gallery

Saint John the Baptist. French, probably Provence or Savoy. Date: 1370-1380. Dimensions: 66.7 × 22.9 × 15.2 cm (26 1/4 × 9 × 6 in.). Alabaster. Origin: Flemish. Museum: The Chicago Art Institute, Chicago, USA.

ESCULTURA-S FRANCISCO DE ASIS. Author: MANOLO HUGUE (1872-1945). Location: PRIVATE COLLECTION. MADRID. SPAIN.

. She stands on a high soil with the left leg slightly forward, the arms bent and the head tend to the left; The wavy hair depends on back and shoulders. Her robe, which is pleated at the round neck cut, is included under the left arm. The cloak, closed at the neck, depends on the front and is included under the right arm. The left shoe point protrudes under the robe.

MIGUEL, San Arcángel. Uno de los espíritus bienaventurados, de orden media, entre los ángeles y los principados. ESCULTURA gótica en piedra calcárea policromada (104cm x 44cm x 17cm x 35cm), realizada en la primera mitad del siglo XV. IGLESIA DE SANT LLORENÇ DE LLEIDA. Cataluña.

St. Dionysius. Cologne, c. 1330. Walnut, polychrome. Schnu_tgen Museum. Cologne, Germany.

DETALLE - SANTO ENTIERRO - MADERA DE NOGAL - SIGLO XVI - PROCEDENTE DE LA RIOJA. Location: MUSEO MARES-COLECCION. Barcelona. SPANIEN.

Statuette of a woman 4th-3rd century B.C. Greek. Statuette of a woman 249220

Monk 15th century French. Monk 464372 French, Monk, 15th century, Stone, Overall: 25 5/8 x 14 x 8 1/8 in. (65.1 x 35.6 x 20.6 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.391)

Statuette of a Seated Woman. Greek. Date: 400 BC-350 BC. Dimensions: 18.1 × 6.4 × 7.6 cm (7 1/8 × 2 1/2 × 3 in.). Terra-cotta. Origin: Greece. Museum: The Chicago Art Institute, USA. Author: ANCIENT GREEK.

Warrior ". Terracotta. China, Suis Dynasty Paris, Cernuschi Museum. 72691-53 Weapon, helmet, standing, supreme dynasty, warrior, man, coat, statuette, hold, terracotta, three-quarter views

Joan Huydecoper and Sophia Coymansas Mars and Venus.Venus helps her lover Mars, returned from battle, with pulling out his armor. In 1656, the figurines were probably a wedding gift for Joan Huydecoper Van Maarsseveen (1625-1704) and Sophia Coymans (1636-1714). Just like his father, Joan was more mayor of Amsterdam. 'Mars and Venus' is a subtle allusion to 'Maarsseveen', the addition in Joen's family name.

St Anne, from an Education of the Virgin, Pieter Scheemaeckers (I) (attributed to), 1700 Antwerp linden Antwerp linden

Unknown. Chinese holding a light holder. Terracotta. Paris, Carnavalet museum. 76180-22 Chinoiserie, Lighting, figurine, oriental influence, Lightiere, statuette, terracotta

Prophet, from a Tree of Jesse, anonymous, c. 1520 - c. 1525 Prophet with spell band. Antwerp oak (wood) Prophet with spell band. Antwerp oak (wood)

Seated Virgin and Child. Culture: German. Dimensions: Overall: 40 3/4 in. (103.5 cm). Date: second half 14th century. Museum: Metropolitan Museum of Art, New York, USA.

Saint Barbara mid-15th century French This sculpture was probably meant to be seen against a pier or in a niche behind an altar in a French parish church. The massiveness of the figure and the heavy, deep folds of drapery derive from the stylistic innovations of two earlier sculptors working in Burgundy: Claus Sluter (ca. 1345-1405/6) and Claux de Werve (1380-1439).. Saint Barbara. French. mid-15th century. Limestone with traces of paint. Made in Burgundy, France. Sculpture-Stone

Statue of a seated woman. Limestone. Gallo-Roman time, high-Empire. Paris, Carnavalet museum. This statue, goddess or muse, without attribute to identify it. She no longer has a head, no feet or hands. Very elongated torso, shortened thighs. Long tight dress at the waist with wet and vertical folds. Acecephale, antiquity, seat, limestone, Gallo-Roman time, woman, high-empire, stone, female statue, ancient

Iberian sculpture. Sculpture of Dama Oferente (Lady Making an Offering), with a glass between the hand. Sandstone. This is one of the sculptures found in the Cerro de los Santos, Montealegre del Castillo, provincia de Albacete, Spain. Cerro de los Santos was where a shrine used between the 4th century BC and the Roman period was discovered in the middle of 19th century. National Archaeological Museum, Madrid, Spain.

Guillem Timor (14th century). Spanish sculptor. Sculpture of an Evangelist, mid 14th century. Alabaster. Probably from the Chapel of The Evangelists. Church of the Monastery of Santa Maria de Poblet, Vimbodi, Tarragona province. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Standing court lady late 7th-first half of the 8th century China. Standing court lady 39525

Figure of Attendant Deity China. Figure of Attendant Deity. China. Mud, gilded and painted. probably Ming dynasty (1368-1644). Sculpture

Vera Cruz, 1350. Museu-Tresor de la Catedral de Girona / Museo Tesoro de la Catedral de Gerona.

Statue of Persephone, from sanctuary of Isia at Gortyna, Crete

SAN MIGUEL-ESCULTURA EN PIEDRA POLICROMADA. Location: MUSEO CATEDRAL. SANTIAGO DE COMPOSTELA. A CORUÑA. SPAIN.

Athena Varvakeion. Parthenon. 447BC.

Maria with child. Standing maria with child, from terracotta. The right arm is missing.

Fragment of polychrome pipe, sculpture, sinjeur or hunter in seventeenth-century dress, sculpture visual material earthenware pottery earthenware pipe earth, in mold formed baked Fragment of polychrome pipe art image sinjeur or hunter in seventeenth century dress The man's belt hangs duck On the shirt are the remains of the original red paint still to be seen probably the picture has been completely painted archeology native pottery adornment toys

Virgin and Child, Ile-de-France, 14th century, italian marble with traces of gilding, , Amsterdam, Netherlands.

Saint Raphael with Tobias, His Dog, and the Fish, c. 1780, Giuseppe Sanmartino, Italian, 1720-1793, 27 1/4 × 17 1/4 × 12 1/2 in. (69.22 × 43.82 × 31.75 cm), Silver, gilt bronze, Italy, 18th century, Tobias, a young Jewish man, has been sent by his blind father to retrieve money left with a relative. Accompanying him on the journey are his dog and a hired guide who, unbeknownst to him, is the archangel Raphael. When they reach the Tigris River, Tobias is attacked by a monstrous fish. Raphael tells him to catch it and preserve its innards as medicines. Tobias later burns the heart and liver to free his future wife from a demon and uses the gall (bile) to cure his fathers blindness. The lively dog appears in other works by Sanmartino—it may have been the artists own pet.

ARTE GOTICO. ESPAÑA. ESCULTURA DE SANTA MARGARIDA que data de los siglos XIV y XV. Procede de la Capilla de Santa Margarida de la Cot. Museu d'Art de Girona. GIRONA. Cataluña.

Figure of Saint Benedict, 18th century, School of Joseph Anton Feuchtmayer; Artist: Attributed to Aegidius Verhelst, 27 1/4 x 9 1/2 x 12 3/4 in. (69.22 x 24.13 x 32.39 cm), Wood, gilt, Germany, 18th century

Alabaster urn featuring Haruspex priest holding up sheep's liver from Volterra, Pisa Province, Italy

The trade.

Bone plaque with Female Dancer 4th-6th century Late Roman/Early Byzantine This elegant bone carving is a rare example of a female mythological figure. Though the function of the relief is unknown, it might have been used as an appliqué for a box or furniture.. Bone plaque with Female Dancer. Late Roman/Early Byzantine. 4th-6th century. Bone. Bone

Emperor Henry IV.He stands on a profiled, rectangular increase on the left leg, the judge something aside; He turns the bearded head slightly to the right. On the left he has the rich apple, on the head the emperors crown, including a hat with ear valves. He is wearing a harness with a skirt from ermine (heraldic indicated), leg protection with spirals decoration and on the knees lion masks. The imperial jacket with a shoulder collar of ermine (also heraldic) is closed at the neck, falls backwards to the ground, is included under the right arm, strung to the right and depends on the outstretched left arm. The double eagle on the chest. On the pedestal at the front embossed Heinrich Cæsar, on the sides Renaissance (rollerwork) ornament.

Seitaka Dôji. Japan. Date: 1401-1500. Dimensions: H. 63.8 cm (25 in.). Wood with traces of polychromy. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Limestone statue of a male votary holding a dove and an apple 3rd-1st century B.C. Cypriot The figure wears a long, pleated tunic with elbow-length sleeves and the feet are shod. The lowered right hand holds a rounded object and the raised left hand clasps a bird, the head of which is missing.. Limestone statue of a male votary holding a dove and an apple 242276

Virgin and Child, Walter Pompe, 1728 Standing Maria with child, from terracotta. The right arm is missing. Antwerp terracotta (clay material) Standing Maria with child, from terracotta. The right arm is missing. Antwerp terracotta (clay material)

Saint Mark. Culture: Italian. Dimensions: Overall: 2 3/4 x 1 9/16 x 1 5/16 in. (7 x 4 x 3.4 cm). Date: 1460-70. Museum: Metropolitan Museum of Art, New York, USA.

ISABEL II VELADA (VISTA DE ESPALDAS) - SIGLO XIX - MARMOL DE CARRARA - 65x57x47,5. Author: TORREGGIANI CAMILO. Location: MUSEO DE HISTORIA-ESCULTURAS, MADRID, SPAIN.

Saint John the Evangelist, polychrome wood carving, thirteenth century, Catalan work, Girona art museum, Girona, Catalonia, Spain.

Fragment of a Standing Avalokiteshvara or Shiva Indonesia (Kalimantan) ca. 8th century View more. Fragment of a Standing Avalokiteshvara or Shiva. Indonesia (Kalimantan). ca. 8th century. Bronze. Sculpture

SAN PABLO. Author: ANDRES OCAMPO (1555-1623). Location: IGLESIA DE SAN MARTIN. Sevilla. Seville. SPAIN. SAN PABLO APOSTOL-PABLO DE TARSO.

St. Gereon..

Théodore Louis Auguste Rivière (1857-1912). "Portrait of Dreyfus, lawyer". Plaster. Paris, Carnavalet museum. 72119-6 Lawyer, standing, French officer, plaster, portrait

Late Hellenistic period. Female statuette. From Rome. Terracotte. Tanagra style. 196-156 a.C. Epicopal Museum of Vic. Catalonia. Spain.

Sants Metges. Tallas procedentes del Santuario del corredor. Museo de Mataró.

The Good Shepherd, Late 3rd century A.D. Roman. Marble. Restored in the 18th century. 38-1/8 inches (100 cm) restored height. As preserved, height, 21-5/8 inches (55 cm), head 6-3/16 inches (15.5 cm). INV 285901 (ex 103). Location: Museo Pio Cristiano, Vatican Museums, Vatican State. VATICANO.

Standing Lady, c. 725-750, 18 1/8 x 5 1/2 x 5 in. (46.04 x 13.97 x 12.7 cm), Earthenware with white slip and traces of pigment, China, 8th century, In the Sui and early Tang dynasties (6th and 7th centuries) slenderness and grace epitomized the feminine ideal. By the eighth century, however, a new concept of beauty emerged and heavy-set palace ladies are shown in early eighth century mural paintings and tomb sculptures such as this. The fashion for plumpness seems to have persisted well into the Song dynasty (11th-12th century). Numerous figurines similar to this one have been excavated from Tang tombs in Shensi province. It seems likely that this figurine also came from that region.

Head from Circus Wagon. Dated: 1939. Dimensions: overall: 41.5 x 30.4 cm (16 5/16 x 11 15/16 in.). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Alvin M. Gully.

The Annunciation, Tilman Riemenschneider, c. 1485 - c. 1487

Estatua en mármol de Livia, procedente de Iponuba. Siglo I d.C. Altura: 125 cm. Museum: MUSEO ARQUEOLOGICO, MADRID, SPAIN. LIVIA DRUSILA.

Kneeling Saint, 1750-1800. Germany, Munich, second half 18th century. Painted and gilded wood; overall: 118.1 x 90 x 50 cm (46 1/2 x 35 7/16 x 19 11/16 in.).

Seated Virgin with Child. 12th-13th c. Polychromatic carving. Romanesque art. Sculpture on wood. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

ESCULTURA FUNERARIA DEL OBISPO JUAN DE SAN MILLAN - 1581 - RENACIMIENTO ESPAÑOL - FOTOGRAFIA EN BLANCO Y NEGRO - AÑOS 60 -. Author: ESTEBAN JORDAN (1530-1598). Location: IGLESIA DE SANTA MARINA LA REAL. LEON. SPAIN.

Galvanoplastic reproduction of an angel in the treasure of the St. Servaas in Maastricht, F. Stoltzenberg, c. 1838 - c. 1881 Galvanoplastic reproduction of an angel in the treasure of the St. Servaas in Maastricht. Roermond copper (metal). silver (metal) gilding Galvanoplastic reproduction of an angel in the treasure of the St. Servaas in Maastricht. Roermond copper (metal). silver (metal) gilding

Female relief. 2nd century AD. Roman era. Italica, Andalusia, Spain.Archaeological Museum of Seville. Andalusia. Spain.

Terracotta statuette of a standing woman. Culture: Greek, probably Attic. Dimensions: H. 8 1/16 in. (20.4 cm). Date: late 4th-early 3rd century B.C..Weight on left leg, right foot drawn to side. Enveloping mantle from shoulders to right ankle and left calf. Right arm bent, hand beneath mantle pulls cloth down from neck. Left hand at hip, zigzag drapery falls from arm to hem. Rough melon coiffure, with punched chignon at nape. Plaque base. Museum: Metropolitan Museum of Art, New York, USA.

Saint John the Evangelist. Dated: c. 1506. Dimensions: overall (silhouetted contour): 8.2 x 5.9 cm (3 1/4 x 2 5/16 in.) gross weight: 81 gr. Medium: gilded bronze. Museum: National Gallery of Art, Washington DC. Author: FRANCESCO MARTI.

Yan Dehui (born in 1915). "Lin daiyu bury the flowers". Black patinated plaster. XXth century. Paris, Cernuschi museum. 99052-16 Asian art, statuette, 20th XXth XX 20th 20th 20th century

Hamlet Prince of Denmark; sculpture in Marble 19th century

Campania Caserta Capua Museo Campano88. Hutzel, Max 1960-1990 Medieval: Byzantine architectural fragments; parchment fragments with miniatures (12th century) from Montecassino; painted wooden crucifix (13th century); Carolingian crucifixes; Bishop's miter (11th century) of gold and silver damask; fresco (13th century). Post-medieval: Architecture (15th century). Formerly the Palazzo Antignano. Unusual Catalan/Moorish-style portal; Paintings on panel and canvas (15th-18th centuries); marble intarsia (16th century); marble sculpture: busts of Christ and Mary (17th century); sculpture of saints in marble and in wood (15th century); painted and gilded sculpture in wood; marble grave sculpture (16th century); sarcophagus with allegorical carvings; gold reliquary "Rosa d'Oro"; crucifix made of elephant tusk Specific Location: Pianterreno Antiquities: Italic sculpture (seated women holding babies); inscription. Photo campaign #1: 533 photos. Roman relief and sculpture; cinerary urns; Greek an

Angel, c. 1500. South Netherlands, Brabant, 16th century. Oak with traces of gilding; overall: 13.9 x 5.3 cm (5 1/2 x 2 1/16 in.).

SAN JORGE Y EL DRAGON - TALLA POLICROMADA DEL SIGLO XV. Location: DIPUTACION PROVINCIAL. CACERES. SPAIN.

Lady with cloak Lady with cloak, Whitish limestone. Roman culture, probably Augustan period, 1st centuries BC - 1st centuries AD., Dona Aldonza s farmhouse, Archeological Museum. Úbeda, Jaén , Andalusia, Spain Copyright: xZoonar.com/BartomeuxBalaguerxRotgerx 21702883

Virgin and Child ca. 1425-30 German This monumental stone sculpture is a rare late example of the Beautiful Style, which, though pervasive in central Europe about 1400, appeared only briefly among the evolving sculptural styles in the imperial free city of Nuremberg. This sculpture was mounted under a canopy on the exterior of a house in Nuremberg until World War II.. Virgin and Child 466144

Enthroned Virgin ca. 1175-1200 Scandinavian Carved from a narrow block of poplar, this figure was originally set into a large tabernacle, to be placed on the altar. The sculpture's elongated form and strong linear quality can be related to more complete works on the island of Gotland, where the sculpture of the 1100s was strongly influenced by German art.. Enthroned Virgin. Scandinavian. ca. 1175-1200. Poplar with paint. Made in possibly Gotland, Sweden. Sculpture-Wood

Figurine of Kuan Yin, giver of children

Saint John Baptist. Gothic statue. C. 1300. Possibly from Sant Joan d'Arties (Vall d'Aran, Catalonia). Coated with silver leaf and polychrome. Photo from 1989. Restored. Spain.

Abruzzo, L'Aquila, Castelvecchio Subequo, S. Francesco, Italy, 20th century, photo, photography, Europe

Saint Michael. Culture: Spanish. Dimensions: Overall: 73 1/2 in., 235lb. (186.7 cm, 106.6kg). Date: ca. 1530.The warrior-archangel Michael, clad in intricately carved and painted armor, treads on a dragon, a symbol of the devil. In his left hand, he carried scales, symbolic of the Last Judgment, to which he summoned earthly souls. Michael's right hand once held a lance, and his wings have been lost. The forward-bending pose and foreshortening indicate that the figure was made to be positioned at a considerable height, perhaps above or flanking the central shrine of a large retable. Museum: Metropolitan Museum of Art, New York, USA.

Kneeling angel with a candlestick, c. 1499 - c. 1599 wood (plant material) wood (plant material)

Angel with an organ, by Piero di Giovanni Tedesco, 1387, 14th Century, marble. Italy: Tuscany: Florence: Opera di Santa Maria del Fiore Museum. Detail. Statue marble angel musician organ drapery robe/dress

Chess figure Sultan Skirmuntt, Helena (1827 1874)

Donatello / Mary Magdalene / Ptg./c.1455

Anonymous. "Saint Etienne". Polychromed coniferous wood. 1515. Museum of Fine Arts of the City of Paris, Petit Palais. 123479-29

Small sculpture of St. John made on ivory, 17th century, Valladolid Museum , Castile and Leon, Spain.

Jungfrau der Hoffnung Virgin of Hope, polychrome wood carving, Mediterranean Pyrenees, alt emporda, Girona art museum, Girona, Catalonia, Spain Copyright: xZoonar.com/TOLOxBALAGUERx 22283358

Auguste Rodin (1840-1917). French sculptor. Young woman with flower hat, ca.1865. Terracotta. Rodin Museum. Paris. France.

Charles Kotra (1859-1942). Portrait-charge of Louis-François Person Dumaine dit Dumaine (1831-1893), actor. Role of Jean Valjean in "Les Misérables". Terracotta. Paris, Carnavalet museum. 74058-15 Actor, French comedian, derision, modeling, portrait-load, sculptor, terracotta, 19th 19th 19th 19th 19th 19th century, caricature

Bronze lar holding a double cornucopia. Artist: Unknown

Reliquary of Saint Stephen. Culture: Mosan. Dimensions: Overall (including base): 17 1/16 x 8 15/16 x 6 5/8 in. (43.3 x 22.7 x 16.9 cm)St. Stephen only: 14 3/8 x 4 5/8 x 4 1/8 in. (36.5 x 11.8 x 10.4 cm)Base (2/20/09): 9 1/4 x 8 15/16 x 1 7/16 in. (23.5 x 22.7 x 3.6 cm). Date: 13th century (Saint Stephen); 19th century (base and backboard). Museum: Metropolitan Museum of Art, New York, USA.

. Rectangular scarf of white tulle with in the middle of silver lames a large diamond pattern, filled with zigzag lines, around which turns a row of styled man figures and branches.

Design for a statue of Moliere, Eugène Lacomblé, 1800 - 1900 clay clay

The Three Magi () 15th century French or South Netherlandish. The Three Magi () 464357 French or South Netherlandish, The Three Magi (), 15th century, Wood with paint and gilding, Overall (without base): 12 1/8 x 8 1/4 x 2 in. (30.8 x 21 x 5.1 cm) Overall (with base): 14 3/4 x 10 7/8 x 3 11/16 in. (37.4 x 27.6 x 9.3 cm). The Metropolitan Museum of Art, New York. Gift of J. Pierpont Morgan, 1917 (17.190.377)

Athena - found near the Varvakeion in Athens , Antiquities, Sculpture, Goddesses, Athena Greek deity. Nicholas Catsimpoolas Collection

Joan Huydecoper and Sophia Coymans as Mars and Venus, Rombout Verhulst (attributed to), c. 1655 - c. 1658 She stands three -quarters to the left on the left leg and lets the foot of the right leg rest on a stone block. With both hands she reaches him a richly decorated helmet, which shows a Leewen mask at the front, with laurel leaves and has a helmet sign consisting of a sitren above which ostriches. She is dressed in a thin robe with short sleeves, that the left shoulder slipped. From the right arm the cloak runs along the back and left hip and is beaten over the raised right theater. The hair with long -down strands, down to the shoulders, is laid from behind in a ring -shaped braid, around which a wreath of shells. Pearls on the wrists. Amsterdam (possibly) terracotta (clay material) She stands three -quarters to the left on the left leg and lets the foot of the right leg rest on a stone block. With both hands she reaches him a richly decorated helmet, which shows a Leewen mask at

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