Militaristic Narratives

Etchings depicting soldiers and historical events, showcasing emotional exchanges and dramatic postures in various military scenarios.

Rijn, Rembrandt van, Stoning of Stephen, removed duplication, print, prent, prints, Rembrandt.f.1635, lower left, verso central, Bureau of the State Inspector for Movable Monuments (in a circle with a central Dutch lion), height 96 mm, width 85 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Two Soldiers and Child Holding a Helmet. Artist: After John Hamilton Mortimer (British, Eastbourne 1740-1779 London); Etched and published by Robert Blyth (British, ca. 1750-1784). Dimensions: Sheet: 8 11/16 x 6 in. (22 x 15.2 cm). Date: July 19, 1779. Museum: Metropolitan Museum of Art, New York, USA.

Sara brought by officers from the pharaoh; Sara served by Pharaos. When Abraham and Sara arrive in Egypt, the people immediately sees that Sara is a beautiful woman. The pharaoh of Egypt leaves her by his officers to his palace.

...alors, il s'approcha d'elle: Parody of van Dyck's Betrayal of Christ. Dated: 1832. Dimensions: overall: 34.4 x 25.4 cm (13 9/16 x 10 in.). Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: French 19th Century.

. Radagijs, King of Warmond, pulls his sword against the envious thiedlinde, looking out of jealousy on the love of Radagijs and his wife, attacking him with an army.

The Cat, Caught in a Snare, is Mistreated by the People from the House from Hendrick van Alcmar's Renard The Fox 1650-75 Allart van Everdingen Dutch. The Cat, Caught in a Snare, is Mistreated by the People from the House from Hendrick van Alcmar's Renard The Fox 429568

Smeden, Jan Gillisz. van Vliet, 1635 print Four forging at work in a blacksmith. Leiden paper etching smith, blacksmith. tools, aids, implements ~ crafts and industries: tongs. tools, aids, implements ~ crafts and industries: hammer

Francisco de Goya (1746-1828), poor girls, 1797-1798

Noli metangere. Etcher: Michel Corneille the Elder, French, 1603-1664 After: Raphael, Italian, 1483-1520

Judgment at Matejk; Care, Ignacy (1865-1941), Matejko, Jan (1838-1893); 1901-1902 (1901-00-00-1902-00-00);Kraków (Lesser Poland Voivodeship), Matejko, Jan (1838-1893) - iconography, reading, Polish graphics, Poland (culture), bonuses of the Society of encouragement of Fine Arts, Remarki, Satyra

Rijn, Rembrandt van, Stoning of Stephen, removed duplication, print, prent, prints, Rembrandt.f.1635, lower left, verso central, Bureau of the State Inspector for Movable Monuments (in a circle with a central Dutch lion), height 96 mm, width 85 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1635 - 1635, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

The stonation of Saint Etienne Harmensz van Rijn Rembrandt (1606-1669). The stoning of Saint Etienne (B 97 - 1st state), 1635.

Selim and Zuleika.. Andrews, H. (Henry), -1868. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts

Leiden, Vliet, Jan Georg van, Occupations, Blacksmiths, verso lower left - stamped, Four blacksmiths at work in a forge., print, engraving, prints, engravings, height 210 mm, width 162 mm, Northern Netherlands, 1610 - 1668, print maker, printmaker, 1635 - 1635, paper, papier, etching, etchings

Kanonnier and market tester. Copy in mirror image to original print gun and market tester

Jan de Bakker, priest in Woerden, on the Binnenhof in The Hague due to heresy strangled and burned, 1525, Jacobus Buys, 1778 - 1795 drawing Jan de Bakker, former priest of Woerden, for heresy at the stake in The Hague, 1525. Design for a print. paper. ink pen / brush historical persons. historical events and situations. death penalty, execution. violent death by burning at the stake; pyre. violent death by strangling. execution of heretic, e.g. by burning at the stake, 'auto-da-fé' Binnenhof. The Hague

Scene in an Artist's Studio (in Sketch Book With Drawings on Twenty-six Leaves) ca. 1849 Frederic, Lord Leighton British. Scene in an Artist's Studio (in Sketch Book With Drawings on Twenty-six Leaves) 418095

Etcher: Jean Leclerc, French, ca. 1586-1633, After: Carlo Saraceni, Italian, ca. 1579-1620, Artist, formerly attributed to: Jusepe de Ribera, Spanish, active in Rome and Naples, 1590-1652, Rest on the Flight intoEgypt, Etching, 29.4 × 22.6 cm (11 9/16 × 8 7/8in.), Spanish, 17thcentury, Works on Paper -Prints

The twelve months of the year, July (Dutuit 26) Dusart, Cornelis. The twelve months of the year, July (Dutuit 26). Black way.

Daphnis and Chloe (). Etching by A.J. Annedouche after P.P. Prud'hon.

De Oh, Cornelis Dusart, 1670 - 1704 print A man with a half -sized pants transmits in a kitchen. A boy and a woman grab their nose to keep the smell away. The print is part of a series of five prints with the five senses. Haarlem paper engraving smell, smelling (one of the five senses). vomiting. pig

Standing Woman and Seated Men before an Obelisk. Dated: published 1785. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Tiepolo.

Diogenes with the lamp. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 274 mm × w 234 mm. Museum: Rijksmuseum, Amsterdam.

Hamlet et Horatio devant les fossoyeurs (Act. V. Sc. I) (Hamlet and Horatio Before the Grave Diggers), from Shakespeares Hamlet. Artist: Eugène Delacroix, French, 1798-1863

"Woodcut by Jacob Cornelisz van Oostsanen after 1651 depicting the Kiss of Judas, showing figures, gestures, and narrative elements."

LOLLARDS LED TO EXECUTION

Hendrik I receives the brother of the deceased King Koenraad I in his garden, Daniel Nikolaus Chodowiecki, 1795 print Berlin paper etching History. garden. ruler, sovereign. bird hunting. shrubs. empty bird cage

Ceres and Stellio. Night scene with Ceres and Stellio. Ceres drinks from a bowl and is laughed at by the boy Stellio because she does this too eager. Behind them there is an old woman with a torch and in the doorway a man who decreases his hat.

Héctor. Héroe troyano, personaje de La Ilíada, despidiéndose de su esposa Andrómaca. Jefe del ejército troyano, consiguió detener la ruina de Troya durante diez años; fue muerto por Aquiles. Grabado de 1866.

Othello's Speech to the Senators of Venice 1839-1849 France. Graphite on ivory wove paper, permeter mounted on cream laid paper . Théodore Chassériau

Abraham is predicted the birth of a son. Design for a painting.

Treuring company with Dead Soldaat, Pieter Bartholomeusz. Barbiers, 1809 - 1837 print A dead soldier is on his back. With him is a soldier with a curved head. In addition, a woman with a child who has hidden the face in her lap. A ruin in the background. Haarlem paper after the battle. the soldier; the soldier's life. devastated, ruined place or city (~ warfare). mourning the dead

Volume of Tennysons poems published by Edward Moxon (London, 1857) with wood-engraved illustrations after designs by Hunt, Millais, Rossetti and others.

Jacques Bellange's early 17th-century etching and copper engraving depicts three women at the grave, emphasizing figures, gesture, and narrative composition.

Augsburg, Hertel, Johann Georg (II), Rijn, Rembrandt van, Terugkeer van de verloren zoon, The return of the prodigal son, verso - stamped, print, prints, height 158 mm, width 127 mm, print maker, printmaker, 1711 - 1800, paper, papier, etching, etchings, Work conception, Northern Netherlands, 1606-07-15 - 1669-10-08, after print by, Publication (Event), Publication, German, 1701 - 1800, publisher

Eugène Delacroix (French, 1798 - 1863). Mephistopheles and Faust Fleeing after the Duel (Méphistophélès et Faust fuyant après le duel), 1828. From Faust. Lithograph. Fifth of seven states.

Night scene with Ceres and Stellio. Ceres drinks from a bowl and is laughed at by the little boy Stellio because she does this too eagerly. Behind them is an old woman with a torch and in the doorway a man taking his hat off., Ceres and Stellio, print maker: Karel van Mander (III), (mentioned on object), after: Adam Elsheimer, (free after), unknown, 1620 - 1670, paper, etching, h 209 mm × w 153 mm

Rijn, Rembrandt van, The Raising of Lazarus: large plate, verso lower left - stamped, print, prints, RHL. v Rijn, central, height 369 mm, width 258 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

Hamlet and Laertes in the Grave of Ophelia (Act V, Scene I). Dated: 1843. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

Amsterdam, Visscher, Barent, Rieuwertsz., Jan (II), Luyken, Jan, Petrus uit de prison door de engelt, verso - stamped, print, picture, book illustration, prints, pictures, height 91 mm, width 78 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1706 - 1706, paper, papier, etching, etchingsen, Publication (Event), Publicatie, publisher

The Holy Family in the Carpenter's Shop. Dated: c. 1755. Dimensions: overall: 35.6 x 24.5 cm (14 x 9 5/8 in.). Medium: pen and gray ink with gray wash, watercolor, white gouache, and touches of brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES EISEN.

Loyalty', 1819-1823 Artist: Francisco Goya. Plate 17 of 'Proverbs', published in 1864. 'Proverbs' is an album of twenty-two prints which is the last major series of prints by Francisco Goya.

Honoré Daumier, Ah! Enfin voila le train! , 19th century Ah! Enfin voila le train! ...

Hofmann, Ludwig, Kaulbach, Wilhelm von, Reproduction of a drawing, depicting Hermann sees Dorothea in the stream of refugees, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 165 mm, width 124 mm, maker, producer, 1880 - 1885, paper, papier, collotype, German, 1805-10-15 - 1874-04-07, intermediary draughtsman, after a drawing by, 1832-11-11 - 1895-09-28

Diogenes Ulysse Napoleon Maillart (1840-1926). The Marquis de Lantenac saving the children of Michelle Fléchard. Illustration for the Hugues editor of Victor Hugo's novel "Quatreving-Treize". Charcoal and pastel on paper. 1876. Paris, house of Victor Hugo. DRAWING

Elihu Vedder, The Parable of the Miller and the Donkey, c 1859 The Parable of the Miller and the Donkey

Two sitting Albanian men, the left makes music, Célestin François Nanteuil, After Alexandre -Gabriel Decamps, 1851 - 1862 print Paris paper. fashion, clothing. cithern, mandolin, guitar, balalaika - CC - out of doors. making music; musician with instrument

James Smetham, 1821-1889, British, The Death of Earl Siward, 1861. Etching and engraving.

Tanner in apron using a stick to move a leather hide in a liming pit in a tannery. The hides are soaked in curing, liming and picking pits to soften and clean the leather. Woodblock engraving from The Book of English Trades, or Library of Useful Arts, F.C.& J. Rivington, London, 1821.

Rudolph of Habsburg and the Priest. Karl Russ; German, 1799-1843. Date: 1809. Dimensions: 158 x 233 mm (plate); 173 x 248 mm (sheet). Etching and aquatint on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Raphael de la Cancha workshop in Cusco 19th Century. Peru, South America. Old 19th century engraved illustration, Le Tour du Monde 1863

Michał Elwiro Andriolli, `Anna z Nabrzeża` Anna from the Shore, for the poem by S. Goszczyński; from: `Kłosy` 1880 no. p. 185 (series `Bohaterki poezji polskiej` Heroines of Polish Poetry).. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Italy, Salimbeni, Ventura, Schiaminossi, Raffaello, Joachim and Anna, verso - stamped, Joachim and Anna standing in a landscape, both connected by a leafy branch to Mary who stands above them among the clouds., print, prent, prints, height 204 mm, width 156 mm, Italian, 1572 - 1622, print maker, printmaker, 1595 - 1595, paper, papier, etching, etchings, Work conception, 1568-02 - 1613

Cibber, Susanna Maria .

Artist: Giovanni Domenico Tiepolo, Italian, 1727-1804, The Holy Family Passing under an Arch, Leaving by a City Gate, from the series Idee pittoresche sopra la fuga in Egitto (Flight intoEgypt), Etching, platemark: 18.8 × 24.6 cm (7 3/8 × 9 11/16 in.), Made in Italy, Italian, 18thcentury, Works on Paper -Prints

unknown, Soutman, Pieter Claesz., Elsheimer, Adam, Rubens, Peter Paul, Turkish prince on horseback, verso lower left - stamped, An orientally dressed man sits on a horse. In front of him on the horse a tube in which he carries his bow. Around him his entourage, on foot and on horseback. In the background a man and a woman on a camel. Below the image eight lines of verse in Latin., print, prints, height 324 mm, width 226 mm, Northern Netherlands, 1601 - 1657-08-16, print maker, printmaker, 1616 - 1657, paper, papier, etching, etchings, engraving, engraving (printing process), Southern Netherlands, 1577-06-28 - 1640-05-30, after, after painting by, Work conception, 1578-03-18 - 1610-12-11, after design by, Publication (Event), Publication, publisher, uitgever van privilege

The Bostonians Paying the Excise-Man, or Tarring & Feathering October 31, 1774 Attributed to Philip Dawe British This pre-American Revolution satire published in London shows John Malcolm, British customs agent in Massachusetts, tarred, feathered, and forced to drink tea. The event of January 24, 1774 occurred soon after the Boston Tea party of December 16, 1773 where colonists famously dumped imported tea into the harbor to protest a tax levied by the British Parliament. This is the earliest known representation of the later event with strong tonal contrasts and broad details produced by a worn printing plate.. The Bostonians Paying the Excise-Man, or Tarring & Feathering 388949

Faust cherchant à séduire Marguerite (Faust Seeking to Seduce Marguerite), from Johann Wolfgang von Goethes Faust. Artist: Eugène Delacroix, French, 1798-1863

Noordelijke Nederlanden, Lanterne Magique, Title page for: Lanterne Magique, 1782-1783, Northern Netherlands, verso - stamped, Title page for the princely book: Lanterne Magique, 1782-1783. In a room, a magic lantern shows the image of the radiant prince and princess of Orange crowned by Fame with a wreath., print, engraving, title page, prints, Frederik Muller Historieplaten, height 196 mm, width 118 mm, print maker, printmaker, 1782 - 1783, paper, papier, etching, etchings, engraving (printing process)

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The liberation of Petrus, Johann Andreas Benjamin Nothnagel, 1772 print paper etching prison, jail

An etching by Augustin Hirschvogel from 1548 depicting the death of Judas, showing figure, composition, and mid-16th-century German printmaking techniques.

Ah! Enfin voila le train! ... Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), On the orders of Willibrord, the idol of Wodan is smashed in Westkapelle, 695, the idol of Wodan is smashed in Westkapelle in 695., print, history print, prints, Frederik Muller History plates, height 228 mm, width 152 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1783 - 1799, fourth quarter 18th century, paper, papier, etching, etchings, Noord-Nederlands, 1724-11-19 - 1801-04-07, intermediary draughtsman

Andreas Flinch (1813-1872); Lorenz Froelich (1820-1908), Uglspil Ved Gallen, (1841)

Andrzej Wapowski Matejko, Jan (1838 1893), Styfi, Jan (1841 1921), Lewental, Salomon (Franciszek Salezy) (1841 1902)

Juan de Serrallonga. Grabado Siglo XVII, Museo de Historia de Barcelona.

THE COUNTRYMAN AND THE SERPENT, BY GUSTAVE DORE

Rebecca before the Grand Master. Date: First published: 1820

Queen Catherine: Lord Cardinal, -To You I Speak.., c1890, (1923) Artist: Sir John Gilbert.

New Englanders before Louisburg

Gołda and Abel Karaim at the fair, illustration to the novel by E. Orzeszkowa, Meir Ezofowicz, Warsaw 1879; "Kłosy" 1878, I, 360; Gorazdowski, Edward (1843-1901), Andriolli, Michał Elwiro (1836-1893); 1878 (1878-00-00-1878-00-00);

Illustration by Gustave Dore for 'Le Capitaine Fracasse' by Pierre Théophile Gautier (1811 - 1872)French, Writer, poet, painter, art critic. Gautier was a defender of Romanticism, Gautier's work is difficult to classify and remains a point of reference for many subsequent literary traditions such as Parnassianism, Symbolism, Decadence and Modernism. Captain Fracasse (Le Capitaine Fracasse) is an 1863 novel by the French writer Théophile Gautier. It is an adventure novel set in the seventeenth century.

The caption for this illustration reads: Between Two terrors (White and Red). The labels on the characters from left to right are: Monarchy, France, Communism. The man represents Louis Adolphe Thiers, the first President of the Third Republic. The figure representing France embraces him. To the right is the threatening figure of Communism, and to the left the shrouded figure of Monarchy. Opposed by the monarchists in the French assembly and the left wing of the Republicans, Thiers resigned on 24 May 1873. It is taken from the Punch Almanac for 1873. Its date is October 18, 1873. Punch, or

Lazio Roma Rome Gesu19. Hutzel, Max 1960-1990 Exterior views of Baroque facade and cupola. Interior views of main altar and chapel altars. Extensive coverage of nave ceiling fresco by Baciccia, sculpted altar by Pozzo, and corridor by Pozzo and Borgognone. Paintings and sculpture in sacristy and church, and views of elaborately embroidered cope. Antiquities: Sarcophagus General Notes: Three numerical sequences have been fused into a single sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rembrandt van Rijn, The Tribute Money, c 1635 The Tribute Money

Illustration for Yorick's 'Sentimental Voyage'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: chameliers et porteurs de présents 1756 Etienne Fessard From a series of fifteen plates engraved by Fessard after the paintings by Natoire in the Chapel of the Enfants-Trouvés, Paris. The chapel was built in 1746-50 based on designs by Germain Boffrand, but destroyed in the 19th century. The main altar depicted The Adoration of the Magi and subsidiary scenes included the children and nuns of the orphanage as onlookers. Natoires scenes were set into trompe loeil surrounds painted by Paolo Antonio and Gaetano Brunetti, giving the illusion that the viewer was standing in a ruined building. Fessards suite of prints includes a perspective view of the interior based on a drawing by Augustin de Saint-Aubin 59.570.49. The print depicting the ceiling (Caviglia-Brunel, 2012, under *P.195, p.360) is missing from the Mets set.. The Chapel of the Enfants-Trouvés in Paris: La Suite des rois mages: chameliers et porteurs de prés

Weigel, Christoph, Amsterdam, Luyken, Jan, Terugkeer van Tobias, verso - stamped, print, prent, prints, prenten, height 250 mm, width 201 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, printmaker, 1708 - 1708, paper, papier, etching, etchings, Publication (Event), Publication, German, 1654-11-09 - 1725-02-05, publisher

Gustav I of Sweden (1496-1560), also called Gustav Vasa. King of Sweden from 1523 to 1560. Engraving by Martinez. "Los Héroes y las Grandezas de la Tierra". Volume V. 1855.

Hospital for the Maintenance and Education of Exposed and Deserted Young Children designed by Thomas Stothard, R.A. Black and White Illustration from the Connoisseur, an Illustrated Magazine for Collectors Voll 3 (May-Aug 1902) published in London.

Jan van Schaffelaar jumps from the tower, 1482. Jan van Schaffelaar jumps from the tower of Barneveld, July 16, 1482.

'Riddle of Fury', 1819-1823. Artist: Francisco Goya

Buys, Jacobus, Netherlands, Vinkeles, Reinier (I), The inhabitants of Zierikzee march towards Charles the Bold and beg for mercy, 1472, The inhabitants of Zierikzee march towards Charles the Bold and beg the duke on their knees for mercy, 1472., print, history print, prints, Frederik Muller Historical Plates, height 228 mm, width 154 mm, Northern Netherlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1795 - 1795, fourth quarter 18th century, paper, etching, etchings, 1724-11-19 - 1801-04-07, intermediary draughtsman

The Madonna, Child, and Angels Entering the Boat. Dated: published 1753. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Domenico Tiepolo.

Illustration No. 10 (from 12) to medieval and modern history, posted in: Almanac de Gotha pour l'anneé 1793. Gotha, Chez C. W. Ettinger (copy) Geyser, Christian Gottlieb (1742 1803), Chodowiecki, Daniel Nikolaus (1726 1801)

Louis Boulanger, Illustration for "The Fair Maid of Perth" by Walter Scott, ch. 12, Feb. 1830, lithograph on wove paper.

Woodcut by Hans Burgkmair the Elder from 1516-1519 showing three Jewish figures, depicting clothing, postures, and cultural attributes.

Wood engraving, England, by Thomas Bewick.

A man cooking pasta at a street stall, and people eating spaghetti with their hands in Naples, early 19th century. Neapolitan maccaroni eaters. The macaroni sellers of Naples. Woodblock engraving by J. Jackson from The Penny Magazine, of the Society for the Diffusion of Useful Knowledge, printed by William Clowes, Lambeth, 1833.

Jean Louis Forain, Hiding the louis, c 1914 1919 Hiding the louis

Marius among the ruins of Carthage Vogel, H. (Hermann), 1856-1918. still image. 1885. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Exiles, Carthage (Extinct city), Marius, Gaius, ca. 157-86 B.C

drawing by Paul Delaroche: la fuite and Egypt, Robert Jefferson Bingham, Goupil & Cie, 1858.

Macbeth Consulting the Witches. Artist: Eugène Delacroix (French, Charenton-Saint-Maurice 1798-1863 Paris). Dimensions: Image: 12 9/16 × 9 7/8 in. (31.9 × 25.1 cm)Sheet: 19 3/4 × 13 7/8 in. (50.2 × 35.2 cm). Series/Portfolio: Macbeth, Act 4, Scene 1. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1825.One of Delacroix's most striking prints, "Macbeth Consulting the Witches" owes its dynamic technique to the lithographs of Goya, whose monumental bullfight scenes had just been published in Bordeaux. Datable to 1825, this is probably Delacroix's first important work inspired by Shakespeare. An impression hand-colored in oils by the artist exists, suggesting that he was considering a related painting. The subject occurs in act 4, scene 1, where Macbeth meets the three witches for a second time to ask them about his future. Museum: Metropolitan Museum of Art, New York, USA.

Spirits of nature. The fairy of the mountain. Engraving of the Universe Illustrated, 1880.

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Furnius, Pieter Jalhea, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, Parable of the Sower, Burning the Weeds and Reaping the Grain, The landlord, with a scepter in his hand, gives the order to bring in the harvest. The grain is harvested and the weeds are gathered and burned. A boy holds the landlord's robe. Below the representation is a reference in Latin to the Bible text in Mat. 13:30. This print is part of an album., print, album sheet, prints, height 201 mm, width 246 mm, 1540 - 1626, print maker, printmaker, 1568 - 1568, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher

Wine tasting, Jan van Somer, 1655 - 1700

Rhine, Rembrandt van, The beheading of John the Baptist, lower left, print, prints, Rembrandt f. 1640, height 127 mm, width 103 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1640 - 1640, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Michał Elwiro Andriolli, `Dziady: Maryla wobec widma Gustawa` The Dziady: Maryla and the spirit of Gustaw, illustration for the `Dziady` by Adam Mickiewicz, 1879; series `Bohaterki poezji polskiej, odtworzone przez E. Andriollego` Heroines of Polish Po???????????????????. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Robin Hood: The Impoverished Knight, Robin Hood

Leonaert Bramer / 'The Return of the Prodigal Son / The Good Samaritan'. Ca. 1635. Indian ink wash, White lead, Pencil, Pencil, Indian ink on dark toned paper, prepared paper, laid paper. Museum: Museo del Prado, Madrid, España.

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