Modern Abstract Prints

Contemporary prints characterized by abstract forms and textures, exploring themes of existence and emotion through bold colors and shapes.

Maria Magdalena, anonymous, after Hendrick Goltzius, 1582 - 1590 print Saint Mary Magdalena in half shown in oval. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Copy in mirror image to engraving by Hendrick Goltzius from 1582. Reconstructed from two fragments. Northern Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

White Carrot. Rosemarie Trockel; German, born 1952. Date: 1991. Dimensions: 540 x 380 mm. Etching on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Maria Magdalena, anonymous, after Hendrick Goltzius, 1582 - 1590 print Saint Mary Magdalena in half shown in oval. In the background on the left you can see Mary Magdalena again, kneeling under Christ on the cross. Copy in mirror image to engraving by Hendrick Goltzius from 1582. Reconstructed from two fragments. Northern Netherlands paper engraving the penitent harlot Mary Magdalene; possible attributes: book (or scroll), crown, crown of thorns, crucifix, jar of ointment, mirror, musical instrument, palm-branch, rosary, scourge

Family, 1972 print Composition with seven figures, looking in the middle a standing man looking at a naked woman holding a canvas in front of a lying man. On the right two men who hold a figure with his/her arms. paper. printing ink etching family, relationship, descent

Goose 1889 Berthe Morisot French. Goose. Berthe Morisot (French, Bourges 1841-1895 Paris). 1889. Drypoint on wove paper. Prints

Gauloises Bleues (White). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1970. Dimensions: 292 x 162 mm (plate); 563 x 365 mm (sheet). Aquatint and etching in blue and dark blue on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Ohne Titel Mit Bimmelmännchen. Felix Droese; German, born 1950. Date: 1981. Dimensions: 450 x 270 mm (image); 783 x 520 mm (sheet). Color woodcut on buff wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

6, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1962-1963. Dimensions: 80 x 65 mm (image); 145 x 140 mm (sheet). Lithograph from one stone in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Canto I, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 420 x 314 mm (image); 640 x 516 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Don't Fall. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1966. Dimensions: 460 x 360 mm (stone); 760 x 565 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Relay Post (Autumn Battle in Champagne), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 145 x 197 mm (plate); 475 x 353 mm (sheet). Etching and aquatint on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Gauloises Bleues (Raw Umber Edge). Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 292 x 162 mm (plate); 525 x 390 mm (sheet). Color aquatint and etching on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pot Met JudePiing, Jan mankes, c. 1914 print A jar with Judaspenning. At the top of the same show upside down. transparent paper etching plants and herbs. containers

Abstract composition, Erich Wichmann, 1919 print Japanese paper (handmade paper) Abstract, Non-representational Art

Homeric Battle. Léopold Flameng; French, born Belgium, 1831-1911. Date: 1868. Dimensions: 216 × 147 mm (plate); 387.5 × 281 mm (sheet). Etching, with plate, tone on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Edelfelt, Albert, work, Sketch book, drawing, 16 cm x 10 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

La Naissance de Vénus, state I. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Koch Friedrich (1828-1922), travel studies from Sicily 1851-53 (01.06.1852): Taormina: entrance gates (views, details), old monastery (view). Ink, pencil on paper, 34.3 x 39.4 cm (including scan edges) Koch Friedrich (1828-1922): Reisestudien aus Sizilien 1851-53

The Goose. Berthe Morisot; French, 1841-1895. Date: 1889. Dimensions: 144 × 112 mm (image); 151 × 119 mm (plate); 354 × 277 mm (sheet). Drypoint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Quast Ferdinand von (1807-1877), grotto of the Holy Family under a Coptic Church in Alt-Cairo (without dat.): Three leaves: cross-section (after: Histoire de l'egypte Sous Le Governement de Mohammed Aly, by Félix Mengin, Paris 1823), longitudinal cut, floor plan, ma. Pencil on transparent, 35.8 x 28.8 cm (including scan edges) Quast Ferdinand von (1807-1877): Grotte der Heiligen Familie unter einer koptischen Kirche, Alt-Kairo

Untitled. Mark Rothko; American, born Russia, 1903-1970. Date: 1969. Dimensions: 1,825 x 1,225 mm (sight). Acrylic on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Target I. Jasper Johns (American, born 1930); printed by Donn Steward (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967. Dimensions: 97 x 97 mm (image/plate); 147 x 134 mm (sheet). Etching from one copper plate in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Leg, from Multiplizierte Kunst. Joseph Beuys, (German, 1921-1986); published by Propylaen Verlag, Berlin. Date: 1973-1974. Dimensions: 314 x 308 mm (image); 503 x 654 mm (sheet). Woodcut on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Two studies of figures and animals, Jacques van Gingelen, 1842 print Leaf with two prints. Above a group of figures that stands around a draftsman. Under four soldier's heads and two horizontal dogs. paper. etching (military) uniforms. uniform cap. dog. draughtsman at work

Two figures and flower, Pieter Holstein, 1968 print Two figures on the street, one lying, in the top left of a flower, on the right a vertical green line. paper. watercolor (paint) etching / brush

Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 216 x 154 mm (image); 219 x 154 mm (plate); 409 x 308 mm (sheet). Etching on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Design for watermark of banknote: a hand with flowers, a hand with butterflies. .

Sketch sheet with nude swimming women. .

The Celtic Stone. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1970-1971. Dimensions: 810 x 588 mm (image); 1,053 x 751 mm (sheet). Color lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Fifth of November. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 166 x 165 mm (image); 285 x 230 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Water Stop. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1968. Dimensions: 1006 x 753 mm (image/stone); 1050 x 753 mm (sheet). Lithograph in black and red-black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study for a plate from The Task 1795-1805 England. Ink wash on paper . Thomas Stothard

Sleep 1896 France. Color lithograph on cream laid paper . Henri de Toulouse-Lautrec

Study for a plate from The Triumphs of Temper, in the 1796 Royal Engagements Pocket Book. Thomas Stothard; English, 1755-1834. Date: 1790-1800. Dimensions: 25 × 50 mm. Ink wash on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Variation I on Mauve Corner. Helen Frankenthaler (American, 1928-2011); printed by Frederick Genis; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 657 x 505 mm. Lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

3, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 220 x 160 mm (image); 282 x 225 mm (sheet). Lithograph from one stone in purple on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Campania Napoli Naples S. Lorenzo Maggiore264. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva just takes the apple from the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the undermaster a two-key Latin text. Copy in mirror image to engraving from Hendrick Goltzius from 1585. Reconstructed from three fragments.

Three kings from the camers; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

Molly. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1957. Dimensions: 252 x 303 mm (image); 340 x 437 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pressure graphic by Rocco Marconi from 1490-1529 depicting Christ in springtime, showing the figure of Christ with detailed composition and symbolic seasonal elements.

Double Apple Palette with Gingham. Jim Dine (American, born 1935); printed by Ben Berns (American, born Netherlands, 1936); published by Universal Limited Art Editions (American, founded 1955). Date: 1965. Dimensions: 575 x 450 mm. Lithograph with red ink additions on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Card. Helen Frankenthaler (American, 1928-2011); published by Telamon Editions; commissioned by the Whitney Museum of American Art. Date: 1971. Dimensions: 350 x 556 mm (image); 503 x 722 mm (sheet). Color lithograph from three stones, with orange crayon notations on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Venice. Helen Frankenthaler (American, 1928-2011); printed by Bill Goldston and Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1969. Dimensions: 407 x 350 mm (image, recto); 407 x 344 mm (image, verso); 803 x 576 mm (sheet). Color lithograph from one stone printed on recto and verso on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Apollon et Diane. Bisson Frères (French, active 1840 - 1864)

Decoy II. Jasper Johns (American, born 1930); printed by Bill Goldston and James V. Smith; published by Universal Limited Art Editions (American, founded 1955). Date: 1971-1973. Dimensions: 525 x 755 mm (image); 1,046 x 755 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tightrope Walker. Paul Klee; German, born Switzerland 1879-1940. Date: 1923. Dimensions: 445 x 269 mm (image); 521 x 380 mm (sheet). Color lithograph on ivory laid paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Le fermier et son ne , Donkeys, Alphonse Legros (1837-1911)

Francis Jourdain. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 170 × 102 mm (image/plate); 368 × 230 mm (sheet). Drypoint from a zinc plate in black on cream wove Japanese paper. Origin: France. Museum: The Chicago Art Institute, USA.

Böhmer Franz (1907-1943), Runow (1939-1939): Sketches. Pencil on transparent, 45.6 x 41.7 cm (including scan edges) Böhmer & Petrich : Feierstätte Runow

Buried Men (January 1916, Champagne), from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 140 x 200 mm (plate); 475 x 353 mm (sheet). Drypoint and etching on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Pencil drawing by Paul Klee titled 'Hex Monument', executed on paper mounted on cardboard in 1922, depicting a hexagonal monument with line and tonal study.

La Mise Au Sépulcre; Jasi Ski, Feliks Stanis AW (1862-1901), Mantegna, Andrea (Ca 1431-1506), Porcabeuf, Alfred (1867-Ca 1946); 1932 (print); 1900 (p tta) (1900-00-00-1932-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, folding to the grave (iconogr.), Polish graphics, Poland (culture), purchase (provenance)

Böhmer Franz (1907-1943), Park Hotel in Poznan (1940-1940): Clearing between the ceiling and wall: cut. Pencil on transparent, 103.2 x 91.8 cm (including scan edges)

Servitude and military magnitude. Meditation on the bridge Alfred de Vigny (1797-1963), French writers, Louis Dunki, illustrator and Clément Bellenger (1851-1898), wood burner. Servitude and military magnitude. "Meditation on the bridge". Woodcut. 1897-1898. Paris, museum of romantic life.

Dark Plant. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1957-1958. Dimensions: 254 x 307 mm (image); 405 x 472 mm (sheet). Lithograph in black on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Study of wing for the Infancy of Galahad, from the Quest of the Holy Grail (a series of fifteen paintings for the Boston Public Library, completed in1901). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Original drawings and manuscripts by this artist as well as documentarymaterial.. Artist: Viking Eggeling, Swedish, 1880-1925

Rank, from Rauschenberg: XXXIV Drawings for Dante's Inferno. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 355 x 430 mm (image); 562 x 760 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Loose fragments of prints.Fragments or variant prints.

Canto XXXIII, from Rauschenberg: XXXIV Drawings for Dante's Inferno. Robert Rauschenberg (American, 1925-2008); published by Harry N. Abrams, Inc. (American, founded 1949); printed by Smeets Offset (Dutch, founded 1830). Date: 1964. Dimensions: 368 x 292 mm (image/primary support); 430 x 440 (secondary support, closed); 430 x 878 mm (secondary support, open). Color offset lithograph on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Michael Fenga, Thread Winds, c 1937 Thread Winds

Le fermier et son ne , Donkeys, Alphonse Legros (1837-1911)

Open on Two Whites. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971-1973. Dimensions: 1,210 x 805 mm. Lithograph in white and black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Colored Palette. Jim Dine (American, born 1935); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 797 x 571 mm. Lithograph on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Antoni Tapies / 'Llambrec-7', 1975, Lithography, 76 x 56 cm. Museum: COLECCION PRIVADA.

Abstraction , Cities & towns. The Massachusetts WPA Federal Art Project Photograph Collection

Deraisme, Pierre -Georges (n.1859 - D.1932), Dragon Broche (main title), 1899. Graphite, ink and gouache on transparent rives vellum. Petit Palais, Museum of Fine Arts of the City of Paris.

Sketch of Whistler's Head Made 1890-1900 England. Pen and black ink on ivory wove paper . Philip William May

Design for a Stage Set at the Opéra, Paris Eugène Cicéri French 1830-90

Hugo, Victor (n.1802-02-26-D.1885-05-22), unit (dummy title), 1872. lithographic pencil () On double sheet of gray-blue vellum paper. House of Victor Hugo - Hauteville House.

Unknown architect, details of cornice of Baluster ornament (without date): Details of cornices, baltemen, lion head. Pencil on transparent, 28.9 x 18.4 cm (including scan edges) N.N. : Details von Gesimsen Baluster Ornament

Fifth of November James Abbott McNeill Whistler (American, 1834-1903). , 1895. Lithograph, irregular: 11 11/16 x 8 3/4 in. (29.7 x 22.2 cm). American Art 1895

La mise au sépulcre. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Mantegna, Andrea (ca 1431-1506), painter, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

A man and two boys to marble.

Canto XVIII, from 18 Cantos. Barnett Newman (American, 1905-1970); published by Universal Limited Art Editions (American, founded 1955). Date: 1963-1964. Dimensions: 377 x 321 mm (image); 645 x 499 mm (sheet). Color lithograph on white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition 1881 Max Klinger German. Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition 420624

Right under corner of a print of the scene of Cebes, Philips Galle, After Frans Floris (I), 1561 - 1596 print Allegory about the salvation road of man. Life as a city with three walled sites, with a temple in the middle. At the outer gate the souls of children are waiting, ready to enter adult life. Before entering, they get something to drink from temptation (seductio), which makes them ignorant. The first walled site shows all kinds of transfers and distractions, such as prejudice (opinion), desire (cupiduas), doubt (error) and ignorance (ignorantia). They prevent the youthful person from penetrating further to the next circle. Only by following the personifications of repentance (Poenitentia), Hope (Spes) and Good desire (Bonnnem Desiderium) can people gain access to the second circle. There he is taught in all forms of worldly knowledge. On the left are the seven Artes Liberales and on the right various scholars debate. Man is put to the test in this circle and confronted with fals

Untitled. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1965-1970. Dimensions: 753 x 1055 mm. Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Fire on the Lauriergracht, Jan van der Heyden, 1867 - 1936 print Fire on the Lauriergracht in 1669 with an open field for an inscription at the top left; A modern pressure of the reduced version of the print with the same performance from 1690, from the second edition of Van der Heyden's book in 1735. Amsterdam paper etching / engraving on fire, ablaze. fire-fighting. fire-extinguishing equipment Lauriergracht

Open on Two Whites. Robert Motherwell (American, 1915-1991); published by Universal Limited Art Editions (American, founded 1955). Date: 1971-1973. Dimensions: 1,210 x 805 mm. Lithograph in white and black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Night Smoke. James Rosenquist (American, born 1933); published by Universal Limited Art Editions (American, founded 1955). Date: 1968-1970. Dimensions: 510 x 380 mm. Lithograph in black on two cutout sheets of white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Carpet design for window in the Noordertransept of the Dom in Utrecht. .

Window with a portrait of Rembrandt, Servatius Johannes Melort, c. 1850 Rectangular window, on which is engraved a portrait of Rembrandt. Left under the Portrait Rembrandt. f. 1636, right below the S.J. Milort. Netherlands glass Rectangular window, on which is engraved a portrait of Rembrandt. Left under the Portrait Rembrandt. f. 1636, right below the S.J. Milort. Netherlands glass

Design for a round jewel with rays, with gold, sapphire and brilliants, Jules Chadel, c. 1920 - c. 1930 drawing Paris paper. pencil. watercolor (paint) brush ornaments, jewels

Design for a silk fabric, anonymous, c. 1938 draughtsman: FranceLyon paper. gouache (paint)

Gypsum models for sculptures at the Palais du Louvre: Links "La Pêche" by Aimé-Napoléon Perrey and right "L'AutoMNE" by Félix Chabaud.Part of Réunion des Tuileries au Louvre 1852-1857, album 1.

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Plot models for sculptures on the Palais du Louvre: above two dogs and a man's head, below two lions and a women's head, both by Emmanuel Fremiet, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 2. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Scarab, Grecian Key and Fly Pattern Mount. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Sheet: 11 3/4 x 10 5/8 in. (29.8 x 27 cm). Date: 1897-99. Museum: Metropolitan Museum of Art, New York, USA.

Drawing, Textile Design: Prolog (Prologue); Designed by Maria Likarz Strauss (Austrian, 1893-1971); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 5.7 x 21.5 cm (2 1/4 x 8 7/16 in.), irregular Mat: 32.5 x 46 cm (12 13/16 x 18 1/8 in.)

Temporary Situation, from Les Phénomènes. Jean Dubuffet; French, 1901-1985. Date: 1959. Dimensions: 552 × 375 mm (image); 638 × 456 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Deux Femmes NUES, PL.10; Rodin, Auguste (1840-1917), Clot, Auguste (1858-1936), Maison Modene (Paris; Publisher; 1897-1903); 1899 (1899-00-00-1899-00-00);Leykam-Lewińska, Aleksandra (1882-1927)-collection, partage plus, acts, female acts, gift (provenance), modernism (style)

For Adults Only. Larry Rivers (American, 1923-2002); published by Universal Limited Art Editions (American, founded 1955). Date: 1971. Dimensions: 830 x 495 mm (image); 1,050 x 750 mm (sheet). Lithograph in black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bliżej Kultury Publishing house F. Bruckmann A. G., Böcklin, Arnold (1827 1901)

Page from Shi Zhu Zhai China. Page from Shi Zhu Zhai. China. Polychrome woodblock print; ink and color on paper. Qing dynasty (1644-1911), Qianlong period (1736-95). Prints

Study of Two Boats under Sail (from Sketchbook X). Artist: William Trost Richards (American, Philadelphia, Pennsylvania 1833-1905 Newport, Rhode Island). Dimensions: 5 x 7 1/2 in. (12.7 x 19.1 cm). Date: 1885.This sketchbook contains fifty-one drawings in graphite and ink, primarily of Pacific Northwest landscape and marine subjects. The addition to the Museum's collection of this and one other sketchbook (1992.2.1) of New England and Pennsylvania landscape and marine subjects by Richards virtually completes a representation of the range of the artist's graphic achievement. The books are remarkable for both highly finished compositions and for pages of rapid notes probably taken during strolls through the countryside. The pages testify to Richard's tireless pleasure in observing nature, to the sketchbooks utility as a rehearsal place for his hand, and to the vivid impressions he could produce with the simplest of means. Not least of all, they offer a key understanding to the artist's

Covered sun , Karl Wiener -, artist

A skeleton frightening a man holding newspapers ca. 1880-1910 José Guadalupe Posada. A skeleton frightening a man holding newspapers. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

The Temptation on the Pinnancle, Frederick Bacon, 1803-1887, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof

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