Monuments and Architectural Designs

A collection of artistic depictions of monuments, including sculptures and architectural elements, showcasing various styles and historical themes.

Monument erected to the glory of the French Republic / inaugurated on the Place de la Republique on July 14, 1880. (IT)

Monument erected to the glory of the French Republic / inaugurated on the Place de la Republique on July 14, 1880. (IT)

François Mansart, architecture; François Menssard l'architecture; Nouveau Trophées Ou Cartouches Représentant Les Arts et les Sçiences. A putto is situated with a map and measuring instruments for a building with columns and a cornice. There is a round locket between the columns with a portrait and profil from François Menssard. In the undermaster the text EST and MLDITANT AINSI QUE L'ON ACQUIONER DE LA SCIECE.

Catafalque, Jean-Michel Moreau le Jeune, (French, 1741-1814), Etching, 1781, architecture, Print, Print

Pedestment with image of standing woman, Jean Pelletier, After Juste Nathan François Boucher, 1772 - 1779 print A pedestal with lion's head and garlands with an image of a standing woman with a shield. Print number 223. Paris paper etching / engraving pedestal of a piece of sculpture (perhaps in the form of a herm). piece of sculpture, reproduction of a piece of sculpture. standing figure - AA - female human figure

Drawing, Design for a Monument; Designed by Giuseppe Barberi (Italian, 1746-1809); Italy; graphite on paper

Sketch of a Classical Pedestal. Artist: Attributed to Thomas Hardwick (British, London 1752-1829 London). Dimensions: sheet: 10 7/16 x 9 5/16 in. (26.5 x 23.6 cm). Date: 1776-79. Museum: Metropolitan Museum of Art, New York, USA.

Tomm puts Stande Figuur in rookvaten, Claude Antoine Litret de Montigny, After Jean Charles Delafosse, 1771 print A tomb with two smoking vessels and a standing figure with a shield. Paris paper etching / engraving grave, tomb. standing figure. incense-burner ~ scents, perfumes

Memorial Dante Alighieri in Florence; To Dante Alighieri. The sculpture of Dante Alighieri is on a base with four lions around it. The lions hold coats of arms. A scene is depicted on the base, probably from the Divina Commedia. Under the image the text: to Dante Alighi. Revealed the May 14, 1865 in Florence.

Italian 16th Century, Tomb of Nero, 1551 Tomb of Nero

Monument with medallion from Woman at Altaar, 1787 print A monument in a landscape with an oval medallion in the middle. On the medallion is a woman with a burning altar. In the background there is a boat at sea. paper etching / engraving landscape with monument. ornament ~ medallion. standing figure - AA - female human figure. altar ~ non-Christian religions

Statue of Andreas Vesalius, Corneille Seghers, After Jozef Geefs, 1847 - 1869 print paper. etching monument, statue Brussels

Ludwig XV., King of France.

Fountain Molière / built in Paris by national subscription

Tropee established for the main entrance of "Natura Artis Magistra" on the occasion of the 50th anniversary of the Society. Sculpture established at the main entrance of Artis in the fifty-year existence of the Koninklijk Zoegiegie Natura Artis Magistra 1838-1888. The sculpture was designed by B. Wijnveld and performed by N. van der Waaij and E.S. Witkamp Jr. Image cut out of a magazine, printed with text on the back and the page number 210.

Memorial at the twenty-five-year existence of the Royal Military Academy, 1853; Image of the memorandum, dedicated to the royal Academy on the occasion of its 25 year anniversary. Allegoric memorial at the age of 500, the 'Royal Academy of Sea and Land Magt' (Royal Military Academy) in Breda, 25-27 September 1853. Memorial Passed by the residents of the city of Breda to the KMA. Dutch lion lying on a pedestal, with a banner in honor of King Willem I and the Academy 1828-1853.

PortraT van Gottlieb Wilhelm Rabener, Johann Esaias Nilson, 1731 - 1788 print Augsburg paper engraving / etching historical persons. symbolic representations, allegories and emblems ~ the theatre

An ornate garden obelisk with a battle scene carved on the base. Etching by J. Schynvoet after S. Schynvoet, early 18th century.

Print made by unknown artist, sixteenth century, M. Antonii Antii Lupi, 1551. Line engraving on medium, slightly textured, cream laid paper.

Memorial to James Smith and Sarah Smith, his wife, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and qouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 5/8 inches (37.5 × 27 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Grave monument with obelisk and medallion, anonymous, 1650 - 1800 drawing A burial monument with an obelisk, an oval medallion, flags, weapons and a smoking vessel. paper. ink. pencil pen / brush grave, tomb. needle, obelisk (marking grave). ornament ~ medallion

st, Freyung - Schottenkirche - Fachadendail - Henry Jasomirgott monument, Bruno Reiffenstein -, photographer

Four-poster bed with medallion; Lit à la Francoise; Beds; 1er Cahier. A ornamented bed with roll cushion and a canopy decorated with floral motifs and a medallion with a young man portrait. Print number 4.

Gravesend War Memorial. Artist: Ernest Geldart (British, London 1848-1929). Dimensions: sheet: 18 1/2 x 10 in. (47 x 25.4 cm). Date: 1920. Museum: Metropolitan Museum of Art, New York, USA.

Monument in the Basilica of Saint Anthony of Padua, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Brown wash and graphite on moderatly thick, moderately textured, beige, wove paper, Sheet: 7 13/16 × 5 1/2 inches (19.8 × 14 cm)

Kandelaber, Giovanni Battista Piranesi, 1778 print A marble candelabria with a representation of a goddess on the base. Assignment above performance. paper etching Chandelier, a candlestick

Tomm puts Drie Vazen, Claude Antoine Litret de Montigny, After Jean Charles Delafosse, 1771 print A tomb with three vases, garlands and a cloth. Paris paper etching / engraving grave, tomb. vase ~ ornament

Above: decorated chimney with a niche containing a personification of Justice with a city crown on her head. Surrounding the maiden are the arms of Zaandijk, Westzaand, Westzaan, Wormerv. and Koog. Below: a door piece with an allegory of wisdom. The print is part of a series with ten illustrations of the court at Westzaan, sheet with two decorations from the courtroom Decoration of the chimney in the courtroom, piece above the door of the courtroom Illustrations of the court at Westzaan , print maker: Theodoor Koning, (mentioned on object), J.S. Creutz, (mentioned on object), Amsterdam, 1782, paper, etching, h 435 mm × w 314 mm

Monument for Napoleon. Lithograph by A. Leloir.

Kriegshaber, Fietta & Comp., Reciting new art, Pulpits, Pulpit with angels, verso - stamped, Front view and plan of a pulpit. The bowl of the pulpit is decorated with two winged angel heads and a naked child with garlands. The pulpit is closed off with a sounding board with an image of a book surrounded by clouds, a halo and winged angel heads. At the bottom of the print a German text. This print is part of a series., print, ornament print, prints, ornament prints, height 272 mm, width 198 mm, print maker, printmaker, 1790 - 1790, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Drawing, Design for a Princely Sepulcher Monument; Italy; pen and ink, brush and wash on paper

Drawing by Charles François Hutin depicting a fountain, executed in black chalk on blue natural paper.

N.N.: Grave monument for Wilhelm Stier on the Schöneberg cemetery and plaque for the building academy, Berlin. Competitions April 1857 and April 1858

'Dedication'. Album "The Gold Book of Lorraine". France, 1893. Dimensions: 63,5x46,5 cm. Museum: State Hermitage, St. Petersburg. Author: E. Auguin.

Architectural image of the monument to painter Johannes Christiaan Schotel in the Grote Kerk in Dordrecht. The tomb stands on a pedestal and is decorated with an egg frame, volutes and a funerary urn. Depicted on it are painter's attributes, nautical instruments, laurel branches and a knighthood. The whole is placed under a pointed arch and is flanked by two columns, Tomb monument for painter Johannes Christianus Schotel Architectural view of the monument erected in the Groote Kerk in Dordrecht, in memory of the knight Joannes Christianus Schotel, born in Dordrecht den 11 november 1787 and died there den 21 december 1838 , print maker: George Nicolaas Itz, (mentioned on object), George Nicolaas Itz, (mentioned on object), A. Az. Singels, (mentioned on object), Dordrecht, 1839, paper, h 560 mm × w 433 mm

Albert Memorial in London. A fragment of a hairstyle showed by the pecunts and groups Figuraln "Agriculture"; unknown, Marshall, William Calder (1813-1894), London Stereoscopic and Photographic Company (London; Photographic Company; 1854-1922); 1872-1876 (1872-00-00-1876-00-00);

Design for a funerary monument, Frans Decker, c. 1694 - c. 1751, draughtsman: Frans Decker, c. 1694 - c. 1751, paper, pen, brush, h 357 mm × w 309 mm

Speculum Romanae Magnificentiae: Sepulchre of Vibius 1551 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, Q Piedestaux et Socles, 3eme Epoque depuis Charlemagne, next to St. Louis. 4th Epoque depuis S. Loüis, next to Louis XIV, Charlemagne, Louis IX and Louis XIV, verso - stamped, A pedestal with a round medallion with burning books, a burning turban, a crown, a scepter with fleur-de-lis and a crown of thorns. On the pedestal are weapons, laurel wreaths, a shield with burning masks, books and a shield with the sun, books, painter's attributes and a globe. Print number 24., print, ornament print, prints, ornament prints, height 378 mm, width 228 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, etching, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Design for a Sepulchral Monument to King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1337. The structure is on top of steps, the column standing upon a flat roof. Upon the entablature above the door stands a tablet in the shape of the elevation of a sarcophagus, intended for inscription. The correspondent lateral motifs are not clearly distinguishable. The band around the column and the group on top are similar to 1938-88-1329, the upper part of the cross is not visible. On the reverse are accounts., Rome, Italy, 1780-1800, architecture, Drawing, Drawing

Monument to Colonel William Washington, Charleston, S.C.. Prints. 1777 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Washington, William Augustine, 1752-1810 , Monuments , South Carolina , Charleston

Franciszek Karpiński (1741 1825), poet. Monument in Kolomyia. In: Kłosy 1880 (2) 304 Malinowski, Aleksander (1855 1917), Gadomski, Walery (1833 1911), woodcut K Osów

Lamb's conduit, Snow Hill. Engraving by Levens after J. Sanderson, 1745.

Hogarth's Tomb. In Chiswick Church-Yard, Middlesex. 1822. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Memorial to Mary Buckby and Ann Skinner from Chelsea Church, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm), architectural subject, church, memorial, Chelsea, England, Greater London, London, Old Chelsea Church, United Kingdom

Project to transform the pedestal of the Henry IV statue on the bridge, face of front. 1st arrondissement. Etienne-Pierre-Adrien Gois (1731-1823). Project to transform the pedestal of the Henry IV statue on the bridge, face of front. 1st arrondissement. Drawing.

N.N.: Laufbrunnen, Berlin. Monthly competition April 1855

Gravestone with obelisk and Father Time. Draughtsman: anonymous. Dating: 1650 - 1800. Measurements: h 252 mm × w 149 mm. Museum: Rijksmuseum, Amsterdam.

Trajan column in Rome; Piranesi, Giovanni Battista (1720-1778); around 1774-1775 (1774-00-00-1779-00-00);Trajana column (Rome), Rome (Italy), Szyller, Stefan (1857-1933), Szyller, Stefan (1857-1933)-collection, trajan (Roman emperor-53-117), Italy, Italian graphics, columns (architect. ), monuments, bas-reliefs, antiquity, wars, wars with Daks (101-102- 105-106), Italian (culture)

Title page from Cinquieme Livre de Trophées 18th century Designed by Jean Charles Delafosse French. Title page from Cinquieme Livre de Trophées 353864

Radetzky from Radetz, Josef Graf.

FAMILY OF THE CEELBLE FAMILY AND THE FRANCE FAMILY ON THE STR Nicolai and st. Marien-Friedhaf, Berlin-Prinzenchair Berg: Grabmal Keele: Upper

Francke, August Hermann.

Design for a Sepulchral Monument of King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, The base is a variation of 1938-88-1288, with urns at the corners, the rest a variation of 1938-88-1289. The entire front of the lower part of the pedestal is treated like that of a sarcophagus, with two half-figures of putti supporting a wreath, and with a triangular pediment and two acroteria. Beside the upper part of the pedestal sit two female allegories, the left one with a sheep lying in her lap. A festoon is in the front of the main part. One more angel is added at right from the cross, with a book of a tablet. Usual background., Rome, Italy, ca. 1795, architecture, Drawing, Drawing

Senckenberg, Heinrich Christian Reichsfreiger von.

Bülow-dennewitz, Friedrich Wilhelm Graf.

Marine, sympathy and sovereign majesty; Panvoir Maritine, Simpation, Majesté Souveraine; P penduishes; Nouvelle iconology Historique Ou Attributs Hierogliphyques (...). An ornamented pendulum with garlands and an eagle on trumpets. Below three round medallions, left with an anchor and a dolphin, in the middle with a sunflower and hearts and on the right a palm tree. Print number 71.

Tomb of William Hogarth and Mrs. Jane Hogarth from Chiswick, Attributed to Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, tomb, Chiswick, England, Greater London, London, St. Nicholas Church, United Kingdom

Le antichità Romane di Giambatista Piranesi architetto Veneziano. Tomo qvarto, contenente i ponti antichi gli avanzi de' teatri, de' portici, e di altri monvmenti di Roma , Bas-reliefs, Columns. The Antonio Cardinal Tosti Collection

John Stowe, Historian and Antiquarian, 1525-1605, from his monument in the Church of St. Andrew, Undershaft. Depicted in an Elizabethen ruff holding a quill pen seated at a desk. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.

Epitaph of Antoni van Leeuwenhoek, showing his coat of arms, Epitaph of Antoni van Leeuwenhoek, print maker: Caspar Jacobsz. Philips, (mentioned on object), intermediary draughtsman: Isaac van Haastert, (mentioned on object), Amsterdam, 1752 - 1789, paper, etching, h 175 mm × w 101 mm

Project for the Fountain of Rue de Grenelle Edme Bouchardon (1698-1762), French sculptor. Project for the Fountain of Grenelle Street. Feather and Chinese ink on chamois paper. Between 1698 and 1762.

Fuente de Apolo, también llamada de las Cuatro Estaciones. Iniciada en 1780 bajo el reinado de Carlos III, se inauguró en 1803. Grabado de 1870.

Maurits's weapon with the insignia of the order of the garter, 1613, 1626 - 1628 print The weapon of Maurits with the insignia of the order of the garter: Honi soit qui mal y Pense, 1613. The weapon on a pedestal surrounded by bay branches, weapons, flags and parts of armor. With the saying your Maintiendray and at the bottom of an inscription of 8 lines in Latin. Northern Netherlands paper etching / engraving knighthood order (GARTER)

Schulenburg, Matthias Johann Graf Painter: Corradini, Antoniostecher: Zucchi, Andrea

Tomb of artist William Hogarth, Chiswick churchyard, Middlesex. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1791.

Statue of Laurens Jansz. Coster, Ludwig Gottlieb Portman, after Franciscus Andreas Milatz, 1794 - 1828 print Laurens Jansz. Coster, back, with a book and a printing letter in the hands. Statue in the Hortus of the Stedelijk Gymnasium in Haarlem. The statue was made in 1722 by Gerrit van Heerstal to a design by Romeyn de Hooghe. Amsterdam paper etching piece of sculpture, reproduction of a piece of sculpture Garden doctor

Design of a fireplace in the shape of a pyramid. Carrier-Belleuse, Albert Ernst (1824-1887), draughtsman, cartoonist

Title page for: Hieronymus of Alphen, 'Thimbles and Reflections', 1777. Title page with a memorial column with grieving putti.

Portrait of Willem IV, Prince of Orange-Nassau. Portrait of Willem IV and the uplifting of Willem IV to Erfstadholder, 1747. Monument awarded a bust of Willem IV and decorated with allegorical scenes. Putti hangs a portrait medallion and a medallion with the weapon of the Republic of the Seven United Netherlands to the monument. Down the Lier of Apollo and the Aegis, the shield of Minerva with the head of Medusa. On a pedestal six lines of Dutch text.

Ludwig XV., King of France.

Copper engraving and etching by Louis Jacques Cathelin, created in 1763, depicting an equestrian statue of Louis XV.

Perspective sketch of the Emperor Franz monument in the Inner Burghof of the Hofburg, Vienna, by Pompeo Marchesi, drawn in graphite with black pen and watercolor, 1841.

Image of the Graf-Tombe of Zyne Highness, Overled / in Brunswyk, 9 April 1806, Johannes Donker, 1806 print Graftombe from Willem V, with a rectangular base on which a pyramid stands on which his portrait is depicted in Laurierkrans and his coat of arms. On the base of the tomb a breach, under the show a twelve -line verse in two columns. Numbered at the top right: no 40. print maker: Netherlandspublisher: Amsterdam paper letterpress printing grave, tomb. armorial bearing, heraldry

MONUMENT TO THE MEMORY OF SIR HANS SLOANE, THE FOUNDER OF THE BRITISH MUSEUM, IN CHELSEA CHURCH YARD, LONDON, UK, britain, british, europe, united kingdom, great britain, european

Family tree with the names of the families from Noah to Abraham is on a pedestal. The names of other peoples are also listed. Two small scenes on the left and right refer to Bible stories: Noah and his sons making a sacrifice after the Ark is saved from the Flood and the building of the Tower of Babel, Family Tree of Generations from Noah to Abraham Family Tree of Generations from Noah to Abram showing the earliest Populators of the World after the Flood. , print maker: Johannes Christiaan Bendorp, (mentioned on object), intermediary draughtsman: A. Hordijk, (mentioned on object), publisher: Johannes Coenradus Leeuwestijn, (mentioned on object), Netherlands, 1776 - 1849, paper, etching, h 315 mm × w 221 mm

Attributed to Daniel Lysons, 1762-1834, British, Memorial to William Clarkson and Anna Maria Powell, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

A statue of a standing figure in a semicircular niche flanked by Corinthian pilasters and vases. In front of the niche is a table. Above the niche a panel with figures surrounding a smoking vessel. Print number 297. Dining room with statue in alcove Pour une Salle a Manger 50e Cayer Modeles pour des Trumeaux a l'usage des Apartemens Cinquieme Volume, Recueil , print maker: Jean François de Neufforge, (mentioned on object), Jean François de Neufforge, (mentioned on object), publisher: Jean François de Neufforge, (mentioned on object), Paris, 1763, paper, etching, h 361 mm × w 228 mm

Monument On the occasion of the wedding of Jonas Witsen and Elisabet Basseliers, Jan Goeree, After Simon Schijnvoet, 1701 print A niche with a monument decorated with ornaments. On the left side of the monument the personification love. On the right -hand side the personification faithfully. In the foreground on either side of the monument are Apollo (left) and Minerva (right). The print was made in honor of the wedding of Jonas Witsen and Elisabet Basseliers Amsterdam paper engraving cupids: 'amores', 'amoretti', 'putti'. (story of) Minerva (Pallas, Athena). (story of) Apollo (Phoebus). ornamenting, decorating ~ applied arts (+ monumental art). monument, statue. Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues. Frankness, Loyalty; 'Lealtí', 'Realtí' (Ripa)

Tomb monument from Senator Giovanni Failure. Sculpted grave monument by Antonio Canova for Giovanni Failure, with a grieving woman at the burial of Fallier.

. Architectural niche with a drapery on which the title in the Indian language. An open bible on the timpane. At the bottom of a cartouche in which a ship of the VOC, awarded a coat of arms of the Republic of the Seven United Netherlands.

Tomb of Piet Hein in Delft, 1629. Graftombe of Admiraal Piet Hein in the old church of Delft. The funeral took place on July 4, 1629, the praise grave was only completed in 1638.

Tomb of Mrs. Elizabeth Stafford Hilliard, Elizabeth Grosier, Gregory Grosier and William Grosier, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 3/4 inches (37.8 × 27.3 cm), architectural subject, church, memorial, tomb, Cowley, England, Greater London, London, St Lawrence's Church, United Kingdom

Architectural drawing of a mounted figure for a statue in 19th century Paris

Drawing, A Sepulchral Monument of Henry Cardinal York (1725-1807) and Charles Edward Stuart, the "Young Pretender" (1720-1788); ITALY & FRANCE; pencil, pen, wash, chinese ink

Crouching lions similar to 1938-88-1274 not holding a chain with their mouths. The pedestal rises between their backs. A woman with a helmet stands on top, raising with her left hand something like a compass. The lowered right hand holds something indistinct. A similar elevation is shown at right in small scale. The design of the pedestal is changed, showing less ornamentation. Colored background. Date: ca. 1795. Pen and brown ink, brush and brown wash, graphite on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Langhans Carl Ferdinand (1782-1869), Postatment by Rauch's Blucher Statue in Wroclaw (1827): Side view. Ink on paper, 48.4 x 40.5 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Postament von Rauchs Blücherstatue, Breslau

MONUMENT IN THE BRITISH GRAVEYARD, SCUTARI, 1876

Equestrian statue of Willem I, Prince of Orange, at the Noordeinde in The Hague. Equestrian statue of Willem I by Alfred Emile O'Hara de Nieuwerkerke at the Noordeinde in The Hague. Completely in an ornamented frame.

General Gobert Funerary Monument at Father Lachaise Cemetery Buy-François-René luclère (1785-1853). Monument Fairly VALUE VALUE VALUE VALUE VALUE VALUE PLUMS, Lavis Brun in Papier Calque. Paris, carnavalet Musée.

PRIZE MODELS FOR THE WELLINGTON MONUMENT

Radetzky from Radetz, Josef Graf.

Watering Trough, Title Page of "Studies of Horses" (Etudes de Chevaux). Artist: Théodore Gericault (French, Rouen 1791-1824 Paris). Dimensions: sheet: 22 5/16 x 16 1/8 in. (56.7 x 40.9 cm)plate: 13 7/16 x 11 1/4 in. (34.1 x 28.5 cm). Series/Portfolio: Etudes de Chevaux. Date: 1822. Museum: Metropolitan Museum of Art, New York, USA.

Grave monument with columns and oil lamps, Benigno Bossi, After Ennemond Alexandre Petitot, 1771 print A burial monument with two half -canling columns with burning oil lamps. In the middle a round medallion with garland and the serial title. paper etching grave, tomb and other grave-forms and grave-markers. column, pillar ~ architecture. oil-lamp

Three grave monuments in the Nieuwe Kerk Amsterdam, verso - stamped, On the left an epitaph dedicated to the naval hero Wolter Jan Gerrit Bentinck (1745-1781). In the middle a monument for lieutenant Jan van Speijk (1802-1831) and on the right an epitaph for the poet Joos van den Vondel (1587-1679)., print, prent, prints, prenten, height 162 mm, width 270 mm, print maker, prentmaker, 1809 - 1899, paper, papier, toonlithografie

Monument of Clemens XIII in the Sint-Pieter, Rome, c. 1880 - c. 1904 photograph Monument made by Canova. Rome paper. photographic support. cardboard albumen print St. Peter's basilica

Statue of a Roman. Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 225 mm × w 151 mm. Museum: Rijksmuseum, Amsterdam.

Umbria Terni Porchiano del Monte Parrocchiale0. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (12th century). Post-medieval: Architectural sculpture, frescoes, sculpture (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Utrecht, Jonxis, Pieter Hendrik, Statue of Erasmus, on the Grote Markt in Rotterdam, verso lower right - stamped, Erasmus, full-length, leafing through a book. Statue on the Grote Markt in Rotterdam. In the margin a two-line caption in Dutch. The statue was made in 1622 after a design by Hendrick de Keyser., print, book illustration, prints, height 178 mm, width 107 mm, 1757-07-03 - 1843-05-31, print maker, printmaker, 1791 - 1791, paper, papier, etching, etchings, engraving, engraving (printing process)

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