Monuments and Architectural Sketches

Artistic prints of memorials and monuments, capturing intricate designs and classical features, often in a monochromatic palette.

Veere, Beuckels, Pieter, Amsterdam, Philips, Caspar Jacobsz., Eerepoort op de Vismarkt, Eerepoort op de vismarkt, 1751, The triumphal arch placed on the fish market. On the arch fish, fishing nets and an obelisk. Part of the illustrations of the festive inauguration of stadtholder Willem IV as Margrave of Veere on 1 June 1751. Numbered top right: 5., print, prent, prints, prenten, height 355 mm, width 212 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, prentmaker, 1751 - 1751, paper, papier, etching, etsen, Work conception

Print, Catafalque; Jean-Michel Moreau le Jeune (French, 1741-1814); etching; 26.8 × 21 cm (10 9/16 × 8 1/4 in.)

Smoke barrel with multi-linen; A Premier Cahier d'Arabesques.twee Mermaids sit on a tablet on either side of a smoke vessel, below a pedestal with three heads and Arabesken.

Langhans Carl Ferdinand (1782-1869), Postatment by Rauch's Blucher Statue in Wroclaw (1827): Side view. Ink on paper, 50.3 x 42 cm (including scan edges) Langhans Carl Ferdinand (1782-1869): Postament von Rauchs Blücherstatue, Breslau

Andreas Flinch (1813-1872); Didrich Gercken (1692-1748), memorial at Frederikshald in the place where Karl 12. Dropped, (1837)

Monument erected in Josephine in the Church of Ruel

Veere, Beuckels, Pieter, Amsterdam, Philips, Caspar Jacobsz., Eerepoort op de Vismarkt, Eerepoort op de vismarkt, 1751, The triumphal arch placed on the fish market. On the arch fish, fishing nets and an obelisk. Part of the illustrations of the festive inauguration of stadtholder Willem IV as Margrave of Veere on 1 June 1751. Numbered top right: 5., print, prent, prints, prenten, height 355 mm, width 212 mm, Noord-Nederlands, 1732-04-16 - 1789-03-19, print maker, prentmaker, 1751 - 1751, paper, papier, etching, etsen, Work conception

Garden vase and fountain; Johann Jacob Schüblers Sechzehende Ausgabe Seines VORHABENDEN WERCHS, WORSTS FORE SEA SCHS SECHS NEU-INVENTIRTE VASES (...). An ornamented garden vase functions in a garden, decorated with a fighting eagle and snakes, as a fountain. There is a semicircular couch in the background. A three-legged German text in the sub-margin.

Theodor August Stein (1802-1876): Monument for Schinkel. Monthly competition March 1846

Memorial piece at the twenty -five year existence of the Royal Military Academy, 1853, André Vermeulen, After Adrianus Apol, 1853 print Allegorical memorial in the twenty-five year existence of the 'Royal Academy of Sea and Landmagt' (Royal Military Academy) in Breda, 25-27 September 1853. Memorial piece donated by the inhabitants of the city of Breda on the KMA. The Netherlands lion lying on a pedestal, with a banner in honor of King William I and the Academy 1828-1853. Print Maker: Bredater Drawing by: Bredaprinter: Oosterhout paper 'tropaion', i.e. decorative ornament ~ weapons Breda

Wall Fountain, Graphite, gray wash Support: cream laid paper, Rome, Italy, Italy, 1775, architecture, Drawing, Drawing

Tomm puts Drie Vazen, Claude Antoine Litret de Montigny, After Jean Charles Delafosse, 1771 print A tomb with three vases, garlands and a cloth. Paris paper etching / engraving grave, tomb. vase ~ ornament

Lauser Paul (1850-1927), tomb for Robert Lipp (without dat.): Perspective view. Ink white heighted on the box, 41.1 x 31.1 cm (including scan edges)

A mixed-media artwork by Rudolf Weyr depicting a monument, executed in ink, chalk, watercolor, and spring highlights.

Unknown architect, a fallen monument in Mühlhausen. Monthly competition in August 1878 (08.1878): Riss front view; Scale bar. Tusche watercolor on the box, 58.6 x 44.8 cm (including scan edges) N.N. : Gefallenendenkmal, Mühlhausen. Monatskonkurrenz August 1878

Dalberg, Karl Theodor Freiherr.

Statue of Willem II, King of the Netherlands, on the Buitenhof in The Hague. Statue of Willem II by Eduard François Georges on the Buitenhof in The Hague. There is a number of figures around it. A rule of Dutch text in the undermarge. Loose explanatory text in letterpress.

A funerary monument in a niche with an obelisk and Father Time. On the right is a weeping putto. At the top of the obelisk a crowned coat of arms with garlands, tomb with obelisk and Father Time., draughtsman: anonymous, 1650 - 1800, paper, pen, brush, h 252 mm × w 149 mm

The burial monument of Balthazar Bekker with the Sarcophagus in the middle with a medallion on which the portrait of Balthasar Bekker, bust to the left. On the sarcophagus fame.

Pulpit with angels; Prekchairs; Canzlen Nach Nech Neuer Art (...). Front view and map of a pulpit. The borque of the pulpit is decorated with two winged angel heads and a nude child with garlands. The pulpit is closed with a sounding board with an image of a book surrounded by clouds, a ray wreath and winged angel heads. At the bottom of the print a German text. This print is part of a series.

. Column with a pedestal on which a period of time at the general meeting of the new economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the hall of the Diaconie House in Haarlem. On the front of the column, the medal beaten on the occasion of this meeting, on top of attributes of the practiced sciences.

The Revolution, Decoration on Koningsplein, 1795, A. Verkerk, 1795 print The Revolution, Allegorical Decoration Founded on the Koningsplein in Amsterdam at the Alliance Festival on 19 June 1795. Excited column with oval chassinet with Hercules (Batavian bravery and courage) that breaks the yoke of the aristocracy. Under his foot he travels a crown and chain. At the top of Dutch and French flags. Part of a series of ten records. print maker: Netherlandspublisher: Amsterdam paper etching festivities on events of national importance (+ festive decoration ~ festive activities). Hercules as personification of some other abstract notion Amsterdam. Koningsplein

Monumental block cantoned with naked figures, complete study of the monument

Illumination of H. Kloete's house in Rotterdam, 1788, Anonymous, 1788 - 1789 print Illumination for the house of Mr. H. Kloete in the Vissteeg in Rotterdam, on the occasion of the birthday of Princess Wilhelmina van Pruisen on August 7, 1788. Rotterdam paper letterpress printing public festivities at other royal events, not meant or mentioned above (+ illumination, fire-works ~ festive activities) Rotterdam

Unknown architect, fallen in Erfurt. Monthly competition July 1874 (07.1874): Upper; 1:20, scale bar. Tusche watercolor on the box, 56.7 x 42.4 cm (including scan edges) N.N. : Gefallenendenkmal, Erfurt. Monatskonkurrenz Juli 1874

Tomb of Jane Jaforest, from Fulham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, church, memorial, All Saints Church, England, Fulham, Greater London, London, United Kingdom

Diebitsch Carl von (1819-1869), fountain (without dat.): 2-shell fountain with putto. Pencil over photo on paper, on cardboard, 24.3 x 20.2 cm (including scan edges) Diebitsch Carl von (1819-1869): Brunnen

. Classic statue of a winged woman without head on a piastal.

George von Liebenstein, German knight, died 1533. Kneeling in full armour before a cross, with coats of arms. From his tombstone in Aschaffenburg collegiate church. Chromolithograph from Hefner-Alteneck's "Costumes, Artworks and Appliances from the Middle Ages to the 17th Century," Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811-1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

An ornate garden obelisk with a fleet of battle-ships carved on the base. Etching by J. Goeree after S. Schynvoet, early 18th century.

Augsburg, Riedel, Gottlieb Friedrich, Sallembier, Henri, Tombeau Antique, Tomb with standing figures and medallion, A tomb with an obelisk, two standing figures on either side of a medallion with portraits, two smoking barrels, skulls with garlands and two medallions., print, ornament print, prints, ornament prints, height 216 mm, width 180 mm, print maker, printmaker, 1777 - 1784, paper, papier, etching, etchings, Work conception, French, 1753 - 1820-10-01, after a design by, Publication (Event), Publication, German, 1724 - 1784, publisher

Graf reliefs. Four grave reliefs with drapery and (gods) figures. First of the top VII numbered.

Drawing (Italy)

Tombstone of Piotr Wiesiołowski at the Bernardine Church. Oziębłowski, Józef (Wilno ; zakład litograficzny ; 1833-1863), lithography atelier, Oziębłowski, Józef (1805-1878), draughtsman, cartoonist

Vinkeles, Reinier (I), Netherlands, Tomb for Prince William V, 1806, verso - stamped, Allegorical tomb for Prince William V, who died on 9 April 1806. Tomb surrounded by plants, crowned with an urn, against the grave a scythe, extinguished torch and oil lamp. On the pedestal an inscription in six lines., print, prints, Frederik Muller Historieplaten, height 222 mm, width 140 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1806 - 1806, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1309. At the corners of the steps are the relevant motifs 1938-88-1315. The pedestal stands on top of the steps. The base below the mouldings, is heightened. The decoration of the front of the sarcophagus is a variation of that 1938-88-1297, a fleur-de-lis being inside the wreath. The decoration of the upper panels of the lateral parts, the figures sitting upon them and the entire upper part are variations of 1938-88-1315. At right is the sketched plan., Rome, Italy, 1793, architecture, Drawing, Drawing

Welden, Franz Ludwig Freiherr von.

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Beurlier, Charles, Nouvelle Iconologie Historique Ou Attributs Hierogliphyques, R Dessus de Portes, Hospitalité, Estime, Patience, Diligence, Gastvrijheid, waardevol, passie, verso - stamped, A basement with a round medallion on a pedestal with a goat's head and garlands, below it a cloth with four round medallions with on the top left an eagle with a lamb and a lion under its wings, on the top right a palm tree and an anchor with a wreath of flowers, on the bottom left an open book with a face and a heart and on the bottom right the sun, a rooster and a book. Print number 81., print, ornamental print, prints, ornamental prints, height 383 mm, width 234 mm, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1734 - 1791-10-11, after a design by, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

Statue of Coster in Haarlem, 1856, 1856 print The statue of Laurens Coster on the Grote Markt in Haarlem, unveiled 15-17 July 1856. Haarlem paper monument, statue Haarlem. Large market

Front view of the Emperor Franz monument in the Inner Burghof of the Hofburg, Vienna I, drawn by Pompeo Marchesi in graphite with black pen and gray washes in 1841.

Departmental Column Project (Title Audited)

Schulz Bruno (1865-1932), Dom and S. Maria Fosca in Torcello (1899-1899): View of the stone knob on the roof of S. Fosca. Ink, pencil on paper, 64.9 x 49.6 cm (including scan edges) Schulz Bruno (1865-1932): Dom S. Maria Assunta und S. Fosca, Torcello

Design for Monument Arrival of the Prince of Orange in Scheveningen, 1813-1863, Hendrik Vorderman, After Pieter Opperdoes Alewijn, 1863 print Design for a monument at the fifty -year anniversary in 1863 of the arrival of the Prince of Orange in Scheveningen on November 30, 1813. Statue with the prince at the top in a sloop with the Dutch flag in hand. Among them the year 1813 and four standing men, including Van Hogendorp, Van Limburg Stirum and Van der Duyn van Maasdam. Riders on both sides on horseback. Plate at the edition: Jhr. P. Opperdoes Alewijn, Traditions concerning the incentive of a national memorial for November 1813, Utrecht 1863. print maker: Netherlandsprinter: Amsterdampublisher: Utrecht paper Scheveningen

Time verses at the General Meeting of the Economic Branch of the Society of Sciences in Haarlem, Reinier Vinkeles (I), 1778 print Zuil with a pedestal on which a time -verse at the general meeting of the new Economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the hall of the Diaconiehuis in Haarlem. On the front of the column the medal driven on the occasion of this meeting, on top of attributes of the practiced sciences. paper etching / engraving meeting, assembly. medal (considered as a piece of sculpture, regardless of its specific function)

Drawing, Elevation of a Fountain; Italy; black chalk, pen and ink, brush and watercolor on paper ; 26.6 x 20 cm (10 1/2 x 7 7/8 in.)

Design for a Clock. Artist: Anonymous, French, 18th century. Dimensions: sheet: 18 1/16 x 14 1/2 in. (45.8 x 36.8 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Doopvont, anonymous, after Hendrick de Keyser (I), c. 1575 - 1629 print Blad twenty. paper etching

Fountain with three foothills, 1781 print Design for a pedestal with three water flows with an antique vase with two masks on top. paper etching / engraving ornamental fountain

Ludwig XV., King of France.

Destruction of Stadholder, Decoration in the Plantage, 1795, Noah van der Meer (II) (Possible), 1795 print The destruction of the stadholder, allegorical decoration founded in the Plantage in Amsterdam. A Batav and a Frenchman chop the Oranjeboom. From the booklet with images of the decorations founded in the city at the celebration of the installation of the representatives and the Alliance closed between the French and the Batavian Republic, June 19, 1795. The print includes a loose sheet with an explanation. Netherlands paper etching festivities on events of national importance (+ festive decoration ~ festive activities) Amsterdam. Plantation

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church, between 1796 and 1811. Pen and black ink and watercolor on medium, slightly textured, cream wove paper.

Speculum Romanae Magnificentiae: Sepulchre of Lupus 1551 Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients composed t

Equestre statue erected in the place of Louis XV. in Paris / in 1763.

Unknown architect, clock housing (fireplace clock). Monthly competition November 1870 (11,1870): Rissing front view. Ink on cardboard, 39.4 x 29.9 cm (including scan edges) N.N. : Uhrgehäuse (Kamin-Stutzuhr). Monatskonkurrenz November 1870

Two tombs with medallions, 1777 print On the left a tomb with obelisk, a vase with draperies, skulls and a winged medallion with portrait and profil. On the right a tomb with obelisk, vase with draperies, weapons, a medallion with portrait and profil with helmet and a skull. Paris paper etching grave, tomb. ornament ~ medallion

Antonio Lafreri, 1512-1577, French, Speculum Romanae Magnificentiae, 1546-1590. Line engraving on medium, slightly textured, cream laid paper.

Lavalley, the cemetery of the Saints-Innocents, copy according to the statements of Bernier. (Dummy title). Carnavalet museum, history of Paris.

Drawing, Baptismal Font; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, red ink on cream laid paper; 27.4 x 19.9 cm (10 13/16 x 7 13/16 in.)

Mosaic table donated to Alexander II By King Wiktor Emanuel II . A clip from a Russian magazine. Maj, Oskar Oskarovic ( 1937)

Design for a Title Page, Charles Nicolas Ransonnette, French, 1793 - 1877, Graphite on yellow tracing paper, Part of a wall is shown, with a tablet and the inscription: 'CROQUIS / D'APRES NATURE / PAR / CHARLES RANSONNETTE' surrounded by vine., France, 1825-1840, Drawing, Drawing

Hengst, Petrus den, Smit, Johannes (publisher), Vinkeles, Reinier (I), Verse at the general meeting of the Economic branch of the Society of Sciences in Haarlem, verso - stamped, Column with pedestal on which a verse at the general meeting of the new Economic branch of the Society of Sciences in Haarlem, held on September 15, 1778 in the hall of the Diaconiehuis in Haarlem. On the front of the column the medal struck on the occasion of this meeting, above attributes of the sciences practiced., print, prints, height 259 mm, width 201 mm, Noord-Nederlands, 1741-06-19 - 1816-01-30, print maker, printmaker, 1778 - 1778, paper, papier, etching, etchings, engraving, graveren (drukprocedé), Work conception, after own design by, Publication (Event), Publicatie, publisher

Castle on a cliff. On the right a castle with square tower on a cliffy trees. On the left a river where a stone bridge has been built over. In the background the silhouette of the settlement. The full moon in the sky.

Monument to Hendrik Hooft Danielsz., 1794. Allegorical grave monument for Hendrik Hooft Danielsz., Former mayor of Amsterdam, died on August 31, 1794. A putto crowns the bust of Hooft on top of the monument with a laurel wreath. In the caption at the foot of the monument a four-line verse in honor of Hooft.

Lehmmübner Paul (1855-1916), church in Seelübbe. Altar (without dat.): Figures of the pulpit parapet Verso: Figures of the pulpit parapet. Pencil on the box, 35.5 x 25.5 cm (including scan edges) Lehmgrübner Paul (1855-1916): Kirche, Seelübbe. Altar

. The monument for Henri Daniël Guyot on Guyotplein Groningen. Guyot was a preacher and the founder of Deaf Education in the Netherlands. The memorial, made by father and son Sigault, contains his portrait. To the right and left of the show four smaller performances with the ornaments and inscriptions of the monument.

Richard James Lane after John Flaxman, Monument to John Hudleston Monument to John Hudleston

Fountain with laundry baskets, c. 1800 - c. 1825 print This print is part of an album. paper etching / engraving ornamental fountain. laundering

Daniel Lysons, 1762-1834, British, Memorial to John William from Harlington Church, between 1796 and 1811. Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper.

Aquarium fountain, No. 5 section no. 1, p. 41. text. Illustrations. 1875. General Research Division. Art metalwork , New York, Decorative cast-ironwork , New York, Aquariums

Utrechts squares, streets / alleys, water pipes, / betting, wells and pumps.

Carved medallion surrounded by high relief Anonymous. "Carved medallion surrounded by high relief". Draw on albuminum paper.

Artist: Joachim von Sandrart, German, 1606-1688, A Tall Covered Urn and a Bowl in a Landscape with ClassicalRuins, Etching, image: 33.4 × 21.4 cm (13 1/8 × 8 7/16in.), Made in Germany, German, 17thcentury, Works on Paper -Prints

Attributed to Daniel Lysons, 1762-1834, British, Memorial to Lucy Smith and Anne Wilton from Chelsea Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Busse Carl (1834-1896), grave monument (grave stele) for Ferdinand von Arnim (1868): front view and side view. Pencil watercolor on the box, 31.3 x 23.6 cm (including scan edges) Busse Carl (1834-1896): Grabdenkmal (Grabstele) für Ferdinand von Arnim

Design for a Sepulchral Monument for the Critic Galilei, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on blued-white laid paper, Obliquely and somehwat incompletely shownn. Two steps lead to a platform. Apollo is seated on a plinth. His left hand lies upon an urn. Inscription at the front side of a base: 'QVI - GIACE. IL. GALILEI. CHE. SCRISSE. CONTRO / IL. TASSO. VIVE. E. LVI. E. MORTO. PER. SE.' Projecting at the front side corners of the base are columns, bearing inscriptions: 'PER IL. TASSO' and 'NON PLVS. VLTRA.', respectively, and topped by urns with fire. In landscape., Rome, Italy, 1795-1809, architecture, Drawing, Drawing

The elevation is shown. Groups of four Corinthian columns carry arches. Ovoidal niches are in the wedges, containing busts. Above is a dome, with a statue of a woman on top. The upper bsain of the fountain is supported by four Atlantes. Two persons are shown at right. Date: 1785-90. Brush and brown, gray, and black wash, graphite on white laid paper, laid down. Museum: Cooper Hewitt, Smithsonian Design Museum.

Triumph gate of Prince Maurits, Anonymous, 1710 - 1720 drawing Watercolor on which triumph gate with weapons. On top of two lions with arrow bundles. In the middle of the Prince Maurits monument in armor with a lion on a collar. Corresponding a handwritten text. Belonging to series of watercolors in book. Netherlands parchment (animal material). watercolor (paint). ink pen / brush political caricatures and satires. triumphal arch

Copper engraving and etching by Jean Jacques Avril around 1818 depicting an ancient female statue representing Urania, muse of astronomy.

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): 2-armed candelaber in front of the theater: View 1:20. Tusche, pencil watercolor on the box, 58.9 x 34.6 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Book, L'oeuvre (Works)

Archaeological fragments, including a statue with Demeter, Augustin François Lemaître, After Honoré Daumet, 1836 - 1870 print paper etching (story of) Ceres (Demeter). piece of sculpture, reproduction of a piece of sculpture

Monument for Frederik, Prince of Hessen, Cornelis Brouwer, After Daniël Kerkhoff, 1793 print Monument in honor of Frederik, Prince of Hessen with four scenes of events that took place during his successful defense of Maastricht against the French from 24 February to 2 March 1793. The scenes flank a column with honorary signs with his portrait and show the Defense of Maastricht. paper etching / engraving monument, statue

Memorial for J.M. Kemper in the Pieterskerk in Leiden, 1835; Memorial signs to Jan Melchior Kemper in the Choor der St. Pieters Church in Leiden. Memorial for Leiden Professor Jan Melchior Kemper (died July 20, 1824) Founded in the Pieterskerk in Leiden on May 30, 1835. A man standing in front of the sober monument designed by D. Humbert de Superville.

The Revolution, Decoration on Koningsplein, 1795, 1795 print The Revolution, Allegorical Decoration Founded on the Koningsplein in Amsterdam at the Alliance Festival on 19 June 1795. Excited column with oval chassinet with Hercules (Batavian bravery and courage) that breaks the yoke of the aristocracy. Under his foot he travels a crown and chain. At the top of Dutch and French flags. paper etching festivities on events of national importance (+ festive decoration ~ festive activities). Hercules as personification of some other abstract notion Amsterdam. Koningsplein

Charles Heathcote Tatham, 1772-1842, British, Design for a Naval Monument: Elevation, 1799. Pen and black ink, gray wash on slightly textured, moderately thick, cream wove paper.

Memorial to Mary Bantock from West Ham Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject

Stüler August (1800-1865), monument to Hahnemann in Leipzig (1850): View. Pencil watercolored on paper, 36.1 x 29.9 cm (including scan edges) Stüler Friedrich August (1800-1865): Denkmal für Hahnemann, Leipzig

Destruction of Stadholder, Decoration in the Plantage, 1795, 1795 print The destruction of the stadholder, Allegorical decoration founded in the Plantage in Amsterdam at the Alliantie festival on 19 June 1795. Piramide with a foot on which a chassinet with the presentation of a Batavian and a Frenchman who cuts the Oranjeboom. paper etching festivities on events of national importance (+ festive decoration ~ festive activities). woodcutting, woodcutter ~ forestry Amsterdam. Plantation

Funeral Decorations for King Louis XVI of France, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on lined off-white laid paper, A variation of 1938-88-1308. The lower part of the pediment being heightened, the upper lowered. The inscription is at he front of the lower part. On top is a variation of 1938-88-1306. The lateral motifs and a variation of 1938-88-1297., Rome, Italy, 1793, architecture, Drawing, Drawing

Calligraphy in honor of the 40th anniversary of Queen Wilhelmina van Pruisen, 1814, 1814 drawing Calligraphy in honor of the 40th anniversary of Queen Wilhelmina van Pruisen, November 18, 1814. Tempelfaçade with four columns with the title, left and right round medallions with allegorical representations under the inscription 'De Virto speaks'. At the top of the tympanum a portrait of the queen, a face on Amsterdam from the IJ at the bottom, verses on either side. Netherlands paper pen / brush calligraphy. birthday Amsterdam

MONUMENT TO LIEUTENANT H.E. BAINES AT QUEBEC, 1869, CANADA

Dr, Simon de Haeberl high in the medical Counselor ORD, heart, BAV, Cyclists, etc, etc, Monach, Cal, Nov, Nat, Due, Cal, April , Grabstätte des medizinal-rats Simon von Häberl, Unknown

Sire of János Garay , Das Grab von János Garay, Ungarischer Schriftsteller, Unknown

MADRID. FUENTE DE APOLO. Litografía coloreada de J. Donon. España.

Title print with sculpture of the winged lion of the Holy Markus on a base with titles in Italian and French of Volume 2, Giovanni Francesco Costa, c. 1750 - c. 1760 print Sculpture of the winged lion of the Holy Markus on a base with titles in Italian and French. Left three men in conversation. On the right a church on the water. Numbered in the middle: I and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. piece of sculpture, reproduction of a piece of sculpture. beasts of prey, predatory animals: lion. church (exterior) Brenta

Fontana, Domenico.

Statue of Willem I, Prince of Orange, on the square in The Hague, Edouard Taurel, after Louis Royer, 1848 - 1892 print Statue of William I by Louis Royer on the square in The Hague. Amsterdam paper. steel engraving monument, statue Plein

Title card of the Divers Veuës du Chasteau et des Bastiments de Fontaine Belleau series; Silvestre, Israël (1621-1691), Henriet, Israël (Ca 1590-1661); 1649 (1649-00-00-1649-00-00);Fontainebleau (France), France, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) -, Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, architecture, title cards, gardens, palaces (architect), staff

An ornate sepulchre bearing an inscribed epitaph to Mr. Jacob Boreel. Etching with engraving by J. Goeree, c. 1697, after S. Schynvoet.

Schelling, Frederick von.

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