Monuments and Interiors

Depictions of grand architectural sites, including tombs and museums, featuring detailed engravings and a sense of reverence.

Jean de Gourmont the Younger (French, active 1562-1585, died 1596). St. Eloi, ca. 1545-1565. Engraving.

The Graftombe of Willem van Oranje, 1623; Grafstede in Delft aheaded to be honored by Willem van Nassau, Prince of Orange. The graftombe or praal grave of Willem van Oranje in the Nieuwe Kerk in Delft, completed in 1623. With visitors around the fence.

Sir John Soane's House and Museum: the Belzoni Chamber at basement level, showing the sarcophagus of Seti I. Engraving.

Graftombe of Willem I, Prince of Orange, 1623. Tomb or Praal Graf of Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince. With visitors around the fence.

Title print with figures at Fontein in Hall, 1670 - 1677 print paper etching ornamental fountain

Source bed; Liure Dappartement. At the front of the Baldakijn is a cartouche with a monogram under a dense crown. Around the canopy is a rails in which open curtains hang. Obachi copy to leaves from the Second Liure Dappartements series.

Keyser, Hendrik de (I), Netherlands, Weissenbruch, Isaac, Tomb of William I, Prince of Orange, in the New Church in Delft, print, prints, height 108 mm, width 88 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving, 1565-05-15 - 1621-05-15, after an image by

Design for a Wall with a Fireplace and Side Tables. Artist: Charles Hindley and Sons (British, London 1841-1917 London). Dimensions: sheet: 14 1/2 x 10 3/4 in. (36.9 x 27.3 cm). Date: 1841-84. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles Hindley and Sons.

Water well in arched opening in a wall, Johannes or Lucas van Doetechum, after Hans Vredeman de Vries, c. 1574 Round well built into the partition wall between a courtyard and a square. The print is part of an album. Antwerp paper etching Round well built into the partition wall between a courtyard and a square. The print is part of an album. Antwerp paper etching

Drawing, Stage Design, Gothic Ruins; Possibly by Vincenzo Mazzi (Italian, active 1748 - 1790), Mauro Braccioli (Italian, 1761 - 1810); Italy; charcoal, white chalk on paper

Jean de Gourmont the Younger (French, active 1562-1585, died 1596). St. Eloi, ca. 1545-1565. Engraving.

Limestone sizes under the Sint-Pietersberg near Maastricht, Anonymous, c. 1695 print View of the limestone grooves under the Sint-Pietersberg near Maastricht. Different figures are working with haouw and wheelbarrows. Other figures, in more expensive clothing, walk around with torches and speak with each other. paper etching / engraving shafts and galleries (of a mine). miner. torch. kinds of non-precious stone: chalk Sint-Pietersberg

Monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet, Laurens screen, after Simon Schijnvoet, after Jan Goeree, 1704 print Wedding square with a monument in honor of the marriage of Nicolaas de Vicq and Maria Jacoba van Riet. In the middle, Juno drove as a goddess of marriage. She is flanked by two images of women, one with two children is displayed. Above her a few putti, two of whom are on either side of the wedding couple monogram. For Juno, two Amoretti sacrifice on the altar of love with burning hearts. On the left the wedding couple. In the front two obelisks with on the left an arrow cooker and an arc, the attributes of Amor, and on the right an obelisk with two burning torches such as love symbols. At the bottom of the marriage date in Roman figures: 1701-09-21. paper etching / engraving specific aspects, allegorical aspects of Juno; Juno as patroness. (civil) marriage ceremonies. obelisk, needle. sacrifice ~ non-Christian religions. cupids: 'amores'

Fourteenth book of the work of J.A. Meissonnier: Salon Czartoryski: Derde Blad; Fourteenth book of the work of J. Meissonnier. Fourteenth Worksbook of J.A. Meissonnier: Derde Blad: Een Korte Zijde Van Van of Poolse Prinses Czartoryski (Fuhring 89)

Harmensz van Rijn Rembrandt (1606-1669). "Medea or the marriage of Jason and Creüsa (B 112 - 4th state), 1648". Museum of Fine Arts of the City of Paris, Petit Palais. 26996-17 Ancient Greece, hero, marriage, mythological, character, mythology

Woodcut by Leonhard Beck from 'Weißkunig', depicting the splendor of the tomb of the old White King, on wooden stick, 1514-1516.

Arbor in the garden of Gunterstein Castle, Breukelen, Joseph Mulder, 1680 - 1696 print In an arbor on the estate of Gunterstein castle in Breukelen, a boy plays on the flute. There are men and women inside and outside. On the left, a man brings two glasses on a tray. paper etching / engraving garden buildings. transverse flute Gunterstein Castle

The Burial, Garter King at Arms, The Vault , Graves of August Friedrich, Duke of Sussex, also his crypt and the Garter King-At Arms from The Illustrated London News , Unknown

Reproduction of a painting: Bellotto, Bernardo (1721-1780), Terrage of B. of the Royal Castle in Warsaw; from: "Tygodnik Ilustrowany" 1904, 1. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Rosslyn Chapel, Sir David Young Cameron, 1865-1945, British, 1901, Etching and drypoint, architectural subject, bases and base components: columns, benches, capitals, carvings, ceiling fixtures, ceilings, chapel, columns, costumes, headgear, pilasters, shadows, shafts (column components), stained glass, windows, woman, Midlothian, Roslin, Scotland, United Kingdom

Graftombe of Willem I, Prince of Orange, 1623. Tomb or Praal Graf of Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince.

Wall layout with Ionic Pilasters, Jean Marot (I), 1629 - 1703 print In the middle is a closed four -poster bed. print maker: France (possibly)after own design by: France (possibly)publisher: Paris paper engraving

Interior of a supplement store in Paris approx. 1678. Interior of a store in haberdashery for women and men's clothing in Paris, approx. 1678, with fashionable dressed couple. In: album with 136 (ornament) prints, without a title published by Jacques Thuret, Paris, ca. 1711. (first edition in Mercure Galant, extraordinar. Quartier de Janvier 1678, T.O. pp. 522-523) in the description on PP. 524-540 The numbered accessories are appointed and explained.

Catafalque of Louis Boucherat, Second State, St. Gervais, Paris, Jean Bérain, the Elder, French, 1640 - 1711, Jean Mariette, 1660-1742, Engraving in black ink on paper, Vertical rectangle. The catafalque is shown on a high platform, with a balduchin over it. Crowds of mourners to left and right. Below, artists' names., France, 1699, Print, Print

Volare Digital Capture

CEIX appears to his wife Alcyonne, Jean Lepautre, 1628 - 1682 print paper etching (story of) Alcyone and Ceyx

Tomb of King Henry III of England in Westminster Abbey Tombeau du roi Henry III, abbaye de Westminster, Tomb of the King Henry the Third, Westminster Abbey England, Ireland & Scotland , print maker: Louis Jules Arnout, (mentioned on object), intermediary draughtsman: Louis Jules Arnout, (mentioned on object), printer: Joseph Rose Lemercier, (mentioned on object), print maker: Paris, intermediary draughtsman: Paris, printer: Paris, publisher: Paris, publisher: Berlin, publisher: London, publisher: New York (city), 1855 - 1856, paper, h 562 mm × w 396 mm

Graftombe of Willem I, Prince of Orange, 1623. Tomb or Praal Graf of Willem I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the image of the sitting prince.

Interior view of the villa of Maecenas, from Views of Rome Made 1764 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Print made by Robert William Billings, 1813-1874, British, Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster, 1836. Line engraving on smooth, medium thickness, white wove paper.

Lea Castle, Worcestershire, View in the Great Hall, Looking West. Artist: Attributed to John Carter (British, London 1748-1817 London). Dimensions: sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm). Date: ca. 1816. Museum: Metropolitan Museum of Art, New York, USA.

A Cottage Porch. Artist: Sir Francis Seymour Haden (British, London 1818-1910 Bramdean, Hampshire). Dimensions: Sheet: 4 9/16 x 6 in. (11.6 x 15.2 cm). Date: 1838-1910. Museum: Metropolitan Museum of Art, New York, USA.

Fragment of the interior of a chamber with a canopied bed with the headboard decorated with a burning urn resting on a lambrequin supported by hermae (design no. 5). unknown, graphic artist, Marot, Daniel (1661-1752 ; st.), graphic artist

Allegory on the glorious history of the Netherlands, Willem Kok, 1790 - 1807 print Oval representation of the interior of a temple in which the history of the Netherlands is extensively glorified. Netherlands paper etching / engraving symbols of the state (in general)

Neurenberg, Homann, erven Johann Baptista, Heydt, Johann Wolfgang, Hofer, Andreas, Ein Prospect des General-Gouverneurs Adrian Valckeniers Woon-Saals, Woonkamer van generaal-gouverneur Adriaan Falconer in Batavia, verso - stamped, Top left 'No. XII', top right 'pag. 34'., print, book illustration, prints, topography, height 295 mm, width 328 mm, German, print maker, printmaker, 1744 - 1744, paper, engraving, engraving (printing process), 1716 - 1777, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1724-07-01 - 1848, publisher

Set design for opera Macbeth by Giuseppe Verdi. Paris, Thétre-Lyrique, 21.04.1865, Cambon, Charles-Antoine (1802-1875)

A Grotto ca. 1545 Antonio Fantuzzi Italian. A Grotto 336771

T.N. "Conte di Savoia" Italian Line. 1932. Buttolph, Frank, 1850-1924. text. Menus. Rare Book Division

Congress session room in the United States Capitol, Washington, United States of America, engraving by Lemaitre, from Histoire des Antilles, by Elias Regnault, Suite des Etats-Unis, by Elias Regnault and Jules Labaume, Possession Anglaises dans l'Amerique du Nord, by Frederic Lacroix, Les Californies, by Ferdinand Denys, L'Univers Pittoresque, published by Firmin Didot Freres, Paris, 1849.

Views: Fragments of Sculpture, 1735-1746. Antonio Canaletto (Italian, 1697-1768). Etching;

Theater performance in the Amsterdam Schouwburg for the Princely Paar, 1768, Simon Fokke, 1772 - 1773 print Theater performance of the Treurspel Demophontes for the Stadholder Willem V and Princess Wilhelmina van Pruisen in the Nieuwe Amsterdamse Schouwburg on the Keizersgracht, 1 June 1768. Part of a print series with title print and 14 records of the Prince and Princess in Amsterdam, 30 May - June 4, 1768. Northern Netherlands paper etching / engraving public festivities on the occasion of royal events. theatre, theatrical performance

Rome, Piranesi, Giovanni Battista, Le Antichità Romane, Archaeological finds in and around Rome, Vincibus.et.protectoribus.bonarum.artium.IBPiranesius, Second frontispiece of volume IV of 'Le Antichità Romane', Frontispiece with monumental Roman harbour, verso - stamped, Numbered top right: II. Tom. IV., print, frontispiece, prints, height 406 mm, width 547 mm, Italian, 1720-10-04 - 1778-11-09, print maker, printmaker, 1756 - 1757, paper, papier, etching, etchings, Work conception, after own design by

The Hall, Wilton House, UK, England, engraving 1870s, Britain

P. Cacchiatelli - G. Gleter, Le Scienza e le Arti sotto il pontificato di Pio IX, edito a Roma nel 1860 dalla Tipografia delle Belle Arti, via Poli, 91. Internamente sono contenute delle acqueforti che raffigurano le opere pubbliche realizzate durante il Pontificato di Pio IX

Stage Design of a Garden Setting with Fountains and Arbors, Pen and black ink, watercolor, graphite, ruled borders in pen and black on white laid paper, laid down, probably Munich, Germany, France, ca. 1750, theater, Drawing, Drawing

Admission to the convent; Redlich, Henryk (1838-1884), Maszyński, Julian (1847-1901), Impimerie Eudes (Paris; Printing Plant; 1879-1897), Society of Encouragement of Fine Arts (Warsaw; 1860-1940); 1882 (1882-00-00-1882-00-00);

Interior of the Royal Palace of Seville Int, print maker: Léon Auguste Asselineau, (mentioned on object), intermediary draughtsman: Léon Auguste Asselineau, (mentioned on object), printer: Benard & Frey, (mentioned on object), print maker: Rouen, intermediary draughtsman: Rouen, printer: Paris, publisher: Paris, 1837 - 1839, paper, h 445 mm × w 298 mm

Nederlanden, Luyken, Jan, Tomb of William I, Prince of Orange, 1623, center bottom and top right - handwritten, Tomb or mausoleum of William I in the Nieuwe Kerk in Delft, completed in 1623. Seen from the front with the statue of the seated prince. With visitors around the fence., print, picture, prints, pictures, Orange portraits, Catafalque & Tomb erected in Delft a la gloire de Guillaume de Nassau Prince d'Orange, No. 21, height 275 mm, width 352 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, prentmaker, 1678 - 1680, paper, papier, etching, etsen

On the tomb are two figures, one kneeling and in prayer. The cleric holds a staff in his hands. A banner hangs on the wall on the left. Church interior with clergyman and tomb, print maker: Johannes Bosboom, (mentioned on object), printer: Koninklijke Nederlandse Steendrukkerij van C.W. Mieling, (mentioned on object), print maker: Netherlands, printer: The Hague, 1827 - 1891, paper, h 525 mm × w 342 mm

Rotatable coffee table, Georg Lichtensteger, after Johann Jakob Schübler, in or after 1724 print Seen an ornamented and rotating coffee table from the right. On the left is crockery, on the right a man with a hat takes something from a stock of food. On the left, a man lights a wall candlestick. In the lower margin an eight -line German text. Augsburg paper etching / engraving shelves, rack, sideboard. (dinner-)service displayed on sideboard. chandelier, candelabrum (+ kindling a light; lit, burning light, lamp, candle)

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Fireworks at the celebration of the Peace of Utrecht, 1713, 1713 print Scaffolding with fireworks commissioned by the States of Holland and West-Friesland on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, June 14, 1713. Centrally the temple of Janus awarded by the Dutch virgin with freedom in the Dutch garden. The temple surrounded by sitting figures of faith, freedom, commerce, science and the arts. On the left the statement of the figures 1-20 in Dutch. Hereby in the latter rule the mention of publisher Wilhelmus Koning that he will soon have a statement of the emblems in which that of A.A. (= Abraham Allard) "But a Podde Grol is by". Amsterdam paper etching bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

Fantasy of an Antique Prison. Dated: 1770/1780. Dimensions: plate: 13.9 x 9.6 cm (5 1/2 x 3 3/4 in.) sheet: 14.6 x 10.2 cm (5 3/4 x 4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Schütz.

St. Eligius. Jean de Gourmont; French, 1506-1551. Date: 1526-1551. Dimensions: 122 × 121 mm (plate); 125 × 123 mm (sheet). Engraving on tan laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

View of a garden with a fountain with statues of Apollo and Diana. Draughtsman: Elias van Nijmegen. Dating: 1677 - 1755. Measurements: h 329 mm × w 272 mm. Museum: Rijksmuseum, Amsterdam.

Forging Shells, The Slaves of the Wheel. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Tomb of Gregory Lovell and his Wife Anne, Harlington Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper, Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm), architectural subject, historical subject, tomb, England, Europe, London, United Kingdom

Richard Bernard Godfrey, 1728-op.1794, British, Library. Engraving.

. With octagonal body that is stuck to the column.

Design for a Stage Sets Groin-vaulted Stairway Leading to a Gallery with Another Stairway to a Second Story at Left (recto); Slight Sketch Traced Through form the Recto and Reworked (verso). Artist: Giovanni Battista Natali III (Italian, Pontremoli, Tuscany 1698-1765 Naples). Dimensions: 6-1/8 x 4-3/8 in. (15.6 x 11.1 cm). Date: 1698-1765. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of a detail of the fresco by Michelangelo in the Sixtine Chapel in Rome, representing Hizkia, Manasse and Amon, c. 1875 - c. 1900 photograph Sixtine Chapel (Vatican) cardboard. photographic support albumen print painting (including book-illumination, miniature-painting) (+ plaster ~ arts) Sixtine Chapel (Vatican)

Leaf F: Interior of Chiesa Minore, Descrizione del sacro monte della Vernia, Ligozzi, Jacopo, 1547-1626, Moroni, Lino, Engraving, 1612

Study cabinet with Schouw, Johann August Corvinus, after Johann Jakob Schübler, in or after 1724 print A study cabinet with an ornamented fireplace, bookcases and a writing table. In the lower margin a two -line German text. after design by: Neurenbergpublisher: Augsburgpublisher: Augsburg paper etching / engraving study; 'studiolo'; library. open hearth, fire-place. bookshelves. writing-table, writing-desk

Set design for the Opera Ernani by Giuseppe Verdi, Conti, M. (1810-1886)

Poet's Corner, Westminster Abbey , Abbeys, Interiors, Westminster Abbey. Thomas Rowlandson (1756-1827). Prints and Drawings

Image of Manneken Pis with costume, awards, sash and stab in Brussels, Anonymous, 1878 - 1890 photograph Part of travel album European cities, presumably Swedish. Brussels photographic support albumen print piece of sculpture, reproduction of a piece of sculpture (+ sculpture). ornamental fountain. attributes of dignitary (+ dressing, putting on clothes) Brussels

Loggia with Caryatids before a Fountain and Landscape. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 6-11/16 x 14-1/8 in. (17 x 35.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Sculpture Gallery. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, circa 1743. Prints; engravings. Etching, engraving, and drypoint

Oranjezaal in Huis ten Bosch, Frans Molenaar (1821-1886), After Tieleman Cato Bruining, after Jacques Jordaens, 1831 - 1886 print Face in the Oranjezaal of the Huis ten Bosch Palace in The Hague. The central performance of Stadholder Frederik Hendrik in his triumphal wagon drawn by four white horses and crowned by victory and abundance, completed in 1652. Left two visitors. paper. etching / engraving palace. picture, painting Palace Huis ten Bosch

Antwerp, Galle, Theodoor, Vredeman de Vries, Hans, Doetechum, Johannes or Lucas van, Variae architecturae formae, Interior of a church, Interior of a church with a statue on a pedestal in the distance. The pedestals of the columns are decorated with morocco. The print is part of an album. The print is part of an album., print, ornamental print, album leaf, prints, height 212 mm, width 257 mm, print maker, printmaker, 1601 - 1601, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1527 - 1607, after a design by, Publication (Event), Publication, 1571 - 1633, publisher

View of the Park at Versailles Women Bathing Beneath a Bridge 1781-1827 France. Black chalk, heightened with white chalk, with stumping, on tan wove paper . Pierre Antoine Mongin

Decoration of the Kipdorp in Antwerp during a procession, Henri François Schaefels, 1853 print paper etching procession ~ Christian religion. decoration and illumination of streets, squares, etc. (~ triumphal entry, etc.). street Antwerp

Exhibition with paintings by Ferdinand Ruszczyc, Verso Detals of the exhibition; Ruszczyc, Ferdynand (1870-1936); after 1905 (1905-00-00-1930-00-00);Partage Plus, exhibitions, purchase (provenance)

Luci Septimii Severi Caesaris In Via Appia, Print made by unknown artist, sixteenth century, Published by Pietro de Nobili, active 1582, Italian, Published by Antonio Lafreri, 1512-1577, French, 1546, Line engraving on medium, slightly textured, cream laid paper

Print made by John Godfrey, Library at Strawberry Hill, 1784. Line engraving on medium, slightly textured, cream wove paper.

Drawing by Ferdinand Boberg. Stockholm, Djurgården, kv. Winter, Nordic

Fireworks at the celebration of the Peace of Utrecht, 1713, 1713 print Scaffolding with fireworks commissioned by the States of Holland and West-Friesland on the Hofvijver in The Hague at the celebration of the Peace of Utrecht, June 14, 1713. The temple of Janus is awarded by the Dutch virgin with freedom in the Hollandse Garden. The temple is surrounded by sitting figures of faith, freedom, commercial, science and the arts. In various places, men are busy lighting the fireworks. At the bottom of the title and legend 1-21 in Dutch and French. The names of the fireworks makers have now been added to the caption: P. v. Elinckhuysen and I. van den Beeke. A text sheet belongs to the print. print maker: Amsterdamafter drawing by: The Haguepublisher: The Hague paper etching / engraving festivities (+ illumination, fire-works ~ festive activities). bonfire, fire-works (+ illumination, fire-works ~ festive activities) Hofvijver

Kloostergang van het Hospitaal in Lier with Sisters at a well, Théodore Joseph Cleynhens, 1851 - 1909 print paper etching abbey, monastery, convent ~ Roman Catholic church. water-supply and draining, pipework (in house or building) Ivy

Studio cabinet; Johann Jacob Schüblers ZWEYTE AUSGAB SEINES VORHABENDEN WERCHS, LENFING UNTERSCHIEDLICH CABINETS UND ALCOVES (...). A study cabinet with a globe, a telescope and a bookcase. In the undermaster a two-person German text.

View and design of illumination / made at the Nesle Hotel (IT)

Reproduction of a painting: Bellotto, Bernardo (1721-1780), Hall B. of the Royal Castle in Warsaw before the 1767 fire; from: "Tygodnik Ilustrowany" 1904, 1. Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Joseph Pennell, Bringing in the Gun, 1916 Bringing in the Gun

Stage Design: Palace Interior, Pen and brown ink, gray, brown wash Support: white laid paper, Parma, Italy, Italy, ca. 1720-40, theater, Drawing, Drawing

Burial monument from Artevelde, Auguste Numans, After J. Canneel, 1833 - 1879 print paper etching grave, tomb and other grave-forms and grave-markers. lantern

Sir David Young Cameron, 1865-1945, British, The Chapel Haddon Hall, 1902. Etching on wove paper.

Photo production of (presumably) a painting by Jean-Léon Gérôme, entitled L'Eminence Grise, c. 1880 - c. 1900 photograph Part of French artists' album. paper. photographic support. lacquer (coating) albumen print cardinal. staircase

Face in the hall of the town hall in Nijmegen, Johannes Franciscus Christ, 1834 drawing paper. ink. chalk pen / brush townhall Town hall. Nijmegen

Interior of the Great Bay Window, or Recess in the Hall of Crosby Place, Bartholomew Howlett, 1767-1827, British, after Robert Bremmel Schnebbelie, active 1803-1849, 1819, Engraving, Sheet: 10 1/8 x 12 3/4in. (25.7 x 32.4cm)

Man and Woman Descending Staircase. Dated: 1819. Dimensions: image: 20.3 x 13.2 cm (8 x 5 3/16 in.) sheet: 44.1 x 30.3 cm (17 3/8 x 11 15/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: GOTTFRIED ENGELMANN.

Giovanni Battista Piranesi (Italian, 1720-1778), The Pier with a Lamp, 1780s, etching, engraving, sulphur tint or open bite, burnishing

Apotheosis of ISIS, Sébastien Leclerc (I), 1693 print print maker: Francepublisher: Paris paper etching / engraving suffering, misfortune of Isis - apotheosis, deification of non-Christian god or goddess. armorial bearing, heraldry

Design for an Ornamental Decoration, Pen and black ink, brush and gray wash on paper, Fountain in full width of the middle distance is surrounded by trellis and rocaille colonnades. Verso: small parts of an abstract plant and sketch of a pavilion., 1740-60, ornament, Drawing, Drawing

Roslyn, Sir David Young Cameron, 1865-1945, British, 1899, Etching, arches, chapel, columns, costumes, doorway, gargoyles, hat, headgear, pilasters, shadows, step, window, women, Midlothian, Roslin, Scotland, United Kingdom

Walther Conradin (1846-1910), residential building Dr. A. Richter, Rudolstadt (1878): Wall decoration. Tusche watercolor on the box, 39.8 x 73.2 cm (including scan edges) Walther Conradin (1846-1910): Wohnhaus Dr. A. Richter, Rudolstadt

Gezicht op landhuis Weltevreden te Batavia. Weldt Vried (title on object). Draughtsman: A. de Nelly (possibly). Draughtsman: Johannes Rach. Dating: 1765 - 1775. Place: Batavia. Measurements: h 310 mm × w 492 mm. Museum: Rijksmuseum, Amsterdam.

The Tomb of Raphael, Opened September 14, 1833, Pantheon, Rome 1833 Horace Vernet French. The Tomb of Raphael, Opened September 14, 1833, Pantheon, Rome. Horace Vernet (French, Paris 1789-1863 Paris). 1833. Lithograph on wove paper. Prints

Architectural Remains and Fragments: Rouen - Fontaine de la Crosse, 1827. Richard Parkes Bonington (British, 1802-1828), after François Alexandre Pernot (French, 1793-1865). Lithograph on chine collé tipped into mount; sheet: 52.1 x 33.6 cm (20 1/2 x 13 1/4 in.); platemark: 23.2 x 16.3 cm (9 1/8 x 6 7/16 in.); with black border: 28 x 20 cm (11 x 7 7/8 in.).

The Cree of Paris - Lantern Lightness Before Rotisserie Nicolas Gu�rard (son). The cries of Paris - the lanterns litter in front of the rotisserie. Engraving.

Design of a Room of the Infante Don Carlo, King of Naples. Artist: Anonymous, Italian, 18th century. Dimensions: 9-5/8 x 12-3/4 in. Date: 1737. Museum: Metropolitan Museum of Art, New York, USA.

Burial monument from Jan de Schietere and Catherine de Damhoudere in the Sint-Salvators Cathedral in Bruges, Belgium, Anonymous, c. 1882 - in or before 1887 photomechanical print Sint-Salvators Cathedral Aanwerp paper collotype / photolithography epitaph Sint-Salvatorskathedraal

Henry Moses, ca. 1782-1870, British, Mr. Fawkes Gallery, 1819-1820. Line engraving on medium, slightly textured, cream, wove paper, with cream, chine colle.

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