Mythical and Elemental Themes

Artworks representing fantasy themes, mythological figures, and elemental concepts, showcasing dynamic compositions with expressive characters.

Léopold Armand Hugo (1828-1895), French painter and sculptor. Untitled. Copper engraving. Paris, house of Victor Hugo. gravure

TheWitch. Artist: Albrecht Dürer, German, 1471-1528

Fire; Das Feur / Ignis; The elements. In Rocaille Omraming the element fire and two putti. Publisher number 108.

Photo reproduction of a print, representing a lion hunt. .

Drawing, Bank Note Design; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; brush and grey wash, ink, graphite on cream wove paper; 22.7 × 14.1 cm (8 15/16 × 5 9/16 in.) Mount: 25.5 × 18.7 cm (10 1/16 × 7 3/8 in.)

Man who takes the world on his shoulders with the tables of the law on his leg. Walking man, seen from the front, wearing the globe on his shoulders. The tables of the law are closed to his leg. Bottom right a tree. In the background hilly landscape.

Perseus and the sea monster, Johannes Josephus Aarts, 1907 print Perseus floats hanging on the winged horse Pegasus through the air. He keeps the severed head of Medusa above the sea monster to which Andromeda has been sacrificed. Left in the foreground a flying seagull. paper. pencil engraving (story of) Perseus. Pegasus, the winged horse

Copper engraving and etching by Bernard Picart from 1717 depicting Neptune, showing figure, trident, and classical pose.

Les Pensées. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

. Ornament with centrally a lion helmet, surrounded by shields decorated with lions, wild boars and dogs. An eagle appears on top of the helmet.

Léopold Armand Hugo (1828-1895), French painter and sculptor. Untitled. Copper engraving. Paris, house of Victor Hugo. gravure

A copper engraving and etching by Jean Audran, created between 1687-1756, depicting the Adoration of the Shepherds with figures in a stable setting, animals, and detailed composition.

Photograph of a carved Bogen-Amor after Parmigianinos painting, by Josef Berres, printed as an etched daguerreotype on composition paper in 1840.

Copper engraving and etching by Jacques Firmin Beauvarlet around 1763 depicting the mythological figures Galatea and Acis.

Sleeping boy on a divan, Bernard Picart, 1721 print Medallion with a sleeping boy on a couch. Around an ornamental frame. Amsterdam paper etching / engraving sleeping; unconsciousness. frequently used ornamental compositions

Nieu Amsterdam al New York. 1640 - 1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. New York (State) , History

Maria de Médicis as Minerva; Marie de Medicis Sous La forme de Minerve Déesse des Arts. Allegorian portrait of the Frans Queen Maria de Médicis as Minerva. Standing between arms and parts of armor, a statue of Victoria in the left hand. Two angels crowns hair with a laurel wreath. In list between curtains, at the top of the weapon with the French lilies.

Chalice, Pen and brown ink, brush and brown wash, graphite on off-white laid paper, lined, A flared chalice decorated with acanthus leaves is supported by an angel standing on a platform., Italy, 1780-1790, metalwork, Drawing, Drawing

Ceiling Design of a Nereid Mounted on a Hippocamp with Putto 18th century Anonymous, French, 18th century French. Ceiling Design of a Nereid Mounted on a Hippocamp with Putto 357066

Rembrandt van Rijn (Dutch, 1606 - 1669), Jacob's Ladder, 1655, etching, burin and drypoint

Copper engraving 'Kentaur, a Vase with Fire' by Albrecht Altdorfer, around 1515-1525, depicting a centaur beside a vase with flames in mythological composition.

Drawing, Design for Two Trophies; Jean-Charles Delafosse (French, 1734-1791); France; black chalk, pen, brush and black ink on laid paper; 33.4 × 23.8 cm (13 1/8 × 9 3/8 in.)

Woodcut by Christophe Jegher depicting Susanna bathing. Produced between 1633 and 1636, it shows the biblical figure, bath scene, gestures, and traditional religious iconography.

Saint Christopher is portrayed in a copper engraving by Monogrammist AC, created in the first half of the 16th century. The image reflects the saint's legendary act of transporting the Christ Child across a river.

Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio ca. 1570-1615 Cherubino Alberti (Zaccaria Mattia) Italian. Autumn (Autumnus), represented as a seated male figure bearing grapes in his right hand and a lidded vessel in his left hand, with a billowing drape and grape wreath, a spandrel-shaped composition from the series 'The Four Seasons' after Polidoro da Caravaggio 397305

Copper engraving and etching by Domenico Cunego depicting the separation of light and darkness from the Sistine Chapel, created between 1747 and 1803, showing cosmic and symbolic elements.

Bretsoe Spinster, François Bonvin, 1888 print Paris paper etching spinning (manufacture of yarn). spinning-wheel. spindle. distaff

Reproduction of a print of Saint Michaël and the dragon by Martin Schongauer, Simonau & Tooey, after Martin Schongauer, c. 1867 - in or before 1872 photomechanical print This print is part of a cover with 24 prints on 24 magazines. Brussels (possibly) paper the Archangel Michael fighting the dragon (devil, Satan)

Etching by an unknown engraver from the 18th century depicting Venus and Mars from classical mythology with figures in interaction.

Psyche von Genien getragen, mit dem ihr von Proserpina zur Beschwichtigung der Venus gegebenen Schminktopfe. Unknown maker

Noah and other patriarchs sat on a cloud, Carlo Cesio, after Giovanni Lanfranco, 1636 - 1686 print Noah and other patriarchs sat on a cloud. They are surrounded by angels, one of which plays on a violin. print maker: Italyafter drawing by: Italyafter painting by: Rome paper engraving / etching groups of persons from the Old Testament. story of Noah. angels. angels singing, making music

Lazio Roma Rome S. Ignazio di Loyola8. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusca

Ornament sheet with cartouches, putti and leaf motifs (1)

Design for a grave monument for an abbot or bishop, draughtsman: anonymous, 1700 - 1800, paper, pen, brush, h 198 mm × w 136 mm

Depicts the letter 'a' by Meister E.S., created as a copper engraving in the second third of the 15th century, showing typographic form and detailing.

Dwarf with grid and sword; Varie Figure Gobbi Di Jacopo Callot; Various grotesque figures; Dwarfs and iced. Dwarf, seen on the right, with a humpback back, a grid closed as if it is a violin, a hat with two springs on the head, a sword on his left. This print is part of a series of 21 prints with grotesque figures; Virtually all those figures are dwarfs, many have been hatched.

Design for a five -armed candeletry decorated with eagle, Gabriel Huquier, Juste Aurèle Meissonnier, 1738 - 1749 print This print is part of an album. paper etching chandelier, candelabrum. work of applied art

Apollo, Hendrick Goltzius, 1588 print Oval representation of the god Apollo who rides through a swirling cloud mass with flaming hair, around his head a Latin inscription in the form of a halo. In the background you can see how he drives on his solar car. Haarlem paper engraving (story of) Apollo (Phoebus)

Triumph of Galathea, Gustave Joseph BIOT, After Rafaël, 1843 - 1905 print print maker: Belgiumafter painting by: Italy paper etching / engraving triumph of Galatea

Plate 6: Terrible fate of a child snatched to hell because of a dog ca. 1890-1910 José Guadalupe Posada. Plate 6: Terrible fate of a child snatched to hell because of a dog. José Guadalupe Posada (Mexican, 1851-1913). ca. 1890-1910. Wood engraving. Prints

Scale with a loving pair at the top, Antonio Fantuzzi, After Rosso Fiorentino, 1543 print Scale decorated with vineyards and grape bunches with a loving pair, amor and a putto with a ring above his head. The base of the scale is formed by naked figures. paper etching

Motif for Bank Note Design, Walter Shirlaw, American, b. Scotland, 1838-1909, Brush and watercolor, graphite on paper, A winged female genius is shown flying in clouds and holding a thread, against a niche serving as a background., USA, ca. 1895, numismatics, Drawing, Drawing

Daphnis and Chloë during the Harvest, Aristide Maillol, 1937 print paper (lovers) embracing each other, 'symplegma'. embracing each other, kissing. vintage, grape harvest. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

La Grande fortune. Bisson Frères (French, active 1840 - 1864)

Stefano Della Bella (Italian, 1610 - 1664), Cartouche with Two Nymphs Metamorphosed into Trees, 1647, etching

Amsterdam, Netherlands, Trophies, Trophy with quiver and arrows, Under the quiver hang shells, coral, a crab, a lobster, two torches and leaves. The trophy is the same as in object number RP-P-1986-117, but without parallel hatching in the background., print, ornament print, prints, ornament prints, height 390 mm, width 136 mm, print maker, printmaker, 1675 - 1700, fourth quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

August. Shannon, Charles Haslewood (1863-1937), graphic artist

'A Man Pursuing A Woman', c1480 (1945). Artist: Leonardo da Vinci.

Drawing of 17th century silver belonging to an album, draughtsman: anonymous, Amsterdam, c. 1725 - c. 1728, paper, drawing, h 356 mm × w 245 mm

The latest syrenics

Mythological Scene, 1600s. Louis Cheron (French, 1660-1713). Pen and brown ink and brush and gray wash; framing lines in brown ink and gray wash; sheet: 11.1 x 7.6 cm (4 3/8 x 3 in.); secondary support: 17.2 x 13.6 cm (6 3/4 x 5 3/8 in.).

Copper engraving and etching by Bernard Picart in 1714 depicting the history of Meleagros from the Count of Orleans tapestries, showing mythological figures and narrative scenes.

Ascension of the Virgin. Date/Period: 1750-1800. Drawing. Pen and brown ink, brush and gray wash on cream laid paper. Author: Giuseppe Galeotti.

Designs for Plates Taken from Oudry's Illustrations to La Fontaine's Fables after 1755 After Jean-Baptiste Oudry French. Designs for Plates Taken from Oudry's Illustrations to La Fontaine's Fables 398627

Copper engraving from the Meister der Berliner Passion series, depicting two lions and a leopard, created between 1450 and 1470.

Design for a Vignette, Graphite, pen and ink on paper, Horizontal rectangle showing two angels in flight holding laurel wreathes punctuated by a sword., Italy, 1825-1850, ornament, Drawing, Drawing

Theodorus van Kessel engraved 'The Hunt for the Kalydonic Boar' between 1635 and 1642, depicting hunters pursuing the boar with dogs in a wooded landscape in etching format.

Study of two women in a public walker, in the back, silhouettes of two couples

Coat of arms with hose-like figure and deer. .

Copper engraving by Marinus Robin van der Goes depicting farmers at play, created between 1630 and 1640.

'Sculptural Relief Ornamentation'. France. Dimensions: 22x33,8 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES-LOUIS CLERISSEAU.

Woman wearing a model ship in her hair inspired by the Belle Poule, a naval frigate that distinguished itself in combat in 1778. Coiffure a la Belle Poule. Handcoloured lithograph by de Laubadere from Octave Uzanne's Stylish Hairstyle or Eccentric Finery from the era of King Louis XVI, Coiffures de Style, la Parure Excentrique, Rouveyre, Paris, 1895.

Minerva, by Phidas. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: Maria Denman after John Flaxman.

Figure photography:Karnicki, Justinian (1806-1876), Karnicki, Justinian (1806-1876)-collections, Mercury (Mitol.), Raimondi, Marcantonio (Ca 1470/1482-Ca 1527/1534)-reproduction, Smolikowski, Seweryn (1850-1920 ) - collection, gift (provenance), photography of a work of art (artist), collections, mythology

Lazio Viterbo Bagnaia Villa Lante80. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Two portraits and the ascension of Elijah. Draughtsman: Moses ter Borch. Dating: 1660 - 1661. Place: Zwolle. Measurements: h 243 mm × w 360 mm. Museum: Rijksmuseum, Amsterdam.

. From series of 22 or 29 sheets with cartouches in Italian lobe style, fourth edition.

Ornamental Design with SeatedCupid. Artist: Heinrich Aldegrever, Germany, 1502-1555/61

Portrait of the bishop of Munster as a pig, Romeyn de Hooghe (attributed to), 1672 print Around portrait of Christoph Bernard von Galen, bishop of Munster. When reversing, the print shows the head of a pig. Sixth print in a series of six portraits of Willem III and his opponents in the year 1672. A verse of two lines around the portrait. Northern Netherlands paper etching

Saint Joris.

A copper engraving and etching by Juan Barcelon depicting Hercules intervening to save Alkestis, showing mythological figures with expressive gestures and classical composition.

Study of the Manty act and a woman in ancient robe; Greiner, Otto (1869-1916); 1890-1916 (1890-00-00-1916-00-00);Sachs, Carl (1868-1943) - iconography, Sachs, Carl (1868-1943) - collections, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Schlesisches Museum der Bildenden Künste. Library (Wrocław - Ante 1945) - collection, men's acts, women, men

Holy Bartolomeus, Anonymous, After Monogram FP (Italy; 16th century), After Parmigianino, 1520 - 1600 print paper etching the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Festoon with a bell pepper in the middle; New festons. Leaf 7 from series of 12 sheets.

The Days of Creation: The Third Day. From the portfolio: The Work of E. Burne-Jones., 1876, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

William Blake, 1757-1827, British, Illustrations of the Book of Job in twenty-one plates. Folio of engravings with covers.

This color frontispiece by James Ensor illustrates a scene from the life of Christ. Printed on Van Gelder paper in 1921, it demonstrates Ensor's use of vibrant color and expressive line work.

Ange 18th century Gilles Demarteau French. Ange. Gilles Demarteau (French, Liège 1722-1776 Paris). 18th century. Crayon-manner etching printed in red ink. Prints

Eduard von Engerth drew 'The Tied Amor' using brown and gray ink on paper mounted on canvas.

Bookplate of Hugo Löwy. Bayros, Franz von (1866-1924), graphic artist

Trofeeën puts Vlaggen, Pierre François Tardieu, after Jean Charles Delafosse, 1771 print On the left a trophy with flags, weapons and a shovel. On the right a trophy with a flag, weapons, a shield and helmets. Paris paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. (military) equipment and supply

Nieuwjaarswens Van Kornél Révész, Kornél Révész, 1936 Ex Libris is part of cover with 64 ex Libris on 34 separate set -up sheets, a catalog and a text sheet. Budapest paper etching / drypoint plants and herbs: clover. pig. toddler

Cartouche with eagle with snake in his claws, Stefano della Bella, 1620 - 1664 print A cartouche with a flying eagle with a snake in his claws, a banderole with text and on top of a skull with two bones. (possibly) paper etching ornament ~ cartouche. (human) skull. predatory birds: eagle. snakes

Bliżej Kultury unknown

Design of a mirror frame with two female figures and a putto. Carrier-Belleuse, Albert Ernst (1824-1887), draughtsman, cartoonist

Frame for a memorial print with portrait, Daniël Friday, after Jacques Kuyper, 1780 - 1822 print Oval frame for a portrait. At the bottom, an angel mourns at an urn. Netherlands paper etching / engraving urn. mourning the dead. angels

GOODWOOD GROUP, ' DEATH OF LORD FRANCIS VILLIERS.'

Different women's hairstyles and headwear, Daniel Nikolaus Chodowiecki, 1779 print The heads are numbered. At the bottom the names are listed in the numbers: 6: Livournoise; 7 & 8: Chapeau Corse; 9: Boudeuxe; 10: à la Gabrielle paper etching head-gear: hat (+ women's clothes). head-gear: cap (+ women's clothes). styles of hairdress - AA - ~ women

Allegory on toscane a florence, Melchior moxy, c. 1572 - 1582 print In the middle Fama, the personification of fame, who in both hands crown above the portraits of Alessandro and Cosimo de 'Medici. She is on the Marzocco, the Florentine lion. On the feathers of the wings are the names of places in Tuscany. In the background a face on Florence. Italy paper engraving / etching Fame; 'Fama', 'Fama buona', 'Fama chiara' (Ripa) (+ abstract concept represented by female figure). insignia and symbols of sovereignty (crown, diadem, sceptre, orb, seal, standard, cloak, pectoral). armorial bearing, heraldry. city-view in general; 'veduta'. beasts of prey, predatory animals: lion Florence

Augsburg, Merz, Johann Georg, La Joue, Jacques de (II), Winkler, Benedikt, Cartouche with man with sword and bird, verso - stamped, On the left on a cartouche sits a man, he extends his sword to a bird on the right on clouds. Below the cartouche lie weapons and a jug from which water flows. On the right lies a man by a gun and a drum. Numbered A at the top right., print, ornamental print, prints, ornamental prints, height 245 mm, width 183 mm, German, 1727 - 1797-01-03, print maker, printmaker, 1750 - 1762, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, French, 1687 - 1761-04-12, after a design by, Publication (Event), Publication, 1694 - 1762, publisher

Monument to Aartshertogin Marie Christina van Austria in the Augustijnenkerk in Vienna; Wien. Denkmal der Erzherzogin Marie Christine .. Part of travel album with pictures of sights in Germany and Austria and artworks.

Festoen with a pepper in the middle, c. 1654 - Before 1677 print Leaf 7 from series of 12 sheets. Amsterdam paper etching

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Sodom's Modesty 1888 Félicien Rops Belgian. Sodom's Modesty 383784 Artist: Flicien Rops, Belgian, Namur 18331898 Essonnes, Sodom's Modesty, 1888, Etching, plate: 17 3/16 x 10 1/16 in. (43.7 x 25.5 cm) sheet: 18 5/16 x 12 11/16 in. (46.5 x 32.2 cm). The Metropolitan Museum of Art, New York. Alfred Stieglitz Collection, 1949 (49.55.285)

Vatican City, Papal Court, Rome, Rossi, Giovanni Giacomo de', Domenichino, Italy, Po, Pietro del, Cardinal Virtues, Voluptatum victrix temperantia vel feros animos moderatur, Temperantia, verso - stamped, A pendentive with the personification of the cardinal virtue Temperantia (Temperance) with palm branch and horse bridle, a camel, three putti and a female figure with a unicorn., print, prints, height 665 mm, width 522 mm, Italian, 1610 - 1692-07-22, print maker, printmaker, 1620 - 1692, paper, papier, etching, etchingsen, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, 1581-10-21 - 1641-04-06, after a painting by, Publication (Event), Publication, 1627 - 1691, publisher, uitgever van privilege

Preparatory drawing for a pendant made by Flemish engraver Hans Collaert (between 1525 and 1530-1580).

Beverland, Adriaan.

The coronation of the building front / the commune of Paris in the book and the image verso (IT)

Copper engraving by Aegidius Sadeler the Younger showing young Roman warriors standing on a globe with coat of arms, a tiara, and the continents Europe, Asia, and Africa, produced between 1590 and 1629.

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