Mythological and Biblical Scenes

Prints illustrating dramatic mythological and biblical narratives, featuring powerful imagery of deities, battles, and divine interventions.

Bourdon, Sébastien, Vauquer, Jacques, Susanna and the Elders, verso - handwritten, Round medallion with Susanna and the Elders. All around a grotesque frame. At the bottom two terms with a wreath above a pelican feeding its young., print, ornamental print, prints, ornamental prints, verso - stamped, sot.3.11.66, height 136 mm, width 62 mm, print maker, printmaker, 1631 - 1699, paper, papier, etching, etchings, engraving, engraving (printing process), stippelets, Work conception, Frans, 1621-10-11 - 1686-08-31, after print by, 1616 - 1671-05-08

Amazon stroke. Theseus fight the Amazons attacking Athens. Antique relief scene in print.

Salvator Rosa, The Dream of Aeneas The Dream of Aeneas

Jupiter with crown on the head and next to him his attribute the eagle, walks away from Bacchus' Mother Semele, who is digested by Jupiters Lightning. Bacchus is born from the thigh of Jupiter. In the background Juno, who had seduced Semele Jupiter to ask himself in his true form. Book illustration for: praise of bacchus, 1616.

Second creation day: separation between the waters, Jan Harmensz. Muller, after Hendrick Goltzius, 1589 print The second day of creation: an angel, the four winds on his head, separates the rainwater from the water from the earth. The rainwater is personalized by a woman with a carafe in her hand, from which water flows. In her other hand the rainbow. The water of the earth is personalized by a power god, with a jug from which water flows. Shells on his head. To the Bible text in Gen. 1: 6-8. paper engraving creation of the firmament and division of the waters above and below it

Woodcut by Hans Burgkmair the Elder, 1523, depicting the Babylonian whore, showing figures, symbolic imagery, and architectural background from Revelation.

Bourdon, Sébastien, Vauquer, Jacques, Susanna and the Elders, verso - handwritten, Round medallion with Susanna and the Elders. All around a grotesque frame. At the bottom two terms with a wreath above a pelican feeding its young., print, ornamental print, prints, ornamental prints, verso - stamped, sot.3.11.66, height 136 mm, width 62 mm, print maker, printmaker, 1631 - 1699, paper, papier, etching, etchings, engraving, engraving (printing process), stippelets, Work conception, Frans, 1621-10-11 - 1686-08-31, after print by, 1616 - 1671-05-08

Agostino Veneziano's copper engraving from 1520-1530 depicts two amorets, representing playful mythological figures using Renaissance engraving techniques and detailed line work.

Chinese husband and wife, Cornelius Heinrich Hemerich, after Johann Esaias Nilson, 1731 - 1780 print In a landscape with rocaille ornament, a Chinese man with head and dish is sitting next to a Chinese woman. London paper etching / engraving cup of tea (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Large cartouche; Large cartouches. At the bottom right is a river god. From series of 6 sheets, each with a variant for the right half.

Three putti with dolphins, Adamo Scultori, After Giulio Romano, c. 1540 - c. 1585 print Italy paper engraving cupids: 'amores', 'amoretti', 'putti'. swimming mammals: dolphin

Jupiter hits ATE with a bat, Caspar Merian, after Hans Holbein (II), after Ambrosius Holbein, 1676 print paper etching / letterpress printing Jupiter seizes Ate by her hair and hurls her down from Olympus, possibly because of the delayed birth of Hercules

Amsterdam, Picart, Bernard, Devils in the underworld, verso - stamped, Devils, demons and Death in the underworld. In the lower corners of the ornamental frame harpies., print, ornamental print, prints, height 56 mm, width 111 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1715 - 1715, first quarter 18th century, paper, etching, engraving, engraving (printing process)

Lucas Cranach the Elder, Saint Bernard Adoring the Man of Sorrows Saint Bernard Adoring the Man of Sorrows

Three putti with dolphins ..

Artist: Georges Reverdy, French, active 1529-57, Leda and theSwan, Engraving, platemark: 15.7 × 25.8 cm (6 3/16 × 10 3/16in.), French, 16thcentury, Works on Paper -Prints

Het Karkas, Venetian Augustine, After Rafaël, After Battista Dossi, c. 1520 print Allegorical representation with a procession with a witch on a carriage, made of the carcass of a large monstrous being, which is pulled by two naked men. Two other naked men lift the back of the carcass. Different monstrous beings under the carcass. In the foreground on the left a boy with trumpet on the back of a goat. On the left a group of ducks that fly away. paper engraving monsters larger than normal. witch, sorceress

L'Air Air (Iris on a Rainbow). 1613 - 1678. Carpioni, Giulio, 1613-1678. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian. Horizontal Panel Design with a Young Man and a (male) Sphinx Interspersed between Acanthus Rinceaux 410863

St. Sebastian. 1514. Baldung, Hans, -1545. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Het karkas; Lo stregozzo.Allegorical performance with a procession with a witch on a carriage, made from the carcass of a large monstrous being, which is being pulled by two naked men. Two other naked men raise the back of the carcass. Various monstrous beings under the carcass. In the foreground on the left a boy with trumpet on the back of a goat. On the left a group of ducks flying away.

Galatea; Sea oven. In an oval list the sea with the Zeenimf Galatea in a large seashell, continued by two sea bee. She gives a different sealant straw. Around her two several men and two flying fish. The print is part of a four-part series about mythological sea oven.

Air (aer); Aer; The four elements. Element's personification. Air: a man between the clouds surrounded with birds. Third print from a series of the four elements.

Oktober, Denis Boutemie (possibly), 1633 - 1643 print Personification of the month of October. A grotesque figure with wings and bird legs. He wears a hat on his head, a pig mask on his stomach and fruit in his hand. Paris paper etching Octaber; 'October' (Ripa)

Lucht (Aer), Jacob Matham (workshop of), after Jacob Matham, 1606 - 1610 print The personification of the element of air: a man between the clouds surrounded with birds. Third print from a series of the four elements. Haarlem paper engraving air (one of the four elements)

. Saint Michael, with shield and lightning bolt, guarded the sky gate. He stands on a fire spicy dragon and holds a soul that wants to reach heaven against.

This drawing depicts ornamental tanks accompanied by two putti, executed with brown brush, tempera cover colors, and gold paint highlights.

Jonah is thrown over the board by the sailors, Bartholomeus Willemsz. Dolendo, 1589 - 1626 print The ship on which Jonah is sailing is plagued by a heavy storm. Jonah asks the sailors to throw him over board to dampen God's anger. A large fish swims in front of the ship. paper engraving the sailors reluctantly throw the prophet Jonah into the sea

Frisian with the triumph of Neptunus, right plate, 1548 print Right part of a Frisian with the triumph of the God Neptune. Different fabeld animals are twisted together. Neptunus rides on a hippocampus on the left. unknown paper engraving (story of) Neptune (Poseidon). fabulous animals ~ fishes. fabulous animals ~ reptiles. sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster)

Neptune and Amphitrite 1615-42 Pierre Brebiette French. Neptune and Amphitrite 334439

Suicide of Ajax, Antonio Tempesta, 1606 - 1638 print Ajax plunges into his own sword, after he has lost the battle for Achilles' armor. Title in Latin in STUDMARGE. paper etching suicide of Ajax. Ajax' blood changed into a hyacinth: after Ajax has taken his own life, his blood is changed into a hyacinth (Ovid, Metamorphoses X 207; XIII 390)

Nox (Goddess of Night). Dated: 1588/1590. Medium: chiaroscuro woodcut in ochre-sepia, dark olive and black. Museum: National Gallery of Art, Washington DC. Author: Hendrik Goltzius.

Karl Philipp, Elector of the Palatinate.

Depicts Minerva instructing Cadmus to sow the dragon's teeth in a 1615 copper engraving by Hendrick Goltzius, showing deity, hero, and dragon imagery.

Triton holds a skull for a sea monster; Reliefs in the Loggia of Rafael. A triton with a Sater on its back holds a skull for a sea monster.

Putto, seated on sea creature with the head of a Griffioen, 1526 - 1606 print Germany (possibly) paper engraving

Third day of creation: separation of land and water, Jan Harmensz. Muller, Hendrick Goltzius, Hendrick Goltzius, 1589

Venus. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Proserpina, Hendrick Goltzius, 1588 - 1590 print The goddess Proserpina, seated by a tree, fruit and flowers in the hands. This print is part of a series of seven oval prints of classical gods and goddesses. paper (story of) Proserpina (Persephone, Core), Libera

Amsterdam, Danckerts, Cornelis (I), Keyser, Hendrik de (I), Nouveau Livre des Dieux et Deeßes De la Marine Book of Sea Gods and Goddesses, Seahorse with a male torso, A seahorse with a male torso blows on a shell., print, engraving, ornamental print, prints, ornamental prints, height 112 mm, width 178 mm, Work conception, 1565-05-15 - 1621-05-15, after a design by, 1623 - 1656, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

Copper engraving by Cristofano di Michele (il Robetta) from 1460 depicting Hercules fighting the Hydra, showing a mythological combat scene with dynamic figures.

Israhel van Meckenem (German, c. 1445-1503), Samson and the Lion, c. 1475, engraving

unknown, Noordelijke Nederlanden, Amsterdam, Allard, Carel, Bijzetsel tot 't Beroerde Romen, ofte Punishment voor 't Overtreden van de X Geboden Door de Monniken en 't overheerdom, Coddig Nacht Uitzicht, 1705, Northern Netherlands, Coddig Nacht View, 1705. Petrus Codde kills the Python, here indicated as the Babel Beast, as Apollo. On the right an eagle (the Dutch phoenix) throws a rooster with a dragon's tail (Theodorus de Cock) into purgatory. Below the plate a verse in 4 columns. Numbered lower right: 11., print, prent, cartoon, prints, prenten, Frederik Muller Historieplaten, height 200 mm, width 285 mm, Dutch, 1648-01-19 - 1709-02-01, print maker, printmaker, 1685 - 1696, paper, papier, etching, engraving, engraving (printing process), letterpress printing, Publication (Event), Publication, publisher

Satyr steals a sleeping nymph; Mythological performances to old bas-reliefs.

Albrecht Dürer (1471-1528). Coq coat of arms (Bartsch 100). 1500. Museum of Fine Arts of the City of Paris, Petit Palais. 77215-14 Coat of arms, coat of arms, shield, rooster, ecu, ecusson, helm, heraldic, lion, renaissance, symbol, engraving

Neptune, Adriaen Collaert, after Philips Galle, 1570 - 1618 print In an oval list the sea with Neptune, in a large sea -shell, pulled through two hippocampuses (seahorses). He has his trident in his hand. Around him three major men who each blow on a Tritonhoren. The print is part of a four -part series about mythological sea gods. paper engraving (story of) Neptune (Poseidon). attributes of Neptune: trident. sea thiasos, Neptune's sea retinue. ichthyocentaur, centaurotriton, sea-centaur. sea-horse, hippocamp, 'hippocampus', (horse/fish) (mythological hybrid monster). merman

The infant Moses rescued from the Nile ca. 1540-45 Andrea Schiavone (Andrea Meldola) Italian. The infant Moses rescued from the Nile 396451

The dominations. Prints. 1635. Rare Book Division. Angels

Horizontal Panel Design with a Three Figures and a Fantastical Creature Interspersed between Acanthus Rinceaux. Artist: Anonymous, Italian, Venetian, 17th century; In the manner of Polifilo Giancarli (active in Venice ca. 1600-1625). Dimensions: Sheet: 7 3/16 x 10 5/16 in. (18.3 x 26.2 cm). Date: 17th century (first half). Museum: Metropolitan Museum of Art, New York, USA.

Jupiters Eagle Bringing the Water of the Styx to Psyche. Engraver: Léon Davent, French, active 1540-1556 After: Giulio Pippi, called Giulio Romano, Italian, ca. 1499-1546

Venus receives news from a bird; Story of Amor and Psyche. A bird tells Venus that her son amor is sick because of his love for the king's daughter psyche. Italian text in two cartouches in undermarge. Twice numbered bottom left: 16.

Fall of the giants (second part), Bartolommeo Coriolano, After Guido Reni, 1647 print The giants who stormed heaven to overthrow Jupiter are buried under stone. At the top of the furious Jupiter with eagle and lightning bolts. Wind gods blowing left and right. Bologna paper the Giants buried beneath volcanoes. giants, colossi. battle of the Giants against the gods: gigantomachy. gods of the winds

Female figure blowing on a conch, Hendrik de Keyser I, Anonymous, Justus Danckerts, after 1656-1701

'Louis XIV's Entry into Dunkerque'. France, 1662. Dimensions: 29x19,5 cm. Museum: State Hermitage, St. Petersburg. Author: CHARLES LEBRUN.

Bok seated by fallen tree, Marcus de Bye, After Paulus Potter, 1728 - c. 1761 print paper etching goat

Fries met vier putti en een zeepaard.Frisian with two putti on a sea horse that the head shows a lot of similarity with that of a goat. Another putto carries a cornucopia and the fourth naked little boy tilt grond roses.

Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux 17th century (first half) Anonymous, Italian, Venetian, 17th century Italian Design for a horizontal panel with a meandering rinceau. In the center of a large scroll two male figures are depicted whose lower bodies consist out of acanthus leaves. They are both directed to the right and blow on curved, horn-like instruments.. Horizontal Panel Design with Two Male Figures Playing Horns Interspersed between Acanthus Rinceaux 410907

Cherubino Alberti, Genius with the French Royal Coat of Arms, c 1600 Genius with the French Royal Coat-of-Arms

A copper engraving by Jean Duvet from 1546-1555 showing an angel closing the abyss, highlighting celestial figure and dramatic composition.

Coat of Arms with a Lion and a Cock, c. 1503, Albrecht Dürer, German, 1471-1528, 7 1/8 x 4 13/16 in. (18.1 x 12.24 cm) (image), Engraving, Germany, 15th-16th century, The foliage in this mock coat of arms shows Albrecht Dürer's brilliant handling of pure ornament. Scholar Charles W. Talbot cited this print as evidence that 'history probably lost its greatest goldsmith' when Dürer became an artist instead of a goldsmith like his father. This level of ornamental abandon was rarely, if ever, repeated in Dürer's oeuvre.

Greek god of woodlands and pastures

Germany, Jamnitzer, Christoph, sheet of the 'Neu Grotesken Buch' 1610, Das Neuw Grottesken Buch Nürnberg 1610, Landscape with a cow between two fantastic creatures on horseback, The cow carries a large tree between its horns. Two children suck its udders. Sheet from a series of surface decorations with grotesques, cartouches, ovals, mascarons, putti and fantastic creatures. The series consists of three title pages, two text pages with the dedication and the preface and 60 pages, divided over three books, print, ornament print, prints, ornament prints, height 147 mm, width 185 mm, 1563-05-12 - 1618, print maker, printmaker, 1573 - 1610, third quarter 16th century, fourth quarter 16th century, first quarter 17th century, paper, etching, etchings, Work conception, after a design by, Publication (Event), Publication, publisher

Narcissus bij de Bron, Giles Sadeler (2), after Bartholomew Spranger, 1624 - c. 1650 print Narcissus at the source. He looks at his own reflection in the water. Cupido flies above him and shoots an arrow. In the background echo and another nymph. The print has a Latin caption. print maker: unknownpublisher: Venice paper engraving Narcissus changed into a narcissus: when Narcissus is pining away for the love of his image reflected from the water, he is changed into a narcissus (Ovid, Metamorphoses III 510)

Print made by Francesco Curti, 1610-1690, Italian, Frontispiece: Hercules Fighting the Hydra, ca. 1633. Line engraving on medium, slightly textured, cream laid paper.

A pen and coal drawing by Jacopo Ligozzi depicting Death as a skeleton placing a royal crown over a mermaids head, part of an epitaph framework, with brown and gray-blue washes.

Leda and the swan; Leda A Iove, in Cygnvm Verso, Compressa.

Rocaille and Fantasiedieren, 1736 - 1762 print On the left on a rocaille is an oriental man with a big hat. In the middle and right under three fantasy animals. paper etching fabulous animals (sometimes wrongly called 'grotesques'); 'Mostri' (Ripa). rocaille ornament

Ecstasy of St. Theresa after Circle of Francesco Albani, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and brown wash over traces of black chalk on white laid paper, Swooning Saint with book on ground before him; Saint supported by an angel and another figure (God the Father) hovers above at right. Angels and cherubim on clouds above., Italy, Italy, 1810-20, figures, Sketchbook folio, Sketchbook folio

Hercules and the Hydra n.d. School of Andrea Mantegna Italian. Hercules and the Hydra 387834

JUAN JOSE DE AUSTRIA SOSTENIENDO LA MONARQUIA - GRABADO SIGLO XVII. Author: VILLAFRANCA PEDRO DE. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN. JUAN JOSE DE AUSTRIA. FELIPE IV HIJO. CARLOS II HERMANO. CALDERONA LA HIJO.

Venus Marina, 1501 - 1528, Woodcuts, 3 1/8 x 2 5/16 in. (7.9 x 5.8 cm), Paper/Sheet 3 1/8 x 2 5/16 in. (7.9 x 5.8 cm), Cream laid

Amsterdam, Danckerts, Cornelis (I), Keyser, Hendrik de (I), Nouveau Livre des Dieux et Deeßes De la Marine Book of Sea Gods and Goddesses, A sea god on a chariot, The chariot is pulled by two dogs., print, engraving, ornamental print, prints, ornamental prints, height 100 mm, width 208 mm, Work conception, 1565-05-15 - 1621-05-15, after a design by, 1623 - 1656, first quarter 17th century, second quarter 17th century, third quarter 17th century, paper, engraving (printing process), print maker, printmaker, Publication (Event), Publication, 1604-06-13 - 1656-04-27, publisher

Amor at sea. Amor sailed at sea in a boat, using an arrow as a mast and its bow to row. On the right is a man on the land. On the left is Venus on a large shell. Three putti in the air. In the undermaster a eight-line Italian text in two columns.

Martin Schongauer, Wild Man Holding a Shield with a Greyhound, c 1480 1490 Wild Man Holding a Shield with a Greyhound

Drawing, A Winged Mer Hermaphrodite and Sketches for a Bowl; Italy; brush and brown iron gall ink, red chalk, graphite on off-white laid paper

Two knights in armor riding horses in right foreground confront a beast standing in left middle ground. Beast resembles crocodile. Background in a landscape with a hill in middle dominated by a tree. Ink border. Date: 1820-1850. Pen and brown ink on white paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Snellinck, Jan (I), Den Grooten Figuer-Bibel, Geschiedenis van Job, Van den Heylighen Iob, Job op de dungheap, lower right - handwritten in brown ink, Job sits on a dunghill and is visited and ridiculed by his friends. One of his friends sits in sackcloth and ashes: he has sprinkled ashes on his head. Below the image a reference in Latin to the Bible text in Job 2:11. This print is part of an album., print, album sheet, prints, 239, height 210 mm, width 269 mm, print maker, printmaker, 1579 - 1579, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Antonio da Trento's 1520-1550 Clair-obscur woodcut depicts The Truth, showing a seated figure with symbolic attributes, composed posture, and expressive gestures across two plates.

Triton kidnaps a woman, Jean Lepautre (attributed to), after Adam Philippon, 1628 - 1682 print Numbered in the middle: 4 8. paper etching (story of) Triton - aggressive, unfriendly activities and relationships

Jupiter, from 'Game of Mythology' (Jeu de la Mythologie). Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence); Designed by Jean Desmarets de Saint-Sorlin (French, 1595-1676). Dedicatee: Made for Louis XIV, King of France (French, Saint-Germain-en-Laye 1638-1715 Versailles). Dimensions: Sheet: 1 13/16 × 2 3/8 in. (4.6 × 6.1 cm). Patron: Commissioned by Cardinal Jules Mazarin (Italian, Piscina 1602-1661 Vincennes). Publisher: Published by Henri Le Gras (French). Series/Portfolio: 'Game of Mythology' (Jeu de la Mythologie). Date: 1644. Museum: Metropolitan Museum of Art, New York, USA.

Sudarium Spread Out by an Angel Made 1516 Germany. Etching in black on ivory laid paper . Albrecht Dürer

Sketchbook Folio, Putti in a Chariot with Dolphins and Swans; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over traces of black chalk on white laid paper; 21.9 x 15.2 cm (8 5/8 x 6 in.)

Copper engraving by Agostino Veneziano depicting the mythological figure Leda, showing her with swan, posture, and symbolic attributes, created between 1510 and 1530.

Print titled 'The Inconstancy of Fortune'. Part of series attempts to imprint an attitude to life and a recognition that some things are out of our control. Created by Dirck Volckertszoon Coornhert (1522-1590) Dutch writer, philosopher, translator, politician, theologian and the Father of Dutch Renaissance scholarship. Dated 16th Century

Hercules and the Nemean Lion 1540-50 Niccolò Vicentino Italian. Hercules and the Nemean Lion. Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). 1540-50. Chiaroscuro woodcut from two blocks in green (state ii). Andrea Andreani (Italian, Mantua 1558/1559-1629). Prints

Map of Italy, 1: 2 400 000. Neckline: Amphitrite and Neptune

Phaëthon for Apollo; Funestas ad phoebum phaeton fundit preces; Metamorphoseon Sive Transformationum; Metamorphoses from Ovid.phaethon kneels for his father Apollo, which is in his solar car. He asks his father if he can borrow the solar car. Title in Latin in undermarge.

Play on a seesaw, anonymous, after Louis Testelin, 1673 - 1709 print Play putti on a seesaw. On the right a dog pulls the clothes of one of them. In the background a wall with a niche. On the right a putto hides behind a few shelves. print maker: Low Countriesafter design by: Parispublisher: Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. seesaw. dog

Frieze with Tritons and Nymphs. Girolamo Mocetto; Italian, c.1470-after 1531. Date: 1515-1525. Dimensions: . Engraving on paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Envy. Artist: After Luca Penni (Italian, Florence 1500/1504-1557 Paris); Léon Davent (French, active 1540-56). Dimensions: Sheet (trimmed/oval): 10 5/8 × 11 13/16 in. (27 × 30 cm). Series/Portfolio: Capital Sins. Date: ca. 1550-55. Museum: Metropolitan Museum of Art, New York, USA.

Ceiling painting with seed beads, women's figures and putti; Ceiling paintings; Allen arten deck-stucking for mahler und stucator. In the air birds with a rope to their legs. Above TROTS Justitia (justice).

The Sorcerer Atlante Abducting Pinabello's Lady (Ariosto, Orlando Furioso, canto II, 38). Artist: Nicolas Poussin (French, Les Andelys 1594-1665 Rome). Dimensions: 7 5/8 x 4 7/16 in. (19.3 x 11.2 cm). Date: ca. 1635-38.Claus Virch was responsible for the identification of the relevant scene from Ariosto's Orlando furioso. On occasion the subject has been mistakenly called Roger Carried Away from Bradamante on the Hippogriff. Museum: Metropolitan Museum of Art, New York, USA.

Daniel Hopfer I (German, c. 1470 - 1536), Saint George on Horseback Slaying the Dragon, etching

Tethys reclining in a giant shell chariot pulled by two sea creatures 1588-90 Hendrick Goltzius Netherlandish. Tethys reclining in a giant shell chariot pulled by two sea creatures 400162

Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above ca. 1515-27 Marco Dente Italian Rectangular plate with oval shaped image.. Eros Escaping by Sea; Cupid using his bow to propel a boat made from his quiver with an arrow as the mast and his blindfold as the sail, a banderole above 341464

Galle, Theodoor, Parable of the rich man and poor Lazarus, Deathbed of poor Lazarus, verso center - stamped, Lazarus lies on a bed of straw and breathes his last breath. In the air three angels who take poor Lazarus to heaven. The print has a Latin inscription and is part of a series about the parable of the rich man and Lazarus, print, prints, verso middle - stamped, height 206 mm, width 256 mm, South Netherlands, 1571 - 1633, print maker, printmaker, 1581 - 1633, paper, engraving, engraving (printing process), Publication (Event), Publication, publisher

Saint Christopher. Dimensions: block: 30.1 x 21.6 cm (11 7/8 x 8 1/2 in.) sheet: 30.7 x 22.2 cm (12 1/16 x 8 3/4 in.). Medium: woodcut on laid paper. Museum: National Gallery of Art, Washington DC. Author: School of Albrecht Dürer.

bekend, Augsburg, Engelbrecht, Martin, Baur, Johann, Rocailles with animals, Landscape with beaver and birds, unknown, verso - stamped, A beaver sits with its tail in the water. The rocaille is intertwined with a tree. In the tree two birds, possibly including a woodpecker. Numbered 328 at the top right., print, ornamental print, prints, ornamental prints, height 205 mm, width 155 mm, print maker, printmaker, 1719 - 1749, paper, papier, etching, etchings, German, 1701 - 1800, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1684-09-16 - 1756-01-18, publisher, granter of privilege

Justitia falls from a prancing horse, Johann Theodor de Bry, after Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1611 print The personification of Justitia is, with her attributes sword and balance, on a prancing horse that turns her from his back. She plunges to the earth. The horse has a globe on his head. The example for this print is part of a series of four in which the world is treated as a theme without self -control. Emblem no. 2 from Emblemata Saecularia, 1611 Oppenheim paper engraving Justice; 'Strength to the justice subject', 'justice', 'Recto justice', 'rigorous justice', 'pity and violence subject to justice' (Ripa). Abstract ideas and concepts (+ emblematic replying of concept)

Rosa, Salvator, work, Battle of the Tritons, (1000 - 2000), technique text: line etching, graphics, plate width 20.8 cm, plate height 9.1 cm

Copper engraving by Meister IB, early 16th century, depicting the Triton family with a bird, illustrating mythological figures and classical imagery.

of 3