Mythological and Classical Themes

Renaissance paintings illustrating mythological tales of love and tragedy, featuring nude figures and dramatic compositions characteristic of the era.

Pan and Syrinx; Jean-François de Troy (French, 1679 - 1752); Paris, France; 1722 - 1724; Oil on canvas; 74.3 × 92.1 cm (29 1,4 × 36 1,4 in.)

VENUS AND ADONIS, by Titian, 1545-75, Italian Renaissance painting, oil on canvas. Scene from Ovids METAMORPHOSES, in which Venus begs the hunter Adonis not to leave, warning him of danger. He proceeds on his hunt and is gored to death by his prey, a wild boar (BSLOC_2017_16_76)

Venus at the Forge of Vulcan; Francesco Solimena (Italian (Neapolitan), 1657 - 1747); 1704; Oil on canvas; 205.4 x 153.7 cm (80 7,8 x 60 1,2 in.)

Apollo ripping leather from Martian; Backer, Jacob DE (1540/1545-ANTE 1600); XVI/XVII century (1590-00-00-1610-00-00);Antwerpia (Belgium), Apollo (Mitol.), Kolasiński, Wojciech (1852-1916)-collection, Marsjasz (Mitol.), Ovidius Naso, Publius (43 A.C.-Ca 17). Metamorphoses, acts, female acts, men's acts, musical instruments, Flemish painting, mannerism (style), skin tearing (martyrdom), mythological scenes

Vertumnus and Pomona, 1639, by Anthony van Dyck (1599-1641), canvas.

Germany, Vienna, Venus and Adonis

Vertumnus and Pomona. Date/Period: Ca. 1625. Painting. Height: 1,420 mm (55.90 in); Width: 1,970 mm (77.55 in). Author: Anthony Van Dyck. JAN ROOS.

'Venus and Adonis', c1630. Artist: Peter Paul Rubens

'Apollo and Daphne'. Italy, First third of the 18th century. Dimensions: 73x59,5 cm. Museum: State Hermitage, St. Petersburg. Author: FRANCESCO TREVISANI.

Pan and Syrinx; Jean-François de Troy (French, 1679 - 1752); Paris, France; 1722 - 1724; Oil on canvas; 74.3 × 92.1 cm (29 1,4 × 36 1,4 in.)

Cephalus and Aurora. Painting. Oil on canvas. Height: 96.9 cm (38.1 in); Width: 131.3 cm (51.6 in). Author: NICOLAS POUSSIN.

The Judgement of Paris by Rubens, Pieter Paul (1577-1640)/ National Gallery, London/ c. 1599/ Flanders/ Oil on wood/ Baroque/ 134x174,5/ Mythology, Allegory and Literature

Rescue of Andromeda, Cesari, Giuseppe, 1602.

Scene from roman mythology with Diana and king Endymion by Giovan Battista Pittoni, oil on canvas , 1723, 1687-1767, Russia, St. Petersburg, State Hermitage, 134x109

Descent into Hell / Rubens

TTITIA, Tiziano Vecello, also called (1490-1576). Diana and Callisto (Diana e Callisto). ca. 1568. Renaissance art. Cinquecento. Venetian school. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Interior of Catherine Palace, a Rococo palace located in the town of Tsarskoye Selo.

Thetis receiving Armour for Achilles from Hephaestus, Rubens, Pieter Paul (1577-1640)

Coronis andApollo. Artist, workshop of: Adam Elsheimer, German, active in Rome, 1578-1610

Pedro Pablo Rubens / 'Diana and Calisto', ca. 1635, Flemish School, Oil on canvas, 202,6 cm x 325,5 cm x 4 cm, P01671. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: PETER PAUL RUBENS.

The Presentation of Her Portrait to Henry IV (The Marie de' Medici Cycle) by Rubens, Pieter Paul (1577-1640) / Louvre, Paris / 1622-1625 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 394x295 / Baroque

Vecellio di Gregorio Tiziano / 'Bacchanal on Andros', 1523-1526, Italian School, Oil on canvas, 175 cm x 193 cm, P00418. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Pietro Facchetti (Copy de Francesco Salviati) / 'Adán recibiendo de Eva el Fruto Prohibido', After 1554, Italian School, Oil on canvas, 174 cm x 130 cm, P00518. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Triumph of Bacchus and Ariadne, 1597-1600, by Annibale Carracci (1560-1609), fresco. Farnese Palace, vault in the gallery, Rome.

The Rape of Europa, a figure from Greek mythology, painting by Titian

Expulsion from Paradise. nieznany malarz włoski, painter

Hans von Aachen (1552-1615). German painter. The Triumph of Truth, 1598. Alte Pinakothek. Munich. Germany.

"Bacchus and Ariadne on the Isle of Naxos C. 1693 Oil on canvas by Antoine Coypel, French, 1661 - 1722"

Marine Gods Paying Homage to Love. Date/Period: Ca. 1636 - 1638. Painting. Oil on canvas. Height: 953 mm (37.51 in); Width: 1,346 mm (52.99 in). Author: Eustache Le Sueur.

Diana and Actaeon, by Titian, 1556-9, National Gallery, London, England, UK, GB, Europe

The Triumph Of Pan 17th Century Nicolas Poussin (1594-1665 French) Musee du Louvre, Paris, France

Anne-Louis Girodet 1767-1824. Le Sommeil dEndymion. 1791. oil painting on canvas.

Venus and Adonis. Venus and Adonis. The two beloved embrace each other at the foot of a tree. Adonis is ready to go hunting: on the right a lance and a dog, at his feet a hunting horn.

Peter Paul Rubens (1577-1640). Flemish painter. The Rape of Europe, 1628-1629. Copy after an original by Titian. Prado Museum. Madrid, Spain.

'Rape of Europa'. Italy, Between 1675 and 1677. Dimensions: 206x300 cm. Museum: State Hermitage, St. Petersburg. Author: LUCA GIORDANO.

Artist, style of: Francesco Primaticcio, Italian, 1504-1570, The Art ofMusic, ca.1565, Oil on panel, 93 × 89 cm (36 5/8 × 35 1/16 in.), Not onview, French, 16thcentury, Paintings

Adam and Eve mourn over Abel's body, by Carlo Zatti (1809-1899), oil on canvas, 164x231.5 cm.

Annibale Carracci, Venus Adorned by the Graces, 1590 1595 Venus Adorned by the Graces

God Holds Adam and Eve Responsible. Dating: 1717. Measurements: h 55.7 cm × w 41.1 cm × d 4 cm × h 68 cm × w 54 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen van der Werff.

'Paris's Judgement'. Netherlands, 1550s. Dimensions: 134,5x188 cm. Museum: State Hermitage, St. Petersburg. Author: Frans Floris (Frans de Vriendt).

Boreas raping Orythia ,by Francesco Solimena (1657-1747), oil on canvas, 99x135 cm.

Venus and Cupid Signed and dated in black paint, lower right: "Howard RA | 1809", Henry Howard, 1769-1847, British

Cignani, Carlo (1628-1719). Italian baroque painter. Original Sin. Esterhazy Collection. Museum of Fine Arts. Budapest, Hungary.

Neptune and Amphitrite David Teniers the Younger Flemish; 1610 Antwerp -1690 Brussels

The Sun Chariot and the Four Seasons, by Piola Domenico, 17th Century, 1687, oil on canvas, cm 300 x 437

Ceres and Bacchus awaken Venus. Malarz francuski XVIII w., painter

Bacchus and Ariadne' by Titian, 1523-1525. From the National Gallery, London.

Alonso Cano (1601-1667). Spanish painter. Penitent Saint Jerome in the wilderness. Museo de Bellas Artes. Granada. Andalusia. Spain.

Jean-Joseph Dumons (1687-1779). "Adam and Eve in paradise". Oil on canvas, around 1735. Museum of Fine Arts of the City of Paris, Petit Palais. 71128-1 Old will, tree, cat, goat, woman, leaf, genese, man, canvas oil, biblical mythology, nudite, paradise, biblical character, apple, animal, naked, apple

The Nymph Salmacis and Hermaphroditus by Spranger, Bartholomeus (1546-1611) / Art History Museum, Vienne / ca 1580-1582 / Flanders / Oil on canvas / Mythology, Allegory and Literature / 110,5x81,5

Cain Is Slaying Abel Tintoretto, Jacopo (1519-1594/Italian) Galleria dell'Accademia, Venice

PIETRO DA CORTONA, Pietro Berrettini, called (1596-1669). Erminia among the Shepherds. Baroque art. Oil on canvas. ITALY. LAZIO. Rome. Doria Pamphili Gallery.

Jacques-Philippe Caresme gouache painting of Bacchantes in a playful scene with satyrs.

Domenico Tintoretto / 'La Prosperidad o la Virtud ahuyentando los Males', Second half 16th century - First quarter 17th century, Italian School, Canvas, 207 cm x 140 cm, P00387. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Pastoral Concert by Giorgione or Titian, circa 1510

Attributed to Filippo Falciatore (active between 1728 and 1768). Allegory of Love. The Goddess of love Venus, dressed in sumptuous draperies, reclines amidst a company of playful putti. Oil on canvas. Detail. National Museum of Fine Arts. Valletta, Malta.

Pan and Nymph Syrinx by Boucher, Francois (1703-1770) / Museo del Prado, Madrid / Rococo / 1760-1765 / France / Oil on canvas / Mythology, Allegory and Literature / 95x79

Angelica saved by Ruggiero by Ingres, Jean Auguste Dominique (1780-1867)/ National Gallery, London/ 1819-1839/ France/ Oil on canvas/ Classicism/ 47,6x39,4/ Mythology, Allegory and Literature

The Rape of Proserpina, detail of the cycle of frescoes in the Hall of Mirrors, 1682-1685, by Luca Giordano (1634-1705), fresco. Palazzo Medici Riccardi, Florence.

MARS AND VENUS UNITED BY LOVE, by Paolo Veronese, 1570s, Italian Renaissance painting. Cupid binds Mars to Venus with a love knot. It is an allegory that celebrates nurturing results of love, as milk flows from Venus's breast, and Mars's horse is restrained (BSLOC_2017_16_75)

David Teniers / 'The Garden of Armida', 1628-1630, Flemish School, Oil on copper, 27 cm x 39 cm, P01831. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER.

Panel of the ""Caff da Pacho"" portraying Apollo and Daphne, by Canal Giovan Battista, 19th Century, 1804, canvas,

The Rape of Europa, 1857, by Jeronimo Viscardini, copy from Paolo Veronese (1528-1588).

The Sacrifice of Isaac by Veronese, Paolo (1528-1588) / Museo del Prado, Madrid / ca 1586 / Italy, Venetian School / Oil on canvas / Bible / 129x95 / Renaissance

Allegory of Prudence. Date/Period: 1680/1684. Painting. Oil on canvas. Width: 92.9 cm. Height: 92.9 cm (without frame). Author: LUCA GIORDANO.

The Rape of Europa The Rape of Europa, Oil on panel, Martin de Vos, 1570-1575, Museo de Bellas Artes, Bilbao, Spain Copyright: xZoonar.com/Tolox 21681479

Odysseus and Calypso. Mars and Venus. Dating: c. 1680. Measurements: h 125 cm × w 94 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerard de Lairesse.

Reconciliation of Oberon and Titania, by Noel Paton (1821-1901).

Odysseus and Nausicaa. Dating: c. 1630 - c. 1688. Measurements: h 103.5 cm × w 168.5 cm × t 4.0 cm. Museum: Rijksmuseum, Amsterdam. Author: Joachim von Sandrart (mentioned on object).

The Triumph of Galatea, detail with triton holding coral

Liberal arts pay homage to Johann Wilhelm, Palatine of the Rhine, and his wife. Werff, Adriaen van der (1659-1722), painter

Venus and the Lute Player, Titian and workshop, circa 1560, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

The apotheosis, deification, elevation of a man to a god or demigod of Aeneas, Aeneas is a person of both Greek and Roman mythology, Painting by Jacob Jordaens, Historical, digitally restored reproduction from a historical work of art

Galatea and Acis, Adriaen van Nieulandt (I), 1651 painting Galathea and Acis are transported over the water in a triumphal wagon pulled by seahorses. Around the car all kinds of mermaids, mermaids, putti on dolphins and other sea creatures. Putti fly through the air with flowers and jewelry. canvas. oil paint (paint) triumph of Galatea

Painting, Palazzo Ducale, Parma, Emilia-Romagna, Italy, Europe

Boucher / Diana and Calypso

Jacques Charlier, after François Boucher, Sleeping Bacchantes, 3rd quarter of the 18th century Sleeping Bacchantes

Venus et l'Amour' c1535-1560. Artist: Lambert Sustris. Lambert Sustris (c1515-1584) was a Dutch painter active mainly in Venice. The works Sustris completed in Italy exhibits a Mannerist style.

Holy family by Jean Antoine Watteau, oil on canvas, 1719, 1684-1721, Russia, St. Petersburg , State Hermitage, 117x98

Sketch for the Paris City Hall Fair: History collects the lessons of the past Leon Bourgeois urban stone (1842-1911). History collects the lessons of the past. Sketch for the Paris City Hall Fair. Oil on canvas, 1890.

Garden of Eden with the Fall of Man, by Jan Brueghel the Elder and Peter Paul Rubens, circa 1615, Royal Art Gallery, Mauritshuis Museum, The Hague, Netherlands, Europe

Michel Dorigny (1617-1665). "Diane discovering Callisto's pregnancy", 1635-1640. Museum of Fine Arts of the City of Paris, Petit Palais. 37423-2 Tree, deesse of hunting, Roman deesse, dedicate, woman, pregnant woman, fountain, female nude, nymph, next, mythology

Last Judgement (Matthew 25:31-33). Backer, Jacob de (1540/1545-ante 1600), painter

Bacchus, Guidobono, Bartolomeo (1654-1709)

Raising of Lazarus, 1540-1545, by Giuseppe Porta (ca 1520-ca 1575), 209x311 cm.

expulsion from paradise, 1745, oil on canvas, Guillem Mesquida, Can Puig, Palma, Mallorca, Balearic Islands, Spain.

Andromeda. Workshop of Peter Paul Rubens (Flemish, 1577 - 1640)

LUCA GIORDANO/ Perseo y Andrómeda1699 - 1702. Óleo sobre lienzo, 223 x 107 cmDepósitado en la Universidad de Barcelona. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Hagar and the Angel ca. 1657 Francesco Maffei Italian Maffei, who lived and worked in the cities of Vicenza and Padua, was profoundly influenced by the art of Bassano, Tintoretto, and Veronese, his Venetian predecessors. His style is characteristic for its elegance, far removed from realism. This scene from the biblical book of Genesis shows the angel appearing to Hagar. Having been banished by Abraham to the desert with her infant Ishmael, she is saved by a heavenly creature who directs her to a spring of water.. Hagar and the Angel. Francesco Maffei (Italian, Vicenza 1605-1660 Padua). ca. 1657. Oil on canvas. Paintings

Fresco depicting Hercules and Telephus, from the Basilica of Herculaneum. Roman Civilization, 1st Century.

The Muses Clio, Euterpe, and Thalia by Le Sueur, Eustache (1617-1655) / Louvre, Paris / c. 1653 / France / Oil on canvas / Mythology, Allegory and Literature / 130x130 / Baroque

Allegory of Fortune; Dosso Dossi (Giovanni di Niccolò de Lutero), Italian (Ferrarese), about 1490 - 1542; Italy, Europe; about 1530; Oil on canvas; Unframed: 179.1 x 217.2 cm (70 1/2 x 85 1/2 in.), Framed: 214.6 x 228.6 x 8.9 cm (84 1/2 x 90 x 3 1/2 in.)

Apollo by Pieter Paul Rubens, oil on wood, 1577-1640, Russia, Khabarovsk, Far Eastern Art Museum, 57x48

'Bacchus and Ariadne'. Italy, Late 17th-early 18th century. Dimensions: 119x171 cm. Museum: State Hermitage, St. Petersburg. Author: Alessandro Marchesini.

Amor and Psyche, 1638 Anthony van Dyck

P. P. Rubens / Perseus frees Andromeda

The Return of David, by Procaccini Ercole il Giovane, 1663, 17th Century, fresco. Italy, Lombardy, Monza, Brianza, Cathedral. David head Goliath boy crowd walls horse.

The Chariot of Apollo, by Cantarini Simone known as il Pesarese, 1647 - 1648, 17th Century, oil on canvas. Italy, Emilia Romagna, Bologna, National Gallery of Art, inv. 170. Detail. Women hours colors.

Odysseus and Nausicaa, Joachim von Sandrart, c. 1630 - c. 1688

Painting of A Bacchanalian Party by Nicolas Poussin dated 1633

Boucher / Venus at her Toilet

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