Mythological Engravings and Prints

A collection of intricate engravings depicting mythological themes, featuring gods, goddesses, and allegorical figures with rich details and dramatic compositions.

Amsterdam, Muller, Harmen Jansz, Aachen, Hans von, Jan Harmensz., Martyrdom of St. Sebastian, verso - stamped, St. Sebastian is tied to a tree and is shot with arrows. Above him flies a putto with a palm branch and laurel wreath., print, engraving, prints, height 521 mm, width 340 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1598 - 1602, paper, engraving (printing process), Work conception, German, 1552 - 1616-01-06, after a design by, Publication (Event), Publication, Dutch, 1540 - 1617-10-07, publisher

Louis XIV (king of France), Vouet, Simon, France, Dorigny, Michel, Series of prints after the paintings of Fontainebleau, Jupiter with lightning bolts, verso - stamped, Numbered lower right: 2., print, prints, height 287 mm, width 206 mm, French, 1617 - 1665-02-21, print maker, printmaker, 1644 - 1644, paper, engraving, engraving (printing process), etching, 1590-01-09 - 1649-06-30, after, after a painting by, 1638-09-05 - 1715-09-01, granter of privilege

Diana and Endymion. Dimensions: image: 44.9 x 30.9 cm (17 11/16 x 12 3/16 in.) sheet: 53.2 x 34.4 cm (20 15/16 x 13 9/16 in.). Medium: chiaroscuro woodcut printed from three blocks: black line block and gray-blue and light blue tone blocks on heavy laid paper. Museum: National Gallery of Art, Washington DC. Author: Nicolas Le Sueur after Sebastiano Conca.

Wiertz, Antoine Joseph, Fierlants, Edmond, Photo reproduction of In familie II: De liefdestijden by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 141 mm, width 104 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

. Eend in the clouds, with the cornucopia and with a forest arrows in her hand. Around her putti. She chained the personification wrath. In the foreground the personification of the river IJ. The print is to a ceiling painting by Gerard de Lairesse and is part of a series with biblical, mythological and allegorical performances.

Two Tritons and a Swan. Dated: in or after 1736. Dimensions: sheet: 25.4 x 15.2 cm (10 x 6 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pierre-Alexandre Aveline after François Boucher.

Drawing by Jean-Baptiste Henri Deshays showing Saint Andreas refusing to sacrifice to the gods, created with brown brush, washes, and white highlights on brown paper, dated 1758.

The Archangel Michael defeats Satan 1725-79 Lorenzo Zucchi. The Archangel Michael defeats Satan. After Stefano Torelli (Italian, active ca. 1740). 1725-79. Etching. Prints

Memorial leaf on the tolerance patent Josephs II , Matheus de Sallieth -, Artist, after, Pfeiffer, drawer

The Crowned Madonna and Child in Glory, with Saints Sebastian, Roch, Jerome, and John Nepomuk; Gaspare Diziani (Italian, 1689 - 1767); about 1718; Pen and brown ink, brush with gray wash over red chalk; 39.6 x 27 cm (15 9,16 x 10 5,8 in.)

Amsterdam, Muller, Harmen Jansz, Aachen, Hans von, Jan Harmensz., Martyrdom of St. Sebastian, verso - stamped, St. Sebastian is tied to a tree and is shot with arrows. Above him flies a putto with a palm branch and laurel wreath., print, engraving, prints, height 521 mm, width 340 mm, Northern Netherlands, 1571 - 1628, print maker, printmaker, 1598 - 1602, paper, engraving (printing process), Work conception, German, 1552 - 1616-01-06, after a design by, Publication (Event), Publication, Dutch, 1540 - 1617-10-07, publisher

Allegory of the Neutrality of the Republic in the Austrian War of Succession, 1742, Arnoud van Halen (attributed to), 1673 - 1742 print Zeus sitting on throne with the sleeping Hercules in the foreground on the left and the river god of the Amstel on the right; In the background envy and deception. Possibly an allegory on the neutrality of the Republic in the Austrian Succession War, 1742. In the caption the Latin subtitle followed by a verse of six lines in Dutch. Northern Netherlands paper (Story of) Neptune (Poseidon). Cheat, deceit; 'Fraude', 'Decenno' (Ripa). Jealousy; 'Jealousy', 'Rammarico del Ben'altrui' (Ripa)

Jacob and the Heavenly Ladder, John Alexander, active 1715-1752, British, after Raphael, Italian, 1483-1520, Italian, 1718, Etching and engraving, Sheet: 11 x 18 3/4in. (27.9 x 47.6cm)

Swanenburg, Willem Isaacsz. van, Scriverius, Petrus, Moreelse, Paulus, Leiden, Oprijzen van Christus, verso lower left - stamped, Christ ascends towards heaven. He holds a cross with a banner. An angel sits on the edge of the opened tomb. In front of the tomb are several surprised soldiers and a dog. On the left, Mary and Mary Magdalene are walking towards us with two pots of balm. Behind them is a city. Below the scene is a twelve-line Latin text describing the scene., print, prints, height 410 mm, width 313 mm, Noord-Nederlands, 1580-01-29 - 1612-05-31, print maker, printmaker, 1610 - 1610, paper, papier, engraving, graveren (drukprocedé), Work conception, 1571 - 1638-03-19, after a design by, 1576 - 1660, writer, Publication (Event), Publicatie, publisher

Agostino Carracci (Italian, 1557-1602) after Jacopo Tintoretto (Italian (Venetian), 1519-1594). The Madonna Appearing to St. Jerome, 1588. Engraving. Second of four states.

Artist: Albrecht Dürer, German, 1471-1528, Christ on the Mount ofOlives, Etching on iron plate, sheet: 22.3 × 15.6 cm (8 3/4 × 6 1/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

St. George Preparing for His Martyrdom, 1600s. Pierre Brébiette (French, c. 1598-c. 1650), after Paolo Veronese (Italian, 1528-1588). Engraving and etching; sheet: 49 x 30 cm (19 5/16 x 11 13/16 in.); platemark: 34.1 x 23.5 cm (13 7/16 x 9 1/4 in.).

Neptune andAmphitrite. Artist: Unknown After: Bartholomaeus Spranger, Flemish, 1546-1611

Frontispiece Design for Edward Simson, Chronicon Catholicon, Jan Wandelaar, c. 1729 drawing paper. ink. chalk pen / brush historical persons. title-page

Archangel Michaël kills the dragon, Godfried Maes, 1684 print Antwerp paper etching the Archangel Michael fighting the dragon (devil, Satan)

Italy, Rosa, Salvator, Jason and the Dragon, verso - stamped, Jason pours Medea's magic potion over the dragon guarding the Golden Fleece., print, prints, height 226 mm, width 154 mm, print maker, printmaker, 1663 - 1663, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, Italian, 1615-06-20 - 1673-03-15, after print by, after own design by

. Apollo and Diana fires from a cloud arrows at the children of Niobe to punish her. The sons and daughters of Niobe are dead on the ground. Others still try to escape their destiny.

Guardian angel with child and devil, Gerolamo Imperiale, 1622 print A nude child is held by his guardian angel. For them on the ground a devil who fires a fire. At the top right the word Jahweh in a cloud. Fresh in Latin in STANDMARE. paper etching guardian angel. devil(s) appearing to mortals, trying to seduce them; temptation

Evangelist Marcus.The Evangelist Marcus on a cloud surrounded by three putti and a lion. One putto holds the book.

Allegorical title page with the portrait of writer Edward Simson, Jan Wandelaar, 1752 print Minerva sits next to history and looks over her shoulder to the book in which she writes. History is looking up to three allegorical female figures (truth, poetry and a third figure). Behind them father Time, fame and a two -headed figure who hits an inscription in a pyramid with a chisel. Four putti fly in the air, with eternity symbols in the hands, who carry the portrait of writer Edward Simson. Print Maker: Northern Netherlands Publisher: Leiden paper etching / engraving Father Time, Man with wings and scythe. Eternity, 'Aetertas'; 'eternitã ','Eternitã o perpetuitã ' (ripe). Fame; 'Fama', 'Fama Buona', 'Fama Chiara' (rippa). (Story of) Minerva (Pallas, Athena). 'History'; 'History' (ripe). Symbolic representatives, allegories and emblems ~ poetry; 'poesia' (ripe). Truth; 'Veritã ' (ripe). Pyramid (Historical Grave Form)

Martyrdom of a saint, Cornelis Schut (I), after Peter Paul Rubens, 1618 - 1655 print A beheaded man is on the floor. Two small children extend their arms to him. A woman shrinks from him. The executioner, with a sword that was still pulled, looks at the chopped head. An angel with a laurel wreath flies above the decapitated. In the background, a large crowd, including some soldiers, watches. paper etching / engraving saints

Design for a ceiling painting with Venus, Minerva and Juno, draughtsman: Vittorio Maria Bigari, 1702 - 1776, paper, pen, brush, h 415 mm × w 257 mm

Harrowing of Hell. (Reverse copy after Albrecht Dürer's 'Harrowing of Hell' from 'The engraved Passion'.), after 1512, by Albrecht Dürer. Gift of Bishop Monrad, 1869.

Engraver: Giorgio Ghisi, Italian, 1520-1582, After: Giulio Campi, Italian, 1508-1573, Rest on the Flight intoEgypt, Engraving, sheet: 47.6 × 32.3 cm (18 3/4 × 12 11/16in.), Italian, 16thcentury, Works on Paper -Prints

The Sacrifice of Abraham. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Pietro Testa.

The stonation of Saint Etienne (Dutuit 3 bis p.112) Pierre-Paul Rubens. Tassaert, Philippe Joseph. The stoning of Saint Etienne (Dutuit 3 bis p.112). Burin, 17th century. Museum of Fine Arts of the city of Paris, small palace.

Hercules and the Hydra 1651 Michel Dorigny. Hercules and the Hydra. Michel Dorigny (French, Saint-Quentin 1616/17-1665 Paris). 1651. Etching. Prints

Madonna and the Infant, St. Jerome, Mary Magdalene and Angels, after Correggio, Felice Giani, Italian, 1758-1823, Pen and black ink, brush and brown wash on paper, Verso: five studies of gothic monuments, Italy, 1818, figures, Drawing, Drawing

Ludwig XV., King of France.

Anonymous drawing of Apollo showing Urania a zodiac sign, executed in red and black chalk with brown and gray wash, including grid elements from another context.

Jupiter appears to Aeneas, Louis Desplaces, After Antoine Coypel, 1692 - 1739 print Paris paper engraving / etching (story of) Aeneas. (story of) Jupiter (Zeus)

Anonymous (Copy Titian (Tiziano Vecellio)) / 'Martyrdom of Saint Laurence'. XVIII century. Wash, Pencil, Grey ink, Grey-brown ink on paper. Museum: Museo del Prado, Madrid, España.

Artist: Alexander Voet II, Flemish, 1637-after 1689, After: Nicolas Poussin, French, 1594-1665, Assumption of theVirgin, ca.1660, Engraving, sheet: 14.2 × 32.5 cm (5 9/16 × 12 13/16in.), Made in France, French, 17thcentury, Works on Paper -Prints

"Off, off, you lendings-Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4) 1793 William Sharp British In one of a series of engravings Boydell published to reproduce paintings displayed in the Shakespeare Gallery, King Lear has been driven out by his daughters and is buffeted by a storm on a heath. As the king displays his unsettled mind by tearing off his clothes, the Duke of Kent begs him to take shelter. Edgar, another outcast disguised as Tom O'Bedlam, sits at lower right near the Fool. Completing the group, the Duke of Gloucester raises a torch against the darkness. The American born painter West made his name in England painting neoclassical subjects admired by George III, together with heroic modern histories, but here uses a swirling baroque mode suited to a subject that contemporaries would have seen as echoing the madness that afflicted their own king from 1788.. "Off, off, you lendings-Come unbutton here" (Shakespeare, King Lear, Act 3, Scene 4). Boydell's Shakespe

Surge et Comede.... 1801 - 1835. Pinelli, Bartolomeo, 1781-1835. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. Icarus and his father Daedalus escape from Crete. Icarus, however, flies too close to the sun, melting the wing of his wings, let go of his wings, and he crashed into the sea. With an empty margin. The show is decorated with an ornamental edge.

Allegory on the 100-year anniversary of Dutch freedom, 1648-1748. The raised personification of peace tricks in the air with an olive branch and a caduceus. Under her, Minerva receives a lance with a liberty hat from a putto. A second putto offers vigilance in the middle a book. Fully links a third putto diabolical figures with a spear in a flame sea. At the bottom the town hall completed in 1648 at Amsterdam in Amsterdam with a portrait of Jacob van Campen and a performance of piling work at construction.

Dante and Virgil on the back of Geryon early 19th century Bertel Thorvaldsen Danish. Dante and Virgil on the back of Geryon 383415 Artist: Bertel Thorvaldsen, Danish, Copenhagen 17701844 Copenhagen, Dante and Virgil on the back of Geryon, early 19th century, Black and white chalk, sheet: 13 3/16 x 10 3/4 in. (33.5 x 27.3 cm). The Metropolitan Museum of Art, New York. Purchase, The Isaacson-Draper Foundation Gift, 2008 (2008.205)

Muze and Putti wear the portrait of surgeon and poet Govard Bidloo, François van Bleyswijck, after Frans van Mieris, 1681 - 1746 print Muze and Putti wear the portrait of surgeon and poet Govard (Govert) Bidloo. Various attributes refer to the transience of life such as a scythe and a snake that bites itself in the tail. A burial monument is just visible in the background. Leiden paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. the artist and his muse (in general)

Carracci, Ludovico, Paris, Pitau, Nicolas (I), Entombment of Christ by Angels, verso lower left - stamped, Angels lay Christ in his grave in a rock. His body lies on a shroud. The angels grieve and show the stigmata. In the margin a caption in Latin., print, prent, prints, prenten, height 527 mm, width 418 mm, French, South Netherlands, 1632 - 1671-02-11, print maker, printmaker, 1644 - 1671, paper, engraving, engraving (printing process), 1555 - 1619-11-13

The Resurrection of Christ. Schelte Adamsz. Bolswert (Dutch, active in Flanders, c. 1586-1659); after Peter Paul Rubens (Flemish, 1577-1640); published by Martin van den Enden (Flemish, 1605-1673). Date: 1630-1645. Dimensions: 405 x 295 mm (image); 428 x 301 mm (plate); 520 x 363 mm (sheet). Engraving in black on ivory laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA. Author: Schelte Adamsz. Bolswert.

Minerva and the arts for a throne figure, Frederik Ottens, 1743 print Minerva and personifications of the arts stand for a woman with a passer in her hand who is on a pedestal with the title of the book on it. In heaven the gods on a cloud with prominent in the middle of Apollo who plays on the Lier. paper engraving / etching Minerva as patroness. symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa)

Job plagued by Devils, Lucas Vorsterman (I), After Peter Paul Rubens, 1619 - 1675 print Job on the manure heap, plagued by devils. His wife is standing next to him. paper engraving Job on the dunghill with Satan (or devils) abusing and tormenting him; Job's wife may be present

Frontispiece Design for Edward Simson, Chronicon Catholicon, draughtsman: Jan Wandelaar, (mentioned on object), c. 1729, paper, pen, brush, h 347 mm × w 229 mm

Venus an adonis (), Aured Scary, 1720 - 1792 drawing On the left a cupido with bow; Right hunting dogs. paper. ink. chalk pen / brush Venus trying to prevent Adonis from going hunting

Sketchbook Folio, The Lupercalian Festivals; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over traces of black chalk on white heavy wove paper; 30.7 x 22.8 cm (12 1/16 x 9 in.)

Allegory of the death of the artist Giambattista Maderna, Matthias Joseph de Noël, 1792 - 1849 drawing Allegory of the death of the artist Giambattista Maderna (Verona 1758-1803 Stockholm). paper. pencil. ink pen / brush

Jacob wrestling the angel 1730-39 Pietro Monaco. Jacob wrestling the angel. Pietro Monaco (Italian, Belluno 1707-1772 Venice). 1730-39. Etching and engraving. Prints

Saint Rosalia Interceding for Victims of the Plague in Palestrina 1625-1713 Carlo Maratti Italian This attractive drawing is a finished composition study, with some differences, for a painting of Saint Rosalia interceding on behalf of the plague victims of Palestrina. Maratti received the commission for this votive image from Prince Maffeo Barberini in 1656 following an outbreak of plague. The work originally hung in the chapel adjacent to the Barberini palace in Palestrina, a small city near Rome, and is now in the Corsini Collection in Florence. A second drawing of a similar subject showing Saint Rosalia interceding with Christ is in the Museum's collection (inv. 61.212.2) ; it is not connected with the Palestrina painting, however, but probably to an unrecorded votive altarpiece.. Saint Rosalia Interceding for Victims of the Plague in Palestrina 340772

The Sudarium Held by One Angel 1516 Albrecht Dürer German. The Sudarium Held by One Angel 391240

Title print for a series with scenes from the life of Achilles, J. Alexander Janssens, After Victor Honoré Janssens, c. 1700 print In the foreground the coat of arms, saddle and armor of Achilles, with dog, wild boar and deer. A cloth with the series title hangs between two spears. Above that, on a tree, hangs a wreath with palm branches. Bottom left: n.1. First print from a series of fourteen with scenes from the life of Achilles. South of the Netherlands paper engraving / etching (story of) Achilles - attributes

Chalk and feather drawing by an anonymous artist depicting Aeneas in a storm at sea with wash techniques.

L'Air, Additional, Air (Iris on a Rainbow), 1613 - 1678, Etchings, 4 3/16 x 6 3/16 in. (10.6 x 15.7 cm), Paper / Sheet 4 3/16 x 6 3/16 in. (10.6 x 15.7 cm), Cream laid

Paris, Le Brun, Jeaurat, Edme, Wings, Nicolas, France, Adoration by the kings, verso - handwritten, print, prints, verso - stamped, 27, = pag. 6. D., height 357 mm, width 233 mm, 1688 - 1738, print maker, printmaker, 1717 - 1717, paper, papier, etching, etchings, engraving, engraving (printing process), stipple work, French, 1668-12-06 - 1737-12-11, after, after painting by, Publication (Event), Publication, publisher, uitgever, Publicatie

François-André Vincent drawing of Hieronymus in the desert hearing the trumpet of the Last Judgment, executed in black ink with brown wash, 1774.

Jupiter's met blink shots, Michel of Dorigny, After Simon Vouet, 1644 print Numbered in the bottom right: 2. France paper engraving / etching (story of) Jupiter (Zeus). attributes of Jupiter: thunderbolt

Anonymous watercolor and chalk depiction of St. Joseph dreaming, shown in repose with visual emphasis on light and form on gray paper.

Copper engraving depicting the control of the apostle Paul, created by Philippe Thomassin between 1580 and 1622, showing Paul restrained in a biblical scene.

The Martyrdrom of Saint Stephen, kneeling at center while persecutors throw stones at him, three angels holding a laurel wreath overhead, and Christ and God the Father in the clouds at upper left. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Phillip Joseph Tassaert (Flemish, Antwerp 1732-1803 London). Dimensions: Sheet (Trimmed): 19 13/16 × 12 15/16 in. (50.3 × 32.8 cm). Date: ca. 1756-68. Museum: Metropolitan Museum of Art, New York, USA.

. .

FAAM, Domenico del Barbiere, Florentine Red After, 1516 - 1565 print The winged fame standing on a globe, with two trumpets in her hands. print maker: Florenceafter design by: Italy paper engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa) (+ Clothed with wings)

The vision of Jacob's ladder. Colour lithograph by L. Gruner after N. Consoni after Raphael.

Untitled (Mythologicalscene). Artist: Eduard Kretzschmar, German, 1807-1858 Artist: Hugo Bürkner, German, 1818-1897

Anonymous drawing of the biblical scene where an angel appears to Hagar in the desert, executed in chalk with pen, wash, and white heightening on brown paper.

Virtue Triumphing overVice. Etcher: Johann Gottlieb Prestel, German, 1739-1808 After: Jacopo Ligozzi, Italian, 1547-1627

Design of plafond decoration with the Assumption of Mary. Eybelwieser, Johann Jacob (1667-1744), draughtsman, cartoonist

Van Dyck Vandyke, The Agony in The Garden. Photo reproduction of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 8.

Allegory on Venice. Allegory on Venice. Minerva brings tribute and gifts standing in front of the city managers on her throne. On the side of Venice a winged lion, behind her the two authors Zanetti. On the right in the background a part of the Doge Palace (Palazzo Ducale) and statue of the Saint Theodorus, patron saint of Venice, on a column on the San Marco Square. In the air the fame.

Jonah under the Wonderplant, Jan van de Velde (II), After Willem Pietersz Buytewech, 1603 - 1652 print Twist conversation between Jonah and God. Jonah is in his cabin under a miracle plant, which has grown by God but also burned through the burning sun. Fourth print from a series of four about the Bible book Jonah. Northern Netherlands paper etching Jonah sulking (Jonah 4)

Putti with arrow and torch, unknown, after boucher, 1705 - 1775 print Two putti with an arrow and a torch. Publishing number 128. Augsburg paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. attributes of Cupid: arrow(s). angel(s) with torch

Antwerp, Vorsterman, Lucas (I), Seghers, Gerard, St. Francis of Assisi supported by angels, verso lower left - stamped, print, prints, height 390 mm, width 269 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1619 - 1643, paper, papier, engraving, engraving (printing process), 1591 - 1651-03-18, after, after painting by, Publication (Event), Publication, publisher

Allegory of eternal life; Aeternitas. Allegory of eternal life, in a rocaille frame. In a landscape, Apollo is left with arrow and bow and a winch. To the right of him is a old man writing. In the background is a pyramid, for that is an old woman in addition to four winged putti that climbing a staircase. In the middle of the landscape the Ouroboros, the snake that bites in its own tail. In the lower margin twice a four-line German and Latin text. Publisher number 26.

Adonis dies in the arms of Venus, Wallerant Vaillant, after Erasmus Quellinus (II), 1658 - 1677 print Adonis dies in the arms of Venus. Venus and Amor mourn his death. During the hunt, Adonis was seriously injured in a fight with a wild boar. In the background the car of Venus and the wild boar. paper Venus mourning Adonis

Drawing by Michel Dorigny depicting Amor influencing the chaos on earth, executed in stone chalk, coal, and white highlights.

Saint Carl Borromäus Giving Extreme Unction to the Plague-Stricken. Artist: Johann Daniel Herz the Elder (German, Augsburg 1693-1754 Augsburg). Dimensions: sheet: 14 3/16 x 8 11/16 in. (36 x 22 cm). Date: 1700-1754. Museum: Metropolitan Museum of Art, New York, USA. Author: Johann Daniel Herz the Elder.

Saint Martine According to Pierre de Cortona (Dutuit P.34, White 65) Cornelis II Blloert, said U Young (1603-1692). Beaster United States Cortance Stone (Dutuit P.34, White 65). Burin, Curnitely sites. Museums of the city of the city of Paris, small palace.

Saint Michael Fighting the Dragon, from The Apocalypse n.d. Albrecht Dürer German. Saint Michael Fighting the Dragon, from The Apocalypse 368340

The Vision of St. Jerome Giulio Bonasone Italian In Mariette Album, folio 76. The Vision of St. Jerome 366748

Saint Michael Fighting the Dragon, from the series TheApocalypse. Artist: Albrecht Dürer, German, 1471-1528

Allegory On the arrival of the Prince of Orange to England, 1688, Romeyn de Hooghe, 1688 - 1689 print A portrait of the prince, with (English) Crown, is held up by zeal, bravery and discipline, permanent faith at the back. The receiver is another woman (England) with a crown and the bundle of arrows, she offers a treaty in exchange. Left also present: caution or religion and strength, portraits of predecessors from the Oranje-Nassau house in the air. Right parliament with the helm of state, pallas, mercury and putti. In the middle, a blindfolded old man with crowns (Dolle Drift) is traced to the ground. In the distance a battle with the French. On the right for a tablet with an allegorical representation of the beneficiary Eendracht (Concordia) between the Netherlands and England. Before the verse in 6 verses of 6 lines under the performance. Haarlem paper etching personifications of countries, nations, states, districts, etc. England. Scotland. Ireland

Victory, Janus, Chronos & Gaea; Giulio Romano (Giulio Pippi) (Italian, before 1499 - 1546); about 1532 - 1534; Pen and brown ink and wash over black chalk; 37.5 x 31.8 cm (14 3,4 x 12 1,2 in.)

Gottfried Eichler the Younger (German, 1715 - 1770), A Thesis Design with Doctors of the Church, 1747, pen and dark brown ink with brown and gray wash on laid paper

The Engel leaves Tobias and his family, Johannes Pieter de Frey, after Rembrandt van Rijn, 1810 print The angel Rafaël disappears between the clouds and looks over his shoulder to Tobias and his family who stand in front of their house with folded hands. The old Tobit is kneeling on the floor. paper etching the book of Tobit

Fokke, Simon, Amsterdam, Adventures of Telemachus, Le Songe de Télémaque, Minerva protects Telemachus from the arrows of Amor, verso - stamped, Minerva holds her shield above Telemachus to prevent the arrows of Amor from hitting him. In the air, Venus rests on a shell pulled by doves. Print marked at top left: Page 63., print, book illustration, prints, height 167 mm, width 96 mm, Noord-Nederlands, 1712-09-01 - 1784-04-10, print maker, printmaker, 1775 - 1775, paper, papier, etching, etchings, Work conception, after own design by

Allegory of the restoration of religion in England by William III, 1688-1689. As a Roman hero Prince William (with English shield) saves the Virgin of Religion (with seven stars as a halo), behind her hides Moses with the tablets of the law. Hercules chases away deceit, envy and other enemies with a mace. Around various personifications that indicate the goodness of the Prince. In the foreground a verse stopped by two angels, Allegory of the Restoration of Religion in England by William III, 1688-1689., print maker: Jan de Lairesse, (mentioned on object), Jan de Lairesse, (mentioned on object), publisher: Hieronymus Sweerts, (mentioned on object), print maker: Northern Netherlands, publisher: Amsterdam, 1688 - 1689, paper, etching, h 620 mm × w 445 mm

Two mythological figures. Right a bearded man with a staff and two books. On the left a naked figure.

Jacob Wrestling with the Angel. Artist: attributed to Giulio Benso (Italian, Pieve di Teco 1592-1668 Pieve di Teco). Dimensions: 10 3/4 x 7 9/16in. (27.3 x 19.2cm). Date: 1601-68. Museum: Metropolitan Museum of Art, New York, USA.

Young man on the coast, fleeing for a sea monster.

B. Vergine in Gloria e Li Santi Petronio e Aló. Cavedone, Giacomo, 1577-1660. 1762 - 1800. Rosaspina, Francesco, 1762-1841. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint Anne Received in Heaven by Christ and the Virgin 1648-1658 Italy. A Neapolitan painter known as Luca fa presto (ìLuke who paints quicklyî), Luca Giordano was also a fluent and expeditious draftsman. Probably trained by Ribera, he only made six etchings. Despite the rapid pace at which he worked, he produced very small editions of these prints, making early works such as this one extremely rare.. Etching on ivory laid paper . Luca Giordano

King Arthur; Artu Rex; Nine best. King Arthur, a famous Geldleer from the Christian era, stands with a banner in a landscape in a landscape. He is part of the nine best. Under the show a verse in Latin. The show is caught in a frame with curl ornaments and different animals such as a cat loving to a mouse, monkeys and rabbits on which two boys hunt. This print is part of an album.

Le bonne petite soeur 1765-71 Philippe Jacques de Loutherbourg French. Le bonne petite soeur 385483

. .

Triumph of time Tempus (title on object) Six triumphs of Petrarch (series title), With Latin caption, 'Trionfo del Tempo', 'Triumphus Temporis', 'Carro del Tempo' (Ripa), sundial, hourglass, siege, Matthäus Greuter (mentioned on object), 1596, paper, engraving, h 207 mm × w 155 mm

Lazio Roma Rome Stimmate di San Francesco5. Hutzel, Max 1960-1990 Baroque church built over an early Roman church; crypt of church still in existence. Views of sculpture, stucco, painting, fresco, gilding. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Diana sends winds to save iPhigenia. Diana sends with arm gesture wind to save iPhigenia while blowing above the wind to keep Greek fleet away from Aulis.

of 3